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Ross (3284 KP) rated Free the Darkness in Books
Nov 14, 2018
The premise (1 more)
The flow of the story
The omnipresent narrator (2 more)
The mother of all "Mary Sue"s
The plot seems to be a secret
Very readable but with some sizeable flaws
Rezkin has grown up isolated in a fort, trained to be the most powerful weapons-master, most skilful assassin, most adept spy. At the age of 19 he is told his training is complete and the final task is to kill all of his trainers. All but one fall to his sword. With no idea of the outside world or what he is then meant to do, he travels to track down the final trainer who escaped.
So far so good.
However, this has little bearing on the rest of the plot, as Rezkin uses his skills to become head of thieves and assassins guilds, while supposedly tracking down this missing trainer. This is pitched as being his plan all along, but there is no advance warning of this anywhere. If he is somehow like some sort of sleeper agent who has been hypnotised to forget his plot and is suddenly triggered then this is not made clear at all. It really comes across as the author making it up as he went along.
As Rezkin travels, he meets men (generally all clichés - from the honourable but humble soldier to the bumbling sidekick) and women (even more clichéd as all fall for him and become obsessed with him) and travels with a group, dispatching all attackers in the blink of an eye.
I really hate when journalists try not to use someone's name repeatedly, so refer to them as "the veteran" or "the midfield ace" or "the businessman". Kade does this a lot, as Rezkin is referred to as "the young warrior" repeatedly and it really jars and annoys. This is partly due to the narrator being omnipresent, rather than the book being told from one or a number of points of view, so it has to be made clear who is being referred to a lot, but it is somewhat badly executed.
Similarly, the book could do with a serious proof-read as there are a number of grammatical errors and typos throughout.
Some of the sections of the book are excellent, the fight scenes (although Rezkin never being hit by anyone gets old really quick) and his night prowling are well described and excellent.
There is some use of magic in the book which is somewhat clumsy and throwaway and comes across as complete nonsense (somehow just thinking about an alarm and wrapping a thought around it will make it not go off?!), it really adds nothing to the book other than a way out of impossible situations.
I really enjoyed reading this book, and will be reading the other 3 in the series in short order, but the author fell into so many pitfalls that it does get annoying. I really hope he fixed these in the following books and they live up to the promise of the series. I also hope someone finally manages to even hit Rezkin in a fight, I don't really want to read fight scenes where there is no jeopardy.
So far so good.
However, this has little bearing on the rest of the plot, as Rezkin uses his skills to become head of thieves and assassins guilds, while supposedly tracking down this missing trainer. This is pitched as being his plan all along, but there is no advance warning of this anywhere. If he is somehow like some sort of sleeper agent who has been hypnotised to forget his plot and is suddenly triggered then this is not made clear at all. It really comes across as the author making it up as he went along.
As Rezkin travels, he meets men (generally all clichés - from the honourable but humble soldier to the bumbling sidekick) and women (even more clichéd as all fall for him and become obsessed with him) and travels with a group, dispatching all attackers in the blink of an eye.
I really hate when journalists try not to use someone's name repeatedly, so refer to them as "the veteran" or "the midfield ace" or "the businessman". Kade does this a lot, as Rezkin is referred to as "the young warrior" repeatedly and it really jars and annoys. This is partly due to the narrator being omnipresent, rather than the book being told from one or a number of points of view, so it has to be made clear who is being referred to a lot, but it is somewhat badly executed.
Similarly, the book could do with a serious proof-read as there are a number of grammatical errors and typos throughout.
Some of the sections of the book are excellent, the fight scenes (although Rezkin never being hit by anyone gets old really quick) and his night prowling are well described and excellent.
There is some use of magic in the book which is somewhat clumsy and throwaway and comes across as complete nonsense (somehow just thinking about an alarm and wrapping a thought around it will make it not go off?!), it really adds nothing to the book other than a way out of impossible situations.
I really enjoyed reading this book, and will be reading the other 3 in the series in short order, but the author fell into so many pitfalls that it does get annoying. I really hope he fixed these in the following books and they live up to the promise of the series. I also hope someone finally manages to even hit Rezkin in a fight, I don't really want to read fight scenes where there is no jeopardy.
