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Phillip McSween (751 KP) rated See You Yesterday (2019) in Movies
Oct 23, 2019
Highly Entertaining and Thought-Provoking
After successfully creating a time machine, high school scientist CJ Walker (Eden Duncan-Smith) decides to go back in time and save her brother from being gunned down by police. She soon learns that it’s harder to change the past than she once thought.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
5 Minute Movie Guy (379 KP) rated A Walk Among the Tombstones (2014) in Movies
Jun 28, 2019 (Updated Jun 28, 2019)
Liam Neeson puts in a commanding performance and is a natural as a detective. (2 more)
The film has great visual flair and creates an effectively dark and moody atmosphere.
The solid supporting cast strengthen an otherwise dull and derivative film.
The heavy graphic content of rape, mutilation, and murder is extremely off-putting. (1 more)
There's not a single likeable character to be found in the whole movie.
A Walk Among the Tombstones is unsettling but never really all that compelling. It's a decent detective movie, but your enjoyment of it may depend on how well you can handle its grimy setting and extreme violence.
After watching A Walk Among the Tombstones, I literally felt like I was going to puke. This mystery-thriller, based on Lawrence Block’s popular novel, is a gross and grisly foray into the criminal underworld in search of sadistic kidnappers. Director Scott Frank paints a portrait of a dark and twisted 1990s New York City where women are disappearing, only to later show up chopped into pieces. The film is grim without remorse or reason, and if you’re anything like me, you’ll be eager for it to end so you can wash your hands of it entirely. It stars Liam Neeson as an unlicensed private detective named Matthew Scudder who leads an investigation to find the people responsible for these horrific murders. While it may appear from the trailers to be another entry in Neeson’s growing lineup of ass-kicking action-thrillers, it’s actually far from it. A Walk Among the Tombstones plays out more like a brooding, slow-paced horror film. If you’re expecting Taken, then you’re walking right into the wrong movie.
Neeson’s character Matt Scudder is a former alcoholic and an ex-cop turned personal private investigator who works in exchange for favors. Since he’s no longer affiliated with the police, he’s an appealing person to turn to for those who need help but want to keep the cops out of the picture. When a drug dealer’s wife is kidnapped and savagely murdered, he seeks out Scudder for help. What follows is in an investigation into the murder that links up to the murder of another drug dealer’s wife. With the killers still at large, Scudder is determined to catch them before they can strike again.
Being that Scudder is working with criminals to find even worse criminals, the characters in A Walk Among the Tombstones are quite despicable. In fact, I would argue there’s not a single likeable character in the whole film. Even our protagonist Scudder is a shady person with a corrupt past. It’s hard to care about anyone here except for the poor abducted women, and yet we never get to know any of them. They’re reduced to the point where it’s hard to see them as anything more than the killers’ unlucky victims who have no chance of surviving. We follow Scudder through this twisted investigation not because we care about him, but for their sake of these women, with the hope that our detective hero can put an end to these killers’ unspeakable crimes. The film’s dreadful cast of characters give an incredibly bleak and hopeless outlook on people as a whole.
Liam Neeson gives a suitable performance as Scudder, fitting into the role of a detective quite naturally. As usual, he has a great presence and commands your attention any time he’s on screen. In A Walk Among the Tombstones, he’s not nearly the unstoppable action-hero he has been in his other recent films, but he’s still an intimidating guy you’d be wise not to mess with. He does actually have a couple tense conversations with the killers over the phone that are reminiscent of the famous scene in Taken, but certainly not as memorable.
The killers in the movie happen to be far more appalling than interesting. We don’t ever get to know much about them or their motives. They’re sick, demented people that aren’t given much more depth than being bad for the sake of being bad. However, there’s no question that they’re believably haunting and deranged. Despite their limited screen time and lack of complexity, their actors put in truly unnerving performances.
