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Best Park in the Universe – Beat 'Em Up With Mordecai and Rigby in a Regular Show Brawler Game
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Charlie Cobra Reviews (1840 KP) rated I Am a Hero (2015) in Movies
Jul 7, 2020 (Updated Oct 29, 2020)
The Hero's Journey In The Zombie Apocalypse Is As Serious As It Is Funny
Contains spoilers, click to show
I have to say that this movie is one of the best zombie movies I've seen lately. From the beginning I like the way that the main character Hideo has these little moments where he zones out and has these little fantasies where he imagines himself as being more outgoing or heroic. Even if its just something small like the first one where he's at work and get's everyone cheering about being proud to work there when in reality he was just muttering to himself quietly. I really like how he's this kind of everyday regular guy who's just kind of down on his luck doubting himself. He's not where he thought he would be career wise which is hindering his relationship with his girlfriend and his co-workers. His girlfriend even kicks him out because of this and throws out some of his stuff. He really has bad luck because as he tries to make up for the fight with his girlfriend Tekko, he goes back to the apartment to find out that she has been infected by the ZQN virus and she attacks him and nearly infects him too. The ZQN's were pretty cool by the way. At first I thought that the whole cross-eyed look to them looked a little too silly but as it became a signature visualization that marked when someone had become a zombie. When his girlfriend turned it was quite horrifying as she contorted all over the place and did everything in her power to try and eat him. She even bit the door so violently she broke off all of her teeth, which was quite lucky for Hideo because when she bit him she didn't break the skin infecting him. The scene when he is running through the city and everything is in chaos was one of the more memorable scenes for me because so much was going on. There were ZQN's and regular people running all over the place in all directions and cars hitting people, but the car scene with the business man, the school girl Hiromi, and the taxi driver was spectacular. In fact one of the coolest things I've seen in a zombie movie is the school girl Hiromi who becomes a abnormal ZQN. She says that she was bit by a baby who was probably infected from breast milk if the mother was a ZQN. She didn't exhibit any symptoms for like 2 days and when she turns she doesn't attack Hideo but instead saves him by killing a ZQN that was trying to kill him. She has one eye that looks like a ZQN and has crazy superhuman strength but for some reason sleeps a lot. Most of the time in these survival zombie movies the story suffers from a lack of plot structure but a news report stating that the virus can't sustain itself at higher elevations make traveling to Mt. Fuji a destination propelling the plot further in a direction that makes sense. I also like how they used foreshadowing in certain scenes like when he finds a shopping basket with a logo of a marketplace, you can tell that place is more than likely the next destination. I also thought it was pretty cool how Hiromi wasn't the only abnormal and there was a weird "grudge" spider walking girl and then the infamous track star zombie with the crushed head. That one ran super fast and jumped really high and was pretty cool. One of the things I kind of didn't like was that Hideo had a gun for a lot of the movie but never even shot it until close to the end but it did go with the characters personality and make the story more interesting. It's just a little hard to believe. Also why weren't there anybody using any samurais swords on the zombies. I mean with the ZQN's being hard to kill because you need to destroy the whole brain, cutting their heads off would have been really efficient and machetes or swords would have been perfect. And just because it's Japan, I don't expect there to be swords everywhere but I'm surprised there wasn't even one. This movie was just so unexpectedly good it's hard for me to nitpick at things with it and I'm sure there's more that bothered me with it but I really enjoyed and liked this movie. I give this movie a 8/10 and my "Must See Seal of Approval"
Gareth von Kallenbach (980 KP) rated Superman Returns (2006) in Movies
Aug 14, 2019
It has been nearly twenty years since Superman graced the silver screen. This fact is outstanding when you consider that numerous attempts to revive the franchise and two successful television series have occurred in the nearly two decades since 1987’s “Superman IV: The Quest for Peace”.
Amidst much speculation and rumors of a soaring budget that is reported to be over $250 Million, Superman Returns has arrived.
Under the direction of Bryan Singer, who successfully launched the first two films in the “X-Men” series, Brandon Routh dons the tights and capes of the late Christopher Reeve, as the man of steel and his mild mannered alter ego Clark Kent.
As the films opens, it is explained that Superman has been gone five years as he has traveled to what astronomers believe are the remains of his home planet Krypton which was destroyed when he was an infant.
