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Manny Steinberg (1925-2015) spent his teens in Nazi concentration camps in Germany, miraculously...
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Welcome to the Europa-Park App 5.5! Unbelievable – over 900 top reviews for our last version! We...
Scott Tostik (389 KP) rated Mom and Dad (2018) in Movies
Jan 27, 2018
Nicholas Cage (2 more)
Great idea
Superb dialogue
Some damn fine fun with Cage and Blair
Contains spoilers, click to show
Two people who you should be able to count on for your safety as a child are your Mother and Father. But that doesn' ring true in this amazing little film by writer/director Brian Taylor.
The film's opening sequence shows a woman in a minivan with a baby in the backseat. The radio plays some strange static and out of nowhere she looks back to the infant and exits the vehicle. Leaving the baby and the van to meet their demise via an oncoming train.
What follows is pure genius and insanity that is topped by Nick Cage doing what Nick Cage does best. Losing it onscreen with a fever that only my he can provide.
Selma Blair holds her own as Cafe's seemingly mild mannered wife who turns on a dime and joins him in the craziness with a certain flair comparable to Cages insane bravado.
The kids, played by Anne Winters and Zachary Arthur, fight their parents with some Home Alonish antics that prove to serve them well.
No one can fully say what it is that officially makes the parents around the world turn on their kids. But it has something to do with white noise and static on televisions and radios across the planet. Parents instinct to protect their young like a bear is replaced with the feeling off ultimate anger and insanity.
In one scene, Blair is at the hospital coaching her sister through birth. The the is born and handed to the mother and a monitor goes all static filled and noisy. The sister clutches the baby tightly, beginnng to cut off the airwaves and choking the child. Blair rips the newborn from her sister in an attempt to protect her. But something driving her sister forces her to stand upright and destroy the baby. She ultimately fails and is sedated.
The best performance in this film goes hands down to Nicholas Cage. Who freaks out like only Cage can. And even though his appeaance resembles a slightly bloated version of Marilyn Manson. His ability to use his expression and booming voice to command insanity is off the charts amazing.
I recall a scene where the kids are locked in the basement trying to escape their folks. And Blair and Cage are looking for a way to break down the door. Nicholas bangs on the door, shaking and screaming a line i will never forget "Your motherfucking Mother said to open this goddamn door, Motherfuckers!!!! Youre going to open this motherfucking door!!!!". Cage goes one way Blair goes another... she gets a reciprocating saw and brings it to the door. Her line, while simple, is unforgettable. "It's called a Saws all because it saws all,".
She begins hacking and at the door as Cage is upstairs looking for his gun... he hears shots and runs downstairs, finding Blair sitting on the floor nursing a fresh gunshot to the arm. He freaks out and explains the gun to his wife who quotes some stats about kids hurting themselves and others with handguns. Irony at its finest.
All in all, this movie never gets boring after the parents begin to try and kill their kids. It's only better when Cages character Brent's folks show up and attempt to kill him. Lance Henricksons performance as the father is extreme and awesome.
Watch this movie if you have a spare 90 minutes, i promise you it will motherfucking not disappoint, Motherfuckers:)
The film's opening sequence shows a woman in a minivan with a baby in the backseat. The radio plays some strange static and out of nowhere she looks back to the infant and exits the vehicle. Leaving the baby and the van to meet their demise via an oncoming train.
What follows is pure genius and insanity that is topped by Nick Cage doing what Nick Cage does best. Losing it onscreen with a fever that only my he can provide.
Selma Blair holds her own as Cafe's seemingly mild mannered wife who turns on a dime and joins him in the craziness with a certain flair comparable to Cages insane bravado.
The kids, played by Anne Winters and Zachary Arthur, fight their parents with some Home Alonish antics that prove to serve them well.
No one can fully say what it is that officially makes the parents around the world turn on their kids. But it has something to do with white noise and static on televisions and radios across the planet. Parents instinct to protect their young like a bear is replaced with the feeling off ultimate anger and insanity.
