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Seeing Red
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Kerra Bailey is a television journalist on the rise, and she's hot on the trail of a story...
Movie Metropolis (309 KP) rated Jurassic World (2015) in Movies
Jun 10, 2019
A Trip down memory lane
Can you believe it’s been 14 years since genetically modified dinosaurs rampaged across our screens in Joe Johnston’s underwhelming Jurassic Park III?
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
After being stuck in development hell for over a decade, Steven Spielberg handpicked indie director Colin Trevorrow to helm the fourth instalment of the popular adventure franchise, Jurassic World, but can it return the much-loved series to form?
Man of the moment Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3) and Omar Sy (X-Men: Days of Future Past) lead a cast of characters in a visually spectacular film that whilst paying homage to 1993’s Jurassic Park, lacks a little of the original’s soul.
Jurassic World is now a fully functioning theme park taken over from John Hammond’s InGen by Simon Masrani (Irrfan Khan in a pleasingly comedic performance). Welcoming over 20,000 visitors a day, the park sees the need to create something bigger, louder and with more teeth to sustain visitor interest – the Indominus Rex.
Naturally, this doesn’t go quite to plan.
The performances from all of the cast are on-point with Bryce Dallas Howard being a particular highlight. There were worries that her ability would match Tea Leoni from Jurassic Park III rather than Laura Dern’s brilliant Ellie Sattler from the original. Thankfully, this isn’t the case.
Her story arc is particularly intriguing if predictable with her uptight corporate image being shed throughout the film’s succinct 123 minute running time.
Chris Pratt proves why he is the man every director wants to work with. His less comedic side comes out in Jurassic World and proves that he has the acting chops to go with his good looks.
Vincent D’Onofrio stars as the obligatory villain but his side story is never really explored – possibly setting up for a sequel should the film perform well at the box office and with it making up 90% of global ticket sales this weekend, things look promising.
Music wise, Jurassic World treads a very careful path. Make no mistake, this is a standalone movie, but the references to the original are there for all to hear. Michael Giacchino, one of the best composers of the moment, takes over from Don Davis of Jurassic Park III and provides the series with its best score since John Williams’ original.
Special effects too are top notch with the park looking stunning and the dinosaurs, on the whole, faring the same way. There are a couple of moments where things start to look a little video game like, but this never takes away from the beauty of this film.
Unfortunately, whilst the last 30 minutes are breath-taking, edge of your seat stuff, it’s difficult to differentiate Jurassic World from the plethora of high budget blockbusters that litter the cinema these days and whilst Trevorrow chooses references to the original carefully, it lacks a little of that film’s soul and ultimately charm.
Overall, Jurassic World is better than the majority of blockbusters that have come and gone from cinemas over the last year and it tops The Lost World: Jurassic Park and Jurassic Park III to become a sequel worthy of the original.
Yes it’s not perfect, with the gorgeous finale lacking substance, but after waiting 14 years it comes pretty darn close and will no doubt be, along with Star Wars: Episode VII, one of the most memorable films of the noughties.
Do you remember seeing Jurassic Park for the first time? That’s the question everyone asks, and whilst Jurassic World won’t be making anywhere near the same impact, it’s a film worthy of the brand.
https://moviemetropolis.net/2015/06/14/a-trip-down-memory-lane-jurassic-world-review/
Movie Metropolis (309 KP) rated The Grey (2012) in Movies
Jun 10, 2019
Is there ever a better match up than Liam Neeson and a good solid action flick? This reviewer thinks not and this is exactly what we have here. However, Joe Carnahan’s latest offering, The Grey is a lot more than the formulaic paint by numbers action movie.
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
Darren (1599 KP) rated 2001 Maniacs (2005) in Movies
Jun 20, 2019
Story: 2001 Maniacs starts as three history students Anderson (Gillespie), Nelson (Edrington) and Cory (Carey) failing through college before spring breaks gives them a chance to party some more. When the three friends meet fellow travellers including two hot girls Joey (Malcolm), Kat (Heekin) and Ricky (Gross) they arrange to meet back up on the beach and we continue our adventure with our three friends who find Pleasant Valley.
When the six find themselves being welcomed by the Mayor Buckman (Englund) for a celebration they decide to stay. As the strangers spend more time in the town they start to go missing before learning the truth about the people in the town. Who will make it out alive.