Soon after his return, Clark visits his adopted mother in his hometown of Smallville before returning to Metropolis and his job at the Daily Planet. His happy homecoming is short-lived when Clark realizes that his beloved Lois Lane (Kate Bosworth) is now a single mom with a fiancée named Richard (James Marsden).
As if this is not enough, Superman is shortly thereafter called into action to save Lois and the passengers of a plane and space shuttle encounter a deadly situation when a press conference goes awry.
In a spectacle of action and visual brilliance Superman not only saves the day, but makes a highly visible and triumphant return that signals to the world that he is back.
As happy as the majority of the world is to have their champion back, Lois is very conflicted about his return. She believes he abandoned humanity and left her without even saying goodbye. Such is the extent of Lois’s anger toward Superman; she has written a story entitled “Why the World Doesn’t Need Superman” for which she was awarded a Pulitzer Prize.
As upset as Lois is about the return of Superman, there is one individual who is seething mad over his return and that is Lex Luthor (Kevin Spacey) who plans to use his recently acquired wealth to hatch his latest plot and end the threat of Superman once and for all.
Lex plans to use the crystals and knowledge he has pilfered from Superman’s arctic Fortress of Solitude to craft a new landmass, where he will rule supreme. The fact that billions of innocents will be killed in the process is of no consequence to the power mad Luthor, setting the stage for several high tech action sequences and daring adventures as Superman sets out to save the day.
Despite numerous concerns I had over the film, I am happy to say that the series is in great hands, and the combination of Spacey, Bosworth, Routh, and Singer have not only produced the best film of Summer 2006, but have paved the way for what looks to be a series of films that, while true to the source materials, is not afraid to push the envelope to modernize Superman.
Routh was solid, not only looked the part perfectly, but handled the dual roles of Clark and Superman with and easygoing charm and manner that is highly effective. His ability to portray Superman as a being with deep emotions as well as power is key to the film as the audience is given a chance to see more than just the man with the muscles. Bosworth is also to be commended for her portrayal of a strong and capable Lois who is anything but the stock damsel in distress. The chemistry between Routh and Bosworth is good which is vital, as this is much more than effects and action.
The humanity and compassion that drives the film is an unexpected bonus. Despite the amazing action sequences, this is a story with deep emotional and psychological themes that are rarely seen in films of this nature.
If I had to find fault in the film, it would be that Spacey was not allowed to really let Lex be truly evil. Sure he talks a good fight, and in a few sequences is not above getting his hands dirty. But, for a film as grand as this, the diabolic plot Luthor is trying to hatch just does not seem diabolic enough.
One could also say that at a running time of nearly two hours and forty minutes that perhaps 20 minutes or so could have been trimmed towards the end to help the pacing of the final segments of the film.
That being said, the impressive mix of action, humor, romance, and cast gives Superman Returns a highly winning formula.
Amidst much speculation and rumors of a soaring budget that is reported to be over $250 Million, Superman Returns has arrived.
Under the direction of Bryan Singer, who successfully launched the first two films in the “X-Men” series, Brandon Routh dons the tights and capes of the late Christopher Reeve, as the man of steel and his mild mannered alter ego Clark Kent.
As the films opens, it is explained that Superman has been gone five years as he has traveled to what astronomers believe are the remains of his home planet Krypton which was destroyed when he was an infant.
Soon after his return, Clark visits his adopted mother in his hometown of Smallville before returning to Metropolis and his job at the Daily Planet. His happy homecoming is short-lived when Clark realizes that his beloved Lois Lane (Kate Bosworth) is now a single mom with a fiancée named Richard (James Marsden).
As if this is not enough, Superman is shortly thereafter called into action to save Lois and the passengers of a plane and space shuttle encounter a deadly situation when a press conference goes awry.
In a spectacle of action and visual brilliance Superman not only saves the day, but makes a highly visible and triumphant return that signals to the world that he is back.
As happy as the majority of the world is to have their champion back, Lois is very conflicted about his return. She believes he abandoned humanity and left her without even saying goodbye. Such is the extent of Lois’s anger toward Superman; she has written a story entitled “Why the World Doesn’t Need Superman” for which she was awarded a Pulitzer Prize.
As upset as Lois is about the return of Superman, there is one individual who is seething mad over his return and that is Lex Luthor (Kevin Spacey) who plans to use his recently acquired wealth to hatch his latest plot and end the threat of Superman once and for all.
Lex plans to use the crystals and knowledge he has pilfered from Superman’s arctic Fortress of Solitude to craft a new landmass, where he will rule supreme. The fact that billions of innocents will be killed in the process is of no consequence to the power mad Luthor, setting the stage for several high tech action sequences and daring adventures as Superman sets out to save the day.