In one scene, Blair is at the hospital coaching her sister through birth. The the is born and handed to the mother and a monitor goes all static filled and noisy. The sister clutches the baby tightly, beginnng to cut off the airwaves and choking the child. Blair rips the newborn from her sister in an attempt to protect her. But something driving her sister forces her to stand upright and destroy the baby. She ultimately fails and is sedated.
The best performance in this film goes hands down to Nicholas Cage. Who freaks out like only Cage can. And even though his appeaance resembles a slightly bloated version of Marilyn Manson. His ability to use his expression and booming voice to command insanity is off the charts amazing.
I recall a scene where the kids are locked in the basement trying to escape their folks. And Blair and Cage are looking for a way to break down the door. Nicholas bangs on the door, shaking and screaming a line i will never forget "Your motherfucking Mother said to open this goddamn door, Motherfuckers!!!! Youre going to open this motherfucking door!!!!". Cage goes one way Blair goes another... she gets a reciprocating saw and brings it to the door. Her line, while simple, is unforgettable. "It's called a Saws all because it saws all,".
She begins hacking and at the door as Cage is upstairs looking for his gun... he hears shots and runs downstairs, finding Blair sitting on the floor nursing a fresh gunshot to the arm. He freaks out and explains the gun to his wife who quotes some stats about kids hurting themselves and others with handguns. Irony at its finest.
All in all, this movie never gets boring after the parents begin to try and kill their kids. It's only better when Cages character Brent's folks show up and attempt to kill him. Lance Henricksons performance as the father is extreme and awesome.
Watch this movie if you have a spare 90 minutes, i promise you it will motherfucking not disappoint, Motherfuckers:)
Emma @ The Movies (1786 KP) rated Emma (2020) in Movies
Mar 1, 2020
Another classic novel that I have no knowledge of, I even own the BBC version on DVD, I'm really not sure how I haven't watched it.
In old English society what was a girl to do with her spare time to stay entertained? Read, learn the piano, paint... act as matchmaker to her friends. When Emma Woodhouse sees a flicker of promise or flirtation she jumps at the chance to fan the flames of romance between her friends and acquaintances, but when wires get crossed and misunderstandings occur, things begin to crack.
I always had the impression that Emma was a light comedy drama from hearing people talk about it, and while that did come across, I was surprised to come out feeling negatively towards my namesake. I had assumed that Emma was a delightful and whimsical character [as most Emmas are] and when I spent a lot of the film feeling like she was, frankly, a bit of a bitch, I wanted to banish her from the exclusive "Emma Club". Apart from besmirching the good name the attitude didn't seem to fit with the humour of the film.
Emma. is charming, but it didn't quite get me over the line. There seemed little reason for it to be over 2 hours long, while most of the film was engaging you could have taken out 15 minutes or so and tightened it up, I genuinely think that would have added a star to my rating.
Actually, hold off on that star for a moment, let's talk about the casting first.
Rupert Graves, yeeeeeeeeeeees. That's it for him, he's a delight, put him in everything.
Bill Night and Miranda Hart both gave great comedic performances, with Hart also getting an agonising scene that got me right in the feels. Their talent for humour added a great lightness to the film and was perfectly aligned to the period setting.
Johnny Flynn, or Mr Tasty Debrief for the Cineworld-goers out there. He was tastefully de-briefed, and the reason for the card warning: "Brief natural nudity". Flynn had some good moments, particularly around the picnic scene but for me this strong character becomes too sappy as we roll downhill to the ending.
Emma herself, Anya Taylor-Joy... I have already said that I found Emma to be a bit of a bitch, for the light-hearted nature of the film I really felt the time was off. I know there isn't a lot that would be different in this setting to modern day but I found the sly nature to feel far more modern than everything else. I think that is mainly down to the casting, Taylor-Joy's acting frequently has that vibe too it and it doesn't always endear me to her films, this makes me slightly nervous to see her in Radioactive and The New Mutants over the next couple of months.
The setting is of course as delightful as you would expect, grand houses and rolling hills. Paired with the costumes you have a wonderful overall feel of the era, though I would say that the costumes do have an almost modern touch to them that makes them very noticeable.
