
Transcendental Magic, Its Doctrine and Ritual
Book
2011 Reprint of 1958 London Edition. Full facsimile of the original edition, not reproduced with...

ClareR (5854 KP) rated The Seventh Decimate : The Great Gods War Book One in Books
Nov 16, 2017
Bifalt is on a quest to find the Seventh Decimate - a type of magic which he believes has nullified the magic of the theurgists (magicians) in his country, Belliger. He believes that his country's opponents, the detested Amikans, are responsible for this.
So off Bifalt goes on his quest with his merry band of men, making an inordinately huge amount of mistakes at every turn. I have to admit that I really struggled with the first half of this book. I really didn't warm to Bifalt at all: in fact, at no point in this book did I warm towards Bifalt. It's a good story though. There's loads of action, it's really descriptive and well written. I don't know whether I ever really liked Bifalt, but I think I got used to him, and the other characters were really interesting - his fellow 'Questers' were likeable and the people he met on the way were mysterious and interesting.
I'd recommend this book to those that enjoy fantasy with this type of world building, but if you don't already like this genre, I do think that you would struggle to finish it.
I would be very interested in reading how this story progresses, though, and I shall be keeping an eye out for the next book.
Many thanks to Netgalley and the Publisher for providing me with this book.

Sarah (7799 KP) rated The Prestige (2006) in Movies
Jan 9, 2021
The Prestige is one of 3 Christopher Nolan films on this bucket list (the others being Memento and The Dark Knight), and probably the one that has least recognition out of the the three. In fact I’d say it’s criminally underrated. It focuses on two rival magicians in Victorian London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as a tragic accident gives rise to a bitter escalating feud. Supporting are Michael Caine as stage magic designer and engineer Cutter, Scarlett Johansson as magician’s assistant Olivia, Rebecca Hall as Borden’s wife Sarah and a brief appearance from Andy Serkis and the great David Bowie as Nikola Tesla and his assistant.
From the very start, The Prestige asks us the age old magician’s phrase “Are you watching closely?” and is very much a hint at events to come, warning us that we should be paying attention. And with this being a Christopher Nolan film, this shouldn’t be a surprise. The Prestige starts at the end, with an intriguing image of dozens of discarded top hats explaining magic tricks and the meaning behind the film’s title, and is followed by the death of one of the main characters and subsequent incarceration of another. It continues in typical Nolan style, jumping between the prison, Angier’s journey to visit Nikola Tesla and telling the story of both magicians and their feud from the very beginning. A tad confusing at times, but it wouldn’t be a Nolan film with a some time travelling story telling.
Magic isn’t probably something that appeals as much now as it did back when this film is set. Victorian London is a perfect setting at a time when magic was very much a fascination and a popular form of entertainment, and the costumes and set design for this period are very well done and in keeping with the dark and dreary setting. Yet strangely despite this, The Prestige never feels like a run of the mill period drama. The cast too are perfect for their roles and also help to make magic a lot more appealing. Christian Bale’s cockney Borden is exactly what you’d expect from him yet couldn’t imagine anyone else playing the role, especially with such an awkward verging on unlikeable character, and it’s refreshing to see Hugh Jackman play a part where he isn’t a completely nice or likeable person. And of course it wouldn’t be a Christopher Nolan film without Michael Caine, who brings some much needed humour and exposition. The only drag is unfortunately Scarlett Johansson, whose dodgy English accent pulls us away from anything she puts into her performance.
The Prestige is a slow burn murder mystery, that almost feels like a gothic horror at times with some sci-fi aspects thrown in. The plot has a vast amount of twists and turns and you really do have to be watching closely to understand it all and the ending itself and the final twist is probably the most polarising of them all. For me, the first time I watched this I never saw this twist coming. It truly shocked me, despite the many nods the film gives to the twist throughout. Watching this back now years later, I have to admit that the twist is actually a little predictable when you really think about it. But the feeling of astonishment I had watching this for the first time was second to none. What is most strange though, is that the most confusing thing in this entire film isn’t the twists and turns, it’s the fact that both Angier and Norden can dress up in ridiculously fake disguises to fool each other and ruin the tricks. This does spoil things a little.
I’ve always loved magic and grew up watching many magic shows on TV when I was younger. For me Nolan has brought back that love and appeal of magic, with a hugely entertaining and captivating story. It may not be perfect and the ending may lose some of it’s shine after the first watch, but it’s still another brilliant film from Christopher Nolan.