Despite numerous concerns I had over the film, I am happy to say that the series is in great hands, and the combination of Spacey, Bosworth, Routh, and Singer have not only produced the best film of Summer 2006, but have paved the way for what looks to be a series of films that, while true to the source materials, is not afraid to push the envelope to modernize Superman.
Routh was solid, not only looked the part perfectly, but handled the dual roles of Clark and Superman with and easygoing charm and manner that is highly effective. His ability to portray Superman as a being with deep emotions as well as power is key to the film as the audience is given a chance to see more than just the man with the muscles. Bosworth is also to be commended for her portrayal of a strong and capable Lois who is anything but the stock damsel in distress. The chemistry between Routh and Bosworth is good which is vital, as this is much more than effects and action.
The humanity and compassion that drives the film is an unexpected bonus. Despite the amazing action sequences, this is a story with deep emotional and psychological themes that are rarely seen in films of this nature.
If I had to find fault in the film, it would be that Spacey was not allowed to really let Lex be truly evil. Sure he talks a good fight, and in a few sequences is not above getting his hands dirty. But, for a film as grand as this, the diabolic plot Luthor is trying to hatch just does not seem diabolic enough.
One could also say that at a running time of nearly two hours and forty minutes that perhaps 20 minutes or so could have been trimmed towards the end to help the pacing of the final segments of the film.
That being said, the impressive mix of action, humor, romance, and cast gives Superman Returns a highly winning formula.
Joe Goodhart (27 KP) rated Saga of the Swamp Thing Vol. 1 (Swamp Thing, #1) in Books
Nov 30, 2020
Early last year, I made the conversion to digital, selling off all my physical issues. There were a number of them that I had not read since the day that first came out, selling them in a mylar sleeve with a backing board. Alan Moore's SAGA OF THE SWAMP THING run was one of those series, and it was also one of the ones that I missed dearly. When Comixology announced that Vertigo sale juust before 2017 ended, i was on it, buying all 5 volumes!
I could have "gobbled" this first volume up in a NY minute; however, like a fine wine, I opted to savor each issue, pacing myself, allowing it all to sink in. I recall reading through this issues fast when they came out (this was when you could still buy comics at 7-11), running through them like a chainsaw through butter. Thankfully, I have learned to appreciate the benefits of savoring.
So, was it as good as I remembered? Nope, BETTER! The early 1980s (the first issue of his run, #20, came out in 1984) was probably some of Moore's best writing! There were no preconceived expectations when you saw his name. Sure, you had an inkling that it would likely be good, but nowhere near the level of expectations that the current comic readers have come to expect.
Prior to his assuming the writer's chair for the series, the main character was thought to still be Alec Holland. However (and this is not a spoiler at this point), as we would learn, Dr. Holland did indeed perish when his lab in the swamp was the victim of sabotage. What was left was as far from human as a chair. Swamp Thing, for all intents and purposes, was vegetable, not mammal as previously thought.
That's learned within the first issue. From there, the ride gets wild with suspense and fear, with some decidely creepy art and concepts thrown in. Essentially, a recipe for WIN!
Oh, before I close this review, I would also like to give some love to the artwork inside. Steve Bissette, followed by John Tottleben, turned in some of the most amazing art. Their attention to detail, left the series feeling creepy yet movie-like, almost as if Sam Raimi were in the director's chair! The artwork was further jazzed up by the always-exceptional coloring of Tatjiana Wood, wife of the artist Wally Wood.
Sure, there's probably other horror-related tpbs you could be reading/considering reading, but you won't find another like this one! Even Marvel's Man-Thing (which I still love; call it my "guilty pleasure") wasn't THIS good! So, enough jibber-jabbering, go pick it up already!
I could have "gobbled" this first volume up in a NY minute; however, like a fine wine, I opted to savor each issue, pacing myself, allowing it all to sink in. I recall reading through this issues fast when they came out (this was when you could still buy comics at 7-11), running through them like a chainsaw through butter. Thankfully, I have learned to appreciate the benefits of savoring.
So, was it as good as I remembered? Nope, BETTER! The early 1980s (the first issue of his run, #20, came out in 1984) was probably some of Moore's best writing! There were no preconceived expectations when you saw his name. Sure, you had an inkling that it would likely be good, but nowhere near the level of expectations that the current comic readers have come to expect.