The charming base for Austen's novel has to battle with Emma's Mean Girl performance and the slightly overlong runtime, while it does give a mildly entertaining watch it's cowering in the shadow of Little Women and I don't think I'd need to see it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/emma-movie-review.html
In old English society what was a girl to do with her spare time to stay entertained? Read, learn the piano, paint... act as matchmaker to her friends. When Emma Woodhouse sees a flicker of promise or flirtation she jumps at the chance to fan the flames of romance between her friends and acquaintances, but when wires get crossed and misunderstandings occur, things begin to crack.
I always had the impression that Emma was a light comedy drama from hearing people talk about it, and while that did come across, I was surprised to come out feeling negatively towards my namesake. I had assumed that Emma was a delightful and whimsical character [as most Emmas are] and when I spent a lot of the film feeling like she was, frankly, a bit of a bitch, I wanted to banish her from the exclusive "Emma Club". Apart from besmirching the good name the attitude didn't seem to fit with the humour of the film.
Emma. is charming, but it didn't quite get me over the line. There seemed little reason for it to be over 2 hours long, while most of the film was engaging you could have taken out 15 minutes or so and tightened it up, I genuinely think that would have added a star to my rating.
Actually, hold off on that star for a moment, let's talk about the casting first.
Rupert Graves, yeeeeeeeeeeees. That's it for him, he's a delight, put him in everything.
Bill Night and Miranda Hart both gave great comedic performances, with Hart also getting an agonising scene that got me right in the feels. Their talent for humour added a great lightness to the film and was perfectly aligned to the period setting.
Johnny Flynn, or Mr Tasty Debrief for the Cineworld-goers out there. He was tastefully de-briefed, and the reason for the card warning: "Brief natural nudity". Flynn had some good moments, particularly around the picnic scene but for me this strong character becomes too sappy as we roll downhill to the ending.
Emma herself, Anya Taylor-Joy... I have already said that I found Emma to be a bit of a bitch, for the light-hearted nature of the film I really felt the time was off. I know there isn't a lot that would be different in this setting to modern day but I found the sly nature to feel far more modern than everything else. I think that is mainly down to the casting, Taylor-Joy's acting frequently has that vibe too it and it doesn't always endear me to her films, this makes me slightly nervous to see her in Radioactive and The New Mutants over the next couple of months.
The setting is of course as delightful as you would expect, grand houses and rolling hills. Paired with the costumes you have a wonderful overall feel of the era, though I would say that the costumes do have an almost modern touch to them that makes them very noticeable.
The charming base for Austen's novel has to battle with Emma's Mean Girl performance and the slightly overlong runtime, while it does give a mildly entertaining watch it's cowering in the shadow of Little Women and I don't think I'd need to see it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/emma-movie-review.html
Gareth von Kallenbach (980 KP) rated Foxcatcher (2014) in Movies
Aug 6, 2019
‘Foxcatcher’ stars Channing Tatum, Mark Ruffalo, Steve Carell, Sienna Miller, and Vanessa Redgrave with an appearance by Anthony Michael Hall and tells an account of Olympic Gold Medal Wrestling Champions, brothers Mark and Dave Schultz and their dealings with their millionaire coach, paranoid-schizophrenic John du Pont who eventually murdered Dave Schultz in 1996.
The film has already been received extremely well by critics and has been praised for the performances of Ruffalo, Tatum, and Carell as the three underwent complete character transformations. The film premiered in May at the Cannes Film Festival and director Bennett Miller took home the award for best director. As someone who has seen the film I can tell you that at first I didn’t recognize any of the three lead actors when their characters first appeared on screen in the movie. I would bet money on this film being nominated for Oscars, Emmys, and any other movie awards that I cannot imagine right now based on their performances alone. Channing Tatum has even been quoted as say that this was the hardest acting challenge he has had to date in his career.
