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Emma @ The Movies (1786 KP) rated Rocketman (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Is it a musical? Is it a biopic? Does anyone actually know? I think one of the descriptions I saw called it a fantasy, and that is true for a couple of moments but it's a bit of a push. I had a good time watching this and there are definitely things about it that work well, I do however feel that this was rather confused. You've got the story parts mixed with the songs, but only occasionally are those songs what I'd call proper musical numbers. The occasional fantasy moments are a little
The costumes design was wonderful, as you'd expect when you're dressing "Elton". Everything looked just right, all the outfits were inspired by originals that he wore on stage. Just one was almost a direct copy, the baseball uniform that Elton wore was made of sequins and the Rocketman version was made of Swarovski crystals. I also loved the way they adapted the devil costume as the story progressed, very imaginative.
There are a few scenes with fantasy elements in them, one didn't feel like it fit into the whole movie, but I liked the way it landed. I did however love the scene where young Reggie conducts an orchestra, it was a beautiful scene that blended in seamlessly with the regular action.
Good on Taron Egerton for doing the singing for Rocketman, it's no small challenge, but it didn't do it for me. Listening to Elton songs gives me a buzz, there's a vibrancy to his voice and I just didn't feel that in the songs.
Overall, in fact, there were only two points where I really felt moved by what was going on. The first was a moment we actually see in the trailer where Eton and his audience take to the air. When that scene happens in the film it gave me goosebumps, it was perfectly timed and... uplifting... sorry. The second scene was during the conclusion which I won't go into because of spoilers.
While the acting was fine in Rocketman I was drawn much more to it artistically. The costumes, the sets, how the elements all flowed well together, absolutely stunning.
I think if I'd connected better with the songs I could have forgiven the fact that they were haphazardly combining genres, but as it was I felt it didn't fully deliver. As an addition to the recent trend of movies based on music I'm not completely sold, but it does take a bold step in portraying gay relationships, and abusive ones, on the screen which I think should be applauded.
What you should do
It's definitely sex and drugs and rock 'n' roll, so if those things aren't for you then I'd try something different, but for the sheer spectacle, it was worth watching.
Movie thing you wish you could take home
My own costume designer? But someone with a little less dramatic flare.
The costumes design was wonderful, as you'd expect when you're dressing "Elton". Everything looked just right, all the outfits were inspired by originals that he wore on stage. Just one was almost a direct copy, the baseball uniform that Elton wore was made of sequins and the Rocketman version was made of Swarovski crystals. I also loved the way they adapted the devil costume as the story progressed, very imaginative.
There are a few scenes with fantasy elements in them, one didn't feel like it fit into the whole movie, but I liked the way it landed. I did however love the scene where young Reggie conducts an orchestra, it was a beautiful scene that blended in seamlessly with the regular action.
Good on Taron Egerton for doing the singing for Rocketman, it's no small challenge, but it didn't do it for me. Listening to Elton songs gives me a buzz, there's a vibrancy to his voice and I just didn't feel that in the songs.
Overall, in fact, there were only two points where I really felt moved by what was going on. The first was a moment we actually see in the trailer where Eton and his audience take to the air. When that scene happens in the film it gave me goosebumps, it was perfectly timed and... uplifting... sorry. The second scene was during the conclusion which I won't go into because of spoilers.
While the acting was fine in Rocketman I was drawn much more to it artistically. The costumes, the sets, how the elements all flowed well together, absolutely stunning.
I think if I'd connected better with the songs I could have forgiven the fact that they were haphazardly combining genres, but as it was I felt it didn't fully deliver. As an addition to the recent trend of movies based on music I'm not completely sold, but it does take a bold step in portraying gay relationships, and abusive ones, on the screen which I think should be applauded.
What you should do
It's definitely sex and drugs and rock 'n' roll, so if those things aren't for you then I'd try something different, but for the sheer spectacle, it was worth watching.
Movie thing you wish you could take home
My own costume designer? But someone with a little less dramatic flare.
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RəX Regent (349 KP) rated Star Wars: Episode VI – Return of the Jedi (1983) in Movies
Mar 7, 2019
The weakest...