The film is well-acted throughout, with a few especially notable performances from supporting characters. Olafur Darri Olafsson is terrific as the creepy cemetery groundskeeper, and Eric Nelsen does a commendable job as the drug addict younger brother of the drug dealer who sought Scudder’s help. There’s also Brian “Astro” Bradley as a homeless teenager named TJ that Scudder befriends, who volunteers himself to be his crime-solving partner. Astro at times lightens up the moody film with his charm, and while he’s truly the only character that offers any sense of hope in the film’s gritty world, I think his character largely feels out of place as an unnecessary inclusion.
Scott Frank effectively creates a dark and sullen atmosphere in his movie that is also visually striking. He turns New York’s underbelly into a stylishly gloomy city where its seedy citizens can run rampant. He demonstrates proficiency behind the camera, building eeriness and suspense. However, he goes too far with the film’s graphic sexual content, which includes rape, torture, and mutilation. While he never gives you a very clear look at these heinous acts, he puts you right there in the moment and lets the camera linger. It’s sadistic, cruel, and very disturbing to watch. In a bizarre directorial decision, he has the 12 steps to recovery from Alcoholics Anonymous narrated over the climax of the film. Considering Scudder regularly attends AA meetings to celebrate his sobriety, I can understand why it was included, but it just doesn’t work and ends up detracting from the film’s most heightened sequences. He also disappointingly finishes the movie on a bad note with a conclusion that is drawn out far too long and which contains a weak, conventional ending that is completely forgettable.
A Walk Among the Tombstones raises more questions than it answers, but in a movie this morbid, maybe it’s best not to know. While the movie excels at being unsettling, it’s never really all that compelling. Filled with plenty of bad dialogue and characters that are hard to relate to and care about, I was yearning for this one to end so I wouldn’t have to endure any more of its vileness. Even with all the disturbing content aside, I would argue that the film is still only average at best. While I’m sure there are plenty of people with a penchant for the macabre that will enjoy the film, I am certainly not one of them and I left the theater feeling completely disturbed by what I had just watched. A Walk Among the Tombstones is a decent detective movie, but your enjoyment of the film may depend on how well you can handle its grimy setting and extreme violence. One thing that I can assure you is that I personally don’t have the stomach for it.
(This review was originally posted at 5mmg.com on 9.20.14.)
Neeson’s character Matt Scudder is a former alcoholic and an ex-cop turned personal private investigator who works in exchange for favors. Since he’s no longer affiliated with the police, he’s an appealing person to turn to for those who need help but want to keep the cops out of the picture. When a drug dealer’s wife is kidnapped and savagely murdered, he seeks out Scudder for help. What follows is in an investigation into the murder that links up to the murder of another drug dealer’s wife. With the killers still at large, Scudder is determined to catch them before they can strike again.
Being that Scudder is working with criminals to find even worse criminals, the characters in A Walk Among the Tombstones are quite despicable. In fact, I would argue there’s not a single likeable character in the whole film. Even our protagonist Scudder is a shady person with a corrupt past. It’s hard to care about anyone here except for the poor abducted women, and yet we never get to know any of them. They’re reduced to the point where it’s hard to see them as anything more than the killers’ unlucky victims who have no chance of surviving. We follow Scudder through this twisted investigation not because we care about him, but for their sake of these women, with the hope that our detective hero can put an end to these killers’ unspeakable crimes. The film’s dreadful cast of characters give an incredibly bleak and hopeless outlook on people as a whole.
Liam Neeson gives a suitable performance as Scudder, fitting into the role of a detective quite naturally. As usual, he has a great presence and commands your attention any time he’s on screen. In A Walk Among the Tombstones, he’s not nearly the unstoppable action-hero he has been in his other recent films, but he’s still an intimidating guy you’d be wise not to mess with. He does actually have a couple tense conversations with the killers over the phone that are reminiscent of the famous scene in Taken, but certainly not as memorable.
