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Jesters_folly (230 KP) rated Joker (2019) in Movies
Oct 21, 2019
Contains spoilers, click to show
Joker follows Arthur Fleck’s descent from a somewhat mentally troubled comedian to becoming the Joker, arch Batman villain and force for chaos.
Joker is not a superhero film, there are no super powers, no gimmick arrows, no trained fighters like Black Widow and, most defiantly NO batman. Arthur is a normal, if somewhat strange man who is slowly pushed to breaking point by the world around him. He doesn’t even fall into a vat of acid ala Jack Nicholson or Jared Leto’s characters. There is little to link this film to anything DC when it starts except the fact that it is set in Gotham as the film focus mainly on Arthur, the troubles he has working as a clown and the society around him. As the film continues we hear that Thomas Wayne (Bruce’s dad) is running for mayor and we do meet Bruce which helps the viewer know when the film is set although it does cause a slight problem in that the Joker would be around 60+ when he finally fights Batman (Something that doesn’t happen in this film) but the problem may be sorted depending on how you translate the final scene, but that’s something I’ll get to later.
The tone of Joker is dark, probably darker than the latest Batman/Superman films due to the fact that is a lot more ‘real’. As I said there is no ‘falling in acid’ or any other type of super villain/hero origin, just the tale of a man pushed over the edge. The film is, in style part ‘Falling Down’, part ‘Taxi Driver’ and part ‘V for Vendetta’ with a bit of DC (comics) law sprinkled on top and you can see why Jared Leto’s Joker was not used. I have nothing against the Jared Joker, I think It fit the feel ‘Suicide Squad’ but it was cartoony for this gritty version that was based more in reality, this Joker would have fit better as a villain in one of the earlier films like Batman v Superman.
There are Major Spoilers from this point on
There are a couple of odd things in this film, one is who is Arthur’s dad, the film could have worked without this storyline but I think it was added for two reasons; 1 to help tie the movie into the DC universe and 2 to keep a bit of mystery about the Jokers origin.
I have already mentioned that the Jokers age doesn’t seem to fit with the traditional Batman story but the film gives us two ways this could be handled. DC comics have (sometimes) said that there is more than one Joker, this is a way of the comics explaining the number of different origin stories, time lines and other contradiction caused by over 60 years of comics and this could also happen in this movies universe, many citizens of Gotham are seen in clown makeup so it’s would be easy for other people to take on the mantel.
The other solution ties into the last odd thing about the film. The last scene has the Joker in Arkham Hospital (probably Arkham Asylum in the comics), we don’t know how he got there and he is being interviewed by a nurse, he smiles and when asked what’s funny he replies ‘I just thought of a joke’. The nurse asks him tell her the joke and he replies ‘You wouldn’t get it’. I’ve read a lot of people say that this shows that the whole film is just happening in Arthur's imagination but I feel that it’s more likely to be him remembering what happened especially as it’s shown over the murder of Thomas and Martha Wayne. This means that the events of the film are what led up to the shooting in the ally (not by Arthur), so, if the film is just in Jokers imagination then the shooting wouldn’t have happened so there would be no Batman and we have to remember that this is a DC movie.
Joker is not a superhero film, there are no super powers, no gimmick arrows, no trained fighters like Black Widow and, most defiantly NO batman. Arthur is a normal, if somewhat strange man who is slowly pushed to breaking point by the world around him. He doesn’t even fall into a vat of acid ala Jack Nicholson or Jared Leto’s characters. There is little to link this film to anything DC when it starts except the fact that it is set in Gotham as the film focus mainly on Arthur, the troubles he has working as a clown and the society around him. As the film continues we hear that Thomas Wayne (Bruce’s dad) is running for mayor and we do meet Bruce which helps the viewer know when the film is set although it does cause a slight problem in that the Joker would be around 60+ when he finally fights Batman (Something that doesn’t happen in this film) but the problem may be sorted depending on how you translate the final scene, but that’s something I’ll get to later.