2001 Maniacs is one of those horrors that came out at the perfect time, it was the time when gore and nudity were big in the industry and this does everything needed. The story is pretty simple, strangers arrive in town and welcomed only to learn not everything is as it seems. Sure this is easy to watch but it is also important that nothing becomes over-complicated too.
Actor Review
Robert Englund: Mayor Buckman is the man running Pleasant Valley, he is from a time where the south was still in control meaning he only accepts white people in his town. It isn’t long till we learn his motives as the man who welcomes guests with arms wide open. Robert is always going to be a good lead for a film like this.mayr
Lin Shaye: Granny Boone is the host where the guests are staying. She is welcoming throughout the stay trying to make sure all the women look extra pretty. Lin is good in this role where we get to see the added quirky character.
Giuseppe Andrews: Harper is the charming man of the local town that seduces the women who come to town before finding his own way to kill them. Giuseppe is good in this role as you believe he will be calm and crazy in the same side.
Jay Gillespie: Anderson is the nice guy of the three friends travelling who meets the beautiful Joey where he sees a potential new girlfriend, when he learns what is going on he must try to survive. Jay is solid in this role but it could easily be any of the friends.
Support Cast: 2001 Maniacs has a supporting cast which is mostly the victims but also most of the women end up having to do some sort of nudity.
Director Review: Tim Sullivan – Tim gives us a film that reaches all the special effects levels and is filled with all the gore and nudity fitting the genre.
Comedy: 2001 Maniacs has a few good one liners when it comes to the kills.
Horror: 2001 Maniacs is gored filled for all of the kills but isn’t suspense filled.
Settings: 2001 Maniacs keeps most of the film in this small town showing how this is more of a tradition rather than mistake.
Special Effects: 2001 Maniacs has great effects when it comes to the kills which is important for the film.
Suggestion: 2001 Maniacs is one for the horror fans out there to sit down and watch. (Horror Fans Watch)
Best Part: The kills.
Worst Part: No suspense.
Kill Of The Film: Got Milk.
Believability: No
Chances of Tears: No
Chances of Sequel: Has one.
Post Credits Scene: No
Oscar Chances: No
Budget: $3 Million
Runtime: 1 Hour 27 Minutes
Tagline: The south will rise again!
Overall: Enjoyable horror that pushes the boundaries on kills.
https://moviesreview101.com/2016/10/08/movie-reviews-101-midnight-halloween-horror-2001-maniacs-2005/
When the six find themselves being welcomed by the Mayor Buckman (Englund) for a celebration they decide to stay. As the strangers spend more time in the town they start to go missing before learning the truth about the people in the town. Who will make it out alive.
2001 Maniacs is one of those horrors that came out at the perfect time, it was the time when gore and nudity were big in the industry and this does everything needed. The story is pretty simple, strangers arrive in town and welcomed only to learn not everything is as it seems. Sure this is easy to watch but it is also important that nothing becomes over-complicated too.
Actor Review
Robert Englund: Mayor Buckman is the man running Pleasant Valley, he is from a time where the south was still in control meaning he only accepts white people in his town. It isn’t long till we learn his motives as the man who welcomes guests with arms wide open. Robert is always going to be a good lead for a film like this.mayr
Lin Shaye: Granny Boone is the host where the guests are staying. She is welcoming throughout the stay trying to make sure all the women look extra pretty. Lin is good in this role where we get to see the added quirky character.
Giuseppe Andrews: Harper is the charming man of the local town that seduces the women who come to town before finding his own way to kill them. Giuseppe is good in this role as you believe he will be calm and crazy in the same side.
Jay Gillespie: Anderson is the nice guy of the three friends travelling who meets the beautiful Joey where he sees a potential new girlfriend, when he learns what is going on he must try to survive. Jay is solid in this role but it could easily be any of the friends.
Support Cast: 2001 Maniacs has a supporting cast which is mostly the victims but also most of the women end up having to do some sort of nudity.
Director Review: Tim Sullivan – Tim gives us a film that reaches all the special effects levels and is filled with all the gore and nudity fitting the genre.
Comedy: 2001 Maniacs has a few good one liners when it comes to the kills.
Horror: 2001 Maniacs is gored filled for all of the kills but isn’t suspense filled.
Settings: 2001 Maniacs keeps most of the film in this small town showing how this is more of a tradition rather than mistake.
Special Effects: 2001 Maniacs has great effects when it comes to the kills which is important for the film.
Suggestion: 2001 Maniacs is one for the horror fans out there to sit down and watch. (Horror Fans Watch)
Best Part: The kills.