The killers in the movie happen to be far more appalling than interesting. We don’t ever get to know much about them or their motives. They’re sick, demented people that aren’t given much more depth than being bad for the sake of being bad. However, there’s no question that they’re believably haunting and deranged. Despite their limited screen time and lack of complexity, their actors put in truly unnerving performances.
The film is well-acted throughout, with a few especially notable performances from supporting characters. Olafur Darri Olafsson is terrific as the creepy cemetery groundskeeper, and Eric Nelsen does a commendable job as the drug addict younger brother of the drug dealer who sought Scudder’s help. There’s also Brian “Astro” Bradley as a homeless teenager named TJ that Scudder befriends, who volunteers himself to be his crime-solving partner. Astro at times lightens up the moody film with his charm, and while he’s truly the only character that offers any sense of hope in the film’s gritty world, I think his character largely feels out of place as an unnecessary inclusion.
Scott Frank effectively creates a dark and sullen atmosphere in his movie that is also visually striking. He turns New York’s underbelly into a stylishly gloomy city where its seedy citizens can run rampant. He demonstrates proficiency behind the camera, building eeriness and suspense. However, he goes too far with the film’s graphic sexual content, which includes rape, torture, and mutilation. While he never gives you a very clear look at these heinous acts, he puts you right there in the moment and lets the camera linger. It’s sadistic, cruel, and very disturbing to watch. In a bizarre directorial decision, he has the 12 steps to recovery from Alcoholics Anonymous narrated over the climax of the film. Considering Scudder regularly attends AA meetings to celebrate his sobriety, I can understand why it was included, but it just doesn’t work and ends up detracting from the film’s most heightened sequences. He also disappointingly finishes the movie on a bad note with a conclusion that is drawn out far too long and which contains a weak, conventional ending that is completely forgettable.
A Walk Among the Tombstones raises more questions than it answers, but in a movie this morbid, maybe it’s best not to know. While the movie excels at being unsettling, it’s never really all that compelling. Filled with plenty of bad dialogue and characters that are hard to relate to and care about, I was yearning for this one to end so I wouldn’t have to endure any more of its vileness. Even with all the disturbing content aside, I would argue that the film is still only average at best. While I’m sure there are plenty of people with a penchant for the macabre that will enjoy the film, I am certainly not one of them and I left the theater feeling completely disturbed by what I had just watched. A Walk Among the Tombstones is a decent detective movie, but your enjoyment of the film may depend on how well you can handle its grimy setting and extreme violence. One thing that I can assure you is that I personally don’t have the stomach for it.
(This review was originally posted at 5mmg.com on 9.20.14.)
Ari Augustine (10 KP) rated Realm of Knights (Knights of the Realm, #1) in Books
May 4, 2020
In case you havent heard about this hidden gem, Realm of the Knights is the first book in a new series by Jennifer Anne Davis. Long story short: Since the day of her birth (and subsequent death of her mother) Reid Ellington has been forced to live as her fathers sole male heir. Shes had to walk like a boy, talk like a boy, and do all kinds of boyish things. Its the only way she can inherit her fathers estate.
But when the beans are spilled and by a prince with a taste for blackmail shes forced to accept his offer of silence in exchange for an act of treason. Shes sucked into a whole world of secrets, far more dangerous and deadly than the one shes fighting to keep. And it may cost her more than she realizes.
To be honest, Realm of the Knights isnt my usual cuppa. The last time I read anything close to a high or epic fantasy was during my Forgotten Realms phase, especially ones with courts or royal families.
But Realm of the Knights caught my eye first (admittedly) by its bold, beautiful cover and second, the major Arthurian-Mulan vibes I was getting. This was all I needed to abandon my High-Fantasy famine and dive right in.
And I dont regret it one bit.
You can hear more about my reflections at <a href="https://www.bookishvalhalla.com">Bookish Valhalla</a>
But when the beans are spilled and by a prince with a taste for blackmail shes forced to accept his offer of silence in exchange for an act of treason. Shes sucked into a whole world of secrets, far more dangerous and deadly than the one shes fighting to keep. And it may cost her more than she realizes.