The tone of Joker is dark, probably darker than the latest Batman/Superman films due to the fact that is a lot more ‘real’. As I said there is no ‘falling in acid’ or any other type of super villain/hero origin, just the tale of a man pushed over the edge. The film is, in style part ‘Falling Down’, part ‘Taxi Driver’ and part ‘V for Vendetta’ with a bit of DC (comics) law sprinkled on top and you can see why Jared Leto’s Joker was not used. I have nothing against the Jared Joker, I think It fit the feel ‘Suicide Squad’ but it was cartoony for this gritty version that was based more in reality, this Joker would have fit better as a villain in one of the earlier films like Batman v Superman.
There are Major Spoilers from this point on
There are a couple of odd things in this film, one is who is Arthur’s dad, the film could have worked without this storyline but I think it was added for two reasons; 1 to help tie the movie into the DC universe and 2 to keep a bit of mystery about the Jokers origin.
I have already mentioned that the Jokers age doesn’t seem to fit with the traditional Batman story but the film gives us two ways this could be handled. DC comics have (sometimes) said that there is more than one Joker, this is a way of the comics explaining the number of different origin stories, time lines and other contradiction caused by over 60 years of comics and this could also happen in this movies universe, many citizens of Gotham are seen in clown makeup so it’s would be easy for other people to take on the mantel.
The other solution ties into the last odd thing about the film. The last scene has the Joker in Arkham Hospital (probably Arkham Asylum in the comics), we don’t know how he got there and he is being interviewed by a nurse, he smiles and when asked what’s funny he replies ‘I just thought of a joke’. The nurse asks him tell her the joke and he replies ‘You wouldn’t get it’. I’ve read a lot of people say that this shows that the whole film is just happening in Arthur's imagination but I feel that it’s more likely to be him remembering what happened especially as it’s shown over the murder of Thomas and Martha Wayne. This means that the events of the film are what led up to the shooting in the ally (not by Arthur), so, if the film is just in Jokers imagination then the shooting wouldn’t have happened so there would be no Batman and we have to remember that this is a DC movie.
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Bob Mann (459 KP) rated The Mule (2018) in Movies
Sep 28, 2021
Eastwood is back, but is he hero or anti-hero?
It’s delightful to see Clint Eastwood back in front of the camera on the big screen. His last starring film was “Trouble with the Curve” in 2012 – a baseball-themed film that I don’t remember coming out in the UK, let alone remember seeing. Before that was 2008’s excellent “Gran Torino”.
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Bob Mann (459 KP) rated The Night House (2020) in Movies
Aug 23, 2021
Rebecca Hall - outstanding (1 more)
Nicely vague script: leaves a lot to interpret
This one really creeped me out
Positives:
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
Zuky the BookBum (15 KP) rated The Fourth Monkey (4MK Thriller, #1) in Books
Mar 15, 2018
<img src="https://bookbumzuky.files.wordpress.com/2017/06/4mk-giveaway-v2.png"; width="430" height="430" alt="win the book!"/>
<a href="https://bookbum.co.uk/2017/06/27/4mk/">WIN A HARDBACK COPY OF THE BOOK HERE!</a> (UK only)
------
I had so many opinions running through my head when I was reading this. At first I was excited and intrigued to find out more, then I was slightly reluctant to read it towards the middle (though I think factors outside of the book were influencing my opinion at that point) and then by the end I was super eager to finish it (in a good way) and see where it went.
This is a fast paced thriller thats going to keep you rooted to your seat. I, unfortunately, had so much to do while reading this book (work and personal life) that I wasnt able to sit and read huge chunks of it and I think thats why I got a little slow to reading it towards the middle. If youre going to read this book, my advice is to free up some of your time so you can bulk read it, otherwise some of the more shocking revelations and continuous fast paced action wont have its desired effect.