Prior to his assuming the writer's chair for the series, the main character was thought to still be Alec Holland. However (and this is not a spoiler at this point), as we would learn, Dr. Holland did indeed perish when his lab in the swamp was the victim of sabotage. What was left was as far from human as a chair. Swamp Thing, for all intents and purposes, was vegetable, not mammal as previously thought.
That's learned within the first issue. From there, the ride gets wild with suspense and fear, with some decidely creepy art and concepts thrown in. Essentially, a recipe for WIN!
Oh, before I close this review, I would also like to give some love to the artwork inside. Steve Bissette, followed by John Tottleben, turned in some of the most amazing art. Their attention to detail, left the series feeling creepy yet movie-like, almost as if Sam Raimi were in the director's chair! The artwork was further jazzed up by the always-exceptional coloring of Tatjiana Wood, wife of the artist Wally Wood.
Sure, there's probably other horror-related tpbs you could be reading/considering reading, but you won't find another like this one! Even Marvel's Man-Thing (which I still love; call it my "guilty pleasure") wasn't THIS good! So, enough jibber-jabbering, go pick it up already!
Daniel Boyd (1066 KP) rated Joker (2019) in Movies
Oct 8, 2019 (Updated Oct 8, 2019)
Hmm...
A couple of years ago Joaquin Phoenix starred in a movie called You Were Never Really Here. It was directed by Lynne Ramsay and from the trailers looked like it could be something pretty great. Unfortunately when I saw the movie, I felt that it was nothing more than a poor man's Taxi Driver, with the same regurgitated ideas and not much more to say.
Then I saw 2019's Joker.
Let's forget about the incredibly engaging performances and solid technical filmmaking elements in this movie for a minute. And let's forget all of the baggage and background lore that comes with the huge pop culture characters of the Joker, the Wayne family and Gotham City.
Instead, ask yourself this; if this you removed all of the DC elements from this movie, for example Gotham is just NYC, Thomas Wayne is just a rich powerful man running for office and Arthur Fleck is just a random loner with a screw loose, would this movie be remarkable in any way?
Like, overall I enjoyed this movie, but I enjoyed it because it was a version of my favourite fictional character that I hadn't seen before, but it wasn't a story that I haven't seen before outside of a Joker story. I liked the movie because it reminded me HEAVILY of Taxi Driver, which is one of my favourite movies of all time, but I still prefer Taxi Driver.
I can't give the movie a bad review because it was clearly well made by a bunch of very talented people and I did enjoy my time with it, but after reading the intensely positive reviews this thing got at the film festivals I was looking for something more than a story I have seen before done better decades ago.
At the same time though, I am definitely going to need a second viewing. I have hardly stopped thinking and talking about the movie since I seen it and it has led to me writing my first review on this website in 5 months, so there is something to be said about that element of it.
My rating may change after a second viewing, but for now this is an enjoyable retread of a story we have seen before told several times over. Just because you throw a popular comic book character's name over the top of it, is that enough to make it more worthwhile than all of the other Taxi Driver homages we have gotten over the years?
Then I saw 2019's Joker.
Let's forget about the incredibly engaging performances and solid technical filmmaking elements in this movie for a minute. And let's forget all of the baggage and background lore that comes with the huge pop culture characters of the Joker, the Wayne family and Gotham City.
Instead, ask yourself this; if this you removed all of the DC elements from this movie, for example Gotham is just NYC, Thomas Wayne is just a rich powerful man running for office and Arthur Fleck is just a random loner with a screw loose, would this movie be remarkable in any way?
Like, overall I enjoyed this movie, but I enjoyed it because it was a version of my favourite fictional character that I hadn't seen before, but it wasn't a story that I haven't seen before outside of a Joker story. I liked the movie because it reminded me HEAVILY of Taxi Driver, which is one of my favourite movies of all time, but I still prefer Taxi Driver.
I can't give the movie a bad review because it was clearly well made by a bunch of very talented people and I did enjoy my time with it, but after reading the intensely positive reviews this thing got at the film festivals I was looking for something more than a story I have seen before done better decades ago.
At the same time though, I am definitely going to need a second viewing. I have hardly stopped thinking and talking about the movie since I seen it and it has led to me writing my first review on this website in 5 months, so there is something to be said about that element of it.