To be honest, Realm of the Knights isnt my usual cuppa. The last time I read anything close to a high or epic fantasy was during my Forgotten Realms phase, especially ones with courts or royal families.
But Realm of the Knights caught my eye first (admittedly) by its bold, beautiful cover and second, the major Arthurian-Mulan vibes I was getting. This was all I needed to abandon my High-Fantasy famine and dive right in.
And I dont regret it one bit.
You can hear more about my reflections at <a href="https://www.bookishvalhalla.com">Bookish Valhalla</a>
DaveySmithy (107 KP) rated Wicked (2024) in Movies
Dec 3, 2024
A Magical, If Slightly Uneven Journey
The long-awaited Wicked movie finally graces the big screen in 2024, bringing the beloved Broadway musical to life with all the magic, heart, and soaring melodies that made it iconic. Directed by Jon M. Chu, this adaptation dives deep into the untold story of the witches of Oz, offering stunning visuals, powerhouse performances, and emotional depth that will captivate fans of the musical and newcomers alike.
The film explores the complex relationship between Elphaba (played by Cynthia Erivo), the misunderstood green-skinned girl who will become the Wicked Witch of the West, and Glinda (Ariana Grande), the glamorous and ambitious witch-in-training. Both actresses deliver strong performances, with Erivo’s soulful voice shining in ballads like “Defying Gravity” and “I’m Not That Girl.” Grande brings charm and humor to Glinda, though her performance occasionally leans into caricature rather than character depth.
Visually, Wicked is breathtaking. The vibrant and intricate production design transports viewers to a fantastical Oz, from the emerald spires of the Emerald City to the mystical forests of Shiz University. Coupled with dazzling costume design and vivid CGI, the world feels alive and immersive.
However, the film does falter in pacing. At over two hours, certain scenes—particularly in the first act—feel overly drawn out, while others are rushed. Some of the musical numbers lose their emotional weight due to awkward transitions from dialogue to song, a challenge many stage-to-screen adaptations face.
Despite these shortcomings, Wicked soars where it matters most: its emotional core. The themes of friendship, identity, and the cost of doing what’s right resonate deeply. By the time the climactic “For Good” duet arrives, the film earns its tears and applause.
While not perfect, Wicked (2024) is a spellbinding adaptation that captures much of the magic of the original musical. Fans will walk away satisfied, and newcomers will find themselves enchanted. A solid 8/10.
The long-awaited Wicked movie finally graces the big screen in 2024, bringing the beloved Broadway musical to life with all the magic, heart, and soaring melodies that made it iconic. Directed by Jon M. Chu, this adaptation dives deep into the untold story of the witches of Oz, offering stunning visuals, powerhouse performances, and emotional depth that will captivate fans of the musical and newcomers alike.
The film explores the complex relationship between Elphaba (played by Cynthia Erivo), the misunderstood green-skinned girl who will become the Wicked Witch of the West, and Glinda (Ariana Grande), the glamorous and ambitious witch-in-training. Both actresses deliver strong performances, with Erivo’s soulful voice shining in ballads like “Defying Gravity” and “I’m Not That Girl.” Grande brings charm and humor to Glinda, though her performance occasionally leans into caricature rather than character depth.
Visually, Wicked is breathtaking. The vibrant and intricate production design transports viewers to a fantastical Oz, from the emerald spires of the Emerald City to the mystical forests of Shiz University. Coupled with dazzling costume design and vivid CGI, the world feels alive and immersive.
However, the film does falter in pacing. At over two hours, certain scenes—particularly in the first act—feel overly drawn out, while others are rushed. Some of the musical numbers lose their emotional weight due to awkward transitions from dialogue to song, a challenge many stage-to-screen adaptations face.
Despite these shortcomings, Wicked soars where it matters most: its emotional core. The themes of friendship, identity, and the cost of doing what’s right resonate deeply. By the time the climactic “For Good” duet arrives, the film earns its tears and applause.
