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Daniel Boyd (1066 KP) rated The Jinx: The Life and Deaths of Robert Durst in TV
Jun 27, 2018 (Updated Jun 27, 2018)
Mindblowing
Contains spoilers, click to show
I have been on a bit of a documentary kick lately and my most recent watch was the Jinx. I never watched this show back when it aired in 2015, or followed the story at the time, so I went into this show knowing very little about the tale it was telling. I'd say if you are in the same boat, then that is probably the best way to go into this doc. There are only six parts to the doc, so it can be binged over a few nights or in one day. Don't look up anything about it before watching and just go in blind, by the end your mind will be blown.
Please don't read on until you have seen the show in it's entirety as there are massive SPOILERS ahead. It feels weird to say that about a documentary, something that actually happened, but I promise you will not want this final revelation spoiled for you in any way.
Ok, so during the last interview, Andrew Jarecki confronts Robert Durst with two letters with the same address handwritten on each, one written by Durst years previous and the other was written by the killer and sent into a police station to notify them of the location of a body. Beverly Hills is spelt wrong in each, it is spelt BEVERLEY on each and the handwriting is exceptionally similar, especially the letter N. Durst initially appears pretty unphased by the accusation and brushes it off, until Jarecki asks him to look at a sheet that has the two versions of the address blown up and placed side by side and he asks him to tell him what one he wrote and what one he didn't and Durst is unable to tell the difference. He then begins burping uncontrollably as if trying to supress vomiting. The interview ends and Jarecki thanks Durst for his time. Durst then goes to the bathroom, unaware that he is still wearing a live microphone and says:
"There it is, you're caught.
You're right of course, but you can't imagine...
Arrest him.
I don't know what's in the house.
Oh, I want this.
What a disaster.
He was right, I was wrong.
And the burping?
I'm having difficulty understanding the question.
What the hell did I do?
Killed them all, of course."
Holy shit, these filmmakers just stumbled into getting an accidental confession from a guy who has dodged the law since 1982. Not only that, but what was recorded actually sounds like two different people having a conversation, almost like Gollum and Sméagol from Lord Of The Rings. The recording is creepy, but extremely important and provides an absolutely captivating ending to this already brilliant story. I think that what we hear in the bathroom is two sides of Durst arguing about what has just transpired. The way that each line is like a comment and then a response and the way that his tone of voice changes from line to line. I will type up my interpretation of the conversation below showing what side of Durst said what.
Good Bob: There it is, you're caught.
Bad Bob: You're right of course, but you can't imagine...
Good Bob: Arrest him.
Bad Bob: I don't know what's in the house.
Good Bob: Oh, I want this.
Bad Bob: What a disaster.
Good Bob:He was right, I was wrong.
Bad Bob: And the burping?
Good Bob: I'm having difficulty understanding the question.
What the hell did I do?
Bad Bob: Killed them all, of course.
This is obviously pure conjecture, but it's how I see the conversation going in Durst's head. Whether this is proof of disassociation or multiple personality disorder, I don't know as I'm not a psychiatrist, all that I know is that it is absolutely fascinating to hear this play out in a real world situation and makes for an absolutely brilliant piece of TV.
Please don't read on until you have seen the show in it's entirety as there are massive SPOILERS ahead. It feels weird to say that about a documentary, something that actually happened, but I promise you will not want this final revelation spoiled for you in any way.
Ok, so during the last interview, Andrew Jarecki confronts Robert Durst with two letters with the same address handwritten on each, one written by Durst years previous and the other was written by the killer and sent into a police station to notify them of the location of a body. Beverly Hills is spelt wrong in each, it is spelt BEVERLEY on each and the handwriting is exceptionally similar, especially the letter N. Durst initially appears pretty unphased by the accusation and brushes it off, until Jarecki asks him to look at a sheet that has the two versions of the address blown up and placed side by side and he asks him to tell him what one he wrote and what one he didn't and Durst is unable to tell the difference. He then begins burping uncontrollably as if trying to supress vomiting. The interview ends and Jarecki thanks Durst for his time. Durst then goes to the bathroom, unaware that he is still wearing a live microphone and says:
"There it is, you're caught.
You're right of course, but you can't imagine...
Arrest him.