Artemis is a story about a woman called Jazz Bashara. She's a porter who lives on the moon and smuggles contraband into the city before taking on a job that endangers not only her, but everyone in Artemis.
What did I think to it? It was okay. It was readable. It had a certain charm. Was it amazing? Unfortunately, for me, it fell a little flat and that's difficult for me to say as I love reading Andy's work.
I don't know whether it's because I'm a woman myself but it was quite clear that she'd been written by a man. There were certain elements about her which were reminiscent of Mark Watney and for me it didn't quite work.
That's not to say that I didn't enjoy the book, but it was slow-paced and didn't really pick up until half way through. It's not likely to be one I'd read again. It had big shoes to fill after The Martian, which remains a steady favorite for me.
I hope Andy isn't too discouraged by my review. I did like reading Artemis, it just wasn't groundbreaking for me. Still, I remain a fan of his work and hope he continues to write more novels.
Update: I read somewhere that Andy said Jazz was more like himself and had more of his personality than Mark did. Andy, if this is true please promise me (if you do this) to stop saying things like "Let's bang." 😛
What did I think to it? It was okay. It was readable. It had a certain charm. Was it amazing? Unfortunately, for me, it fell a little flat and that's difficult for me to say as I love reading Andy's work.
I don't know whether it's because I'm a woman myself but it was quite clear that she'd been written by a man. There were certain elements about her which were reminiscent of Mark Watney and for me it didn't quite work.
That's not to say that I didn't enjoy the book, but it was slow-paced and didn't really pick up until half way through. It's not likely to be one I'd read again. It had big shoes to fill after The Martian, which remains a steady favorite for me.
I hope Andy isn't too discouraged by my review. I did like reading Artemis, it just wasn't groundbreaking for me. Still, I remain a fan of his work and hope he continues to write more novels.
Update: I read somewhere that Andy said Jazz was more like himself and had more of his personality than Mark did. Andy, if this is true please promise me (if you do this) to stop saying things like "Let's bang." 😛
Bob By: Wendy Mass and Rebecca Stead
Children's Fiction 216 pages
The copy of this book I have is a B&N Exclusive Edition so it has a bonus chapter in it.
I picked up this book to read to my son, David. This book takes place in Australia.
It has been five years since Livy has visited her Grandmother in Australia. Now that she has returned she has a feeling she is forgetting something. She goes into her mom's old bedroom where she stayed before and she opens up the closet and out comes this small greenish creature in a chicken suit. This creature is named Bob. He has been waiting five years for Livy to come back for him. He doesn't know who or what he is and five years ago Livy promised to find out. Now it is time for Livy to keep that promise. Bob has a big job helping Livy remember things from five years ago. When Livy is away from Bob for any length of time she starts forgetting about him. As you read the story it takes you through some fun events to help solve the mystery of who Bob is. This was a fun story. There are differences of how Australia talk and what things are called in that country compared to ours. I would recommend that you read this book. We gave it 4 stars.
Children's Fiction 216 pages
The copy of this book I have is a B&N Exclusive Edition so it has a bonus chapter in it.
I picked up this book to read to my son, David. This book takes place in Australia.
It has been five years since Livy has visited her Grandmother in Australia. Now that she has returned she has a feeling she is forgetting something. She goes into her mom's old bedroom where she stayed before and she opens up the closet and out comes this small greenish creature in a chicken suit. This creature is named Bob. He has been waiting five years for Livy to come back for him. He doesn't know who or what he is and five years ago Livy promised to find out. Now it is time for Livy to keep that promise. Bob has a big job helping Livy remember things from five years ago. When Livy is away from Bob for any length of time she starts forgetting about him. As you read the story it takes you through some fun events to help solve the mystery of who Bob is. This was a fun story. There are differences of how Australia talk and what things are called in that country compared to ours. I would recommend that you read this book. We gave it 4 stars.
The Military Wife
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An emotionally layered novel about family, loss and what it means to be a military wife. Harper...
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Emma @ The Movies (1786 KP) rated Zoo (2018) in Movies
Feb 27, 2021
I'm not sure how this came into the watching loop, I honestly think it was the fact it was only about an hour and a half long.