The first thing I loved about this novel is the fact that our protagonist is an older man, not some sprightly new thing coming straight out of police school. It was nice to have that less popular character as our hero. The second thing I loved was the Diary entries. I (mainly) love books that jump back and forth between past and present so when these skin crawlingly creepy diary entries started, I was pumped! They never let me down, through the entire thing they were disturbing and really added something to the novel.
My only complaint? Well, this was a buddy read with my pal Annie @ The Misstery, and we knew who 4MK was the moment we met them. Kind of a bummer but at the same time it was quite fun to see if we were actually going to be right or not (we were). It was still good fun to find out how everything came together in the end.
Overall, I really enjoyed this novel and Im already excited to see another book in the series will be out next year. The ending lines of the novel are chilling and I cant wait for them to be followed up!
<i>Thanks to HQ for sending me a copy of the book in exchange for an honest review!</i>
<a href="https://bookbum.co.uk/2017/06/27/4mk/">WIN A HARDBACK COPY OF THE BOOK HERE!</a> (UK only)
------
I had so many opinions running through my head when I was reading this. At first I was excited and intrigued to find out more, then I was slightly reluctant to read it towards the middle (though I think factors outside of the book were influencing my opinion at that point) and then by the end I was super eager to finish it (in a good way) and see where it went.
This is a fast paced thriller thats going to keep you rooted to your seat. I, unfortunately, had so much to do while reading this book (work and personal life) that I wasnt able to sit and read huge chunks of it and I think thats why I got a little slow to reading it towards the middle. If youre going to read this book, my advice is to free up some of your time so you can bulk read it, otherwise some of the more shocking revelations and continuous fast paced action wont have its desired effect.
The first thing I loved about this novel is the fact that our protagonist is an older man, not some sprightly new thing coming straight out of police school. It was nice to have that less popular character as our hero. The second thing I loved was the Diary entries. I (mainly) love books that jump back and forth between past and present so when these skin crawlingly creepy diary entries started, I was pumped! They never let me down, through the entire thing they were disturbing and really added something to the novel.
My only complaint? Well, this was a buddy read with my pal Annie @ The Misstery, and we knew who 4MK was the moment we met them. Kind of a bummer but at the same time it was quite fun to see if we were actually going to be right or not (we were). It was still good fun to find out how everything came together in the end.
Overall, I really enjoyed this novel and Im already excited to see another book in the series will be out next year. The ending lines of the novel are chilling and I cant wait for them to be followed up!
<i>Thanks to HQ for sending me a copy of the book in exchange for an honest review!</i>
Veronica Pena (690 KP) rated Dreamland in Books
Jan 6, 2020
"Dreamland" by Sarah Dessen tells the story of Caitlin O'Koren as she navigates her first love with a boy named Rogerson as her family is going through the crisis of her older sister Cass running away. Caitlin finds a home in Rogerson when her parents start to treat Caitlin like Cass, putting her schedule on the refrigerator, going to every game Caitlin cheers at, packing snacks for the team. But when Caitlin discovers that Rogerson isn't the man she met in the parking lot that night, she starts to pull away from those closest to her - ditching school, avoiding her best friend, missing cheer practice, smoking weed, pushing her parents away. Caitlin then has to figure out what's more important, her relationship with Rogerson or her relationship with her friends and family.
I loved this novel. I think it was beautifully written. When the ball drops about Rogerson and Caitlin's relationship, you don't expect it at all. You are so involved in the book and the characters, rooting for the relationship, wondering if Cass is going to come home, questioning Caitlin's parent's motives, that when it all happens, it feels like it's not only happening to Caitlin, but to you too. I think that Sarah Dessen did a wonderful job of putting this type of relationship on paper and having it be relatable while still being realistic.
In contrast, I didn't like how rushed the ending was. There's this point of 2 to 3 pages being a couple weeks to a month long and it just feels rushed. I wish I could've gotten a little more development when it came to the end of the novel, but I don't think it injured the story or the plotline in any way. Secondly, I wish there was more character development on Rogerson. I think that for someone that Caitlin is supposedly in love with, we don't really know much about him. And maybe that's because he just naturally wasn't very open with Caitlin, or if that was the author's choice. Either way, I wish there was a little more.