Worst Part: No suspense.
Kill Of The Film: Got Milk.
Believability: No
Chances of Tears: No
Chances of Sequel: Has one.
Post Credits Scene: No
Oscar Chances: No
Budget: $3 Million
Runtime: 1 Hour 27 Minutes
Tagline: The south will rise again!
Overall: Enjoyable horror that pushes the boundaries on kills.
https://moviesreview101.com/2016/10/08/movie-reviews-101-midnight-halloween-horror-2001-maniacs-2005/
Transcending Darkness
Book
One: Sign the contract. Juliette Romero had a debt to pay, a debt that wasn’t even hers. But it...
Scott Tostik (389 KP) rated Joker (2019) in Movies
Dec 2, 2019
So dark... So twisted... So.... Right
So. A Sunday Night... Nothing happening... Just me and a stepkid.... Lets watch Joker.
This movie grabbed me from the begining and never let me go.
Phoenix put in the performance of a lifetime as Arthur Fleck, a depressed, somewhat BiPolar Clown who does board spinning work and birthday parties for a shit company in shitty Gotham City.
After being beaten by a group of teenagers he begins to snap... And slowly over the course of almost 2 hours. His descent into madness begins.
Without unveiling too much... As I'm certain anyone worth a proverbial fuck has already seen this film.... Phoenix's acting prowess is stretched to the limit in fulfilling a Joker character that makes you feel something other than disdain and hatred. Speaking for myself, this was without a doubt the best Joker preformed for film since Jack donned the makeup for Tim Burton.
Don't get me wrong... Heath Ledgers Joker was phenomenal.... But I felt no sorrow for him. I felt no pain emanating from the screen like I did every time he was in a frame...
Phoenix floored me with the painful portrayal of a man pushed to the edge by his surroundings. The key to this happened a mere 3 minutes before the film ended. When Jokers police car is smashed into by the ambulance and he is removed from the car by his new followers...
Phoenix awakens, stands on the hood of the police car, and with the blood that is running from his nose and mouth, he repaints the smile of his clown makeup and proceeds to do his little dance on the car hood.
The look of insanity that crosses his eyes made my skin crawl.... With anticipation hoping they never cast anyone else in this role ever again.
Joaquin Phoenix... You are now to be known as Arthur Fleck aka.... Joker.
This movie grabbed me from the begining and never let me go.
Phoenix put in the performance of a lifetime as Arthur Fleck, a depressed, somewhat BiPolar Clown who does board spinning work and birthday parties for a shit company in shitty Gotham City.
After being beaten by a group of teenagers he begins to snap... And slowly over the course of almost 2 hours. His descent into madness begins.
Without unveiling too much... As I'm certain anyone worth a proverbial fuck has already seen this film.... Phoenix's acting prowess is stretched to the limit in fulfilling a Joker character that makes you feel something other than disdain and hatred. Speaking for myself, this was without a doubt the best Joker preformed for film since Jack donned the makeup for Tim Burton.
Don't get me wrong... Heath Ledgers Joker was phenomenal.... But I felt no sorrow for him. I felt no pain emanating from the screen like I did every time he was in a frame...
Phoenix floored me with the painful portrayal of a man pushed to the edge by his surroundings. The key to this happened a mere 3 minutes before the film ended. When Jokers police car is smashed into by the ambulance and he is removed from the car by his new followers...
Phoenix awakens, stands on the hood of the police car, and with the blood that is running from his nose and mouth, he repaints the smile of his clown makeup and proceeds to do his little dance on the car hood.
The look of insanity that crosses his eyes made my skin crawl.... With anticipation hoping they never cast anyone else in this role ever again.
Joaquin Phoenix... You are now to be known as Arthur Fleck aka.... Joker.
Lyndsey Gollogly (2893 KP) rated The Night Rainbow in Books
Mar 21, 2022
51 of 230
Book
The Night Rainbow
By Claire King
⭐️⭐️⭐️⭐️⭐️
It is summer in the south of France, and Pea and her little sister Margot spend their days running free, inventing games in the meadow behind their house. But Pea has worries beyond her five and a half years. Her father has died in an accident, and her mother has just lost a baby. Maman is English, already isolated in this small, foreign village, and in her compounded grief, she has retreated even further. Pea and Margot stay out of her way and try to make things better, but they can't make Maman happy again.
