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Snitch (2013)
Snitch (2013)
2013 | Action, Drama, Mystery
5
6.8 (4 Ratings)
Movie Rating
I’m a huge fan of Dwayne “The Rock” Johnson. His wrestling persona is
extremely entertaining and he’s a pretty decent actor. He did good with this movie but it wasn’t enough.

The premise of the movie is based on ‘true events’ (whatever that
means), it’s more about a law that’s real in our country right now, I’ll get in to that later.

There are a lot of characters so stick with me. The Rock plays John
Matthews, he owns his own construction business. He has an ex-wife, Sylvie Collins played by Melina Kanakaredes, and a current wife, Analisa played by Nadine Velazquez.

Johnand Analisa
have a daughter Isabella and he has a son with Sylvie, Jason Collins played by Rafi Gavron. The other major players are Barry Pepper who plays undercover DEA agent Cooper; Susan Sarandon who plays Joanne Keeghan a US Attorney; Jon Bernthal
who plays Daniel James an ex-con trying to get his life back together; Michael Kenneth Williams who plays Malik, a drug dealer; and Benjamin Bratt who plays Cartel leader Juan Carlos. Out of all of these, I liked Daniel, Agent Cooper, John Matthews, Malik and
Joanne Keeghan, in that order.

The law the movie is based on is about mandatory minimums. If you are
holding and it’s enough to distribute then you go to jail. The length of your jail time is based on how
much you are holding when you’re caught. In this case, Jason, who is 18 and still in high
school, is set up by his ‘best friend’. This friend sends him a huge bag of ecstasy against Jason’s wishes.

When the package arrives Jason gets caught because it’s a
sting. His jail time based on the amount of ecstasy is ten years in a prison that holds murderers, rapist and violent criminals.

The movie starts excruciatingly slow, the real action doesn’t start until
almost halfway through, or at least it felt like it. It’s good once you get there but I wasn’t really into
the people in it/living it. I kept thinking of the actors as themselves not the characters
they were playing, even the ones I liked. There were too many close ups and‘in action’ scenes that involved someone with a camera running or walking next to the actor.

I getthat it was to try and build apprehension and anxiety but it was more annoying and kept pulling me out of the story so I couldn’t connect emotionally with the characters.

I didn’t believe the union between John and Analisa or that there had been one with Sylvie, there was no familiarity and I didn’t believe the love or tension between them.

John was a business man who’s never seen action so he’s kind of a wuss, but it’s the Rock, a huge tall muscle-y intense looking guy. Whenever he flinched I kept waiting for him to kick ass but he never does.

Then in another scene he’s magically badass, shooting
a shotgun one handed out of the window of a semi-truck he’s driving.

The movie was more about showing people this heinous law then entertainingus. I don’t like that, it’s not why I go to movies. The only saving grace would have been if it had been really entertaining but it was only mildly entertaining at best.

I’d say rent it if you like the Rock or if you’re curious, it wouldn’t be too much of a waste of your time but
definitely don’t waste your money in a theatre.
  
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Graham Massey recommended Welcome by Santana in Music (curated)

 
Welcome by Santana
Welcome by Santana
1973 | Rock
(0 Ratings)
Album Favorite

"I ended up with this record because it was at that point in my teenage years when I was swapping records with my mates at school. We were all a long-haired, Afghan coat-wearing gang into Black Sabbath, Deep Purple, Led Zeppelin and all those classic rock guitar bands. And Santana were almost amongst that; even when you go to albums like Abraxas and the early albums, they have a quite exotic kind of quality about them, so when Welcome came out, it was really rejected by the gang. It was like, ""Whoah! They've gone too far! What is this nonsense? We don't understand it!"" I got someone else's copy of it and I really started to sink into it. There are so many signposts in this record to the jazz world that has sustained me through the years. The first time I heard the words ""John Coltrane"" was through this record. Alice Coltrane is on the first track, which is this version of Dvořák's 'Going Home', which is adapted from his New World Symphony. It's like a classical piece played on a Mellotron. It's very dramatic and it's got nothing to do with rock music and more to do with that spiritual jazz that Alice Coltrane was knocking about. At that point, you couldn't give Alice Coltrane records away, and it's interesting that they didn't really gain currency until the late 90s. And then you've got people like Leon Thomas on the record, the guy who did the yodeling on Pharoah Sanders' records, which would lead you to his records. And John McLaughlin is on there, which would then lead you to The Mahavishnu Orchestra. Back then, you'd find these names on records and then when you were in the record shop, you'd find these names again and it all connected up like dot-to-dots. The concept of ""fusion"" throws up so many bad images because there's a load of shit there, but there's also so much good stuff as well. With this album, I opened the door expecting that rock guitar thing, but the sound of this record is fascinating: it has so much air in it and you can hear the sound of the room being pushed around. To me, this record is like audio sunshine and it transports me to some transcendental place."

Source
  
Freaky (2021)
Freaky (2021)
2021 | Comedy, Horror
More body-switching horror mixed with a bit of comedy. Vince Vaughn was definitely the pull on this for me.

Millie's high school life is derailed when she switches places with a serial killer called The Butcher. She has 24 hours to work out how to switch back or she'll be trapped as a wanted criminal for the rest of her life.

This one... surprised me. I was hoping for an average slasher sort of film, all killer bit of filler, but I actually quite enjoyed the ride on Freaky.

Body swapping isn't a new idea, Big did it, 13 Going On 30, Chucky... sort of. It's a comforting sort of base that gives you room for fun, and in this instance, serial killer and teenage girl was a pretty good combo.