While not perfect, Wicked (2024) is a spellbinding adaptation that captures much of the magic of the original musical. Fans will walk away satisfied, and newcomers will find themselves enchanted. A solid 8/10.
JT (287 KP) rated Into The Abyss (2011) in Movies
Mar 10, 2020
Every now and again I like to leave the fictional world of film and take a trip into reality. I did so with Into the Abyss. A film by Werner Herzog (Rescue Dawn) it looks at the always controversial capital punishment, and focuses on one particular triple murder in the state of Texas.
Using actual footage of the crime scenes which is disturbing enough, Herzog also draws on the real life interviews of those involved and how it has affected their lives. It also explains to us what causes a person to commit murder, and if taking a life for a life really is worth it in the long run.
What is the most shocking with this film is the complete lack of remorse both inmates have. Michael Perry the condemned, man is courteous and polite in his responses as he sits looking through the perspex glass that separates him from Herzog.
As Herzog states at their first meeting he doesn’t particularly like him but he has respect for him, more than likely due in part to the honestly of his answers and how he’s dealing with certain death. The other is Jason Burkett, sentenced to life for his part in the crime, he won’t get out until much past sixty-five, a terrifying prospect when you’re only in your twenties.
Burkett still tries to command a normal life, married to someone on the outside who he rarely gets to touch physically they have a child on the way, although the conception is kept a closely guarded secret, despite advances to find out by Herzog. Both men have always blamed the other and both claimed their innocence.
The film is broken down into chapters, opening with a somber account of life and death from The Reverend Richard Lopez, the man that holds the hand of those sent to death, for their final walk into the unknown. It then quickly moves to an in-depth look at the murders, the how, the why and the where? This all makes for an impactul watch.
Using actual footage of the crime scenes which is disturbing enough, Herzog also draws on the real life interviews of those involved and how it has affected their lives. It also explains to us what causes a person to commit murder, and if taking a life for a life really is worth it in the long run.
What is the most shocking with this film is the complete lack of remorse both inmates have. Michael Perry the condemned, man is courteous and polite in his responses as he sits looking through the perspex glass that separates him from Herzog.
As Herzog states at their first meeting he doesn’t particularly like him but he has respect for him, more than likely due in part to the honestly of his answers and how he’s dealing with certain death. The other is Jason Burkett, sentenced to life for his part in the crime, he won’t get out until much past sixty-five, a terrifying prospect when you’re only in your twenties.
Burkett still tries to command a normal life, married to someone on the outside who he rarely gets to touch physically they have a child on the way, although the conception is kept a closely guarded secret, despite advances to find out by Herzog. Both men have always blamed the other and both claimed their innocence.
The film is broken down into chapters, opening with a somber account of life and death from The Reverend Richard Lopez, the man that holds the hand of those sent to death, for their final walk into the unknown. It then quickly moves to an in-depth look at the murders, the how, the why and the where? This all makes for an impactul watch.
Bong Mines Entertainment (15 KP) rated All My Friends - Single by Col3man in Music
Jun 17, 2019
Armen Paul is an NYC-based singer-songwriter from Boston, Massachusetts. Col3man is an electronic producer who grew up in Heber City, Utah. Not too long ago, they released an introspective dance tune, entitled, “All My Friends”.
“Can’t walk on water, never figured it out. Waves break like me and you. Wade in my worries, but I’m human to doubt, feel you in every mood when I’m angry. I get down on my myself and I get anxious when I need help.” – lyrics
‘All My Friends’ tells an interesting tale of a depressed young man who prays for someone to call his phone.
Apparently, he’s not strong mentality, but somehow he blindly makes it through the day.
‘All My Friends’ contains a relatable storyline, harmonious vocals, and vibey instrumentation flavored with a futuristic blend of indie-pop and electronic elements.