In the course of the film, we see a unique look inside the mind of an Olympic athlete via Canning Tatum’s performance as Mark Schultz and how they start out as ‘pure’ and patriotic and how those athletes can be corrupted with the promise of big money for sponsorship or with the purpose of restoring and repeating the ‘glory and standing’ they experienced previously and how it reaches into their lives and the lives of the athlete’s families. Example, in the film when at coach John du Pont’s (Carell) insistence, Mark tries to convince his brother Dave (Ruffalo) to join him in putting together team ‘Foxcatcher’ to train wrestlers for the 1988 Seoul Olympics. At first, Dave declines for the reason of not wanting to uproot his family from their home. Later on though, when its of du Pont’s opinion that Mark’s efforts are unsatisfactory du Pont takes matters into his own hands and convinces Dave himself of signing on thereby alienating Mark from and then from his brother. Eventually, the brothers reconcile but this appears to enrage du Pont who’se already starting to display the symptoms associated with paranoid-schizophrenia. Which some say is the true culprit behind du Pont’s mixer of Dave Schultz.
I would personally give this film 4 out of 5 stars. Bennett Miller couldn’t have done a better job directing this film and once again, the performances by Tatum, Ruffalo, and Carell were amazing and I have no doubt that they will become major millstones in their careers. However, there is the obvious downside of knowing the outcome in this particular instance. Although I did indeed enjoy the film it was also for all intents and purposes, the film was basically a two hour march to death for the character of Dave Schultz which was a major bummer. But hey, that’s not the fault of anyone involved in the film. That’s just what happens when you watch a true crime story. That’s my only gripe in regards to the film though. I say go see it. It is a two hour film though so be sure you grab a meal and a few beverages before you hit the theater.
This is your friendly neighborhood freelance photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ , thanks for reading … and we’ll see you at the movies!
The film has already been received extremely well by critics and has been praised for the performances of Ruffalo, Tatum, and Carell as the three underwent complete character transformations. The film premiered in May at the Cannes Film Festival and director Bennett Miller took home the award for best director. As someone who has seen the film I can tell you that at first I didn’t recognize any of the three lead actors when their characters first appeared on screen in the movie. I would bet money on this film being nominated for Oscars, Emmys, and any other movie awards that I cannot imagine right now based on their performances alone. Channing Tatum has even been quoted as say that this was the hardest acting challenge he has had to date in his career.
In the course of the film, we see a unique look inside the mind of an Olympic athlete via Canning Tatum’s performance as Mark Schultz and how they start out as ‘pure’ and patriotic and how those athletes can be corrupted with the promise of big money for sponsorship or with the purpose of restoring and repeating the ‘glory and standing’ they experienced previously and how it reaches into their lives and the lives of the athlete’s families. Example, in the film when at coach John du Pont’s (Carell) insistence, Mark tries to convince his brother Dave (Ruffalo) to join him in putting together team ‘Foxcatcher’ to train wrestlers for the 1988 Seoul Olympics. At first, Dave declines for the reason of not wanting to uproot his family from their home. Later on though, when its of du Pont’s opinion that Mark’s efforts are unsatisfactory du Pont takes matters into his own hands and convinces Dave himself of signing on thereby alienating Mark from and then from his brother. Eventually, the brothers reconcile but this appears to enrage du Pont who’se already starting to display the symptoms associated with paranoid-schizophrenia. Which some say is the true culprit behind du Pont’s mixer of Dave Schultz.
I would personally give this film 4 out of 5 stars. Bennett Miller couldn’t have done a better job directing this film and once again, the performances by Tatum, Ruffalo, and Carell were amazing and I have no doubt that they will become major millstones in their careers. However, there is the obvious downside of knowing the outcome in this particular instance. Although I did indeed enjoy the film it was also for all intents and purposes, the film was basically a two hour march to death for the character of Dave Schultz which was a major bummer. But hey, that’s not the fault of anyone involved in the film. That’s just what happens when you watch a true crime story. That’s my only gripe in regards to the film though. I say go see it. It is a two hour film though so be sure you grab a meal and a few beverages before you hit the theater.
This is your friendly neighborhood freelance photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ , thanks for reading … and we’ll see you at the movies!