Contains spoilers, click to show
This is often thought of as the weakest of the original trilogy, and whilst I would agree with that, that's not to say that it is bad. The phenomenon which had begun with"Star Wars", six years earlier was about to conclude, or so we thought, with Jedi.
The first film had pioneered the technology and concepts of which to present and achieve such a franchise in the 1970′s and '80′s, and "The Empire Strikes Back" is still the benchmark for part twos, but where this film falls down is that it has sacrificed narrative quality for Lucas' realisation that he could finally do what he wanted, without any hindrance from studios or production limitations.
He had the best of best in visual effects with his Industrial Light and Magic, and he had a vision which had remained unrealised in the previous two films, such as the so called failed Cantina scene in "Star Wars", which is presented here, only this time in the walls of Jabba's palace.
The first half I believe, is George Lucas' real film. Monsters and Muppets, pure fantasy as our heroes wrap up the events of the previous film, and make their daring escape from Jabba the Hutt. The second part is almost a separate film, focusing quite rightly on the Empire and the destruction of the second Death Star. But this plot is very matter of fact, and has no real charm or heart, just epic visuals and a theatrical sense.
Meanwhile, Han Solo and Princess Leia are leading a rebel assault on the forest moon of Endor, populated by the most annoying Muppets of all the dreaded Ewoks! The Ewoks must be one of cinema's greatest misjudgments, the first real misstep in Lucas' handling of the "Star Wars Saga"; but with the prequels and the constant tinkering with the originals, this was to be the thin end of the wedge.
Don't get me wrong, there are plot elements revolving around the Muppets which I liked, such as the nature vs. technology metaphor, but that doesn't excuse the Ewoks and nothing ever will! But elements such as the Speedbike chase and the final battle, all of it, the final Vader/Luke dual, the assault of the Death Star itself, and even the ludicrous Ewok assault, are excellent, visually stunning and exiting and it is enough to save this film from being bogged down by the bad.
And like I said, the money grabbing, almost narratively illiterate George Lucas has damaged and defamed his franchise with his constant tinkering, firstly with the Special Edition in 1997, and then with his Enhanced Special Edition in 2004 for the DVD release.
Lucas is a visionary and has done so much for the film industry and we should be grateful but in the end, he needs to stop milking this franchise, stop pretending that it is never finished, when he has finished it THREE times now and realise that the best of the original trilogy was directed and written by other people, all of which display more talent. Lucas is not a good director but he is a good producer and he has brought this franchise to the screen and the movie industry is better for it. But the Special Editions bring nothing important to the mix, with the exception of the finale, which does carry more scope that 1983 original.
Overall, the weakest of the "Star Wars Trilogy" is a fair assessment and at its worst, it's still leagues above any entry in the prequels, even the Episode III, which is the closest to this high standards of this series.
The first film had pioneered the technology and concepts of which to present and achieve such a franchise in the 1970′s and '80′s, and "The Empire Strikes Back" is still the benchmark for part twos, but where this film falls down is that it has sacrificed narrative quality for Lucas' realisation that he could finally do what he wanted, without any hindrance from studios or production limitations.
He had the best of best in visual effects with his Industrial Light and Magic, and he had a vision which had remained unrealised in the previous two films, such as the so called failed Cantina scene in "Star Wars", which is presented here, only this time in the walls of Jabba's palace.
The first half I believe, is George Lucas' real film. Monsters and Muppets, pure fantasy as our heroes wrap up the events of the previous film, and make their daring escape from Jabba the Hutt. The second part is almost a separate film, focusing quite rightly on the Empire and the destruction of the second Death Star. But this plot is very matter of fact, and has no real charm or heart, just epic visuals and a theatrical sense.
Meanwhile, Han Solo and Princess Leia are leading a rebel assault on the forest moon of Endor, populated by the most annoying Muppets of all the dreaded Ewoks! The Ewoks must be one of cinema's greatest misjudgments, the first real misstep in Lucas' handling of the "Star Wars Saga"; but with the prequels and the constant tinkering with the originals, this was to be the thin end of the wedge.
Don't get me wrong, there are plot elements revolving around the Muppets which I liked, such as the nature vs. technology metaphor, but that doesn't excuse the Ewoks and nothing ever will! But elements such as the Speedbike chase and the final battle, all of it, the final Vader/Luke dual, the assault of the Death Star itself, and even the ludicrous Ewok assault, are excellent, visually stunning and exiting and it is enough to save this film from being bogged down by the bad.