One thing to beware of is that this film is very gory. The beginning starts off as your typical teen horror and moves into the slasher part quite quickly. It's over the top in that ridiculous way that takes away some of the horror factor, and that's how I like these sorts of movies.

When it comes to the acting we get a collection of typical teens, there was nothing that seemed out of place. Solid acting to the expected stereotypes and it absolutely didn't rock the boat.

Vince Vaughn as our menacing murderer was quite terrifying for the moments we saw him in that role. But of course he spent most of the film as Millie. On this point my brain automatically went to the Jack Black comparison in the Jumanji films. His rendition of a teenage girl was great, and Vaughn's was just okay. While both of these roles were over the top, Vaughn's performance was "almost but not quite" and didn't sit right in Freaky.

The flip side of this was Kathryn Newton as Millie. As actual Millie I can't really remember anything about the performance, but as The Butcher there was a definite nutter vibe terminating from her. I'm not sure how they worked on the characters, for Newton the only real guidance was "psycho killer", and I think that left room for a little leeway on this side of the swap.

I was pleased that they took things into consideration during the swap. The struggle of adapting to the bodies was clear and continually there, it wasn't forgotten for the sake of getting on with the story. Millie possessed by The Butcher has a great interaction with another character, and this point is a big focus and heavy on the anxiety to watch because you're caught between a rock and a hard place about what you want the outcome to be.

There is one part of the movie that really weirded me out, I'm sure you'll be able to identify it too so I won't spoil it here. But it didn't feel necessary, it achieved nothing, and felt like it was inserted to get a reaction out of the viewer... exactly as it has here.

Freaky has a good balance between thriller, horror and comedy, and despite the imbalance in the acting/characters I found it to be a great watch. The foreknowledge of the general outcome of a body swap film (because let's face it, we all know how they end) leaves you the time to enjoy the nuttiness of everything else.

Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/freaky-movie-review.html
  
Year One (2009)
Year One (2009)
2009 | Action, Comedy
5
4.1 (7 Ratings)
Movie Rating
I had no idea what to expect with “Year One”. Would it be another flop like “Nacho Libre”? How does Michael Cera fit into this kind of film? Could this be unexpected comedy gold reminiscent of the 1981 Mel Brook’s classic “History of the World: Part I”?

“Year One” follows the journey of two cavemen, Zed (Jack Black) and Oh (Michael Cera), through a comedic adaptation of early mankind. Zed and Oh are lowly members of their tribe rebuffed by the women they desire. Desperate to be something more Zed consumes the forbidden fruit from the tree of knowledge and is immediately out casted from his tribe. Oh joins Zed and the two begin a trip encountering fractured Biblical stories and characters.

Eventually our heroes are led into the lecherous city of Sodom, where they find the tribe and their ladyloves have been taken as slaves. As the two attempt to free the women from a life of slavery eccentric vaguely plotted comedy ensues.

The cast, filled with the usual silly suspects, includes Paul Rudd as Abel, Christopher Mintz-Plasse as Issac, and Vinnie Jones as Sargon. But do not expect their normal brand of comedy because it has been replaced with visually graphic potty humor.

The sets and costumes are well created but near impossible to notice when there is a pile of sheep innards being interpreted by Oliver Platt, who plays the High Priest. The few interesting one-liners fail to save “Year One” from an aura similar to “Austin Powers in Goldmember“.

Why after great films like “School of Rock” and “Be Kind Rewind” is Jack Black purposely trying to end his career? Moreover, why has he decided to take Michael Cera with him? As for Michael Cera this awful sort of humor is not going to lead him out of the valley of “Juno” fandom.

The flick is better than “Nacho Libre”, but it is not comedy gold. If you enjoy simple potty humor you should definitely see the film, but if not plan to borrow the DVD from a friend only to be happy you did not purchase it.
  
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Buttermilk Sky
Jan Watson | 2014
10
10.0 (1 Ratings)
Book Rating
From the moment I opened the pages of Buttermilk Sky I was transported to 1913, and I didn't want to leave.

We follow the story of Mazy Pelfrey and her journey of discovering not only who she is, but what is truly important in life. Mazy is from a small town in the mountains of Kentucky. We begin the book with her attending secretarial school in Lexington. She is swept off her feet by wealthy Loyal Chambers who expresses interest in her. Chanis Clay is the local sheriff back home in Skip Rock and even though they are not formally engaged, he is preparing a home for Mazy. She is unsure of the direction that she wants her life to lead. Mazy encounters many people. From high strung, snobby Eva who is jealous of Mazy and determined to always have her own way; to Cinnamon Spicer, a girl with next to nothing that works day in and day out to support her father who is ill. The choices Mazy makes will determine the rest of her life. Sometimes our path in life is not always obvious at first. Even through prayer and relying on wisdom from the Lord, there are times that we need to step out in faith even if we can't see where the road leads. Trusting that the Lord will cover and protect us, even if it means having to turn around and start again.

Jan Watson did a fabulous job of making me feel like I was experiencing life in Kentucky in the year 1913. The entire book encompasses the feel and effect of the era. The title is mentioned more than once in the book, and the description was warm and homey feeling to me. Envisioning a "buttermilk sky", breathing the clean mountain air, walking the streets of Lexington, I feel like I was there every step of the way in Mazy's journey. The book has good Biblical principals without being "overly spiritual". I am looking forward to reading more from Jan Watson.

As a part of their Blogger Review program, I received a free copy of Buttermilk Sky by Jan Watson from Tyndale House Publishers. All opinions expressed are mine alone.