I don't know what's in the house.
Oh, I want this.
What a disaster.
He was right, I was wrong.
And the burping?
I'm having difficulty understanding the question.
What the hell did I do?
Killed them all, of course."
Holy shit, these filmmakers just stumbled into getting an accidental confession from a guy who has dodged the law since 1982. Not only that, but what was recorded actually sounds like two different people having a conversation, almost like Gollum and Sméagol from Lord Of The Rings. The recording is creepy, but extremely important and provides an absolutely captivating ending to this already brilliant story. I think that what we hear in the bathroom is two sides of Durst arguing about what has just transpired. The way that each line is like a comment and then a response and the way that his tone of voice changes from line to line. I will type up my interpretation of the conversation below showing what side of Durst said what.
Good Bob: There it is, you're caught.
Bad Bob: You're right of course, but you can't imagine...
Good Bob: Arrest him.
Bad Bob: I don't know what's in the house.
Good Bob: Oh, I want this.
Bad Bob: What a disaster.
Good Bob:He was right, I was wrong.
Bad Bob: And the burping?
Good Bob: I'm having difficulty understanding the question.
What the hell did I do?
Bad Bob: Killed them all, of course.
This is obviously pure conjecture, but it's how I see the conversation going in Durst's head. Whether this is proof of disassociation or multiple personality disorder, I don't know as I'm not a psychiatrist, all that I know is that it is absolutely fascinating to hear this play out in a real world situation and makes for an absolutely brilliant piece of TV.
Whatchareadin (174 KP) rated When Dimple Met Rishi in Books
Apr 3, 2019
Dimple Shah has just graduated from high school and, in the fall, she will go to Stanford and study web design. San Francisco State University, is holding a six-week course for this over the summer, that Dimple would love to attend. The only problem is that it costs $1000 and she knows her parents can't afford it. So she is genuinely surprised when they agree to let her go. On her first day she runs into, literally, Rishi Patel, who is there on an arrangement from his parents. Dimple has no idea. Dimple is not having any of it. When they are paired for the six weeks, Dimple is sure it will never work. Rishi isn't even into web design, but as time goes on, and they get to know each other better, Dimple begins to change her mind about Rishi. But is it enough to promise her life to him at this young age, or will they just be friends for the long haul.
I loved listening to this book. I'm not sure if I would have enjoyed the book just reading it. As a married woman, I don't know if I could have allowed my parents to set me up with my future husband.
Dimple is a non-traditional Hindu woman. She wants a job and a career before even thinking about a boyfriend, much less a husband. Rishi is very traditional and just wants his parents to be proud of him. They both are able to teach the other a different way of life, but will it be enough for them to agree to be together?
I love how these two young adults tried something new and allowed themselves to feel something they may not have otherwise felt. They were both able to make new friends and make discoveries about themselves that helped them to grow.
This is a great story for young adults to read. Sure in the end, we all want to find that special someone and settle down. But you should live your life for yourself, before you decide that it's time to settle down. And when you find that special someone, you should know what to do to make them happy and make yourself happy as well.
I loved listening to this book. I'm not sure if I would have enjoyed the book just reading it. As a married woman, I don't know if I could have allowed my parents to set me up with my future husband.
Dimple is a non-traditional Hindu woman. She wants a job and a career before even thinking about a boyfriend, much less a husband. Rishi is very traditional and just wants his parents to be proud of him. They both are able to teach the other a different way of life, but will it be enough for them to agree to be together?
I love how these two young adults tried something new and allowed themselves to feel something they may not have otherwise felt. They were both able to make new friends and make discoveries about themselves that helped them to grow.
This is a great story for young adults to read. Sure in the end, we all want to find that special someone and settle down. But you should live your life for yourself, before you decide that it's time to settle down. And when you find that special someone, you should know what to do to make them happy and make yourself happy as well.
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Movie Metropolis (309 KP) rated Avengers: Infinity War (2018) in Movies
Jun 10, 2019
An Exhausting Thrill Ride
The Marvel Cinematic Universe has been delighting fans of the comics and thrilling moviegoers since 2008 when Iron Man steamrolled itself onto the big screen in an epic fashion. From the special effects to the casting of Robert Downey Jr. as Tony Stark, it was the complete package.
