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Ghost of a Chance (Bucket List Buddies #2)
JP Sayle and Lisa Oliver
8.0
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Can Fate once more pair mates at a Bucket List Buddies event? Or will one cowardly...
Paranormal MM Romance
Rachel King (13 KP) rated Rugged and Relentless (Husbands for Hire, #1) in Books
Feb 11, 2019
This book had quite an intriguing premise -- four women decide to place an ad for husbands in order to revive a dead mining town and turn it into a sawmill town. Their good intentions did not account for the reality of the kind of men who would be showing up for such a curious promise, and the likelihood of their being able to maintain control of a town full of men. I also found it a bit ironic that the book is marketed as a Christian fiction book, though the four women have made themselves heads over the men and are anything but submissive -- even Cora, the one woman actually engaged. Still, the scenario presents some humorous situations as the women interact with the various men of many colorful backgrounds.
The major issue of control is a point of contention for the women throughout the book, as it is obvious that food and lodging won't be enough to corral the men into subservience, even food as delicious as Evie's. Jake is one of the men that steps in to act as bodyguard to the women and leader over the men, since he conveniently has a background in running a sawmill. Jake's presence in Hope Falls is an accident, though, as he had no previous interest in obtaining a wife and was more interested in pursuing revenge for the murder of his brother. He adopts the name Jacob Creed to hide his identity, and uses the husband ad as a cover for his true intentions, but his attraction to Evie is obvious to all but Evie herself.
Evie's self-esteem issues regularly get in the way of her being able to build a relationship with any of the men, especially the one man who gets under her skin, Jacob. She covers her low self-esteem with a bossy pride that annoyed me throughout the book, as her main obstacle seemed to be herself. But Jacob's approach to her low self-image will have any woman with "heft" cheering, especially when he almost force-fed her cookies.
This book was a fun and humorous read, with an original concept that I found refreshing.
The major issue of control is a point of contention for the women throughout the book, as it is obvious that food and lodging won't be enough to corral the men into subservience, even food as delicious as Evie's. Jake is one of the men that steps in to act as bodyguard to the women and leader over the men, since he conveniently has a background in running a sawmill. Jake's presence in Hope Falls is an accident, though, as he had no previous interest in obtaining a wife and was more interested in pursuing revenge for the murder of his brother. He adopts the name Jacob Creed to hide his identity, and uses the husband ad as a cover for his true intentions, but his attraction to Evie is obvious to all but Evie herself.
Evie's self-esteem issues regularly get in the way of her being able to build a relationship with any of the men, especially the one man who gets under her skin, Jacob. She covers her low self-esteem with a bossy pride that annoyed me throughout the book, as her main obstacle seemed to be herself. But Jacob's approach to her low self-image will have any woman with "heft" cheering, especially when he almost force-fed her cookies.
This book was a fun and humorous read, with an original concept that I found refreshing.
Gareth von Kallenbach (980 KP) rated Friday Night Lights (2004) in Movies
Aug 14, 2019
For many small towns in America, the rituals surrounding football season have become so ingrained into the fabric of local society that all aspects of life revolve around the game each Friday.
One prime example of this is in the town of Odessa Texas, where every fall young men embrace the rituals of football as their ticket to bigger and better things in life, and where local merchants close their shops less than miss a single moment of the biggest show in town, the Perriman Panthers.
In the new film &”Friday Night Lights”, audiences get a firsthand look at the trials and tribulations that the team endured during its 1988 season that had previously been covered in the book of the same name by H.G. Bissinger which centered much like the film on the racial and economic overtones of the community.
The film stars Billy Bob Thornton as Coach Gary Gaines a man who despite a string of winning seasons and State Championships to his credit is under pressure to deliver not only a championship team, but an undefeated season as well. The players feel the pressure to, as every person they encounter on the eve of their season is quick to remind them to win it all and go undefeated.
While the first game starts as an enjoyable romp for Perriman and fans it soon becomes tragic when all everything running back Boobie Miles (Derick Luke), injures his knee and as a result the team is routed in it’s next start causing the world to fall in around the coach as disgruntled local fans go so far as to clutter his home with for sale signs following a single loss.
Undaunted the team picks itself up and finds a way to get back to its winning ways and make a run for the state tournament. Along the way the players will be saddled with the standard issues including but not limited to injuries, self-doubt, an abusive father, a sick parent, and local pressure from rabid fans that will not accept anything short of an undefeated season.
While the game scenes of the fill are well done, as Director Peter Berg mixes footage of the 2003 Perriman team with recreated scenes to create a dynamic and engrossing recreation of the game that is perhaps one of the best ever captured on film. Sadly, the game sequences are the only good part of the film as when the story deviates from the actual games, it becomes bogged down in boring sentiment and sports film stereotypes that are so over used, the film has little tension or surprises as I was easily able to see what was coming.
