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Camino Island
Camino Island
John Grisham | 2017 | Fiction & Poetry
6
7.5 (2 Ratings)
Book Rating
Princeton University houses five valuable manuscripts--all the originals of F. Scott Fitzgerald's novels. They are housed in the basement under a veil of security, but not enough to stop a band of clever thieves from breaking in and stealing them. This sets loose a chain of events and angers both the FBI, who is trying to track down the criminals, and the insurance company, as they are on the hook for $25 million unless the manuscripts are returned. Meanwhile, on touristy Camino Island, Bruce Cable runs a popular bookstore/coffee shop. Thanks to a lot of persistence and hard work, he's managed to keep it profitable even in the digital age. He's also a major backer of the many authors who come through his town on book tours. But few of those authors, or Bruce's patrons, know that Bruce keeps a vault in his shop housing a variety of rare books and manuscripts--some stolen. Finally, we turn to Mercer Mann--Mercer's just lost her teaching position, and she's three years overdue on delivering her next book to her publisher. She's also drowning in student loans. Mercer's approached by a beautiful and elegant woman who offers her a lot of money to get close to Bruce Cable and learn all about his web of secrets. Trouble, as you may guess, ensues.

I have a soft spot for Grisham, that's for sure. I fell in love with his first novels as a young teen, and I still love Darby Shaw, Gray Grantham, Mark Sway, Reverend Roy, and Reggie Love as if they were real people. Grisham and his family have a home in my town, and we claim him as one of our own. His books are often an easy escape, and CAMINO ISLAND falls into that category. Is it as memorable as [b:The Pelican Brief|32499|The Pelican Brief|John Grisham|https://images.gr-assets.com/books/1389486877s/32499.jpg|490324] or [b:The Client|5359|The Client|John Grisham|https://images.gr-assets.com/books/1388632222s/5359.jpg|137715]? No. Is it a fun diversion for a few days? Sure.

CAMINO ISLAND is a change from most of Grisham's legal thrillers--there are no lawyers or court room scenes here, just some tricky criminals, a heist, and the aftermath. You'll need to keep track of the various bad guys in the beginning, but once you get past that, it's an easy breezy read--much like the Florida setting where most of the novel is set. Mercer's a pleasant, albeit not very complicated protagonist, and Bruce Cable is a trip. It's also a detailed exploration into the world of rare books--something I knew little to nothing about.

Overall, this is fun, easy thriller. There are a few twists and turns along the way to keep you interested, and Grisham's characters are always enjoyable. The ending wraps up fairly quickly after all the build-up, so be prepared for that. Is it Grisham's best? No. But it will keep you entertained for a couple of days. 3.5 stars.

You can read my reviews of Grisham's novels GRAY MOUNTAIN <a href="https://www.goodreads.com/book/show/20707959-gray-mountain">here</a>; and ROGUE LAWYER <a href="https://www.goodreads.com/book/show/25387351-rogue-lawyer">here</a>;.

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Star Wars: Episode IX - The Rise of Skywalker (2019)
Star Wars: Episode IX - The Rise of Skywalker (2019)
2019 | Action, Adventure, Fantasy
There are automatically problems with concluding films in a series, a definite set of things need to be achieved and that doesn't always mean the film can have the same impact as its predecessors. I don't know if this is quite where my struggles with the film came from but it probably didn't help.

I enjoy Star Wars but I wouldn't classify myself as a fan, I like the originals, I've really enjoyed the latest instalments, but I'd happily never watch the prequels again. Rewatching The Force Awakens and The Last Jedi was a joy, I don't remember them being that good, so it was sad to get yet another conclusion this year that didn't leave me with good feelings.

We obviously get the same set of actors doing the usual thing, I wasn't particularly wowed by any of the performances. Adam Driver certainly came across better to me, partly because I finally saw a film of his this year where I felt like he could act, and also because he genuinely had a sound performance through the film.

What appears to be the main theme for our cast is that a lot of them get screwed over. Rose in particular, someone online did the maths, 1 minute and 16 seconds of screen time in a 2 hour and 22-minute film. Her first appearance is so dismissive that it was very clear we weren't going to be seeing her. I'd have felt much better if they hologrammed her from somewhere else in the galaxy being hero own hero and left it at that, or then brought her in at the last minute to Captain Marvel that shit. It felt like a fear of offending the trolls, which is a little redundant considering they were going to go off regardless about something.

Finn and Poe, the ultimate bromance. Every time they appeared onscreen there was the rom-com moment where they'd run into each other's arms and kiss... we were robbed each and every time. With news going around about LGBT representation in RoS we could hope though... but what we got was a token kiss from two extras that didn't feel like it was anything more than ticking the box. R2D2 and C3P0 had a better gay storyline than that kiss did.

Finn didn't exactly get a great life in Rise Of Skywalker, as I sit here thinking about his role the only bit I can recall off the top of my head is that he spent a lot of time trying to tell Rey something yet never managed it. Every time it happened I had an uncomfortable feeling and really didn't want it to be what I thought it was. There are other things that Finn did that I can remember, but for the main thing to be this completely irrelevant piece of story to be number one is a complete joke.

Trying to decipher what happened with the Leia footage has my mind-boggling. They used unused footage from the previous movies and shoe-horned it into the story depending on what they had and could make out of it. With all the technology we have I'm honestly surprised how bad it looked. There's always something slightly off about footage that's doctored like this, Leia didn't look like she was in the same colour palette as the rest of the film in several scenes, and you get back of the headshots to fill the interactions with Rey. I dislike that in most films because actual actor or not it always looks like it's something they've had to re-shoot without the original actor. There's also one scene where we see a young Leia and Luke training, Luke looks quite convincing but Leia's recreation is terrible. Being that there's no dialogue in this bit I'm not sure why they couldn't dig into the archives for something more suitable.