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
Purple Phoenix Games (2266 KP) rated Bandada in Tabletop Games
Jan 19, 2021
Though I may not look it, I am indeed half Mexican. That said, the word, “Bandada,” means, “Flock.” I don’t really get to flex my Spanish skills often, and it shows. I definitely looked up the word Bandada before reading the rules this time. In any case, as gamers we all belong to the same nerdy flock of people who just like to have a great time with friends, family, and some colorful cardboard and plastic. Birds and other flying creatures have been all the rage recently, but will I be adding this one to my flock of gems?
In Bandada players are attempting to catch and return birds that have escaped from the local zoo. These birds are attracted to different food morsels (namely black, blue, and yellow dice) and by manipulating the food source players may be able to catch all the right birdies and score tons of points.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Disclaimer the second: I am previewing this using the Solo Adventure Variant, which uses many of the same rules as the main multiplayer rules with a few twists.
To setup the solo player will roll all 12 dice and sort them by color. Shuffle the bird cards and reveal three cards face-up in a market row. Grab a scoring cube for the score card, and choose which location card to play. Select (randomly or not) a bonus scoring card and the game may begin!
There are other optional variant rules that can be added to the adventure, but I will not be detailing those here.
Turns are divided into two phases: the Drafting phase and the Cleanup phase. During the Drafting phase the player will choose one of the face-up bird cards to be added to their personal bandada, perform the action described on the top of the card, and then add it to their bandada (personal tableau).
After drafting and bandada-ing the player will perform the Cleanup phase by scoring points based on the bird card abilities printed on the bottom, discarding the remaining face-up cards, and then adding three new birds cards to that market row. This phase differs from the multiplayer rules in that birds are scored once added to the bandada in multiplayer and then again during the Cleanup phase. In the solo mode they are scored only once at the end of the Cleanup phase.
The bird cards all have actions printed at the top that will manipulate the food dice in some way. Actions could simply give the birds a specific number of colored dice and adjust the value up or down. Some abilities will have the player flipping the dice to the opposite side, or adjusting multiple dice by splitting a positive or negative value. Of note in this game is that dice values wrap around the die. For example to increase the value of a 6 die it then wraps around to become a value 1. Manipulation of these food dice will make or break the game success, as I found in all my plays.
The game continues in this fashion until after the fourth full round. The player then totals their score on the score card, adds the points from the bonus card chosen at the beginning, and checks for the victory condition on the location card (the rules suggest starting in Africa). If the player has met the victory condition, the trip was a success! If, like me, the player fails to make 35 points in Africa every time, they must play again!
Components. Again, this is a prototype copy of the game, but I have to say that this is a beautiful minimalistic game. It consists of primarily dice and cards. The dice are translucent and good quality, though translucent yellow with white pips can be hard to read at times. The cards are good quality as well and feature breathtaking avian art. It really does look great on the table and doesn’t take up a ton of room, so I have very few negatives here.
Gameplay is super speedy and agonizing for a solo player. Maximizing points on every turn and having to consider specific win conditions makes for a crunchy little card game that takes about 10 minutes to play. It is definitely something I will be reaching for whenever I have a spare 15 minutes. With setup and teardown I am looking at a fulfilling, if not frustrating, card game experience that can be both anxiety-triggering and also quite calming. I was not sure what to expect when I opened the box, but boy am I glad I have this little gem.
If you are in the market for a great little solo game that can also play multiplayer, looks amazing, and is quick to complete, then look no further. If you are an avian aficionado and need your board and card game collection to reflect this, check out Bandada. I need you all to also promise to write me back once you figure out how to succeed in Africa, as I just plum can’t do it. But I am going to keep trying. As I always say, a game that makes you want to play it more is a mark of a great game, and I think a great game comes in this little box.
In Bandada players are attempting to catch and return birds that have escaped from the local zoo. These birds are attracted to different food morsels (namely black, blue, and yellow dice) and by manipulating the food source players may be able to catch all the right birdies and score tons of points.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Disclaimer the second: I am previewing this using the Solo Adventure Variant, which uses many of the same rules as the main multiplayer rules with a few twists.