And like I said, the money grabbing, almost narratively illiterate George Lucas has damaged and defamed his franchise with his constant tinkering, firstly with the Special Edition in 1997, and then with his Enhanced Special Edition in 2004 for the DVD release.
Lucas is a visionary and has done so much for the film industry and we should be grateful but in the end, he needs to stop milking this franchise, stop pretending that it is never finished, when he has finished it THREE times now and realise that the best of the original trilogy was directed and written by other people, all of which display more talent. Lucas is not a good director but he is a good producer and he has brought this franchise to the screen and the movie industry is better for it. But the Special Editions bring nothing important to the mix, with the exception of the finale, which does carry more scope that 1983 original.
Overall, the weakest of the "Star Wars Trilogy" is a fair assessment and at its worst, it's still leagues above any entry in the prequels, even the Episode III, which is the closest to this high standards of this series.
Sarah (7798 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 31, 2019
Finally a worthy sequel
After all of the other poor sequels since the original Terminator films, I hadn’t been holding out much hope for this one and had forgotten it even existed until the trailers popped up a couple of weeks ago. However this film was a massively pleasant surprise.
Right from the opening scene, this film knows how to pack a punch. This opening scene is so far away from anything I expected and it was so brilliantly done, the CGI in this was fantastic and starting this way really increased the nostalgia factor that seems to resonate through the entire film. There’s no doubt whatsoever that this film fits in with the original two and for me there’s no other way they could’ve pulled this off. We’ve seen before how badly other Terminator films can go wrong, but this doesn’t shy away from nods to the originals and it really works.
The first 20-30 minutes are non-stop action, and a great introduction to both the Rev-9 and Grace. The Rev-9 is a very good addition to the Terminator family, he’s rather creepy, virtually unstoppable and a seemingly appropriate transition from the T-1000. Aside from the odd dodgy CGI moment, he’s definitely a rather worthy successor to the T-1000. And then there’s Grace, a kick ass powerful female who is a brilliant and much better alternative to the male protector we’ve seen from the rest of the films. She’s played wonderfully by Mackenzie Davis who definitely looks the part. Having Grace alongside old hand Sarah Connor and newbie Dani brings a powerful trio of independent women who spend most of the film battling on their own, is a refreshing change to a male driven film.
Of course they are joined eventually by Arnie, who’s return has sadly been by the trailers. However his appearance in the latter half of the film is very much welcome, as he provides some great deadpan humour that is a little lacking from the first half, and also some of the emotional heartwarming side which was a pleasant surprise. Seeing him back alongside Linda Hamilton is a wonderful feeling, even if her Sarah Connor seems a little too OTT at times.
Despite the above, Dark Fate isn’t perfect. It has been entirely ruined by the trailer, which has given away a lot of the plot – I for one would’ve preferred not to know Arnie was returning, how much of a shock would that have been?! Also, I found some of the action scenes (especially in the second half) to be a little bit much and I wish they could’ve been toned down a little as they were almost giving me motion sickness! There’s also the fact that this film has blatantly been set up for another sequel and I’m hoping and praying that this isn’t the case. This is a very worthy sequel to the original Terminator films and whilst it doesn’t surpass them it sure as hell doesn’t let them down, and I think it’d be such a shame if they were to ruin the franchise again by bringing out yet more second rate sequels.
Right from the opening scene, this film knows how to pack a punch. This opening scene is so far away from anything I expected and it was so brilliantly done, the CGI in this was fantastic and starting this way really increased the nostalgia factor that seems to resonate through the entire film. There’s no doubt whatsoever that this film fits in with the original two and for me there’s no other way they could’ve pulled this off. We’ve seen before how badly other Terminator films can go wrong, but this doesn’t shy away from nods to the originals and it really works.
The first 20-30 minutes are non-stop action, and a great introduction to both the Rev-9 and Grace. The Rev-9 is a very good addition to the Terminator family, he’s rather creepy, virtually unstoppable and a seemingly appropriate transition from the T-1000. Aside from the odd dodgy CGI moment, he’s definitely a rather worthy successor to the T-1000. And then there’s Grace, a kick ass powerful female who is a brilliant and much better alternative to the male protector we’ve seen from the rest of the films. She’s played wonderfully by Mackenzie Davis who definitely looks the part. Having Grace alongside old hand Sarah Connor and newbie Dani brings a powerful trio of independent women who spend most of the film battling on their own, is a refreshing change to a male driven film.