My rating may change after a second viewing, but for now this is an enjoyable retread of a story we have seen before told several times over. Just because you throw a popular comic book character's name over the top of it, is that enough to make it more worthwhile than all of the other Taxi Driver homages we have gotten over the years?
Lee (2222 KP) rated Phineas and Ferb the Movie: Candace Against the Universe (2020) in Movies
Sep 2, 2020
Like being back with old friends....
Tenet? I’m sorry, no, THIS was actually the biggest movie release of last week. Well, it is when you’re currently having to isolate at home and cannot go to the cinema for a few weeks. Despite that, I was actually way more excited for this to hit Disney+ this morning than a man my age probably should have been, and I have been for sometime, since it was first announced. I even managed to convince my daughter to get up early and watch with me, recreating those wonderful days when we both used to get up bright and early on a Saturday morning and sit and watch back to back episodes.
For the uninitiated, Phineas and Ferb are two step-brothers who spend their summer holiday coming up with highly elaborate ways to occupy every day, usually resulting in some wacky adventures and an extremely frustrated sister, Candace. Candace is forever trying to bust the boys and get their mum to catch them in the act, only to fail every time as some last second incident conveniently erases any evidence. Oh, and they also have a pet platypus called Perry, who without their knowledge works as an agent for a secret animal organisation, trying each episode to thwart the latest evil scheme hatched by Dr Doofenshmirtz. It’s very funny, features some incredibly catchy songs, and is just an extremely well written show for both kids and adults to enjoy. Running for four seasons, and racking up over 200 episodes before ending in 2015, the show also spawned a number of crossover specials involving Marvel and Star Wars.
Candace against the universe is the second feature length Phineas and Ferb movie and opens with Candace, lamenting the sad fact that no matter what she does, she never manages to successfully bust her brothers. All of this is delivered in the form of a song, and acts as a nostalgic reminder of some of the crazy inventions and adventures the boys have been involved in over the course of the series. The song ends with another perfect chance for Candace to bust the boys, who are currently enjoying themselves with their friends in the back garden. But of course, she fails. After heading out to the front of the house, and meeting up with friend Vanessa, she spots an alien spaceship. Believing her brothers to be behind it somehow, she and Vanessa are sucked up inside, before taking off and shooting up into the sky.
The boys see Candace flying away in the ship, and after photographing the alien license plate, are able to quickly identify where she’s headed (as you do…). They round up the gang and quickly rustle up a portal in their back garden (as you do…), in order to jump to the planet where Candace is being taken. The portal takes them via Doofenshmirtz Evil Inc, where they pick up Heinz Doofenshmirtz and Perry the Platypus (unknowingly), before heading off in a spaceship of their own. When they do catch up with Candace, they discover that she is being hailed as ‘the chosen one’ by the alien race that captured her. But does the queen of the planet have a more sinister reason for bringing Candace all this way?
It’s fair to say that, unless you’re already a fan of the show, you’re unlikely to have any interest whatsoever in watching Candace Against the Universe. For fans of the show though, this is a wonderful trip down memory lane, unless you’ve already spent all of lockdown recently catching up on all of the episodes on Disney+, and it feels so good to be back in the company of such wonderful characters. There’s a lot of comfort to be had from the running gags and themes of the episode format of the show, and the only thing I found with this movie, and the crossover shows, is that they end up feeling like a dragged out episode at times, tending to sag a little around the middle.
It’s a very minor complaint though. The songs are as good as ever, including a song from Doofenshmirtz about ‘adulting’, and the humour is still smart and on point, although Buford does tend to get some of the funnier lines in my opinion. And when Buford gets ridiculed for bringing a canoe with him on their trip to the alien planet, and Doofenshmirtz gets laughed at for inventing something as stupid as a “Chicken Replace-inator” – basically a gun which swaps whatever you fire at with the nearest chicken – you just know they’re working on delivering us some great gags later on throughout the movie. And obviously, Perry the Platypus gets to save the day as usual, and without anyone even realising it. It’s like being back in the company of old friends. Fingers crossed that this isn’t the last we see of Phineas, Ferb and the gang.
For the uninitiated, Phineas and Ferb are two step-brothers who spend their summer holiday coming up with highly elaborate ways to occupy every day, usually resulting in some wacky adventures and an extremely frustrated sister, Candace. Candace is forever trying to bust the boys and get their mum to catch them in the act, only to fail every time as some last second incident conveniently erases any evidence. Oh, and they also have a pet platypus called Perry, who without their knowledge works as an agent for a secret animal organisation, trying each episode to thwart the latest evil scheme hatched by Dr Doofenshmirtz. It’s very funny, features some incredibly catchy songs, and is just an extremely well written show for both kids and adults to enjoy. Running for four seasons, and racking up over 200 episodes before ending in 2015, the show also spawned a number of crossover specials involving Marvel and Star Wars.