To setup the solo player will roll all 12 dice and sort them by color. Shuffle the bird cards and reveal three cards face-up in a market row. Grab a scoring cube for the score card, and choose which location card to play. Select (randomly or not) a bonus scoring card and the game may begin!
There are other optional variant rules that can be added to the adventure, but I will not be detailing those here.
Turns are divided into two phases: the Drafting phase and the Cleanup phase. During the Drafting phase the player will choose one of the face-up bird cards to be added to their personal bandada, perform the action described on the top of the card, and then add it to their bandada (personal tableau).
After drafting and bandada-ing the player will perform the Cleanup phase by scoring points based on the bird card abilities printed on the bottom, discarding the remaining face-up cards, and then adding three new birds cards to that market row. This phase differs from the multiplayer rules in that birds are scored once added to the bandada in multiplayer and then again during the Cleanup phase. In the solo mode they are scored only once at the end of the Cleanup phase.
The bird cards all have actions printed at the top that will manipulate the food dice in some way. Actions could simply give the birds a specific number of colored dice and adjust the value up or down. Some abilities will have the player flipping the dice to the opposite side, or adjusting multiple dice by splitting a positive or negative value. Of note in this game is that dice values wrap around the die. For example to increase the value of a 6 die it then wraps around to become a value 1. Manipulation of these food dice will make or break the game success, as I found in all my plays.
The game continues in this fashion until after the fourth full round. The player then totals their score on the score card, adds the points from the bonus card chosen at the beginning, and checks for the victory condition on the location card (the rules suggest starting in Africa). If the player has met the victory condition, the trip was a success! If, like me, the player fails to make 35 points in Africa every time, they must play again!
Components. Again, this is a prototype copy of the game, but I have to say that this is a beautiful minimalistic game. It consists of primarily dice and cards. The dice are translucent and good quality, though translucent yellow with white pips can be hard to read at times. The cards are good quality as well and feature breathtaking avian art. It really does look great on the table and doesn’t take up a ton of room, so I have very few negatives here.
Gameplay is super speedy and agonizing for a solo player. Maximizing points on every turn and having to consider specific win conditions makes for a crunchy little card game that takes about 10 minutes to play. It is definitely something I will be reaching for whenever I have a spare 15 minutes. With setup and teardown I am looking at a fulfilling, if not frustrating, card game experience that can be both anxiety-triggering and also quite calming. I was not sure what to expect when I opened the box, but boy am I glad I have this little gem.
If you are in the market for a great little solo game that can also play multiplayer, looks amazing, and is quick to complete, then look no further. If you are an avian aficionado and need your board and card game collection to reflect this, check out Bandada. I need you all to also promise to write me back once you figure out how to succeed in Africa, as I just plum can’t do it. But I am going to keep trying. As I always say, a game that makes you want to play it more is a mark of a great game, and I think a great game comes in this little box.
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LoganCrews (2861 KP) rated When Will I Be Loved (2004) in Movies
Jul 4, 2021 (Updated Jul 4, 2021)
"𝘠𝘰𝘶 𝘳𝘪𝘤𝘩 𝘭𝘪𝘵𝘵𝘭𝘦 𝘥𝘢𝘥𝘥𝘺'𝘴 𝘨𝘪𝘳𝘭, 𝘸𝘩𝘢𝘵 𝘵𝘩𝘦 𝘧𝘶𝘤𝘬 𝘢𝘳𝘦 𝘺𝘰𝘶 𝘥𝘰𝘪𝘯𝘨? 𝘏𝘰𝘸 𝘥𝘢𝘳𝘦 𝘺𝘰𝘶 𝘱𝘳𝘰𝘷𝘰𝘬𝘦 𝘮𝘦 𝘭𝘪𝘬𝘦 𝘵𝘩𝘪𝘴!"