Alto's Adventure
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Above the placid ivory snow lies a sleepy mountain village, brimming with the promise of adventure. ...
BookInspector (124 KP) rated Baby Doll in Books
Sep 24, 2020
When I read the description of this book, I was ready to enjoy the long and thrilling escape, with lots of twists along the way, but to my disappointment that didn’t happen. The first few chapters gave me the hope, so I carried on, and then decided to continue just to see what will happen.
This book is actually what happens after you escape your kidnapper and go back to safety. The victim who got away in this book was Lilly, during captive years she delivered a daughter Sky. Lilly has a twin sister Abby, and their mother Eve. The villain in this book is Rick – a high school teacher and a psychopath. The whole story of this book is told by Lilly, Abby, Eve, and Rick. The author made the whole plot into nicely flowing, continuous story, told by four different and unique characters.
Every character had their way of telling the story. Lilly was the sweet girl, who suffered immensely, and that tragedy follows her in everything she does, even though she is free. Abby is the rebel twin sister, who sees the whole situation in a more aggressive way, and all she wants is revenge. Eve is the mother, who struggles between their daughters and her own happiness. Rick is a sociopath/psychopath, who justifies his cruelty and doesn’t see any fault of his actions. I am really grateful when authors put into the story, what murderers and psychopaths think, I find it very interesting and amusing to read. It’s just mesmerizing, how messed up some people can be, even though they look like normal, respected citizens of the society. So there are plenty of characters to choose from, and my favourite was Abby. She knew what had to be done, and did it.
Even though the plot was not what I expected, it was still quite a page turner, because author brought in some unexpected turns and twists in this book, which left me surprised. There is quite a bit of psychological suspense in this thriller, opening up the post-traumatic state of mind and difficult adjustment into the society. Hollie Overton is an identical twin herself, and it was really lovely, the way she wrote about the connection between twins, that bond and sacrifices are truly magical to me.
The writing style of this book was easy to read and enjoyable. Even though it doesn’t have the nastiness which Lilly suffered in detail, it still contains some strong language due to Abby’s strong character. Another plus from me to this book was short chapters, which made it a quick and more suspenseful novel. I liked the way author ended this book, with yet another turn in the story, changing many lives and futures. So, even though it does not promise exciting escape, it still brings its subtle turns and twists, playing and manipulating with character’s different states of mind.
This book is actually what happens after you escape your kidnapper and go back to safety. The victim who got away in this book was Lilly, during captive years she delivered a daughter Sky. Lilly has a twin sister Abby, and their mother Eve. The villain in this book is Rick – a high school teacher and a psychopath. The whole story of this book is told by Lilly, Abby, Eve, and Rick. The author made the whole plot into nicely flowing, continuous story, told by four different and unique characters.
Every character had their way of telling the story. Lilly was the sweet girl, who suffered immensely, and that tragedy follows her in everything she does, even though she is free. Abby is the rebel twin sister, who sees the whole situation in a more aggressive way, and all she wants is revenge. Eve is the mother, who struggles between their daughters and her own happiness. Rick is a sociopath/psychopath, who justifies his cruelty and doesn’t see any fault of his actions. I am really grateful when authors put into the story, what murderers and psychopaths think, I find it very interesting and amusing to read. It’s just mesmerizing, how messed up some people can be, even though they look like normal, respected citizens of the society. So there are plenty of characters to choose from, and my favourite was Abby. She knew what had to be done, and did it.
Even though the plot was not what I expected, it was still quite a page turner, because author brought in some unexpected turns and twists in this book, which left me surprised. There is quite a bit of psychological suspense in this thriller, opening up the post-traumatic state of mind and difficult adjustment into the society. Hollie Overton is an identical twin herself, and it was really lovely, the way she wrote about the connection between twins, that bond and sacrifices are truly magical to me.
