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JT (287 KP) rated The Girl in the Spider's Web (2018) in Movies
Mar 10, 2020
It would be a major change for any actress. But for Claire Foy, to go from the beauty and elegance of Elizabeth II in The Crown, to punked out gothic hacker in The Girl in the Spider’s Web takes some doing – and she adapts to it extremely well.
The film is based on the novel written by David Lagercrantz after original writer Stig Larsson’s death. It attempted to restart the series which had become very popular, especially with the original films starring Noomi Rapace. These were held in high regard and the decision to remake The Girl with the Dragon Tattoo was met with cautious scepticism.
But where David Fincher’s remake was dark and unnerving Fede Alvarez‘s Spider’s Web is stylish and explosive. Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible, the film doesn’t provide enough sinister thrills. Instead, it pumps out several action set pieces, that while thoroughly entertaining, leave behind the trauma and shock value of Dragon Tattoo and subsequent originals.
Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible
After an opening that provides plenty of back story surrounding Lisbeth’s childhood, we’re fast-forwarded into the high-tech world. Here a computer programme that can access virtually any nuclear codes in the world has been created by a now remorseful tech whiz (Stephen Merchant) who wants to help destroy it. With a number of people interested in the program, Lisbeth must go on the run and at the same time dig up her past in order to save the world.
This incarnation of Lisbeth Salander feels like a softer version compared with the portrayal by Rapace and 2011’s Rooney Mara. Yet the character is played with gusto by Foy who delivers her lines with a determined grittiness. The film’s plot while somewhat far fetched, is still an enjoyable ride.
The film is based on the novel written by David Lagercrantz after original writer Stig Larsson’s death. It attempted to restart the series which had become very popular, especially with the original films starring Noomi Rapace. These were held in high regard and the decision to remake The Girl with the Dragon Tattoo was met with cautious scepticism.
But where David Fincher’s remake was dark and unnerving Fede Alvarez‘s Spider’s Web is stylish and explosive. Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible, the film doesn’t provide enough sinister thrills. Instead, it pumps out several action set pieces, that while thoroughly entertaining, leave behind the trauma and shock value of Dragon Tattoo and subsequent originals.
Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible
After an opening that provides plenty of back story surrounding Lisbeth’s childhood, we’re fast-forwarded into the high-tech world. Here a computer programme that can access virtually any nuclear codes in the world has been created by a now remorseful tech whiz (Stephen Merchant) who wants to help destroy it. With a number of people interested in the program, Lisbeth must go on the run and at the same time dig up her past in order to save the world.
This incarnation of Lisbeth Salander feels like a softer version compared with the portrayal by Rapace and 2011’s Rooney Mara. Yet the character is played with gusto by Foy who delivers her lines with a determined grittiness. The film’s plot while somewhat far fetched, is still an enjoyable ride.
Rag Rugs: 16 Easy Crochet Projects to Make with Strips of Fabric
Book
This title features 16 projects for making different styles of beautiful, durable rugs. It is an...
Lottie disney bookworm (1056 KP) rated Trying to Live Happily Ever After in Books
Oct 8, 2019
I received an advance review copy of this book for free, and I am leaving this review voluntarily. Thank you to Booksirens and Clive Lilwall for this opportunity.
I was very intrigued by the concept of Trying to Live Happily Ever After: bringing fairytales into the modern age is right up my street and, on the whole, Clive Lilwall did not disappoint.
With 17 short stories in total I must admit I did not enjoy every tale.
Cinderella, in my opinion, was just as vapid as her stepsisters and it felt like her owning an old model of a mobile phone justified her to get "the prince". Granted, this may have been Lilwall's aim to show how we associate technology with social standing. However, I would have appreciated a stronger role model as opposed to the slightly kinder but still materialistic Cindy we received.
Unfortunately some of the fables were also lost on me but that may be because I am not familiar with the originals.
Nevertheless, some of Lilwall's tales will possibly stay with me forever. Red's granny getting saucy under a wolf skin; Hansel and Gretal getting fat and baked in a whole new way and, of course, the blunt, shameless, no-holds-barred adaptation of The Emperor's New Clothes, starring a certain "president".
The writing is overly simplistic at times but this only highlights the roots of these tales as stories and fables.
The writing does not need to be complex when human actions and consequences are under the spotlight in such a humorous, satirical and thought provoking manner.
These are not the fairy tales you remember, they're not even revolting-rhymes-sort-of-for-kids. Not in the slightest. You have been warned.
I was very intrigued by the concept of Trying to Live Happily Ever After: bringing fairytales into the modern age is right up my street and, on the whole, Clive Lilwall did not disappoint.
With 17 short stories in total I must admit I did not enjoy every tale.
Cinderella, in my opinion, was just as vapid as her stepsisters and it felt like her owning an old model of a mobile phone justified her to get "the prince". Granted, this may have been Lilwall's aim to show how we associate technology with social standing. However, I would have appreciated a stronger role model as opposed to the slightly kinder but still materialistic Cindy we received.
Unfortunately some of the fables were also lost on me but that may be because I am not familiar with the originals.
Nevertheless, some of Lilwall's tales will possibly stay with me forever. Red's granny getting saucy under a wolf skin; Hansel and Gretal getting fat and baked in a whole new way and, of course, the blunt, shameless, no-holds-barred adaptation of The Emperor's New Clothes, starring a certain "president".
The writing is overly simplistic at times but this only highlights the roots of these tales as stories and fables.
The writing does not need to be complex when human actions and consequences are under the spotlight in such a humorous, satirical and thought provoking manner.
These are not the fairy tales you remember, they're not even revolting-rhymes-sort-of-for-kids. Not in the slightest. You have been warned.
African Recipes 4000+
Food & Drink and Lifestyle
App
Looking for African recipes, this application has more than 4000 trusted African recipes. ...
Wisden on the Great War: The Lives of Cricket's Fallen 1914-1918
Book
Readers of the 1917 Wisden Cricketers' Almanack were advised by the editor, Sydney Pardon: "Its...
BC
Bean-To-Bar Chocolate: America's Craft Chocolate Revolution: The Origins, the Makers, and the Mind-Blowing Flavors
Book
Author Megan Giller invites fellow chocoholics on a fascinating journey through America's craft...
Textbook of Evolutionary Psychiatry and Psychosomatic Medicine: The Origins of Psychopathology
Book
Psychiatry and Psychosomatic Medicine are concerned with medical conditions affecting brain, mind...
Spying on Canadians: The Royal Canadian Mounted Police Security Service and the Origins of the Long Cold War
Book
Award winning author Gregory S. Kealey's study of Canada's security and intelligence community...
JT (287 KP) rated Triple Frontier (2019) in Movies
Mar 10, 2020
Triple Frontier is the latest straight-to-Netflix blockbuster that manages to hit the right notes at the right times. More often than not Netflix originals aren’t anything to get excited about, although occasionally there is a diamond in the rough.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Directors Tell the Story: Master the Craft of Television and Film Directing
Bethany Rooney and Mary Lou Belli
Book
Move over, movies: the freshest storytelling today is on television, where the multi-episodic format...