Search
Outcry: Holocaust Memoirs
10.0
Rate It
Book
Manny Steinberg (1925-2015) spent his teens in Nazi concentration camps in Germany, miraculously...
DR
Dominican Republic charts GPS map Navigator
Navigation and Travel
App
Flytomap is a valid and interesting alternative, Benetti Yachts Top Ten 2011,2012,2013,2014,2015 &...
Mauritius - GPS charts offline maps Navigator
Navigation and Travel
App
Flytomap is a valid and interesting alternative, Benetti Yachts Top Ten 2011,2012,2013,2014,2015 &...
Boating Mauritius HD GPS Chart
Navigation and Travel
App
Flytomap is a valid and interesting alternative, Benetti Yachts Top Ten 2011,2012,2013,2014,2015 &...
Boating Greece HD GPS Charts
Navigation and Travel
App
Flytomap is a valid and interesting alternative, Benetti Yachts Top Ten since 2008 Featured in : On...
Hong Kong - GPS Map Navigator
Navigation and Travel
App
Flytomap is a valid and interesting alternative, Benetti Yachts Top Ten 2011,2012,2013,2014,2015 &...
Dominica - GPS maps offline charts Navigator
Navigation and Travel
App
Flytomap is a valid and interesting alternative, Benetti Yachts Top Ten 2011,2012,2013,2014,2015 &...
Cape Verde Islands charts GPS map Navigator
Navigation and Travel
App
Flytomap is a valid and interesting alternative, Benetti Yachts Top Ten 2011,2012,2013,2014,2015 &...
Darren (1599 KP) rated 2012 (2009) in Movies
Jun 20, 2019
Based on Mayan superstition this is the end of the world, now how do man survive this?
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
Movie Metropolis (309 KP) rated The Predator (2018) in Movies
Jun 10, 2019
A soft reboot that actually works
1987; feels like a long time ago doesn’t it? In fact, most of you reading this I imagine weren’t even born way back in the late 80s. I mean, I was only a twinkle in my parents’ eyes at that time. But I digress.
What’s so special about 1987? Well, it was the year that Arnold Schwarzenegger kicked serious alien butt in the first Predator movie. Of course, the franchise’s now infamous fall from grace is the stuff of legend, and along with Alien, the original remains a true high point in the sci-fi horror genre.
Rebooted for 2018 with Iron Man 3 director Shane Black at the helm, The Predator aims to revitalise the public’s interest in this flagging horror franchise. Looking at Shane Black’s unusual resume, he seems a strange choice to take charge here, but we’ll give him the benefit of the doubt for now. But just how good, or bad, is The Predator?
From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
The aforementioned ragtag crew of ex-soldiers includes Boyd Holbrook, a vastly underused presence in last year’s Logan, that thankfully receives much higher billing here. Trevante Rhodes, Keegan-Michael Key, Thomas Jane and Augusto Aguilera make up the rest of the team and whilst their backstories are limited to one scene on a bus, they feel fleshed out enough to carry the film.
Less successful is Olivia Munn’s Casey Bracket. Biologist and when required by the screenwriters, experienced military personnel, she’s probably the most badass biologist you’ll see on screen this decade, when the script requires it of course.
Finally, we have the ridiculously talented Jacob Tremblay as Holbrooks son, Rory. His subplot which surrounds his daily struggles with autism is poorly realised but should be praised for bringing awareness to the condition in a mainstream Hollywood film.
Thankfully, Shane Black injects his trademark dark humour throughout and surprisingly, it works better than I had anticipated. The jokes are well-placed across the running time and each one manages to at least raise a titter.
Now let’s get to the part everyone reading this is interested in; the Predator’s return. Portrayed by stuntman Brian A. Prince, this Predator is virtually identical to the 1987 original in every way. And that’s a good thing, because when the 11ft hybrid shows up, it spoils the party a little. Rendered in CGI, rather than practical effects, its movements are a little too fluid and lack that sense of realism you get with a real man in a suit. The addition of the Predator Dogs however is an inspired choice and they work well despite some sloppy CG at times.
The Predator is a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards
Nevertheless, the film is shot very well and the copious amounts of gore are both restrained and animalistic. It earns its 15 rating most definitely as the Predator works its way through a massive number of victims, but it never crosses the line in which you’d have people saying ‘enough is enough’.