Candace against the universe is the second feature length Phineas and Ferb movie and opens with Candace, lamenting the sad fact that no matter what she does, she never manages to successfully bust her brothers. All of this is delivered in the form of a song, and acts as a nostalgic reminder of some of the crazy inventions and adventures the boys have been involved in over the course of the series. The song ends with another perfect chance for Candace to bust the boys, who are currently enjoying themselves with their friends in the back garden. But of course, she fails. After heading out to the front of the house, and meeting up with friend Vanessa, she spots an alien spaceship. Believing her brothers to be behind it somehow, she and Vanessa are sucked up inside, before taking off and shooting up into the sky.
The boys see Candace flying away in the ship, and after photographing the alien license plate, are able to quickly identify where she’s headed (as you do…). They round up the gang and quickly rustle up a portal in their back garden (as you do…), in order to jump to the planet where Candace is being taken. The portal takes them via Doofenshmirtz Evil Inc, where they pick up Heinz Doofenshmirtz and Perry the Platypus (unknowingly), before heading off in a spaceship of their own. When they do catch up with Candace, they discover that she is being hailed as ‘the chosen one’ by the alien race that captured her. But does the queen of the planet have a more sinister reason for bringing Candace all this way?
It’s fair to say that, unless you’re already a fan of the show, you’re unlikely to have any interest whatsoever in watching Candace Against the Universe. For fans of the show though, this is a wonderful trip down memory lane, unless you’ve already spent all of lockdown recently catching up on all of the episodes on Disney+, and it feels so good to be back in the company of such wonderful characters. There’s a lot of comfort to be had from the running gags and themes of the episode format of the show, and the only thing I found with this movie, and the crossover shows, is that they end up feeling like a dragged out episode at times, tending to sag a little around the middle.
It’s a very minor complaint though. The songs are as good as ever, including a song from Doofenshmirtz about ‘adulting’, and the humour is still smart and on point, although Buford does tend to get some of the funnier lines in my opinion. And when Buford gets ridiculed for bringing a canoe with him on their trip to the alien planet, and Doofenshmirtz gets laughed at for inventing something as stupid as a “Chicken Replace-inator” – basically a gun which swaps whatever you fire at with the nearest chicken – you just know they’re working on delivering us some great gags later on throughout the movie. And obviously, Perry the Platypus gets to save the day as usual, and without anyone even realising it. It’s like being back in the company of old friends. Fingers crossed that this isn’t the last we see of Phineas, Ferb and the gang.
Movie Metropolis (309 KP) rated Chappie (2015) in Movies
Jun 11, 2019
A little rough around the edges
District 9 was a tough act to follow for first-time director Neill Blomkamp. His follow up to 2009’s sci-fi sleeper hit was the mediocre Elysium that whilst having a gargantuan budget and the likes of Jodie Foster and Matt Damon, failed on the most basic of levels – storytelling.
Here, Blomkamp returns a little wiser and much richer with Chappie. But does it hark back to the brilliance of District 9?
Chappie follows the story of the titular robot, created by Deon Wilson (Dev Patel), as he grows up in the violent city of Johannesburg. Due to the increasing crime rates, Wilson has created a force of robotic police officers, known as Scouts.
Despite the gritty nature of the film, the cityscapes are stunning with the sweeping shots of the South African metropolis perfectly blended with claustrophobic ruins and towering skyscrapers.
Hugh Jackman stars as ex-soldier Vincent Moore, a man hell bent on proving the capabilities of his own robot, The Moose, even if that means going against the protocols of his employers Tetravaal. Sigourney Weaver also stars as the CEO of the aforementioned corporation.
Unfortunately, side-lining Jackman and to a greater extent Weaver hurts the film. We see Chappie grow from a young child-like robot through to a young adult but Jackman and Weaver only show their faces for very brief moments at a time, though they manage to show their prowess in each scene.
Instead, we are lumbered with real-life pop group Die Antwoord in two roles as Chappie’s ‘mommy’ and ‘daddy’, and despite their decent acting skills and intriguing screen presence, they fail to make as much of an impression as the big names.
