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Gareth von Kallenbach (980 KP) rated Sharknado: The 4th Awakens (2016) in Movies
Jun 19, 2019
In what is become an annual event for Sy the latest in the Sharknado series titles “Sharknado: The 4th Awakens”, delivers more of the cheesy one-liners, highly improbable situations, bad acting, celebrity cameos, and chintzy visual effects that have made the series a pop culture mainstay.
The latest installment picks up five years after the events of the previous film with star Fin Sheppard (Ian Ziering), in Las Vegas to meet his son. Thanks to a new technological breakthrough that dissipates the storms, there has not been a Sharknado in over five years which is causing fin great concern as he believes they are long overdue.
When the storm mysteriously emerges despite numerous attempts dissipated, the Las Vegas strip and several high-end hotels are subjected to the bloody carnage that is caused by a storm filled with all manner of sharks.
Fin and his crew naturally leapt into action to save the day and using all manner of material that is at hand from tourist attractions to fireworks attempts to save the day.
As the situation unfolds there appears to be more than just a random storm behind the latest outbreak which sets Fin on a breakneck mission to save the day.
If you have followed any the previous films in the series you know what to expect. There will be one outrageous scenario after another with multiple celebrity cameos popping up rapidly throughout the film.
The action sequences trip more cheese than the Stadium Nacho Bar and many of the one-liners and acting performances are so bad the groan inducing. The thing about the series is that director and series stalwart Anthony C, Ferrante knows what the audience expects and delivers it with a big wink and smile that lets them know that he’s in on the game.
While from a technical standpoint there’s much that somebody could find fault with in films, that would be missing the point of the series as it is an over-the-top and ludicrous adventure series that does not take itself too seriously and instead attempts to have fun in the most outrageous ways possible.
The film sets the next film in the series very well and don’t be surprised if next summer you find yourself glued in front of the television watching the next installment in what has become an absolute ratings gold mine for the network.
http://sknr.net/2016/07/31/skarknado-4th-awakens/
The latest installment picks up five years after the events of the previous film with star Fin Sheppard (Ian Ziering), in Las Vegas to meet his son. Thanks to a new technological breakthrough that dissipates the storms, there has not been a Sharknado in over five years which is causing fin great concern as he believes they are long overdue.
When the storm mysteriously emerges despite numerous attempts dissipated, the Las Vegas strip and several high-end hotels are subjected to the bloody carnage that is caused by a storm filled with all manner of sharks.
Fin and his crew naturally leapt into action to save the day and using all manner of material that is at hand from tourist attractions to fireworks attempts to save the day.
As the situation unfolds there appears to be more than just a random storm behind the latest outbreak which sets Fin on a breakneck mission to save the day.
If you have followed any the previous films in the series you know what to expect. There will be one outrageous scenario after another with multiple celebrity cameos popping up rapidly throughout the film.
The action sequences trip more cheese than the Stadium Nacho Bar and many of the one-liners and acting performances are so bad the groan inducing. The thing about the series is that director and series stalwart Anthony C, Ferrante knows what the audience expects and delivers it with a big wink and smile that lets them know that he’s in on the game.
While from a technical standpoint there’s much that somebody could find fault with in films, that would be missing the point of the series as it is an over-the-top and ludicrous adventure series that does not take itself too seriously and instead attempts to have fun in the most outrageous ways possible.
The film sets the next film in the series very well and don’t be surprised if next summer you find yourself glued in front of the television watching the next installment in what has become an absolute ratings gold mine for the network.
http://sknr.net/2016/07/31/skarknado-4th-awakens/
A Slow Air
Book
Morna works as a cleaner in Edinburgh. She spends her time drinking, attempting affairs and trying...
Wes Craven's New Nightmare (1994)
8.2
Rate It
Movie Watch
Reality and fantasy meet in unsettling ways in this installment of the long-running horror series,...
Merissa (13332 KP) rated Don't Clause a Scene (Love In Maplewood #10) in Books
Jul 20, 2025
DON'T CLAUSE A SCENE is the tenth and final book in the Love in Maplewood series, and we finally get answers regarding the Red's vs. Sparky's rivalry that has gone on throughout the series.
Amos is the son of Sparky's, but won't inherit it as it will go to Sage, his older sibling. Mickey is the son of Red's and IS due to inherit, even though he doesn't want it. These two have been brought up to dislike each other, but when they meet in fancy dress for a Halloween party, they find out they have more in common than they thought they would.
This is the book that I both wanted to read and yet was dubious about. And, to be honest, I still feel the same way after I've read it. The relationship between Amos and Mickey was a delight to read, and I loved the time that was spent with them, but the whole rivalry thing? Man, that dragged! Mickey says at one point that he is tired of it all, and that's exactly how I felt. I've no idea how much longer this book is compared to others in the series, but it felt like it was a lot longer. The epilogue was cute though, I enjoyed that. I'm sure I will be in the minority regarding this, but that's how I feel.
A slow-paced story with both cuteness and spice.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 16, 2025
Amos is the son of Sparky's, but won't inherit it as it will go to Sage, his older sibling. Mickey is the son of Red's and IS due to inherit, even though he doesn't want it. These two have been brought up to dislike each other, but when they meet in fancy dress for a Halloween party, they find out they have more in common than they thought they would.