When it comes to effects in the rest of the film it's obviously the usual quality you'd expect, I did suffer a couple of times where scenes were very busy with movement and it set off my motion sickness, those bits might have been dubious but I'd honestly not be able to tell you!

Rise Of Skywalker might have been more aptly named Rise Of The Machines (to steal from another franchise). BB-8 is always adorable, and D-0 was a fun little addition. C3P0 really had some great airtime though, some moments made me laugh, some made me cry, along with Kylo he probably faired the best overall.

As the beginning of the film started so slowly I was concerned about what was in store. Trundling along with nothing seemingly happening I was bored and desperate for something to perk up the pace. Those moments did happen, but with no real flow. It was very much start and stop for a lot of the time, no build-up to the action, no real anticipation so the satisfaction of the scenes were very short-lived.

This year has been the culmination to a lot of movie history and yet again I'm not a fan of it. I don't think that Rise Of Skywalker lived up to The Force Awakens and The Last Jedi, even having watched them all in the same week I wasn't engaged by the final instalment because of the slow beginning.

I can forgive films a lot of things if I enjoy them but the list here was far too extensive to be able to do that. With pacing problems, the box-ticking, and so many characters being let down I've finally come down off the fence and sadly I'm on the disappointed side of it.

Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/star-wars-rise-of-skywalker-movie-review.html
  
Rachel Held Evans is at it again, using her Evangelical past and her love of Jesus to help make sense of this messy Bible we have. This is a truly inspired work of allowing our hearts and minds work together for the glory of His word. (0 more)
Truly Inspired
Contains spoilers, click to show
This is a book review for the not-yet-released Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again by Rachel Held Evans. This book is available in stores June 12th, but you can pre-order it at rachelheldevans.com.

I should start by saying - I filled out an application to be on the Launch Team for this new book, so I received an Advanced Reader Copy from the Publisher.

I first came across Rachel Held Evans when her book A Year of Biblical Womanhood crossed upon my Goodreads page. I thought, "Now there's a crazy idea", and while it was, the writing was not. The writing was wonderful! I followed along to grab Searching for Sunday, too.

So as any good 21st century fan, I started following Evans on Facebook, where I saw polls for naming a new book. A new book?? Yay! Never in my wildest dreams did I think I'd get to be reading it a month in advance of release.

"Bible stores don't have to mean just one thing."

Inspired is largely about the importance of stories. Not just Bible stories , but our own stories, too. Stories like how your Grandpa had to quit smoking to get Grandma to go out with him. Stories like how you met your spouse over $0.25 tacos. Stories like how your great-uncle got kicked out of military school necessitating not one, not two, but FOUR rosaries at his funeral.

There are stories about who we are, where we come from, what we're willing to fight for, and what we've learned along the way. There are stories of good news and bad, and who we make community with. And the Bible is no different. Rather than dissecting all of the stories of the Bible, Evans divides the book into genres of stories. There are Wisdom stories, stories of deliverance, Church stories, and of course, Gospels.

"The good news is good for the whole world, certainly, but what makes it good varies from person to person, and community to community."

This theme of interpretation is recurrent through the whole book. Bible stories, gospel stories, war stories - none of them have one singular meaning. For Evans, growing up in a tradition that took the Bible as literally true and the inerrant Word of God, one singular meaning was not only suggested, but preached everyday. And though I grew up Catholic, and not Evangelical Protestant, I can relate.

Leaving the Catholic faith in my late teens to re-emerge as a Progressive Protestant in my thirties has been an eye-opening experience to say the least. I've never known anyone who takes the Bible literally (or at least if I did, I didn't know it). Not until I started homeschooling did I ever meet a person who actually believed in Creation. I guess what I'm trying to say, is that it has never occurred to me to take the Bible literally.

But I am, overall, an academic person. I love to read, analyze, and over-think everything. But since I did not grow up with the Bible's cast of characters like old friends, I was thirty-years-old before I started attending Bible studies at my local church. Instantly, I was sucked in to the weirdness and messiness of the Bible. Which made me ask - how does one even take the Bible literally?

"The truth is, the bible isn't an answer book. It's not even a book, really. Rather it's a diverse library of ancient texts, spanning multiple centuries, genres, and cultures, authored by a host of different authors coming from a variety of different perspectives...No one has the originals."

You could almost say that God delighted in canonizing inconsistencies, trusting that we could use our [God given] intellect to figure out what it needed to mean.

Because, things change, don't they? A historical, analytical approach to studying the Bible tells us that time, place, and context matter. The Epistles of Paul were not written to us. They were written to the church in Corinth, or Thessalonica, or Ephesus. And by church, I mean incredibly small groups of people, gathered in someone's house, illegally I might add. They weren't written to the 2.1 billion of us, flaunting our religion around the world like we own the place.

Indeed, Inspired was so good, and covered such a rich variety of story types, that if I keep talking, I'm going to ruin it for you. So, I guess I'll leave you with this. If you have ever read the Bible and thought:

...how could God just leave Tamar like that?

...how could God call David a man after his own heart?

...Jesus sure does touch a lot of people he ain't supposed to, what's up with that?

...what's so bad about being a tax collector, anyway?

you should probably read this book. NOT because this book answers any of those questions. It doesn't. It doesn't even try to. Rather, Rachel Held Evans in her Southern mama wisdom, helps remind us that maybe having all the answers isn't actually the answer. Maybe reveling in the magic of the Bible is the Hokey Pokey. Maybe that IS what it's all about.