Of course they are joined eventually by Arnie, who’s return has sadly been by the trailers. However his appearance in the latter half of the film is very much welcome, as he provides some great deadpan humour that is a little lacking from the first half, and also some of the emotional heartwarming side which was a pleasant surprise. Seeing him back alongside Linda Hamilton is a wonderful feeling, even if her Sarah Connor seems a little too OTT at times.
Despite the above, Dark Fate isn’t perfect. It has been entirely ruined by the trailer, which has given away a lot of the plot – I for one would’ve preferred not to know Arnie was returning, how much of a shock would that have been?! Also, I found some of the action scenes (especially in the second half) to be a little bit much and I wish they could’ve been toned down a little as they were almost giving me motion sickness! There’s also the fact that this film has blatantly been set up for another sequel and I’m hoping and praying that this isn’t the case. This is a very worthy sequel to the original Terminator films and whilst it doesn’t surpass them it sure as hell doesn’t let them down, and I think it’d be such a shame if they were to ruin the franchise again by bringing out yet more second rate sequels.
Emma @ The Movies (1786 KP) rated Kim Possible (2019) in Movies
Nov 7, 2019
My name is Emma, and I still love Kim Possible. It's great fun and I will fight anyone who says it isn't. That is if we're talking about the animated series... that is gold, the live action film is not even tin foil.
I love Disney TV movies but I really wish they'd stick to originals or property that was already live action... stop remaking things that really don't need it.
Let's address the casting first.
Sean Giambrone as Ron was a solid bit of casting, the right amount of awkward and bumbling, the only thing is that for anyone who watches The Goldbergs he might just be a little too recognisable, but then I doubt many people will watch both of these things. Michael P. Northey as Mr Barkin, he was good, I was generally impressed... but in a world where we have Patrick Warburton why would we not cast Patrick Warburton? Patton Oswalt does evil genius voice fantastically and as Professor Demeantor he was a great pick. Getting a narrow pass, and it's the very finest of passess, Todd Stashwick. I enjoy him when he pops up in shows but he's no Drakken. He was also done wrong by the make-up department.
Everyone else? That's a no. Possibly the worst casting was on the Possible family themselves. I adore Alyson Hannigan but her Mrs. Dr. P. was no bueno. Same goes for Mr. Dr. P. After seeing them on screen I kind of assumed the story was going to revolve around them having been kidnapped and replaced by Bebes with extra nice programming. Jim and Tim were devoid of any of the character their cartoon counterparts had. And then there's Kim, I'm not sure there would have been anyone I'd have been happy with in this role but they've managed to create something very odd in this casting. Live action Kim acts physically like the cartoon does and yet somehow the personality didn't make the crossover with it.
The idea to take Kim down from the inside is one we've seen before with Eric the synthodrone who was used to further the Little Diablo world domination plan. It's a good narative and the twist we're given here isn't a bad one but the execution feels off.
The film turns the Kim Possible formula into a women kicking ass story but they do it really badly. Mrs. Dr. P. and Nana P. are brought on board and then just used as padding and left to be inept in a corner, it's a poor use of characters and a poor use of source material.
Of course the most important part is did they do Rufus right On the whole he wasn't bad and he certainly got his normal opportunity to come to the rescue so I'm going to say good job on that.
What you should do
Don't call her, don't beep her, if you want to watch Kim Possible then watch the series, this film needs to be forgotten in the depths of Disney+.
Movie thing you wish you could take home
The ability to fly through the air like I'm a cartoon character.
I love Disney TV movies but I really wish they'd stick to originals or property that was already live action... stop remaking things that really don't need it.
Let's address the casting first.