I would 1000% recommend this book to young adults as well as adults. I think that this novel does a wonderful job of giving you an insight into unhealthy relationships and shows how hard they are to get out of. Without revealing too much, I think that this book could really start a conversation.
I loved this novel. I think it was beautifully written. When the ball drops about Rogerson and Caitlin's relationship, you don't expect it at all. You are so involved in the book and the characters, rooting for the relationship, wondering if Cass is going to come home, questioning Caitlin's parent's motives, that when it all happens, it feels like it's not only happening to Caitlin, but to you too. I think that Sarah Dessen did a wonderful job of putting this type of relationship on paper and having it be relatable while still being realistic.
In contrast, I didn't like how rushed the ending was. There's this point of 2 to 3 pages being a couple weeks to a month long and it just feels rushed. I wish I could've gotten a little more development when it came to the end of the novel, but I don't think it injured the story or the plotline in any way. Secondly, I wish there was more character development on Rogerson. I think that for someone that Caitlin is supposedly in love with, we don't really know much about him. And maybe that's because he just naturally wasn't very open with Caitlin, or if that was the author's choice. Either way, I wish there was a little more.
I would 1000% recommend this book to young adults as well as adults. I think that this novel does a wonderful job of giving you an insight into unhealthy relationships and shows how hard they are to get out of. Without revealing too much, I think that this book could really start a conversation.
Movie Metropolis (309 KP) rated The Revenant (2015) in Movies
Jun 11, 2019
Typical Oscar Fodder
There are two types of film critic when it comes to the Academy Awards. Those who enjoy the glamour that the Oscars bring every spring and those who despise what the awards mean for film. I’m in the latter camp, I find them out of touch with what movie-watching audiences enjoy and feel an overhaul is necessary to reflect that.
That’s not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.
The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, it’s the one to watch in 2016. But is it actually any good?
With Birdman director Alejandro G. Iñárritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and that’s exactly what you get.
Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).
DiCaprio’s Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, it’s impressive that he is able to convey such emotion, but he does so perfectly. He’s certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.
Elsewhere, the cinematography that Iñárritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and it’s here where the film succeeds the most.
Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the film’s 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.
The intriguing plot that Iñárritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. There’s only so much landscape, however beautiful, that you can throw at an audience.
Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isn’t there. It may have a dozen award nominations to its name, but in this case, it’s nothing more than style over substance.
https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/
That’s not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.
The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, it’s the one to watch in 2016. But is it actually any good?
With Birdman director Alejandro G. Iñárritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and that’s exactly what you get.
Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).
DiCaprio’s Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, it’s impressive that he is able to convey such emotion, but he does so perfectly. He’s certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.
Elsewhere, the cinematography that Iñárritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and it’s here where the film succeeds the most.
Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the film’s 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.
The intriguing plot that Iñárritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. There’s only so much landscape, however beautiful, that you can throw at an audience.
Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isn’t there. It may have a dozen award nominations to its name, but in this case, it’s nothing more than style over substance.
https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/
The Vintage Tea Room Collection
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A collection of all three books in the Vintage Tea Room series. Ellie and her twin daughters, Marie...
Ivana A. | Diary of Difference (1171 KP) rated Nevermoor: The Trials of Morrigan Crow in Books
Oct 5, 2020
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After reading (and loving) the Hidden Beach by Karen Swan, as part of the Tandem readalong, the whole group fell in love with Karen's writing, so we decided to continue the streak with reading another book. We chose the Greek Escape, because it was suited perfectly for the summer month of August.
<b><i>Synopsis:</i></b>
Running from a heartbreak, Chloe leaves London for a fresh start in New York. She works for a luxury concierge company, where she looks after client's arrangements and event management. But when her friend and colleague Poppy has a terrible accident, she needs to step up and fill her role. This role involves direct customer contact with the clients, which was different to what Chloe was used to.
