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The Wonderful Wizard of Oz
Podcast
In this podiobook: From the Reader, Jason Pomerantz:The Wonderful Wizard of Oz has been called "the...
Batman Unlimited: Gotham City’s Most Wanted
Book and Games
App
Test your detective skills in Batman Unlimited: Gotham City’s Most Wanted, a puzzle adventure app...
David McK (3233 KP) rated The Dark Knight Rises (2012) in Movies
Jun 30, 2019
The final part of Christopher Nolan's Christian Bale starring Batman trilogy (after both Batman Begins and The Dark Knight) that takes a large part of its inspiration from the 1990s Knightfall series of graphic novels in introducing the character of Bane: the man who (quote unquote) 'Breaks the Bat'.
As portrayed by Tom Hardy, this version of the character is nothing at all like you might remember from the Batman and Robin abomination: there's no mention of venom (the drug) in this movie, nor is it overstuffed with villains like that earlier movie/portrayal of the character was.
Instead, we have Bane as the primary antagonist throughout, although - in the tradition of Batman Begins - he is later revealed to be but a pawn, with deliberate call-backs to that first movie. While Jonathan Crane/Scarecrow does make a return (in what largely amounts as a camoe) alongside Ra's Al-Ghul (again, largely as a cameo in flashbacks), there's no Joker this time round - probably as a result of the real-world death of Heath Ledger (although I might have preferred even a throw-away line saying why the character wasn't in this!)
We also have Anne Hathaway's take on Catwoman/Selina Kyle, here portrayed more as a cat burglar than the Michelle Pfeiffer version from Batman Returns, and the 'passing on' of the mantle of Gotham's protector to another very-familiar character (who doesn't use his given name until the very end).
As portrayed by Tom Hardy, this version of the character is nothing at all like you might remember from the Batman and Robin abomination: there's no mention of venom (the drug) in this movie, nor is it overstuffed with villains like that earlier movie/portrayal of the character was.
Instead, we have Bane as the primary antagonist throughout, although - in the tradition of Batman Begins - he is later revealed to be but a pawn, with deliberate call-backs to that first movie. While Jonathan Crane/Scarecrow does make a return (in what largely amounts as a camoe) alongside Ra's Al-Ghul (again, largely as a cameo in flashbacks), there's no Joker this time round - probably as a result of the real-world death of Heath Ledger (although I might have preferred even a throw-away line saying why the character wasn't in this!)
We also have Anne Hathaway's take on Catwoman/Selina Kyle, here portrayed more as a cat burglar than the Michelle Pfeiffer version from Batman Returns, and the 'passing on' of the mantle of Gotham's protector to another very-familiar character (who doesn't use his given name until the very end).
WA
Wicked: A Musical Biography
Book
In 2004, the original Broadway production of Wicked earned 10 Tony nominations, including best...
Gareth von Kallenbach (971 KP) rated Legends of Oz: Dorothy's Return (2014) in Movies
Aug 6, 2019
There are certain classic movies that should never be recreated or warrant a sequel. The 1939 cinematic musical masterpiece The Wizard of Oz happens to be one of them. I consider this movie to be the birth of the modern movie film industry, it set the standard for all movies to measure themselves against for many years to come. For those who have been living under a rock and are not familiar with the story of the Wizard of Oz, Dorothy, a young farm girl from Kansas, along with her dog Toto, get whisked in their house by a twister to the land of Oz, a magical fantasyland, where Dorothy wants nothing more than to return home. Per the advice of a Good Witch and some munchkins, and with a new pair of ruby slippers, Dorothy and Toto follow the yellow brick road to the Emerald City to meet the Wizard, who will hopefully help the two make their way back to Kansas. Along the way, she befriends a scarecrow in need of a brain, a tin man who is lacking a heart, and a cowardly lion desperate for courage. They each decide to join Dorothy on her adventure where she defeats the Wicked Witch of the West, who wanted those magical ruby slippers and in the end reaching the Emerald City and safely finds her way back home.
The Legend of Oz: Dorothy’s Return is 3-D animated musical follow up that begins shortly after Dorothy (Lea Michele) returns home from the Land of Oz. The aftermath of the tornado has left her hometown in shambles. Dorothy fights to try to convince everyone that this is their home and it can all be repaired despite the government demanding everyone to vacate the town and seek refuge elsewhere. Back in Oz, the Jester (Martin Short) who happens to be the brother of the Wicked Witch of the West, has sought to rule the World of Oz. He and his band of flying monkeys (same ones from the original movie), begin their reign of terror turning the leaders from all corners of the land into marionettes. The beloved trio of Scarecrow (Dan Akroyd), the Tin Man (Kelsey Grammer) and the Cowardly Lion (James Belushi) believe the only person who can stop the Jester’s tirade is Dorothy. With the help of Scarecrow’s new invention, a machine that can bring Dorothy back over the rainbow and to the land of Oz, they summon for Dorothy. Instead of arriving to the Emerald City, Dorothy arrives in a far off land where she tries to locate the yellow brick road, knowing it will lead her to the Emerald City. On her journey we are introduced to new lands, new people and creatures, new songs, and a new adventure and obstacles that she must overcome before it’s too late.
