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The Cultured Club: Fabulously Funky Fermentation Recipes
Book
Adding a daily dose of fermented foods to your diet can have an extraordinary effect on your health....
Kristy H (1252 KP) rated Ties That Tether in Books
Apr 1, 2021
A sweet OwnVoices romance
This is the twentieth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Azere has always kept a promise she made, at twelve, to her dying father to only date Nigerian men. She's kept this vow even after the rest of her family emigrated to Canada, and Azere has had to struggle with preserving her Nigerian culture in a new land. Then one evening, yet another date set up by her overbearing mother goes awry. Frustrated, Azere heads to the hotel bar for a drink before heading home. There she meets Rafael Castellano; the two hit it off and share a few drinks--and later, his bed. Azere leaves the next day ashamed that she slept with this handsome white man. But when their one-night stand later evolves into something more, Azere must make a serious choice between pleasing her family or loving a man who isn't Nigerian.
"Culture is important. Preserving it, even more important. It's the reason I've always abided by one simple dating rule. Tonight, I've broken that rule."
This book was exactly what I needed when I picked it up--a simple romance that took my mind off things. It's not the most complicated or deftly written book, but it's cute and fun. Is it a bit predictable at times? Sure, but that does not take away any of the enjoyment. Azere is a lovely character, and the book does an excellent job exploring the dilemma she faces of love versus family and culture. Her mother, honestly, is a hateful character, and I felt terribly for the pressures Azere faced.
Rafael was a excellent character as well, as he came with his own baggage and struggles. It's easy to root for the pair of them. I loved that the book is an ode to romances, with lots of references to other love stories and films that predated it thrown in.
All in all, this is a delightful "culture-clash love story," and I am sure that Igharo's work will only get better with time. 3.5 stars, rounded to 4 here.
Azere has always kept a promise she made, at twelve, to her dying father to only date Nigerian men. She's kept this vow even after the rest of her family emigrated to Canada, and Azere has had to struggle with preserving her Nigerian culture in a new land. Then one evening, yet another date set up by her overbearing mother goes awry. Frustrated, Azere heads to the hotel bar for a drink before heading home. There she meets Rafael Castellano; the two hit it off and share a few drinks--and later, his bed. Azere leaves the next day ashamed that she slept with this handsome white man. But when their one-night stand later evolves into something more, Azere must make a serious choice between pleasing her family or loving a man who isn't Nigerian.
"Culture is important. Preserving it, even more important. It's the reason I've always abided by one simple dating rule. Tonight, I've broken that rule."
This book was exactly what I needed when I picked it up--a simple romance that took my mind off things. It's not the most complicated or deftly written book, but it's cute and fun. Is it a bit predictable at times? Sure, but that does not take away any of the enjoyment. Azere is a lovely character, and the book does an excellent job exploring the dilemma she faces of love versus family and culture. Her mother, honestly, is a hateful character, and I felt terribly for the pressures Azere faced.
Rafael was a excellent character as well, as he came with his own baggage and struggles. It's easy to root for the pair of them. I loved that the book is an ode to romances, with lots of references to other love stories and films that predated it thrown in.
All in all, this is a delightful "culture-clash love story," and I am sure that Igharo's work will only get better with time. 3.5 stars, rounded to 4 here.
Binoculars - Easily super-zoom your camera
Utilities and Photo & Video
App
SPECIAL UPDATE PRICE $5.99 >>>>> $1.99 BUY NOW BEFORE THE PRICE GOES UP! Why carry binoculars...
Slow Motion (Pet Play by the Lake)
6.0
Rate It
Book
Leaving everything behind and starting over as a masseur at the Mountain Lake Resort might have been...
MM Contemporary Romance Kink Pet Play
Lyndsey Gollogly (2893 KP) rated Heartless ( Enemies to Lovers 1) in Books
Sep 11, 2023
125 of 235
Kindle
Heartless ( Enemies to Lovers 1)
By Michelle Heard
⭐️⭐️⭐️
I’m warned that Carter Hayes is heartless.
He’s part of the screw crew.
He’ll just use you and leave you.
He’s ruthless and always gets what he wants.
Just look for the trail of broken hearts and dreamy sighs, and you’ll find him.
“Hot as sin, Carter.”
I don’t have time to fall head over heels for any guy. Besides, he’d never notice someone like me. I have a three-step plan. Get through college. Get a job. Get my sister out of the hell hole I left her in. That’s all I have time for.
That’s until I hear of the betting pool the guys started. Whoever screws me first gets the money. The moment Carter looks at me, I know it’s only because of the bet.
I tell myself our first kiss is only for show.
I hate my heart for falling for his irresistible charm.
For one foolish moment, I actually want him to be my first earth-shattering love. All it takes for me to give in is a little attention, a cocky smile, and a fake promise of a happily-ever-after.
When I’m surrounded by crumpled sheets and the smell of sex, I realize I let him have me for four hundred dollars.
To save what little pride I have left, I pretend it didn’t mean anything, that he’s just one last screw before we all leave college.