This is how she meets Joe Lincoln, who asks her to find a secluded holiday home in Greece. You would think all goes by the plan, but her ex, Tom, unexpectedly shows up in New York and she is faced with issues from the past that she wants to run away from. He is the man who has hurt her before, but says he's changed.
She immediately jumps to the chance to help Joe inspect the holiday house - a trip to Greece will give her all the time and space she needs to sort her life out and decide what she wants to do next.
Her mind still unsure about Tom, she also forms a connection with Joe. Even though very mysterious and somehow secluded, there is an undeniable chemistry between them that Chloe is unable to resist. Should she give a second chance to the man she loved for years and years, or is it time for something brand new?
<b><i>My Thoughts:</i></b>
This book is perfect to help you forget the current pandemic and give you a nice summer vibe. Even though it’s not entirely set in Greece, but rather mostly set in New York. That being said, Chloe does also travel to the south of France and there are plenty of summer holiday vibes throughout the book as a whole.
<b><i>Karen Swan won me over with her writing again.</i></b>
The description of places, events and characters are so lively and colourful. I felt like I knew Chloe. When she is out for a drink, I felt like I am her friend. When she was in the office, I felt like a colleague. Something that also attracts me to Karen’s writing is her ability to fully materialise the antagonists as well. Even when they have ill intentions or do something bad, she is able to make the readers understand the reasoning behind it and accept it, no matter how wrong it may be.
The premise and the plot were very interesting, and the mystery behind Poppy’s attack kept me glued to the book. I loved how there was suspense in each chapter and slowly revealing the clues.
I felt for Chloe, when it came to her love life. She forgives Tom for years, and all he does is hurt her and then apologise for it! I think she deserves way better, and she should’ve ditched him the first time he screwed up.
I really enjoyed the Greek Escape, and I loved the ending. It was satisfying, how everything ended and was glad Chloe could find true happiness and peace in the end. I definitely recommend this book, and will continue reading Karen Swan’s books with excitement.
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-78.png"/>;
After reading (and loving) the Hidden Beach by Karen Swan, as part of the Tandem readalong, the whole group fell in love with Karen's writing, so we decided to continue the streak with reading another book. We chose the Greek Escape, because it was suited perfectly for the summer month of August.
<b><i>Synopsis:</i></b>
Running from a heartbreak, Chloe leaves London for a fresh start in New York. She works for a luxury concierge company, where she looks after client's arrangements and event management. But when her friend and colleague Poppy has a terrible accident, she needs to step up and fill her role. This role involves direct customer contact with the clients, which was different to what Chloe was used to.
This is how she meets Joe Lincoln, who asks her to find a secluded holiday home in Greece. You would think all goes by the plan, but her ex, Tom, unexpectedly shows up in New York and she is faced with issues from the past that she wants to run away from. He is the man who has hurt her before, but says he's changed.
She immediately jumps to the chance to help Joe inspect the holiday house - a trip to Greece will give her all the time and space she needs to sort her life out and decide what she wants to do next.
Her mind still unsure about Tom, she also forms a connection with Joe. Even though very mysterious and somehow secluded, there is an undeniable chemistry between them that Chloe is unable to resist. Should she give a second chance to the man she loved for years and years, or is it time for something brand new?
<b><i>My Thoughts:</i></b>
This book is perfect to help you forget the current pandemic and give you a nice summer vibe. Even though it’s not entirely set in Greece, but rather mostly set in New York. That being said, Chloe does also travel to the south of France and there are plenty of summer holiday vibes throughout the book as a whole.
<b><i>Karen Swan won me over with her writing again.</i></b>
The description of places, events and characters are so lively and colourful. I felt like I knew Chloe. When she is out for a drink, I felt like I am her friend. When she was in the office, I felt like a colleague. Something that also attracts me to Karen’s writing is her ability to fully materialise the antagonists as well. Even when they have ill intentions or do something bad, she is able to make the readers understand the reasoning behind it and accept it, no matter how wrong it may be.