John and Karen have fallen out of love with each other, their future might have been very different if it wasn't for the mysterious and dangerous plague going on outside their flat. Can they wait out the danger with the promise of rescue on the horizon?
From the outset the music comes across as quite jarring. I would expect it to be for this sort of topic, however I didn't find it easy to listen to, or that it fit well into the overall film. It's something I noticed several times, and you know me, I only notice music if it's amazing or terrible.
John and Karen, played by Ed Speleers and Zoë Tapper, take most of the screen time in their flat. We see their relationship change over the course of the film, from their rocky beginning they use their time together to become reacquainted with each other. At the beginning I wasn't entirely sure about them as a couple, the chemistry between the two actors seemed a little off, even when taking into account the divide in their character's relationship. Once we're underway though I found the power dynamic became more apparent and that helped move things along.
Despite them being confined, you never get that claustrophobic feeling, and that seemed rather strange. That spacious flat almost felt welcoming with its size, and that's at odds with the point of the film. Their spacious flat almost felt welcoming with its size. Had it "opened up" as we progressed, that would have made some sense, but all the space was used fairly early on even as extra people get added. At no point did their environment inside the flat have any real sense of danger.
The character of Karen is never massively likeable even in vulnerable moments, and her actions often seem to contradict themselves during the proceedings. When the neighbours are added into the mix I genuinely didn't see the reality in their interactions. It became a struggle between two alphas and their clueless partners, but it lacked chemistry and was a low point in the film for me.
At the beginning as the couple montage their way to trying to survive I started to engage more, but the middle chunk didn't really click with me. But somewhere along the way it seemed to get back on track... but again, more of that contradiction came and it became a real miss match.
Because of the way Death Do Us Part decided to handle the catastrophe you actually get a lot less gore than you'd expect. There are still violent moments to be seen, but it does quite a good job of hiding most of it away.
Death Do Us Part was an intriguing take on a zombie movie, with definite highs and lows. And while it was eventually an enjoyable watch, it does leave you with few answers about the story outside their flat, which was both fine and yet frustrating.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/death-do-us-part-movie-review.html
John and Karen have fallen out of love with each other, their future might have been very different if it wasn't for the mysterious and dangerous plague going on outside their flat. Can they wait out the danger with the promise of rescue on the horizon?
From the outset the music comes across as quite jarring. I would expect it to be for this sort of topic, however I didn't find it easy to listen to, or that it fit well into the overall film. It's something I noticed several times, and you know me, I only notice music if it's amazing or terrible.
John and Karen, played by Ed Speleers and Zoë Tapper, take most of the screen time in their flat. We see their relationship change over the course of the film, from their rocky beginning they use their time together to become reacquainted with each other. At the beginning I wasn't entirely sure about them as a couple, the chemistry between the two actors seemed a little off, even when taking into account the divide in their character's relationship. Once we're underway though I found the power dynamic became more apparent and that helped move things along.
Despite them being confined, you never get that claustrophobic feeling, and that seemed rather strange. That spacious flat almost felt welcoming with its size, and that's at odds with the point of the film. Their spacious flat almost felt welcoming with its size. Had it "opened up" as we progressed, that would have made some sense, but all the space was used fairly early on even as extra people get added. At no point did their environment inside the flat have any real sense of danger.
The character of Karen is never massively likeable even in vulnerable moments, and her actions often seem to contradict themselves during the proceedings. When the neighbours are added into the mix I genuinely didn't see the reality in their interactions. It became a struggle between two alphas and their clueless partners, but it lacked chemistry and was a low point in the film for me.
At the beginning as the couple montage their way to trying to survive I started to engage more, but the middle chunk didn't really click with me. But somewhere along the way it seemed to get back on track... but again, more of that contradiction came and it became a real miss match.
Because of the way Death Do Us Part decided to handle the catastrophe you actually get a lot less gore than you'd expect. There are still violent moments to be seen, but it does quite a good job of hiding most of it away.
Death Do Us Part was an intriguing take on a zombie movie, with definite highs and lows. And while it was eventually an enjoyable watch, it does leave you with few answers about the story outside their flat, which was both fine and yet frustrating.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/death-do-us-part-movie-review.html