Asiza Tait (139 KP) rated The Night Circus in Books
Feb 1, 2018
All of our readers enjoyed the beautiful descriptive writing of Erin. Some found the beginning a bit difficult to follow with the abrupt changes of time and scene, though others found the whole mystery of it all utterly engrossing.
Basically, there are two ancient magicians who set their two star pupils against each other to find out who is the best. The issues are that the pupils don't know the rules, or how the winner is declared. The competition arena, is the Night Circus.
There is a great deal that is left to the reader's imagination as not everything is completely explained, which only adds to the enigmas and magic entwined in everything. This is not an ordinary novel. We first get a full view of the almost playfulness of the magic and later the darker aspects of it are explored. How everyone involved in the circus whether directly or not is caught up in it and pays a price as well as benefits from it.
Walking through the circus is so beautifully written that it feels as if you are there, smelling the caramel popcorn and watching the white flames dancing. The joy of the circus permeates the pages, people who visit the circus leave it ever changed.
The love story between Marco and Celia is restrained, elegant and ultimately otherworldly in its strength and beauty. They 'write love letters' to each other through the different tents in the circus. The demonstrations of their affection to each other are so beautiful; so dazzling as to wish that everyone could find such love.
The competition though integral to the story becomes the hardest part to reconcile as the pages flip by and the costs mount up for the magic being used, the balancing that must be maintained. Some of these costs are very heavy, burdensome and even fatal. The darker side of the competition is shown in all it's sinister aspects and we are left waiting for the 'other shoe to drop' so to speak.
To show that this book is not for everyone, half of our readers adored this book and would absolutely recommend it as a must read, and the other half were not at all convinced, conceding only that the descriptive writing was excellent but the plot felt thin.

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Bethany Fletcher (17 KP) rated Children of Blood and Bone: Book 1 in Books
Jun 24, 2018 (Updated Jun 25, 2018)
The characters were cardboard copies of Avatar. Zelie is a mix of Aang and Katara. There is Zelie’s brother, Tzain, who is the only one who doesn’t get magic because screw you Sokka you are not a Bender! They are being chased around by the Prince Inan who wants to impress his daddy but has mixed moral feelings. Hi there Zuko nice to see you again!
The plot was super confusing. There were parts that weren’t explained at all. So Inanas powers are control over someone’s mind right, so he can take someone into his ‘dreamscape’ (basically the Bone Season by Samantha Shannon). Anyway, he takes Zelie into his dreamscape and she hates him as he is a royal and hunting her down BUT she strips off naked and skinny dips? Why? There is no reason and it made zero sense for someone who is terrified of Inan to make themselves that vulnerable.
Zelie gets over her hatred for Inan pretty quick and soon they are lusting after each other. She doesn’t seem to care about the previous hatred and Inan is the only one who struggles morally. Here’s the thing, did they actually have sex? They had sex in Inan’s dreamscape while there physical bodies were actually no where near each other. Zelie was with her brother. So did their minds have sex? Did they share a dream where they both got it on? After Zelie is super awkward about it but it’s like, you didn’t actually do anything, did you? Not explained very well.
I could go on all day but I shan’t. It wasn’t even written well. It just read like the author didn’t know what to write so copied something they knew was succesful. If these things will annoy you as much as they did me then I would suggest skipping this book.

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Gareth von Kallenbach (980 KP) rated Lightyear (2022) in Movies
Jun 13, 2022
With that explanation out of the way, the film centers on a giant ship deep in space that encounters a planet and awakens Space Ranger Buzz Lightyear (Chris Evans) to investigate. Along with a fellow ranger and a recruit, Buzz scopes out the planet only to discover it is hostile and makes a hasty exit from the planet. Unfortunately, in doing so their ship is damaged and they are left stranded on the planet and forced to establish a colony.
Years later Buzz is about to undergo a test flight based on a new fuel that the colony hopes will replicate their previous source and will allow them to travel at the insane velocities needed to cover millions of light-years.
Things seem to go as planned until a critical failure and Buzz learns that his four-minute flight actually covered several years on the planet. Undaunted Buzz tries again and again and returns to find his friends aging, having children, and passing away with only his robotic cat Sox (Peter Sohn) to keep him connected to his past and assist him.
While this would make for an interesting enough film it is actually just the setup to the larger story which involves a hostile Robot army and an evil menace named Zurg who threatens Buzz and his hastily assembled team of volunteers to save the day.
The film has amazing animation and all the humor and charm that one associates with the best Pixar films and is not above giving the audience an emotional tug here and there along the way as I can remember more than a few Pixar films that caused audiences to tear up.
Since this is the first of the last three Pixar films to make a cinematic release it would be easy to say that it is a return to form for Disney/Pixar but I would say that is an understatement as the film mixes humor, action, and interesting characters to form a very enjoyable and engaging adventure which is one of the most satisfying Pixar films in recent memory and one every bit worthy of their name.
It will be interesting to see what the future holds for this crew as I would very much like to see Buzz and his crew return for new adventures soon as “Lightyear” is a new Pixar classic that the entire family will love.
4.5 stars out of 5