Sean Giambrone as Ron was a solid bit of casting, the right amount of awkward and bumbling, the only thing is that for anyone who watches The Goldbergs he might just be a little too recognisable, but then I doubt many people will watch both of these things. Michael P. Northey as Mr Barkin, he was good, I was generally impressed... but in a world where we have Patrick Warburton why would we not cast Patrick Warburton? Patton Oswalt does evil genius voice fantastically and as Professor Demeantor he was a great pick. Getting a narrow pass, and it's the very finest of passess, Todd Stashwick. I enjoy him when he pops up in shows but he's no Drakken. He was also done wrong by the make-up department.
Everyone else? That's a no. Possibly the worst casting was on the Possible family themselves. I adore Alyson Hannigan but her Mrs. Dr. P. was no bueno. Same goes for Mr. Dr. P. After seeing them on screen I kind of assumed the story was going to revolve around them having been kidnapped and replaced by Bebes with extra nice programming. Jim and Tim were devoid of any of the character their cartoon counterparts had. And then there's Kim, I'm not sure there would have been anyone I'd have been happy with in this role but they've managed to create something very odd in this casting. Live action Kim acts physically like the cartoon does and yet somehow the personality didn't make the crossover with it.
The idea to take Kim down from the inside is one we've seen before with Eric the synthodrone who was used to further the Little Diablo world domination plan. It's a good narative and the twist we're given here isn't a bad one but the execution feels off.
The film turns the Kim Possible formula into a women kicking ass story but they do it really badly. Mrs. Dr. P. and Nana P. are brought on board and then just used as padding and left to be inept in a corner, it's a poor use of characters and a poor use of source material.
Of course the most important part is did they do Rufus right On the whole he wasn't bad and he certainly got his normal opportunity to come to the rescue so I'm going to say good job on that.
What you should do
Don't call her, don't beep her, if you want to watch Kim Possible then watch the series, this film needs to be forgotten in the depths of Disney+.
Movie thing you wish you could take home
The ability to fly through the air like I'm a cartoon character.
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Emma @ The Movies (1786 KP) rated Cats (2019) in Movies
Dec 27, 2019
[Nostalgia enters the room looking cheery. A cat lurks in the background. Nostalgia starts tapdancing. Suddenly a red dot appears on Nostalgia's back and the cat savagely attacks it, leaving it bloody and beaten on the ground.]
As I've been saying to people... this film isn't good, but it's also not entirely bad, it has its moments.
Let's talk about the CGI first. You know what? It's not all that bad. Take out whatever you think about the concept of the human cats the fur in the second trailer looked much better than its first outing. During the film, Old Deuteronomy looked so fluffy I just wanted to pet her. The ear movements were pretty good, if a little consistent, it felt a little like they'd looked up cat actions in a book and taken the textbook description to animate rather than watching an actual cat. The cats as a whole could probably been a little larger compared to the "life-sized" staging around them because the ratio did feel a little off, but it wasn't really enough to make it off-putting.
Ever since I saw Cats at the cinema I've been singing the songs, but that's off the back of me listening to the stage recordings on Spotify and not the film versions. They don't quite have the same pep of the originals, watching them wasn't the wondrous experience I was hoping for. There are small exceptions. Taylor Swift was excellent and set a perfect tone for her number. Jason Derulo is a showman in this and after his Red Dwarf Cat-like clip in the trailer I was excited for his full numbers, they didn't disappoint.
Memory has to be my favourite song since seeing it on the stage and I was keen to see the talented Jennifer Hudson perform it. When it surfaced briefly I was worried, there was no impact, no heart... potential disaster. Finally the full number happened at the end and I was convinced. I listened to Hudson sing with such emotion that I cried, streams of tears and a quivering lip. It was beautiful.
The rest of the cast, while chockful of talent, didn't have quite the same buzz about it.
Francesca Hayward is a massively talented ballerina but the acting portion of the performance didn't quite hit the spot. This wasn't helped by the advert that has been running with her and Jennifer Hudson before the trailer was running before every film I watched for about two weeks.
I love Dame Judi and Sir Ian, and it was fun seeing them in this, but both had their issues. I wasn't a fan of Dench's moments of singing and the melancholy role of Gus for McKellen was a little unsettling. Who doesn't love seeing an Idris Elba film? He does the bad "guy" well but there was something wrong here too, I think that was partly to do with that fur torso.