A deeply, *deeply* misogynistic, artsy-fartsy disaster of stratospheric proportions where every slimebag man has some idiotic 'philosophical' defense as to why they need to manipulate this woman into letting them fuck her - made by a known serial sexual predator. I felt complicit for even entertaining the idea to watch such dogshit, like I needed a military-grade chemical shower after seeing it. Or to at least bleach my eyes. Might be the worst movie I've ever seen, if not then certainly somewhere down in the bottom 5 or 10. Written, edited, and shot like a bad high school student project with this unbearable non-story which rips off - of all movies - 𝘐𝘯𝘥𝘦𝘤𝘦𝘯𝘵 𝘗𝘳𝘰𝘱𝘰𝘴𝘢𝘭 (by name, in fact)? Neve Campbell has sex with another women (without showing any skin of course) behind a transparent mesh curtain scored to a shitty Bach cover - imagine if that episode from "South Park" where the people smelled their own farts was real and you'd get this depth-free piece of shit. As cynical, uninvolved, and up-its-own-ass as 𝘛𝘩𝘦 𝘋𝘳𝘦𝘢𝘮𝘦𝘳𝘴 is, at least that one actually went through with its promise of provocation. 𝘍𝘪𝘧𝘵𝘺 𝘚𝘩𝘢𝘥𝘦𝘴 𝘰𝘧 𝘎𝘳𝘦𝘺 is unironically more provocative than this. Effectively just a series of bullshit conversations that go nowhere and shit-tier sex scenes more poorly thrown together than that one from Twilight: Breaking Dawn Part I. And then it also features horrible ass songs on the soundtrack because of course it does. One of the rare movies to bag Roger Ebert's highest rating... which was also 'earned' by fellow turds 𝘛𝘩𝘦 𝘎𝘰𝘭𝘥𝘦𝘯 𝘊𝘰𝘮𝘱𝘢𝘴𝘴 and 𝘛𝘩𝘪𝘳𝘵𝘦𝘦𝘯 𝘊𝘰𝘯𝘷𝘦𝘳𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘈𝘣𝘰𝘶𝘵 𝘖𝘯𝘦 𝘛𝘩𝘪𝘯𝘨 (which - awful as they are - are masterpieces compared to this) so it shows how much that distinction is worth lmao. Shoot me now.
A deeply, *deeply* misogynistic, artsy-fartsy disaster of stratospheric proportions where every slimebag man has some idiotic 'philosophical' defense as to why they need to manipulate this woman into letting them fuck her - made by a known serial sexual predator. I felt complicit for even entertaining the idea to watch such dogshit, like I needed a military-grade chemical shower after seeing it. Or to at least bleach my eyes. Might be the worst movie I've ever seen, if not then certainly somewhere down in the bottom 5 or 10. Written, edited, and shot like a bad high school student project with this unbearable non-story which rips off - of all movies - 𝘐𝘯𝘥𝘦𝘤𝘦𝘯𝘵 𝘗𝘳𝘰𝘱𝘰𝘴𝘢𝘭 (by name, in fact)? Neve Campbell has sex with another women (without showing any skin of course) behind a transparent mesh curtain scored to a shitty Bach cover - imagine if that episode from "South Park" where the people smelled their own farts was real and you'd get this depth-free piece of shit. As cynical, uninvolved, and up-its-own-ass as 𝘛𝘩𝘦 𝘋𝘳𝘦𝘢𝘮𝘦𝘳𝘴 is, at least that one actually went through with its promise of provocation. 𝘍𝘪𝘧𝘵𝘺 𝘚𝘩𝘢𝘥𝘦𝘴 𝘰𝘧 𝘎𝘳𝘦𝘺 is unironically more provocative than this. Effectively just a series of bullshit conversations that go nowhere and shit-tier sex scenes more poorly thrown together than that one from Twilight: Breaking Dawn Part I. And then it also features horrible ass songs on the soundtrack because of course it does. One of the rare movies to bag Roger Ebert's highest rating... which was also 'earned' by fellow turds 𝘛𝘩𝘦 𝘎𝘰𝘭𝘥𝘦𝘯 𝘊𝘰𝘮𝘱𝘢𝘴𝘴 and 𝘛𝘩𝘪𝘳𝘵𝘦𝘦𝘯 𝘊𝘰𝘯𝘷𝘦𝘳𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘈𝘣𝘰𝘶𝘵 𝘖𝘯𝘦 𝘛𝘩𝘪𝘯𝘨 (which - awful as they are - are masterpieces compared to this) so it shows how much that distinction is worth lmao. Shoot me now.
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More popular than Blackjack. More strategic than Poker. Hokm is the ultimate card game played by...