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Lyndsey Gollogly (2893 KP) rated Heartless ( Enemies to Lovers 1) in Books
Sep 11, 2023
125 of 235
Kindle
Heartless ( Enemies to Lovers 1)
By Michelle Heard
⭐️⭐️⭐️
I’m warned that Carter Hayes is heartless.
He’s part of the screw crew.
He’ll just use you and leave you.
He’s ruthless and always gets what he wants.
Just look for the trail of broken hearts and dreamy sighs, and you’ll find him.
“Hot as sin, Carter.”
I don’t have time to fall head over heels for any guy. Besides, he’d never notice someone like me. I have a three-step plan. Get through college. Get a job. Get my sister out of the hell hole I left her in. That’s all I have time for.
That’s until I hear of the betting pool the guys started. Whoever screws me first gets the money. The moment Carter looks at me, I know it’s only because of the bet.
I tell myself our first kiss is only for show.
I hate my heart for falling for his irresistible charm.
For one foolish moment, I actually want him to be my first earth-shattering love. All it takes for me to give in is a little attention, a cocky smile, and a fake promise of a happily-ever-after.
When I’m surrounded by crumpled sheets and the smell of sex, I realize I let him have me for four hundred dollars.
To save what little pride I have left, I pretend it didn’t mean anything, that he’s just one last screw before we all leave college.
I’ve spent the last four years lying to myself. When I’m ready to take the final step of my plan, and save my sister, guess who walks through my front door?
I actually ended up liking this! The first couple of chapters I thought were a bit ropey the “ Screw Crew” and yes that’s what they called the women they slept with was a bit ridiculous but then again these were boys! But as it developed I actually thought it was a good quick read. It was a sweet ending too I’m not much one for romance.
Kindle
Heartless ( Enemies to Lovers 1)
By Michelle Heard
⭐️⭐️⭐️
I’m warned that Carter Hayes is heartless.
He’s part of the screw crew.
He’ll just use you and leave you.
He’s ruthless and always gets what he wants.
Just look for the trail of broken hearts and dreamy sighs, and you’ll find him.
“Hot as sin, Carter.”
I don’t have time to fall head over heels for any guy. Besides, he’d never notice someone like me. I have a three-step plan. Get through college. Get a job. Get my sister out of the hell hole I left her in. That’s all I have time for.
That’s until I hear of the betting pool the guys started. Whoever screws me first gets the money. The moment Carter looks at me, I know it’s only because of the bet.
I tell myself our first kiss is only for show.
I hate my heart for falling for his irresistible charm.
For one foolish moment, I actually want him to be my first earth-shattering love. All it takes for me to give in is a little attention, a cocky smile, and a fake promise of a happily-ever-after.
When I’m surrounded by crumpled sheets and the smell of sex, I realize I let him have me for four hundred dollars.
To save what little pride I have left, I pretend it didn’t mean anything, that he’s just one last screw before we all leave college.
I’ve spent the last four years lying to myself. When I’m ready to take the final step of my plan, and save my sister, guess who walks through my front door?
I actually ended up liking this! The first couple of chapters I thought were a bit ropey the “ Screw Crew” and yes that’s what they called the women they slept with was a bit ridiculous but then again these were boys! But as it developed I actually thought it was a good quick read. It was a sweet ending too I’m not much one for romance.
Ross (3284 KP) rated Stormblood in Books
Jul 14, 2020
Fairly mediocre sci-fi
I received an advance copy of this book from the publishers and Netgalley in exchange for an honest review.
Stormblood is set in a world where the human race has agreed terms with numerous alien races and Harmony governs the included races (the Common). Vakov Fukasawa (a character whose name is more fun to say than he is to read about) is a retired Reaper - that is, he was injected with alien DNA which gave him the rage and healing powers needed to become a super-soldier in the earlier Reaper Wars. He is hired to investigate reports of attacks on or attacks by his former colleagues, as reports of them "bluing-out" and dealing out devastation are mounting. This may well involve him being pitted against his younger brother who feels Vakov abandoned him to their cruel father.