“My friend Col3man and I wrote this song in hopes of helping to erase some of the social stigmas around talking about depression and suicide. It can be challenging to approach friends, family, or professionals and ask for help, but talking about it is often the healthiest way of coping. There is always someone out there willing to listen. We hope this song helps others be the person to reach out and offer help or alternatively, be the person who asks for help. Both efforts take a tremendous amount of courage and they can be life-changing.” – Armen Paul
Armen Paul’s silky falsetto and shimmering vibrato coupled with his subtle grit and soulful melodies create a beautiful musical atmosphere. Not too long ago, the bubbly entertainer appeared on the television show, The X-Factor.
Greggory “Col3man” Ellis has been making a name by creating a unique blend of urban and electronic music.
After touring Africa and Europe as a concert pianist in high school, he found his love for production and dance music.
https://www.bongminesentertainment.com/col3man-armen-paul-all-my-friends/
“Can’t walk on water, never figured it out. Waves break like me and you. Wade in my worries, but I’m human to doubt, feel you in every mood when I’m angry. I get down on my myself and I get anxious when I need help.” – lyrics
‘All My Friends’ tells an interesting tale of a depressed young man who prays for someone to call his phone.
Apparently, he’s not strong mentality, but somehow he blindly makes it through the day.
‘All My Friends’ contains a relatable storyline, harmonious vocals, and vibey instrumentation flavored with a futuristic blend of indie-pop and electronic elements.
“My friend Col3man and I wrote this song in hopes of helping to erase some of the social stigmas around talking about depression and suicide. It can be challenging to approach friends, family, or professionals and ask for help, but talking about it is often the healthiest way of coping. There is always someone out there willing to listen. We hope this song helps others be the person to reach out and offer help or alternatively, be the person who asks for help. Both efforts take a tremendous amount of courage and they can be life-changing.” – Armen Paul
Armen Paul’s silky falsetto and shimmering vibrato coupled with his subtle grit and soulful melodies create a beautiful musical atmosphere. Not too long ago, the bubbly entertainer appeared on the television show, The X-Factor.
Greggory “Col3man” Ellis has been making a name by creating a unique blend of urban and electronic music.
After touring Africa and Europe as a concert pianist in high school, he found his love for production and dance music.
https://www.bongminesentertainment.com/col3man-armen-paul-all-my-friends/
Gaz Coombes recommended Here Come the Warm Jets by Brian Eno in Music (curated)
The Other Daughter
8.0
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Twenty-one year-old Scarlett Strohman has had to walk a difficult path thus far in her young life....
Contemporary Romance
Hazel (1853 KP) rated A Piece Of The World in Books
May 30, 2018
I received this book for free through Goodreads First Reads.
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, A Piece of the World is written around a single painting in the Museum of Modern Art, New York: Christina’s World (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be Charcot-Marie-Tooth disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting Christina’s World, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
A Piece of the World is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, A Piece of the World is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, A Piece of the World is written around a single painting in the Museum of Modern Art, New York: Christina’s World (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be Charcot-Marie-Tooth disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting Christina’s World, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
A Piece of the World is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, A Piece of the World is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
Hazel (1853 KP) rated A Piece Of The World in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, <i>A Piece of the World</i> is written around a single painting in the Museum of Modern Art, New York: <i>Christina’s World</i> (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be <i>Charcot-Marie-Tooth</i> disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting <i>Christina’s World</i>, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
<i>A Piece of the World</i> is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, </i>A Piece of the World</i> is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
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Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, <i>A Piece of the World</i> is written around a single painting in the Museum of Modern Art, New York: <i>Christina’s World</i> (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be <i>Charcot-Marie-Tooth</i> disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting <i>Christina’s World</i>, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
<i>A Piece of the World</i> is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, </i>A Piece of the World</i> is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
<imgsrc="https://www.moma.org/media/W1siZiIsIjE2NTQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=33c151dba7f8de4c"width="100"height="40"alt="ChristinasWorld"/>;