Chappie hits home hard and often on just how violent a species we are and the fact that the titular robot doesn’t understand why we can be so cruel only deepens the emotional connection forged for him.
Sharlto Copley, a Blomkamp staple, must be given high praise for crafting such a brilliant cast-member in the motion-captured Chappie. The robot rivals Caesar from Dawn of the Planet of the Apes for sheer realism, and credit must be given to the entire crew for making us feel for a character that has very few human characteristics.
Nevertheless, there is a real issue with the film’s narrative. There are moments of comedic brilliance that are hastily juxtaposed with ones of
sadness and gore, and despite Blomkamp’s best efforts to merge them together, it fails and this becomes increasingly evident in the film’s admittedly exciting finale.
Pacing, a blight that plagued Elysium, is again a problem here. The first 40 minutes of the film drag to such an extent that it feels much longer than its 2 hour running time. This is a huge shame as once it gets going, Chappie rarely lets up until the end credits roll.
Overall, despite not reaching the dizzying heights of the brilliant District 9, director Neill Blomkamp is back on the right track and has crafted a beautifully shot, richly detailed and hugely emotional film – despite his insistence on pushing the most intriguing human characters into the background.
Like the titular character himself, Chappie is charming, if a little rough around the edges and has a lack of story definition, but if you’re a fan of Blomkamp’s work, there’s no reason why you’d be disappointed with what’s on offer.
https://moviemetropolis.net/2015/03/08/a-little-rough-around-the-edges-chappie-review/
Here, Blomkamp returns a little wiser and much richer with Chappie. But does it hark back to the brilliance of District 9?
Chappie follows the story of the titular robot, created by Deon Wilson (Dev Patel), as he grows up in the violent city of Johannesburg. Due to the increasing crime rates, Wilson has created a force of robotic police officers, known as Scouts.
Despite the gritty nature of the film, the cityscapes are stunning with the sweeping shots of the South African metropolis perfectly blended with claustrophobic ruins and towering skyscrapers.
Hugh Jackman stars as ex-soldier Vincent Moore, a man hell bent on proving the capabilities of his own robot, The Moose, even if that means going against the protocols of his employers Tetravaal. Sigourney Weaver also stars as the CEO of the aforementioned corporation.
Unfortunately, side-lining Jackman and to a greater extent Weaver hurts the film. We see Chappie grow from a young child-like robot through to a young adult but Jackman and Weaver only show their faces for very brief moments at a time, though they manage to show their prowess in each scene.
Instead, we are lumbered with real-life pop group Die Antwoord in two roles as Chappie’s ‘mommy’ and ‘daddy’, and despite their decent acting skills and intriguing screen presence, they fail to make as much of an impression as the big names.
Chappie hits home hard and often on just how violent a species we are and the fact that the titular robot doesn’t understand why we can be so cruel only deepens the emotional connection forged for him.
Sharlto Copley, a Blomkamp staple, must be given high praise for crafting such a brilliant cast-member in the motion-captured Chappie. The robot rivals Caesar from Dawn of the Planet of the Apes for sheer realism, and credit must be given to the entire crew for making us feel for a character that has very few human characteristics.
Nevertheless, there is a real issue with the film’s narrative. There are moments of comedic brilliance that are hastily juxtaposed with ones of
sadness and gore, and despite Blomkamp’s best efforts to merge them together, it fails and this becomes increasingly evident in the film’s admittedly exciting finale.
Pacing, a blight that plagued Elysium, is again a problem here. The first 40 minutes of the film drag to such an extent that it feels much longer than its 2 hour running time. This is a huge shame as once it gets going, Chappie rarely lets up until the end credits roll.
Overall, despite not reaching the dizzying heights of the brilliant District 9, director Neill Blomkamp is back on the right track and has crafted a beautifully shot, richly detailed and hugely emotional film – despite his insistence on pushing the most intriguing human characters into the background.
Like the titular character himself, Chappie is charming, if a little rough around the edges and has a lack of story definition, but if you’re a fan of Blomkamp’s work, there’s no reason why you’d be disappointed with what’s on offer.
https://moviemetropolis.net/2015/03/08/a-little-rough-around-the-edges-chappie-review/
Darren (1599 KP) rated Zulu (2013) in Movies
Aug 5, 2019
Story: Zulu starts when a young woman is murdered, police officer Ali Sokhela (Forest) and his team that includes the washed up Brian Epkeen (Bloom) and rookie Dan Fletcher (Kemp) must start to investigate the case.