Throughout the book, the story is told purely by telling the reader. Fukasawa finds himself in an extreme situation, having thrown himself in recklessly, and is almost always captured, told some crucial details, which dictate the next stage of the plot, and escapes or is rescued.
The world-building had so much promise, being a form of city built in an asteroid. However it wasn't very well described and I felt quite lost and really struggled to picture the setting. At times I had completely forgotten where the action was happening, and why.
The narrative is quite frustrating as well. What starts off as nice flowing narration with analogies, similes and metaphors, this quickly becomes at the expense of the pacing of the book. A number of times someone responded to a statement that was several paragraphs previous, with thick descriptions and side-tracked passages coming in between, making the reader go back and see what they were responding to.
As with most modern sci-fi, a number of cringeworthy technical terms have been made up and are not explained well enough to allow all but the most avid sci-fi tech-nerd to picture what they are supposed to refer to. See "slingshiv", "thin-gun", "micronades" etc etc. At times, these terms were used so frequently in long rambling passages listing tech and armoury that it may as well have been in a foreign language.
Speaking of which, the world the book takes place in is very reminiscent of Richard Morgan's Altered Carbon, even down to the part-Eastern European/part Japanese names. Fans of those books (which I suffered with similarly on the made-up technical terms) may enjoy this.
Overall, a great idea but needs some work on the pacing, how the plot is revealed (i.e. using different tricks and scenarios) and the narrative.
Stormblood is set in a world where the human race has agreed terms with numerous alien races and Harmony governs the included races (the Common). Vakov Fukasawa (a character whose name is more fun to say than he is to read about) is a retired Reaper - that is, he was injected with alien DNA which gave him the rage and healing powers needed to become a super-soldier in the earlier Reaper Wars. He is hired to investigate reports of attacks on or attacks by his former colleagues, as reports of them "bluing-out" and dealing out devastation are mounting. This may well involve him being pitted against his younger brother who feels Vakov abandoned him to their cruel father.
Throughout the book, the story is told purely by telling the reader. Fukasawa finds himself in an extreme situation, having thrown himself in recklessly, and is almost always captured, told some crucial details, which dictate the next stage of the plot, and escapes or is rescued.
The world-building had so much promise, being a form of city built in an asteroid. However it wasn't very well described and I felt quite lost and really struggled to picture the setting. At times I had completely forgotten where the action was happening, and why.
The narrative is quite frustrating as well. What starts off as nice flowing narration with analogies, similes and metaphors, this quickly becomes at the expense of the pacing of the book. A number of times someone responded to a statement that was several paragraphs previous, with thick descriptions and side-tracked passages coming in between, making the reader go back and see what they were responding to.
As with most modern sci-fi, a number of cringeworthy technical terms have been made up and are not explained well enough to allow all but the most avid sci-fi tech-nerd to picture what they are supposed to refer to. See "slingshiv", "thin-gun", "micronades" etc etc. At times, these terms were used so frequently in long rambling passages listing tech and armoury that it may as well have been in a foreign language.
Speaking of which, the world the book takes place in is very reminiscent of Richard Morgan's Altered Carbon, even down to the part-Eastern European/part Japanese names. Fans of those books (which I suffered with similarly on the made-up technical terms) may enjoy this.
Overall, a great idea but needs some work on the pacing, how the plot is revealed (i.e. using different tricks and scenarios) and the narrative.
KalJ95 (25 KP) rated Pokémon Shield in Video Games
Jan 5, 2020
New Pokemon! (2 more)
New feature when battling mixes up the formula.
Exploration is fun.
Feels all too familiar with previous entries. (2 more)
Missing tonnes of original Pokemon.
Nothing new to excite fans.