The writing style of this book was easy to read and enjoyable. Even though it doesn’t have the nastiness which Lilly suffered in detail, it still contains some strong language due to Abby’s strong character. Another plus from me to this book was short chapters, which made it a quick and more suspenseful novel. I liked the way author ended this book, with yet another turn in the story, changing many lives and futures. So, even though it does not promise exciting escape, it still brings its subtle turns and twists, playing and manipulating with character’s different states of mind.
Joe Goodhart (27 KP) rated All-New Wolverine, Volume 5: Orphans of X in Books
Nov 30, 2020
<b>**</b> <i>Before I begin, I should just like to preface this review with the following disclaimer: any reviews I have written are almost always going to be less than biased, due to the content being related to Laura Kinney (X-23). However, that being said, if the story is rubbish, and Laura is in it, I will still be honest in my review. Now, on to the review.. </i><b>**</b>
ORPHANS OF X was the perfect story arc to wash away the taste from the two previous arcs - "Enemy of the State II" and "Immune". From the beginning to the end, this was a solid story! There was action, there was suspenseful tension, and, of course, there was humor along the way (Thanks in part to Gabby, or as she is known by her new codename: Honey Badger!). A winning recipe for how to write a comic book successfully!
Under writer Tom Taylor's hand, Laura has evolved as a character. Yes, she was a former assassin. Yes, she killed a hell of a lot of people during her time when she was part of the Facility's Weapon X Program. However, that doesn't mean you can't a) move beyond that, nor b) can you just forget that. And that is what Taylor has done.
Laura has grown, taking on the responsibility of looking out for/"raising" her sister/clone Gabby. She displays more emotions, not 100% perfect, but considering her backstory, it makes sense the way she is being written.
No spoilers, promise, but the ending resolution to ORPHANS OF X sets in motion great potential! We know the next arc will be "Old Woman Laura", but after that? Oh, wait 'til you read it, and if you are a fan of the character, you should be as excite as I am!
And, as praiseworthy as Tom Taylor's writing was, I feel I should also gave a more than fair nod to new series artist (I hope!) Juann Cabal. A lot of talent, and definitely someone this book could use! Cabal's pencils are tight, yet fluid. He brings a lot of action to a fight panel, yet also brings a careful attention to facial detail when it is a simpler, not action-y scene.
Oh, of course, there were also some amazing (as always) covers by fan favorite Terry Dodson! Brilliant!!
Many of us, fans of Laura Kinney, have been hankering for a story like this. Everything about it was all aces! But, don't let me be the final word on this. By all means, good folk, read on..
ORPHANS OF X was the perfect story arc to wash away the taste from the two previous arcs - "Enemy of the State II" and "Immune". From the beginning to the end, this was a solid story! There was action, there was suspenseful tension, and, of course, there was humor along the way (Thanks in part to Gabby, or as she is known by her new codename: Honey Badger!). A winning recipe for how to write a comic book successfully!
Under writer Tom Taylor's hand, Laura has evolved as a character. Yes, she was a former assassin. Yes, she killed a hell of a lot of people during her time when she was part of the Facility's Weapon X Program. However, that doesn't mean you can't a) move beyond that, nor b) can you just forget that. And that is what Taylor has done.
Laura has grown, taking on the responsibility of looking out for/"raising" her sister/clone Gabby. She displays more emotions, not 100% perfect, but considering her backstory, it makes sense the way she is being written.
No spoilers, promise, but the ending resolution to ORPHANS OF X sets in motion great potential! We know the next arc will be "Old Woman Laura", but after that? Oh, wait 'til you read it, and if you are a fan of the character, you should be as excite as I am!
And, as praiseworthy as Tom Taylor's writing was, I feel I should also gave a more than fair nod to new series artist (I hope!) Juann Cabal. A lot of talent, and definitely someone this book could use! Cabal's pencils are tight, yet fluid. He brings a lot of action to a fight panel, yet also brings a careful attention to facial detail when it is a simpler, not action-y scene.
Oh, of course, there were also some amazing (as always) covers by fan favorite Terry Dodson! Brilliant!!
Many of us, fans of Laura Kinney, have been hankering for a story like this. Everything about it was all aces! But, don't let me be the final word on this. By all means, good folk, read on..