As the investigation deepens Brian must hold himself together while Ali must face his demons from his past which becomes deadly as they fall into an illegal drug dealing ring with a new devasting drug on the market.
Thoughts on Zulu
Characters – Brian Epkeen is a washed-up police officer, he is great at solving crimes, he tends to have a different woman every night, which has made him distant from his son. He never looks professional but will always do the right thing for his team. Ali Sokhela is scared by his childhood in the racial torn country, now he is a captain in the police force which sees him needing to forgive the men his father fought against to work in the same team, he does have connections which helps him through the city, with his own demons he must locate the killer. Dan is a rookie officer that is part of the team, his innocence isn’t ready to be in the field with the seasoned vets. Ruby is Brian’s ex-wife that hates him and that Brian hassle when he feels like it.
Performances – Orlando Bloom does show us that he can still be a leading man, an edgy side to his character is a big plus too, we could happily watch more of his work here. Forest Whitaker is great too, he has the darker backstory which pushes him into his decisions and hits the accent. The rest of the cast don’t get as much screen time as he does, but you do feel like they hired a lot of local talent which helps make the film feel authentic.
Story – The story follows two cops, one with a dark past because of his skin colour as a child, the other lives in darkness because of his addiction that must use their skills to solve a crime which starts simple enough until things get out of hand to a much bigger problem running through the city. This does feel gritty with how we investigate things, it doesn’t hold back with what happens to the characters and shows us just how far the criminal underworld will go to keep a secret. While this doesn’t rely on twists to get the final outcome, it does show us just how far these two would go to solve a crime and bring the criminals to justice.
Crime – The crime world we enter here shows us just how both sides in a drug war are waging against each other, we get bodies piling up that will only increase the battle with a racial tension that just increases the tension between the twos.
Settings – The film is set in South Africa, we get to see how difficult the drug war is with the racial tension still between the people in the city.
Scene of the Movie – Brian’s escape plan.
That Moment That Annoyed Me – The scene where the head turns up, there is such a pointless line here.
Final Thoughts – This is a gritty crime drama that shows us the harsh reality of the drug world, the two cops must overcome demons that will put them through a major test to get to the bottom of a crime.
Overall: Crime fans surprise.
As the investigation deepens Brian must hold himself together while Ali must face his demons from his past which becomes deadly as they fall into an illegal drug dealing ring with a new devasting drug on the market.
Thoughts on Zulu
Characters – Brian Epkeen is a washed-up police officer, he is great at solving crimes, he tends to have a different woman every night, which has made him distant from his son. He never looks professional but will always do the right thing for his team. Ali Sokhela is scared by his childhood in the racial torn country, now he is a captain in the police force which sees him needing to forgive the men his father fought against to work in the same team, he does have connections which helps him through the city, with his own demons he must locate the killer. Dan is a rookie officer that is part of the team, his innocence isn’t ready to be in the field with the seasoned vets. Ruby is Brian’s ex-wife that hates him and that Brian hassle when he feels like it.
Performances – Orlando Bloom does show us that he can still be a leading man, an edgy side to his character is a big plus too, we could happily watch more of his work here. Forest Whitaker is great too, he has the darker backstory which pushes him into his decisions and hits the accent. The rest of the cast don’t get as much screen time as he does, but you do feel like they hired a lot of local talent which helps make the film feel authentic.
Story – The story follows two cops, one with a dark past because of his skin colour as a child, the other lives in darkness because of his addiction that must use their skills to solve a crime which starts simple enough until things get out of hand to a much bigger problem running through the city. This does feel gritty with how we investigate things, it doesn’t hold back with what happens to the characters and shows us just how far the criminal underworld will go to keep a secret. While this doesn’t rely on twists to get the final outcome, it does show us just how far these two would go to solve a crime and bring the criminals to justice.
Crime – The crime world we enter here shows us just how both sides in a drug war are waging against each other, we get bodies piling up that will only increase the battle with a racial tension that just increases the tension between the twos.
Settings – The film is set in South Africa, we get to see how difficult the drug war is with the racial tension still between the people in the city.
Scene of the Movie – Brian’s escape plan.
That Moment That Annoyed Me – The scene where the head turns up, there is such a pointless line here.
Final Thoughts – This is a gritty crime drama that shows us the harsh reality of the drug world, the two cops must overcome demons that will put them through a major test to get to the bottom of a crime.
Overall: Crime fans surprise.
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