Pokemon is no doubt a global phenomenon in both its television series, books, merchandise and especially in its games, both card and electronically. I started my Gameboy life with Pokemon Yellow, and it still remains my favourite. Over the years, I drifted in and out of the various entries, but with the Nintendo Switch, I gladly bought Pokemon: Let's Go Pikachu, as its technically a remaster of Pokemon Yellow. However, I realised at the time that Game Freak had never moved on and created anything new with their Pokemon games, that being ever so more correct with Pokemon Shield and Sword, which as usual is exactly the same game with about five percent difference.
The good? Well it's the same Pokemon games that everyone knows and loves. Turn based battles, exploring and catching Pokemon, and collecting Gym Badges to become the greatest Pokemon trainer. The formula does work though, as they still remain as relevant and popular with their fans. I did genuinely have fun with Shield within my first fifteen hours. The variations of Pokemon (Four hundred altogether) is enough to keep you playing to catch them all, the locations are detailed brimming with vibrancy, and even the battles with new abilities to make your Pokemon become a giant, is really cool concept.
Yet, once I looked back at my time playing both games, they are incredibly disappointing. Game Freak doesn't seem to want to expand and create new ideas with their games, as they are the same games made over twenty years ago. The different areas look stunning, taking much inspiration from British locations, but there's nothing to do apart from battle the Gym leader. The whole game feels hollow and bare. Yes, Four hundred Pokemon is a roster to make any fan jump for joy, but the brand has been going for over twenty years. Where is the original one hundred and fifty? Theres only fifty three. The promise of a new Pokemon experience, a next generation experience even, is just not true.
The sales of both games speak for themselves with Pokemon Shield and Sword, they are an astounding success. Both games however, as a fan of the original games on Gameboy, are dense and lacking new ideas. I would much rather pull out my Gameboy Advance SP, and play Pokemon Yellow.
The good? Well it's the same Pokemon games that everyone knows and loves. Turn based battles, exploring and catching Pokemon, and collecting Gym Badges to become the greatest Pokemon trainer. The formula does work though, as they still remain as relevant and popular with their fans. I did genuinely have fun with Shield within my first fifteen hours. The variations of Pokemon (Four hundred altogether) is enough to keep you playing to catch them all, the locations are detailed brimming with vibrancy, and even the battles with new abilities to make your Pokemon become a giant, is really cool concept.
Yet, once I looked back at my time playing both games, they are incredibly disappointing. Game Freak doesn't seem to want to expand and create new ideas with their games, as they are the same games made over twenty years ago. The different areas look stunning, taking much inspiration from British locations, but there's nothing to do apart from battle the Gym leader. The whole game feels hollow and bare. Yes, Four hundred Pokemon is a roster to make any fan jump for joy, but the brand has been going for over twenty years. Where is the original one hundred and fifty? Theres only fifty three. The promise of a new Pokemon experience, a next generation experience even, is just not true.
The sales of both games speak for themselves with Pokemon Shield and Sword, they are an astounding success. Both games however, as a fan of the original games on Gameboy, are dense and lacking new ideas. I would much rather pull out my Gameboy Advance SP, and play Pokemon Yellow.
The Altruistic Brain: How We are Naturally Good
Book
Since the beginning of recorded history, law and religion have provided "rules" that define good...
Kirk Bage (1775 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Jan 22, 2021
Where to begin with Luc Besson? The masterpiece of Leon aside, he is notorious for creating beautifully bonkers visual treats that twist and turn like a monkey on cocaine, making as much sense. This comic book adaptation starts well, with some jaw dropping CG design and a decent concept – it truly is a dreamscape of glorious colour and imagination rarely matched… but so is Tim Burton’s Charlie and the Chocolate Factory, and we all know how awful that is.
He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.
I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.
I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.
One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.
He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.
I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.
I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.
One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Oct 17, 2019
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Sep 20, 2020
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
Rachel King (13 KP) rated Eternal Rider (Lords of Deliverance, #1, Demonica, #6) in Books
Feb 11, 2019
I loved that this book took a concept that I am very familiar with, the Four Horsemen from Revelation, and turned it on its head. For all of the repetitiveness of fantasy fiction using the same species over and over again - from mermaids to vampires - the horsemen are definitely new vehicles for enticing literature.
