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Matthew Krueger (10051 KP) rated the PlayStation version of Twisted Metal in Video Games

May 7, 2020 (Updated May 7, 2020)  
Twisted Metal
Twisted Metal
1995 | Action, Racing
Classic: Let The Cars Hit The Floor
Twisted Metal- i remember playing this game when i was like 7 on the playstation with my brother. I would play as Mr. Grimm, Axel and Sweet Tooth. My three favorite charcters.

Twisted Metal is a vehicular combat video game developed by SingleTrac, produced by Sony Interactive Studios America (now 989 Studios) and published by Sony Computer Entertainment for the PlayStation.

Twisted Metal is a vehicular combat game in which the player takes control of one of twelve unique vehicles. While in control of a vehicle, the player can accelerate, steer, brake, reverse, activate the turbo, turn tightly, toggle between and activate weapons using the game controller's d-pad and buttons.

The game takes place in the streets of Los Angeles on Christmas Eve, 2005. The contest featured in the game is the tenth annual running of the competition thus far.

The game's plot is centered on the titular competition in which various drivers in modified vehicles must destroy the other vehicles in an attempt to be the last one alive. The winner meets the organizer of the competition, a mysterious man named Calypso, who will grant the winner a single wish, regardless of price, size or even reality.

The Story: Once a year the legendary Calypso, a man who dwells beneath the streets of Los Angeles, holds the "Twisted Metal" competition. The contest takes place all around the Los Angeles area and calls upon drivers in various different vehicles to battle to the death. The contestants are selected and contacted by Calypso via an e-mail message that simply reads "WILL YOU DRIVE?" in red letters. The one driver still alive at the end of the night is granted a single wish, with no limits on price, size or, according to some, even reality.

Its a excellent game and a classic.
  
Castlevania - Season 1
Castlevania - Season 1
2017 | Animation, Fantasy, Horror
The first season of Castlevania could be more accurately described as a 'teaser-season'. It's four episodes acts as a set up for what is to come, introducing us to the key players in the war between man and vampire.

The episodes run for around 25 minutes, meaning that the season has a limited time to establish what it needs to, and it does this pretty effectively. A decent script ensures that the three main protagonists Trevor Belmont (Richard Armitage), Sypha (Alejandra Reynoso) and Alucard (James Callis) are all immediately likable, and even gives an incredibly sympathetic villain in Dracula. There's also a nice sense of humour running underneath all of the dramatics.

The animation style shows signs of budget restriction on occasion, but for the most part is easy to take in. A lot of close ups on characters show off some nice detail, long shots of locations look great, as do the combat scenes. To darker colour choices work well with the gothic setting, and the frequent strong violence.

Above all, this short but sweet season leaves the viewer wanting more, which was surely the aim in the first place!
  
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Awix (3310 KP) rated Memento (2000) in Movies

Sep 12, 2020  
Memento (2000)
Memento (2000)
2000 | Mystery, Thriller
30-year old Christopher Nolan sets out a statement of intent for his future career with an intricately-crafted spin on a genre movie that will leave your brain in a knot. Guy Pearce plays Leonard, a man hunting his wife's murderer - inconvenienced only by his inability to form memories, which forces him to rely on notes he leaves for himself to know where he is and what he's doing in.

One is inevitably left agog at the deftness with which the two main strands of the film (one running forwards, the other in reverse chronology) are woven together, and also by the way the film still manages to be coherent the first time you watch it, even without recourse to aide memoires and flowcharts of your own. But the intellectual depth of the film is also hugely impressive, dealing with issues of memory, self-deception, existentialism and solipsism. Proves that Nolan doesn't need a huge budget and rafts of big-name stars to produce a brilliant movie.