I’ve spent the last four years lying to myself. When I’m ready to take the final step of my plan, and save my sister, guess who walks through my front door?
I actually ended up liking this! The first couple of chapters I thought were a bit ropey the “ Screw Crew” and yes that’s what they called the women they slept with was a bit ridiculous but then again these were boys! But as it developed I actually thought it was a good quick read. It was a sweet ending too I’m not much one for romance.
Kindle
Heartless ( Enemies to Lovers 1)
By Michelle Heard
⭐️⭐️⭐️
I’m warned that Carter Hayes is heartless.
He’s part of the screw crew.
He’ll just use you and leave you.
He’s ruthless and always gets what he wants.
Just look for the trail of broken hearts and dreamy sighs, and you’ll find him.
“Hot as sin, Carter.”
I don’t have time to fall head over heels for any guy. Besides, he’d never notice someone like me. I have a three-step plan. Get through college. Get a job. Get my sister out of the hell hole I left her in. That’s all I have time for.
That’s until I hear of the betting pool the guys started. Whoever screws me first gets the money. The moment Carter looks at me, I know it’s only because of the bet.
I tell myself our first kiss is only for show.
I hate my heart for falling for his irresistible charm.
For one foolish moment, I actually want him to be my first earth-shattering love. All it takes for me to give in is a little attention, a cocky smile, and a fake promise of a happily-ever-after.
When I’m surrounded by crumpled sheets and the smell of sex, I realize I let him have me for four hundred dollars.
To save what little pride I have left, I pretend it didn’t mean anything, that he’s just one last screw before we all leave college.
I’ve spent the last four years lying to myself. When I’m ready to take the final step of my plan, and save my sister, guess who walks through my front door?
I actually ended up liking this! The first couple of chapters I thought were a bit ropey the “ Screw Crew” and yes that’s what they called the women they slept with was a bit ridiculous but then again these were boys! But as it developed I actually thought it was a good quick read. It was a sweet ending too I’m not much one for romance.
Ross (3284 KP) rated Stormblood in Books
Jul 14, 2020
Fairly mediocre sci-fi
I received an advance copy of this book from the publishers and Netgalley in exchange for an honest review.
Stormblood is set in a world where the human race has agreed terms with numerous alien races and Harmony governs the included races (the Common). Vakov Fukasawa (a character whose name is more fun to say than he is to read about) is a retired Reaper - that is, he was injected with alien DNA which gave him the rage and healing powers needed to become a super-soldier in the earlier Reaper Wars. He is hired to investigate reports of attacks on or attacks by his former colleagues, as reports of them "bluing-out" and dealing out devastation are mounting. This may well involve him being pitted against his younger brother who feels Vakov abandoned him to their cruel father.
Throughout the book, the story is told purely by telling the reader. Fukasawa finds himself in an extreme situation, having thrown himself in recklessly, and is almost always captured, told some crucial details, which dictate the next stage of the plot, and escapes or is rescued.
The world-building had so much promise, being a form of city built in an asteroid. However it wasn't very well described and I felt quite lost and really struggled to picture the setting. At times I had completely forgotten where the action was happening, and why.
The narrative is quite frustrating as well. What starts off as nice flowing narration with analogies, similes and metaphors, this quickly becomes at the expense of the pacing of the book. A number of times someone responded to a statement that was several paragraphs previous, with thick descriptions and side-tracked passages coming in between, making the reader go back and see what they were responding to.
As with most modern sci-fi, a number of cringeworthy technical terms have been made up and are not explained well enough to allow all but the most avid sci-fi tech-nerd to picture what they are supposed to refer to. See "slingshiv", "thin-gun", "micronades" etc etc. At times, these terms were used so frequently in long rambling passages listing tech and armoury that it may as well have been in a foreign language.
Speaking of which, the world the book takes place in is very reminiscent of Richard Morgan's Altered Carbon, even down to the part-Eastern European/part Japanese names. Fans of those books (which I suffered with similarly on the made-up technical terms) may enjoy this.
Overall, a great idea but needs some work on the pacing, how the plot is revealed (i.e. using different tricks and scenarios) and the narrative.
Stormblood is set in a world where the human race has agreed terms with numerous alien races and Harmony governs the included races (the Common). Vakov Fukasawa (a character whose name is more fun to say than he is to read about) is a retired Reaper - that is, he was injected with alien DNA which gave him the rage and healing powers needed to become a super-soldier in the earlier Reaper Wars. He is hired to investigate reports of attacks on or attacks by his former colleagues, as reports of them "bluing-out" and dealing out devastation are mounting. This may well involve him being pitted against his younger brother who feels Vakov abandoned him to their cruel father.
Throughout the book, the story is told purely by telling the reader. Fukasawa finds himself in an extreme situation, having thrown himself in recklessly, and is almost always captured, told some crucial details, which dictate the next stage of the plot, and escapes or is rescued.
The world-building had so much promise, being a form of city built in an asteroid. However it wasn't very well described and I felt quite lost and really struggled to picture the setting. At times I had completely forgotten where the action was happening, and why.