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
Emma @ The Movies (1786 KP) rated Anna (2019) in Movies
Jun 20, 2020
Appearances are deceiving, not only with our main character Anna but with the trailer for this film too. What I was expecting was Atomic Blonde, what I got was Atomic Blonde mixed with Red Sparrow but with none of the redeeming features of either.
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
Darren (1599 KP) rated A Prophet (Un prophete) (2010) in Movies
Jun 20, 2019
Story: A Prophet starts as Malik (Rahim) enters prison, he wants to keep to himself and get out quickly, but this doesn’t happen because crime boss Cesar (Arestrup) sees him as a potential new employee in need of protection on the inside, but in exchange Malik must do some of the dirty work for Cesar.
As time goes by Malik starts getting granted day release from prison where he must run jobs for Cesar, instead of getting back into normal life again. When things start getting out of control Malik must find a way out of this life before it is too late.
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Thoughts on A Prophet
Characters – Malik is a young criminal, sent to prison where he wants to do his time and walk away from his mistakes, he isn’t going to get this chance as he gets recruited with the promise of protection on the inside. He finds himself doing whatever it takes to survive this, but can he find a way out. Cesar is the crime lord in prison, he offers protection in exchange for jobs to be done for him, he will kill anyone that crosses him though.
Performances – The performances in this film are fantastic, you believe each reaction and motive the characters must go through as things are happening in the film.
Story – The story follows one young man’s fall into the crime world from inside a prison, to where he must find a way out before it finds himself too deep. There is a religious element to the story which shows the tension between Arabic and Muslims as Malik is stuck between the twos battle. This is a by the book gangster style movie where the new person enters and rises up the gang only to want to find a way out too.
Crime – The crime world we enter starts in prison and shows how things can still be operated from within the prison walls if the ranks are high enough.
Settings – The film is mostly set in the prison, so you can see the world that can operate inside there, outside each process is where Malik is either sent or finding himself while going through the release procedure.
Scene of the Movie – The first kill.
That Moment That Annoyed Me – It is too long for my liking.
Final Thoughts – This is a tense crime thriller showing us just where a young man can fall into while trying to just get out of his own problems with a large amount of religious undertone.
Overall: One for the gangster fans.
https://moviesreview101.com/2018/02/01/abc-film-challenge-oscar-nomination-a-a-prophet-2009/
As time goes by Malik starts getting granted day release from prison where he must run jobs for Cesar, instead of getting back into normal life again. When things start getting out of control Malik must find a way out of this life before it is too late.
REPORT THIS AD
Thoughts on A Prophet
Characters – Malik is a young criminal, sent to prison where he wants to do his time and walk away from his mistakes, he isn’t going to get this chance as he gets recruited with the promise of protection on the inside. He finds himself doing whatever it takes to survive this, but can he find a way out. Cesar is the crime lord in prison, he offers protection in exchange for jobs to be done for him, he will kill anyone that crosses him though.
Performances – The performances in this film are fantastic, you believe each reaction and motive the characters must go through as things are happening in the film.
Story – The story follows one young man’s fall into the crime world from inside a prison, to where he must find a way out before it finds himself too deep. There is a religious element to the story which shows the tension between Arabic and Muslims as Malik is stuck between the twos battle. This is a by the book gangster style movie where the new person enters and rises up the gang only to want to find a way out too.
Crime – The crime world we enter starts in prison and shows how things can still be operated from within the prison walls if the ranks are high enough.
Settings – The film is mostly set in the prison, so you can see the world that can operate inside there, outside each process is where Malik is either sent or finding himself while going through the release procedure.
Scene of the Movie – The first kill.
That Moment That Annoyed Me – It is too long for my liking.
Final Thoughts – This is a tense crime thriller showing us just where a young man can fall into while trying to just get out of his own problems with a large amount of religious undertone.
Overall: One for the gangster fans.
https://moviesreview101.com/2018/02/01/abc-film-challenge-oscar-nomination-a-a-prophet-2009/