As if this was not bad enough, Thornton is mostly wasted as aside from a few good one-liners, he is reduced to the stern coach with the heart of gold. We know his character loves his family and his team but we do not know what drives and motivates the man. Worse yet, the team is made up of generally bland and unremarkable individuals who do not gain much sympathy from the audience as they are so bland I found myself caring little as to their outcomes.
The more I watched the film, the more I kept being reminded of “Varsity Blues” which compared to “Lights”, is a much better film in almost every aspect. My advice, save this one for a rental.
One prime example of this is in the town of Odessa Texas, where every fall young men embrace the rituals of football as their ticket to bigger and better things in life, and where local merchants close their shops less than miss a single moment of the biggest show in town, the Perriman Panthers.
In the new film &”Friday Night Lights”, audiences get a firsthand look at the trials and tribulations that the team endured during its 1988 season that had previously been covered in the book of the same name by H.G. Bissinger which centered much like the film on the racial and economic overtones of the community.
The film stars Billy Bob Thornton as Coach Gary Gaines a man who despite a string of winning seasons and State Championships to his credit is under pressure to deliver not only a championship team, but an undefeated season as well. The players feel the pressure to, as every person they encounter on the eve of their season is quick to remind them to win it all and go undefeated.
While the first game starts as an enjoyable romp for Perriman and fans it soon becomes tragic when all everything running back Boobie Miles (Derick Luke), injures his knee and as a result the team is routed in it’s next start causing the world to fall in around the coach as disgruntled local fans go so far as to clutter his home with for sale signs following a single loss.
Undaunted the team picks itself up and finds a way to get back to its winning ways and make a run for the state tournament. Along the way the players will be saddled with the standard issues including but not limited to injuries, self-doubt, an abusive father, a sick parent, and local pressure from rabid fans that will not accept anything short of an undefeated season.
While the game scenes of the fill are well done, as Director Peter Berg mixes footage of the 2003 Perriman team with recreated scenes to create a dynamic and engrossing recreation of the game that is perhaps one of the best ever captured on film. Sadly, the game sequences are the only good part of the film as when the story deviates from the actual games, it becomes bogged down in boring sentiment and sports film stereotypes that are so over used, the film has little tension or surprises as I was easily able to see what was coming.
As if this was not bad enough, Thornton is mostly wasted as aside from a few good one-liners, he is reduced to the stern coach with the heart of gold. We know his character loves his family and his team but we do not know what drives and motivates the man. Worse yet, the team is made up of generally bland and unremarkable individuals who do not gain much sympathy from the audience as they are so bland I found myself caring little as to their outcomes.
The more I watched the film, the more I kept being reminded of “Varsity Blues” which compared to “Lights”, is a much better film in almost every aspect. My advice, save this one for a rental.
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Leanne Crabtree (480 KP) rated Show Me the Way (Fight for Me, #1) in Books
Jan 9, 2020
This has been borrowed from the Kindle Unlimited Library.
This one starts with Rynna leaving her small town after yet another run in with her bullies, breaking her Grammy's heart as she flees. Fast forward quite a few years and Rynna is coming back to run the diner her Grammy used to own after her passing away. She's wary of people recognising her and dreads running into her bullies but makes new friends within her first days and meets her neighbours, single dad, Rex, and his young daughter Frankie Leigh. Rex has closed himself off from pretty much everyone and, intrigued by the contradictory man, Rynna can't help wanting to get to know him.
This was sweet. Both damaged in one way or another, wanting to overcome it when they meet that special someone and in this case it's each other. My only issue is I want angst in my stories lately. I want them to scream and fight and make up with each other. That didn't quite happen but somewhere around the 65% mark, someone made an appearance that sent everything up in the air and I was dragged into the story fully for the first time. It got a little intriguing with me wondering how it would all play out.
One thing I did really like about this book was Frankie Leigh. I have a huge weakness for adorable babies/children in my romances and Frankie Leigh may just have won the award for cuteness. She's so full of cute energy with her enthusiasm and crazy fashion sense. Adorable!
I wouldn't mind going back to Gingham Lakes to read Rex's friends stories.
This one starts with Rynna leaving her small town after yet another run in with her bullies, breaking her Grammy's heart as she flees. Fast forward quite a few years and Rynna is coming back to run the diner her Grammy used to own after her passing away. She's wary of people recognising her and dreads running into her bullies but makes new friends within her first days and meets her neighbours, single dad, Rex, and his young daughter Frankie Leigh. Rex has closed himself off from pretty much everyone and, intrigued by the contradictory man, Rynna can't help wanting to get to know him.