As a standalone movie, this is a great kids film, one the whole family can enjoy. Lots of fun musical numbers, a mediocre storyline, engaging characters, and beautiful scenery. I would recommend watching this movie with zero expectations and do not attempt to compare it to the original movie, it doesn’t hold a torch!
The Legend of Oz: Dorothy’s Return is 3-D animated musical follow up that begins shortly after Dorothy (Lea Michele) returns home from the Land of Oz. The aftermath of the tornado has left her hometown in shambles. Dorothy fights to try to convince everyone that this is their home and it can all be repaired despite the government demanding everyone to vacate the town and seek refuge elsewhere. Back in Oz, the Jester (Martin Short) who happens to be the brother of the Wicked Witch of the West, has sought to rule the World of Oz. He and his band of flying monkeys (same ones from the original movie), begin their reign of terror turning the leaders from all corners of the land into marionettes. The beloved trio of Scarecrow (Dan Akroyd), the Tin Man (Kelsey Grammer) and the Cowardly Lion (James Belushi) believe the only person who can stop the Jester’s tirade is Dorothy. With the help of Scarecrow’s new invention, a machine that can bring Dorothy back over the rainbow and to the land of Oz, they summon for Dorothy. Instead of arriving to the Emerald City, Dorothy arrives in a far off land where she tries to locate the yellow brick road, knowing it will lead her to the Emerald City. On her journey we are introduced to new lands, new people and creatures, new songs, and a new adventure and obstacles that she must overcome before it’s too late.
As a standalone movie, this is a great kids film, one the whole family can enjoy. Lots of fun musical numbers, a mediocre storyline, engaging characters, and beautiful scenery. I would recommend watching this movie with zero expectations and do not attempt to compare it to the original movie, it doesn’t hold a torch!
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Music Theory for Musical Theatre
John Bell and Steven R. Chicurel
1.0
Rate It
Book
Music Theory for Musical Theatre is a textbook designed to demystify music theory and analysis to...
BS
Biodiversity Studies: A Bibliographic Review
Book
Charles H. Smith has endeavored in this bibliographic review to include literature bearing on both...
David McK (3233 KP) rated Batman: The Long Halloween in Books
Jan 30, 2019
Of all the Superhero's around, I personally think that Batman has the best Rogue's gallery of villains: Superman, for instance, has Lex Luthor And (to a lesser extent) General Zod, while Spiderman has, what, Green Goblin? Dr Octopus? Venom?
Batman, on the other hand (and purely off the top of my head): The Joker. The Penguin. Poison Ivy. The Riddler. Catwoman (on/off as a villain). Scarecrow. Bane. And Two-Face.
Admittedly, some of those characters are now more famous than they used to be before due to the various Batman films, with the last four (And the first) mentioned in my list all appearing in the more-recent Christopher Nolan 'Dark Knight' series of Batman films. Of that trilogy, the second movie concerned itself principally with two main villains: The Joker, and Harvey Dent (aka Two-Face) and, in particular, the circumstances that led District Attorney Dent to become Two-Face.
Those circumstances are also the subject of this graphic novel, which also has a foreword/introduction by the director and writer of 'The Dark Knight', Christopher Nolan and David Goyer, in which they acknowledge the huge debt their movie owes to this novel.
This is also commonly cited as one of the better Batman stories, and is set during the early days of Batman's crusade against criminality in Gotham - there's no Robin here, nor Oracle (well, there is, but only as a baby), for instance.
As such, it makes a good intro (IMO) into the Batman mythos, not far behind the futuristic The Dark Knight Returns or the early-set Year One.
Batman, on the other hand (and purely off the top of my head): The Joker. The Penguin. Poison Ivy. The Riddler. Catwoman (on/off as a villain). Scarecrow. Bane. And Two-Face.
Admittedly, some of those characters are now more famous than they used to be before due to the various Batman films, with the last four (And the first) mentioned in my list all appearing in the more-recent Christopher Nolan 'Dark Knight' series of Batman films. Of that trilogy, the second movie concerned itself principally with two main villains: The Joker, and Harvey Dent (aka Two-Face) and, in particular, the circumstances that led District Attorney Dent to become Two-Face.
Those circumstances are also the subject of this graphic novel, which also has a foreword/introduction by the director and writer of 'The Dark Knight', Christopher Nolan and David Goyer, in which they acknowledge the huge debt their movie owes to this novel.
This is also commonly cited as one of the better Batman stories, and is set during the early days of Batman's crusade against criminality in Gotham - there's no Robin here, nor Oracle (well, there is, but only as a baby), for instance.
As such, it makes a good intro (IMO) into the Batman mythos, not far behind the futuristic The Dark Knight Returns or the early-set Year One.
Eleanor Luhar (47 KP) rated Batman: Gotham After Midnight in Books
Jun 24, 2019
This novel contains 12 episodes of Batman stories, each full of action and crime and excitement. It includes Man-Bat, Axe-Man, Clayface, The Joker, Killer Croc, Catwoman, Scarecrow and the new villain, Midnight. At first, Batman is trying to figure out why his villains are suddenly changing their patterns. But then Midnight comes into the scene...
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
The Conscience of the Folk Revival: The Writings of Israel 'Izzy' Young
Book
Israel G. “Izzy” Young was the proprietor of the Folklore Center in Greenwich Village from the...