The narrative is quite frustrating as well. What starts off as nice flowing narration with analogies, similes and metaphors, this quickly becomes at the expense of the pacing of the book. A number of times someone responded to a statement that was several paragraphs previous, with thick descriptions and side-tracked passages coming in between, making the reader go back and see what they were responding to.
As with most modern sci-fi, a number of cringeworthy technical terms have been made up and are not explained well enough to allow all but the most avid sci-fi tech-nerd to picture what they are supposed to refer to. See "slingshiv", "thin-gun", "micronades" etc etc. At times, these terms were used so frequently in long rambling passages listing tech and armoury that it may as well have been in a foreign language.
Speaking of which, the world the book takes place in is very reminiscent of Richard Morgan's Altered Carbon, even down to the part-Eastern European/part Japanese names. Fans of those books (which I suffered with similarly on the made-up technical terms) may enjoy this.
Overall, a great idea but needs some work on the pacing, how the plot is revealed (i.e. using different tricks and scenarios) and the narrative.
KalJ95 (25 KP) rated Pokémon Shield in Video Games
Jan 5, 2020
New Pokemon! (2 more)
New feature when battling mixes up the formula.
Exploration is fun.
Feels all too familiar with previous entries. (2 more)
Missing tonnes of original Pokemon.
Nothing new to excite fans.
Pokemon is no doubt a global phenomenon in both its television series, books, merchandise and especially in its games, both card and electronically. I started my Gameboy life with Pokemon Yellow, and it still remains my favourite. Over the years, I drifted in and out of the various entries, but with the Nintendo Switch, I gladly bought Pokemon: Let's Go Pikachu, as its technically a remaster of Pokemon Yellow. However, I realised at the time that Game Freak had never moved on and created anything new with their Pokemon games, that being ever so more correct with Pokemon Shield and Sword, which as usual is exactly the same game with about five percent difference.
The good? Well it's the same Pokemon games that everyone knows and loves. Turn based battles, exploring and catching Pokemon, and collecting Gym Badges to become the greatest Pokemon trainer. The formula does work though, as they still remain as relevant and popular with their fans. I did genuinely have fun with Shield within my first fifteen hours. The variations of Pokemon (Four hundred altogether) is enough to keep you playing to catch them all, the locations are detailed brimming with vibrancy, and even the battles with new abilities to make your Pokemon become a giant, is really cool concept.
Yet, once I looked back at my time playing both games, they are incredibly disappointing. Game Freak doesn't seem to want to expand and create new ideas with their games, as they are the same games made over twenty years ago. The different areas look stunning, taking much inspiration from British locations, but there's nothing to do apart from battle the Gym leader. The whole game feels hollow and bare. Yes, Four hundred Pokemon is a roster to make any fan jump for joy, but the brand has been going for over twenty years. Where is the original one hundred and fifty? Theres only fifty three. The promise of a new Pokemon experience, a next generation experience even, is just not true.
The sales of both games speak for themselves with Pokemon Shield and Sword, they are an astounding success. Both games however, as a fan of the original games on Gameboy, are dense and lacking new ideas. I would much rather pull out my Gameboy Advance SP, and play Pokemon Yellow.
The good? Well it's the same Pokemon games that everyone knows and loves. Turn based battles, exploring and catching Pokemon, and collecting Gym Badges to become the greatest Pokemon trainer. The formula does work though, as they still remain as relevant and popular with their fans. I did genuinely have fun with Shield within my first fifteen hours. The variations of Pokemon (Four hundred altogether) is enough to keep you playing to catch them all, the locations are detailed brimming with vibrancy, and even the battles with new abilities to make your Pokemon become a giant, is really cool concept.
Yet, once I looked back at my time playing both games, they are incredibly disappointing. Game Freak doesn't seem to want to expand and create new ideas with their games, as they are the same games made over twenty years ago. The different areas look stunning, taking much inspiration from British locations, but there's nothing to do apart from battle the Gym leader. The whole game feels hollow and bare. Yes, Four hundred Pokemon is a roster to make any fan jump for joy, but the brand has been going for over twenty years. Where is the original one hundred and fifty? Theres only fifty three. The promise of a new Pokemon experience, a next generation experience even, is just not true.
The sales of both games speak for themselves with Pokemon Shield and Sword, they are an astounding success. Both games however, as a fan of the original games on Gameboy, are dense and lacking new ideas. I would much rather pull out my Gameboy Advance SP, and play Pokemon Yellow.
The Altruistic Brain: How We are Naturally Good
Book
Since the beginning of recorded history, law and religion have provided "rules" that define good...
Kirk Bage (1775 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Jan 22, 2021
Where to begin with Luc Besson? The masterpiece of Leon aside, he is notorious for creating beautifully bonkers visual treats that twist and turn like a monkey on cocaine, making as much sense. This comic book adaptation starts well, with some jaw dropping CG design and a decent concept – it truly is a dreamscape of glorious colour and imagination rarely matched… but so is Tim Burton’s Charlie and the Chocolate Factory, and we all know how awful that is.
He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.
I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.
I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.
One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.
He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.
I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.
I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.
One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Oct 17, 2019
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!