When Pea befriends Claude, a man who seems to love the meadow as she does, she wonders if he could be a new papa. But why do the other villagers view Claude with suspicion, and what secrets does his large empty house hold?
This is absolutely beautiful! Not a book I’d normally pick out myself I received it in a monthly subscription box I have and it was so heartfelt and such a beautiful story. Beautifully written! A quick read but packed with emotion. Really makes you feel like you are there with this beautiful little girl. You get to go on this journey in the mind of a 5 and a half years old as she works her way through grief and friendships. Highly recommend!
Book
The Night Rainbow
By Claire King
⭐️⭐️⭐️⭐️⭐️
It is summer in the south of France, and Pea and her little sister Margot spend their days running free, inventing games in the meadow behind their house. But Pea has worries beyond her five and a half years. Her father has died in an accident, and her mother has just lost a baby. Maman is English, already isolated in this small, foreign village, and in her compounded grief, she has retreated even further. Pea and Margot stay out of her way and try to make things better, but they can't make Maman happy again.
When Pea befriends Claude, a man who seems to love the meadow as she does, she wonders if he could be a new papa. But why do the other villagers view Claude with suspicion, and what secrets does his large empty house hold?
This is absolutely beautiful! Not a book I’d normally pick out myself I received it in a monthly subscription box I have and it was so heartfelt and such a beautiful story. Beautifully written! A quick read but packed with emotion. Really makes you feel like you are there with this beautiful little girl. You get to go on this journey in the mind of a 5 and a half years old as she works her way through grief and friendships. Highly recommend!
Singapore Rain Map
Weather and Travel
App
This application shows rainy areas(with animation!) inside Singapore and notifies you of coming rain...
Tempests and Slaughter: the Numair Chronicles Book 1
8.5
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The highly anticipated NEW Tortall Legend from TAMORA PIERCE, the #1 New York Times bestselling...
young adult fantasy
Haley Mathiot (9 KP) rated Immortalis Carpe Noctem (Immortalis, #1) in Books
Apr 27, 2018
Alyssa never asked to become a vampire, but when handsome Lysander changes her in order to save her from two brutal rapists and murderers, she is forced to live with his decision. She soon learns the history of her new kind, her new abilities, and starts falling head over heels for her handsome savior. But just when things look like they can't be all that bad, the strongest known coven--whose leader has been holding a grudge against Lysander--and the most dangerous group of vampire hunters on earth show up. Now Alyssa has to use her newly found skills to save herself--and the man she loves.
I really enjoyed Imortalis Carpe Noctem. I tore through it in a few hours, and regretted having to put it down. It was very addicting and fast paced, especially the action scenes at the end, quite entertaining, and not to over-dramatic.
Imortalis was, in some ways, a typical vampire novel: having to escape would-be-vamp-rulers, running from vampire hunters, falling in love with a handsome vampire. The thing that made it worth reading was the characters and their emotions. They had so much character to them, and Alyssa's feelings were so real and—pardon me, human—that they were incredibly relatable. I felt like I was Alyssa, I could feel her pain and her joy, her love and her loss.
The writing was pretty good, except there was some careless editing and misuse of comas. They were everywhere they shouldn't be for some reason, as if the computer put them in willy-nilly. It wasn't so much of a distraction that I couldn't enjoy the book, however.
I am anxiously awaiting the sequel Imortalis: Hunter & Prey as well as Salidas' other upcoming novels.
Content: little language, some sex.
Recommendation: Ages 18+
I really enjoyed Imortalis Carpe Noctem. I tore through it in a few hours, and regretted having to put it down. It was very addicting and fast paced, especially the action scenes at the end, quite entertaining, and not to over-dramatic.
Imortalis was, in some ways, a typical vampire novel: having to escape would-be-vamp-rulers, running from vampire hunters, falling in love with a handsome vampire. The thing that made it worth reading was the characters and their emotions. They had so much character to them, and Alyssa's feelings were so real and—pardon me, human—that they were incredibly relatable. I felt like I was Alyssa, I could feel her pain and her joy, her love and her loss.
The writing was pretty good, except there was some careless editing and misuse of comas. They were everywhere they shouldn't be for some reason, as if the computer put them in willy-nilly. It wasn't so much of a distraction that I couldn't enjoy the book, however.
I am anxiously awaiting the sequel Imortalis: Hunter & Prey as well as Salidas' other upcoming novels.
Content: little language, some sex.
Recommendation: Ages 18+