It would be entirely possible to go on and on about this and all its ins and outs, but I don't think either of us have the time for that. I do feel that having the previous knowledge of Cats on the stage will help immensely when seeing this. That does also have some drawbacks though, when we saw it at the theatre it was a very interactive experience with the cats in the aisles with the audience and that's something the film can't compete with. I'm tempted to say that they should have forgone CGI aspects for the most part and had costumed cast. Making something more realistic when everything around it is unrealistic (in that it's not quite what we're used to as regular-sized humans) makes everything more confusing, perhaps the low tech angle would have made it a little less scary to some.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/cats-movie-review.html
As I've been saying to people... this film isn't good, but it's also not entirely bad, it has its moments.
Let's talk about the CGI first. You know what? It's not all that bad. Take out whatever you think about the concept of the human cats the fur in the second trailer looked much better than its first outing. During the film, Old Deuteronomy looked so fluffy I just wanted to pet her. The ear movements were pretty good, if a little consistent, it felt a little like they'd looked up cat actions in a book and taken the textbook description to animate rather than watching an actual cat. The cats as a whole could probably been a little larger compared to the "life-sized" staging around them because the ratio did feel a little off, but it wasn't really enough to make it off-putting.
Ever since I saw Cats at the cinema I've been singing the songs, but that's off the back of me listening to the stage recordings on Spotify and not the film versions. They don't quite have the same pep of the originals, watching them wasn't the wondrous experience I was hoping for. There are small exceptions. Taylor Swift was excellent and set a perfect tone for her number. Jason Derulo is a showman in this and after his Red Dwarf Cat-like clip in the trailer I was excited for his full numbers, they didn't disappoint.
Memory has to be my favourite song since seeing it on the stage and I was keen to see the talented Jennifer Hudson perform it. When it surfaced briefly I was worried, there was no impact, no heart... potential disaster. Finally the full number happened at the end and I was convinced. I listened to Hudson sing with such emotion that I cried, streams of tears and a quivering lip. It was beautiful.
The rest of the cast, while chockful of talent, didn't have quite the same buzz about it.
Francesca Hayward is a massively talented ballerina but the acting portion of the performance didn't quite hit the spot. This wasn't helped by the advert that has been running with her and Jennifer Hudson before the trailer was running before every film I watched for about two weeks.
I love Dame Judi and Sir Ian, and it was fun seeing them in this, but both had their issues. I wasn't a fan of Dench's moments of singing and the melancholy role of Gus for McKellen was a little unsettling. Who doesn't love seeing an Idris Elba film? He does the bad "guy" well but there was something wrong here too, I think that was partly to do with that fur torso.
It would be entirely possible to go on and on about this and all its ins and outs, but I don't think either of us have the time for that. I do feel that having the previous knowledge of Cats on the stage will help immensely when seeing this. That does also have some drawbacks though, when we saw it at the theatre it was a very interactive experience with the cats in the aisles with the audience and that's something the film can't compete with. I'm tempted to say that they should have forgone CGI aspects for the most part and had costumed cast. Making something more realistic when everything around it is unrealistic (in that it's not quite what we're used to as regular-sized humans) makes everything more confusing, perhaps the low tech angle would have made it a little less scary to some.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/cats-movie-review.html
Sarah (7798 KP) rated The Midnight Sky (2020) in Movies
Dec 27, 2020
Predictable and cliched
The Midnight Sky is a science fiction film directed by George Clooney, the latest in a long line of Netflix originals to hit our screens, based on the 2016 book ‘Good Morning, Midnight’ by Lily Brooks-Dalton. George Clooney plays Augustine, who encounters young girl Iris (the adorable Caoilinn Springall) after remaining on earth following a global apocalypse. Together they must travel across the Arctic to reach a weather station that will allow them to warn returning spaceship, the Aether, captained by Adewole (David Oyelowo) and crewed by Sully (Felicity Jones), Mitchell (Kyle Chandler), Sanchez (Demián Bichir) and Maya (Tiffany Boone).
The trailer for this had me concerned. It looked very similar to many other sci-fi/end of the world films (think Sunshine, Interstellar, even The Day After Tomorrow) and nothing about it looked particularly original. I had hoped that the trailer might be misleading, but I’m afraid to say that this is every bit as lacklustre and predictable as the trailer implied.