The special effects are on the whole, very good indeed. Considering a relatively modest $88million budget, there are only a few instances of poor CGI and the practical effects used throughout are a nice touch. It’s a shame then that there are some case of poor editing in the film however. A couple of character decisions will leave you scratching your head as you wonder how on earth our band of heroes managed to figure out certain problems.
But this is very much fan service to the original and for that, you’ll either love or hate it. There are many references to its predecessors, some subtle, some smack you in the face obvious. The classic Arnie line “get to the chopper” is there, but that’s definitely in the latter camp, and it’s one reference that doesn’t quite hit the spot.
Overall, The Predator is definitely the best film since the original, although that really isn’t saying much. And that’s a little bit of a disservice to what Shane black and the cast has managed to achieve. It’s a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards. Is it a horror movie like the original was classed to be? Absolutely not. But it’s worth a watch for both Predator fans and those looking to scratch their sci-fi itch.
https://moviemetropolis.net/2018/09/14/the-predator-review-a-soft-reboot-that-actually-works/
What’s so special about 1987? Well, it was the year that Arnold Schwarzenegger kicked serious alien butt in the first Predator movie. Of course, the franchise’s now infamous fall from grace is the stuff of legend, and along with Alien, the original remains a true high point in the sci-fi horror genre.
Rebooted for 2018 with Iron Man 3 director Shane Black at the helm, The Predator aims to revitalise the public’s interest in this flagging horror franchise. Looking at Shane Black’s unusual resume, he seems a strange choice to take charge here, but we’ll give him the benefit of the doubt for now. But just how good, or bad, is The Predator?
From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
The aforementioned ragtag crew of ex-soldiers includes Boyd Holbrook, a vastly underused presence in last year’s Logan, that thankfully receives much higher billing here. Trevante Rhodes, Keegan-Michael Key, Thomas Jane and Augusto Aguilera make up the rest of the team and whilst their backstories are limited to one scene on a bus, they feel fleshed out enough to carry the film.
Less successful is Olivia Munn’s Casey Bracket. Biologist and when required by the screenwriters, experienced military personnel, she’s probably the most badass biologist you’ll see on screen this decade, when the script requires it of course.
Finally, we have the ridiculously talented Jacob Tremblay as Holbrooks son, Rory. His subplot which surrounds his daily struggles with autism is poorly realised but should be praised for bringing awareness to the condition in a mainstream Hollywood film.
Thankfully, Shane Black injects his trademark dark humour throughout and surprisingly, it works better than I had anticipated. The jokes are well-placed across the running time and each one manages to at least raise a titter.
Now let’s get to the part everyone reading this is interested in; the Predator’s return. Portrayed by stuntman Brian A. Prince, this Predator is virtually identical to the 1987 original in every way. And that’s a good thing, because when the 11ft hybrid shows up, it spoils the party a little. Rendered in CGI, rather than practical effects, its movements are a little too fluid and lack that sense of realism you get with a real man in a suit. The addition of the Predator Dogs however is an inspired choice and they work well despite some sloppy CG at times.
The Predator is a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards
Nevertheless, the film is shot very well and the copious amounts of gore are both restrained and animalistic. It earns its 15 rating most definitely as the Predator works its way through a massive number of victims, but it never crosses the line in which you’d have people saying ‘enough is enough’.
The special effects are on the whole, very good indeed. Considering a relatively modest $88million budget, there are only a few instances of poor CGI and the practical effects used throughout are a nice touch. It’s a shame then that there are some case of poor editing in the film however. A couple of character decisions will leave you scratching your head as you wonder how on earth our band of heroes managed to figure out certain problems.
But this is very much fan service to the original and for that, you’ll either love or hate it. There are many references to its predecessors, some subtle, some smack you in the face obvious. The classic Arnie line “get to the chopper” is there, but that’s definitely in the latter camp, and it’s one reference that doesn’t quite hit the spot.
Overall, The Predator is definitely the best film since the original, although that really isn’t saying much. And that’s a little bit of a disservice to what Shane black and the cast has managed to achieve. It’s a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards. Is it a horror movie like the original was classed to be? Absolutely not. But it’s worth a watch for both Predator fans and those looking to scratch their sci-fi itch.
https://moviemetropolis.net/2018/09/14/the-predator-review-a-soft-reboot-that-actually-works/