This was sweet. Both damaged in one way or another, wanting to overcome it when they meet that special someone and in this case it's each other. My only issue is I want angst in my stories lately. I want them to scream and fight and make up with each other. That didn't quite happen but somewhere around the 65% mark, someone made an appearance that sent everything up in the air and I was dragged into the story fully for the first time. It got a little intriguing with me wondering how it would all play out.
One thing I did really like about this book was Frankie Leigh. I have a huge weakness for adorable babies/children in my romances and Frankie Leigh may just have won the award for cuteness. She's so full of cute energy with her enthusiasm and crazy fashion sense. Adorable!
I wouldn't mind going back to Gingham Lakes to read Rex's friends stories.
BankofMarquis (1832 KP) rated Godzilla Minus One (2023) in Movies
Dec 14, 2023
Surprisingly Human...for a Monster Movie
The BankofMarquis just viewed one of the most entertaining films of 2023 - and it’s a GODZILLA film.
Yes, a GODZILLA film.
From famed Japanese Studio Toho, makers of the original Godzilla film from the 1950’s plus other “man in a rubber suit” monster movies like MOTHRA and WAR OF THE GARGANTUANS, Godzilla Minus One subverts the genre for a moment for instead of presenting a “Monster stomping on buildings” movie with some people in the background, this film is about the Japanese people and how they deal with the aftermath of World War II while (also) running from a giant monster stomping on buildings - but the monster story is the “B” story and the people story is the “A” story…and this subversion of the genre works very very well.
The title of the film, Godzilla Minus One, refers to the fact that…after World War II….Japan was “starting from zero”. When Godzilla starts attacking, it knocks Japan back another peg, hence…Godzilla Minus One.
Director and Screenwriter Takashi Yamazaki tells the tale of Koichi (Ryunosuke Kamiki) who encounters Godzilla towards the end of WWII and freezes, causing the death of his fellow soldiers (so his PTSD continues to tell him throughout the film). Once back in Japan, he encounters a young woman, Noriko (Minami Hamabe) who has been left orphaned, homeless and alone and is sheparding an abandoned baby. This unlikely trio form a bond…and a home…while trying to rebuild their lives and (in Koichi’s case) tries to make sense of the devastation he encountered in the war.
Into to this rebuilding stomps Godzilla.
This story is effectively told by Yamazaki, who knows when to focus on the people aspect of the film and when to focus on the building stomping of Godzilla. It’s a delicate balance that is helped by the performances of Kamiki and Hamabe…and the special effects that brings the spirit of the 1950’s and 1960’s Toho monster films to light.
A surpwisingly rich entertainment, Godzilla Minus One will entertain you with monster stomping…and deep human emotion.
Letter Grade: A- (I’m as surprised as you are)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Yes, a GODZILLA film.
From famed Japanese Studio Toho, makers of the original Godzilla film from the 1950’s plus other “man in a rubber suit” monster movies like MOTHRA and WAR OF THE GARGANTUANS, Godzilla Minus One subverts the genre for a moment for instead of presenting a “Monster stomping on buildings” movie with some people in the background, this film is about the Japanese people and how they deal with the aftermath of World War II while (also) running from a giant monster stomping on buildings - but the monster story is the “B” story and the people story is the “A” story…and this subversion of the genre works very very well.
The title of the film, Godzilla Minus One, refers to the fact that…after World War II….Japan was “starting from zero”. When Godzilla starts attacking, it knocks Japan back another peg, hence…Godzilla Minus One.
Director and Screenwriter Takashi Yamazaki tells the tale of Koichi (Ryunosuke Kamiki) who encounters Godzilla towards the end of WWII and freezes, causing the death of his fellow soldiers (so his PTSD continues to tell him throughout the film). Once back in Japan, he encounters a young woman, Noriko (Minami Hamabe) who has been left orphaned, homeless and alone and is sheparding an abandoned baby. This unlikely trio form a bond…and a home…while trying to rebuild their lives and (in Koichi’s case) tries to make sense of the devastation he encountered in the war.
Into to this rebuilding stomps Godzilla.
This story is effectively told by Yamazaki, who knows when to focus on the people aspect of the film and when to focus on the building stomping of Godzilla. It’s a delicate balance that is helped by the performances of Kamiki and Hamabe…and the special effects that brings the spirit of the 1950’s and 1960’s Toho monster films to light.
A surpwisingly rich entertainment, Godzilla Minus One will entertain you with monster stomping…and deep human emotion.
Letter Grade: A- (I’m as surprised as you are)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)