Visually this looks stunning, both the set design and the special effects have obviously had a decent amount of time and money invested in them. Alongside this, Alexandre Desplat’s score is beautifully ephemeral and haunting, and accompanies the story well, feeling very in keeping with both the Arctic and the space settings. And aside from a decent cast, I’m afraid these are the only good things I can say about this film. The main problem is the story itself, it’s entirely predictable and suffers from every space and sci-fi mishap you could ever think of, from unexplainable drifting off course to the destruction of important equipment (comms of course, would you expect any less?) due to an unpredicted meteor strike. And this cliched predictability just makes the story so dull and drawn out over its two hour runtime.
To be honest, the whole film itself and the actions of the characters just doesn’t make any sense. You have a pregnant astronaut, who has virtually no sexual chemistry with the man she’s having a baby with, and who’s allowed to go outside into space with little concern over her or her baby’s well-being. A scientist who falls into sub-zero Arctic water which appears to have little impact on his health. And a child walking around in a summer dress with bare legs in the Arctic climate. Admittedly this latter point is addressed towards the end of the film in a rather obvious and over used plot twist, which is still rather unsatisfying. There’s also the large number of unexplained plot points. I’m all for keeping the watcher guessing and hate films that feel the need to over explain every aspect of the plot, but The Midnight Sky takes the opposite approach and explains barely anything. If you go into this expecting to find out what caused the radiation apocalypse or what happened to the rest of earth’s population you’ll be sorely disappointed. It also makes references to a K-23 colony ship that the Aether hasn’t heard from, yet provides no explanation or background as to the outcome of said ship, and also gives us flashbacks to Augustine’s past yet with little reason other than to provide an “A-ha” moment for the aforementioned plot twist. And the decisions made by the astronauts on the Aether once they’ve found out about Earth’s fate are just laughably ridiculous especially considering the fate of the rest of the population.
Despite the promising cast and effects, The Midnight Sky is yet another disappointing Netflix original that is light years away from some of the more brilliant sci-fi stories that have come before it.
The trailer for this had me concerned. It looked very similar to many other sci-fi/end of the world films (think Sunshine, Interstellar, even The Day After Tomorrow) and nothing about it looked particularly original. I had hoped that the trailer might be misleading, but I’m afraid to say that this is every bit as lacklustre and predictable as the trailer implied.
Visually this looks stunning, both the set design and the special effects have obviously had a decent amount of time and money invested in them. Alongside this, Alexandre Desplat’s score is beautifully ephemeral and haunting, and accompanies the story well, feeling very in keeping with both the Arctic and the space settings. And aside from a decent cast, I’m afraid these are the only good things I can say about this film. The main problem is the story itself, it’s entirely predictable and suffers from every space and sci-fi mishap you could ever think of, from unexplainable drifting off course to the destruction of important equipment (comms of course, would you expect any less?) due to an unpredicted meteor strike. And this cliched predictability just makes the story so dull and drawn out over its two hour runtime.
To be honest, the whole film itself and the actions of the characters just doesn’t make any sense. You have a pregnant astronaut, who has virtually no sexual chemistry with the man she’s having a baby with, and who’s allowed to go outside into space with little concern over her or her baby’s well-being. A scientist who falls into sub-zero Arctic water which appears to have little impact on his health. And a child walking around in a summer dress with bare legs in the Arctic climate. Admittedly this latter point is addressed towards the end of the film in a rather obvious and over used plot twist, which is still rather unsatisfying. There’s also the large number of unexplained plot points. I’m all for keeping the watcher guessing and hate films that feel the need to over explain every aspect of the plot, but The Midnight Sky takes the opposite approach and explains barely anything. If you go into this expecting to find out what caused the radiation apocalypse or what happened to the rest of earth’s population you’ll be sorely disappointed. It also makes references to a K-23 colony ship that the Aether hasn’t heard from, yet provides no explanation or background as to the outcome of said ship, and also gives us flashbacks to Augustine’s past yet with little reason other than to provide an “A-ha” moment for the aforementioned plot twist. And the decisions made by the astronauts on the Aether once they’ve found out about Earth’s fate are just laughably ridiculous especially considering the fate of the rest of the population.
Despite the promising cast and effects, The Midnight Sky is yet another disappointing Netflix original that is light years away from some of the more brilliant sci-fi stories that have come before it.