The premise and the plot were very interesting, and the mystery behind Poppy’s attack kept me glued to the book. I loved how there was suspense in each chapter and slowly revealing the clues.
I felt for Chloe, when it came to her love life. She forgives Tom for years, and all he does is hurt her and then apologise for it! I think she deserves way better, and she should’ve ditched him the first time he screwed up.
I really enjoyed the Greek Escape, and I loved the ending. It was satisfying, how everything ended and was glad Chloe could find true happiness and peace in the end. I definitely recommend this book, and will continue reading Karen Swan’s books with excitement.
Bong Mines Entertainment (15 KP) rated Something New - Single by Ollie Gabriel in Music
Jul 10, 2019
Ollie Gabriel is a talented soul singer and songwriter based in Los Angeles, California. Not too long ago, he released an adorable music video for his “Something New (From “Songland”)” single.
“We’re living in a world so fast. Not a lot of things that last. But there’s one thing that’s gon stay. I still got that old kind of loving. The kind that don’t leave, that don’t bend, that don’t break. I still got that old kinda loving.” – lyrics
‘Something New’ tells an evergreen tale of a young guy who cherishes an idealistic moment shared between him and his significant other.
While looking into her beautiful eyes, he reveals that his love for her will remain until they are old and grey. Therefore, they should close their eyes, take their time, and hang on to every second like it’s their last.
Later, he admits that a love like theirs doesn’t come around every day, so that’s why they should try something new and bring back that old thing again.
‘Something New’ contains a timeless love story and ear-welcoming vocals. Also, the lovable tune possesses lush instrumentation flavored with R&B and classic soul ingredients.
Ollie Gabriel, a Louisiana native, was introduced to the American public by way of NBC’s new groundbreaking series, entitled, Songland.
During the show, five songwriters competed and performed their original song for the chance to have it recorded by a celebrity artist.
Long-story-short, Gabriel performed and pitched his original song to John Legend, and the rest is history.
Ollie Gabriel’s inspirational debut single, “Running Man”, has over 22M streams online via Spotify.
He has performed around the world, televised to millions and to concert audiences of 40,000+ fans. Also, he’s a talented producer with over 500 sync placements in film and tv since 2009.
His music has been featured on Grey’s Anatomy, Ray Donovan, Shameless, and Deadliest Catch to name a few.
“In 2017, Ollie Gabriel married his longtime girlfriend who inspired the song he performed on NBC’s Songland.”
“We’re living in a world so fast. Not a lot of things that last. But there’s one thing that’s gon stay. I still got that old kind of loving. The kind that don’t leave, that don’t bend, that don’t break. I still got that old kinda loving.” – lyrics
‘Something New’ tells an evergreen tale of a young guy who cherishes an idealistic moment shared between him and his significant other.
While looking into her beautiful eyes, he reveals that his love for her will remain until they are old and grey. Therefore, they should close their eyes, take their time, and hang on to every second like it’s their last.
Later, he admits that a love like theirs doesn’t come around every day, so that’s why they should try something new and bring back that old thing again.
‘Something New’ contains a timeless love story and ear-welcoming vocals. Also, the lovable tune possesses lush instrumentation flavored with R&B and classic soul ingredients.
Ollie Gabriel, a Louisiana native, was introduced to the American public by way of NBC’s new groundbreaking series, entitled, Songland.
During the show, five songwriters competed and performed their original song for the chance to have it recorded by a celebrity artist.
Long-story-short, Gabriel performed and pitched his original song to John Legend, and the rest is history.
Ollie Gabriel’s inspirational debut single, “Running Man”, has over 22M streams online via Spotify.
He has performed around the world, televised to millions and to concert audiences of 40,000+ fans. Also, he’s a talented producer with over 500 sync placements in film and tv since 2009.
His music has been featured on Grey’s Anatomy, Ray Donovan, Shameless, and Deadliest Catch to name a few.
“In 2017, Ollie Gabriel married his longtime girlfriend who inspired the song he performed on NBC’s Songland.”