This is the book that I both wanted to read and yet was dubious about. And, to be honest, I still feel the same way after I've read it. The relationship between Amos and Mickey was a delight to read, and I loved the time that was spent with them, but the whole rivalry thing? Man, that dragged! Mickey says at one point that he is tired of it all, and that's exactly how I felt. I've no idea how much longer this book is compared to others in the series, but it felt like it was a lot longer. The epilogue was cute though, I enjoyed that. I'm sure I will be in the minority regarding this, but that's how I feel.
A slow-paced story with both cuteness and spice.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 16, 2025
The Edge Chronicles 1: The Curse of the Gloamglozer: First Book of Quint
8.0
Rate It
Book
Fourteen-year-old Quint Verginix is the only remaining son of famous sky-pirate Wind Jackal. He and...
Gareth von Kallenbach (980 KP) rated Evil dead rise (2023) in Movies
Apr 19, 2023
Usually when a film series is embarking on a fifth outing the challenges
of keeping things fresh and original yet being new and creative can be a
massive obstacle.
Horror series ranging from “Halloween” to “Friday the 13th”, “SAW”, and
“A Nightmare on Elm Street” all faced issues with moving the series along
yet trying to stay true to the original film that inspired them and in
every case; failing to fully capture what made the original film a hit.
“Evil Dead Rise” is not only the latest entry into the series but a bold
take on the cinematic series as it abandons the remote cabin setting of
the first two films and the reboot in favor of an urban setting.
The film does open in a remote lakeside locale before jumping a day
earlier to California where estranged sisters Ellie (Alyssa Sutherland)
and Beth (Lilly Sullivan) reunite. Beth has been working as a guitar
technician and bristles that her sister refers to her as a groupie.
Ellie is raising three children after their father left and informs her
sister that the building they are living in is scheduled to be demolished
so they will have to move soon which is a shock to Beth as she has learned
that she is pregnant and is trying to figure out her life all the while
seeing what she thought would be a source of stability for her upended.
The arrival of an earthquake allows access to a hidden area in the parking
garage of their building and since the locale was a former bank; the kids
soon find a hidden book and records which the only son Danny (Morgan
Davies) hopes he can sell despite his sister Bridget (Gabrielle Echols)
admonishing him constantly to leave it alone and return it to where it was
found.
The book turns out to be a Necronomicon or “Book of the Dead” and as fans
of the series know; nothing good ever comes from one and thanks to playing
old records left by a Priest describing his thoughts on the book; a
summoning incantation is read and this causes Ellie to become possessed
and unleash grotesque carnage and terror on her family.
What follows is a gory and at times intense game of cat and mouse
punctuated by moments of levity as the demonic infestation knows no end.
The film has the over-the top- gore that is expected of the series and the
makeup and effects are very effective. Writer?Director Lee Cronin has done
a great job capturing the tone of the series while moving it forward as he
cleverly incorporates lines and nods to the series without making them
seem forced.
Some may find the excess of blood too much but the series has always been
known for taking things to the extreme as the blend of horror and comedic
parody is what made the original film such a success.
In the end “Evil Dead Rise” does enough to keep fans of the series happy
and hopefully we will be seeing a new entry in the series in the future.
3.5 stars out of 5
of keeping things fresh and original yet being new and creative can be a
massive obstacle.
Horror series ranging from “Halloween” to “Friday the 13th”, “SAW”, and
“A Nightmare on Elm Street” all faced issues with moving the series along
yet trying to stay true to the original film that inspired them and in
every case; failing to fully capture what made the original film a hit.
“Evil Dead Rise” is not only the latest entry into the series but a bold
take on the cinematic series as it abandons the remote cabin setting of
the first two films and the reboot in favor of an urban setting.
The film does open in a remote lakeside locale before jumping a day
earlier to California where estranged sisters Ellie (Alyssa Sutherland)
and Beth (Lilly Sullivan) reunite. Beth has been working as a guitar
technician and bristles that her sister refers to her as a groupie.
Ellie is raising three children after their father left and informs her
sister that the building they are living in is scheduled to be demolished
so they will have to move soon which is a shock to Beth as she has learned
that she is pregnant and is trying to figure out her life all the while
seeing what she thought would be a source of stability for her upended.
The arrival of an earthquake allows access to a hidden area in the parking
garage of their building and since the locale was a former bank; the kids
soon find a hidden book and records which the only son Danny (Morgan
Davies) hopes he can sell despite his sister Bridget (Gabrielle Echols)
admonishing him constantly to leave it alone and return it to where it was
found.
The book turns out to be a Necronomicon or “Book of the Dead” and as fans
of the series know; nothing good ever comes from one and thanks to playing
old records left by a Priest describing his thoughts on the book; a
summoning incantation is read and this causes Ellie to become possessed
and unleash grotesque carnage and terror on her family.
What follows is a gory and at times intense game of cat and mouse
punctuated by moments of levity as the demonic infestation knows no end.
The film has the over-the top- gore that is expected of the series and the
makeup and effects are very effective. Writer?Director Lee Cronin has done
a great job capturing the tone of the series while moving it forward as he
cleverly incorporates lines and nods to the series without making them
seem forced.
Some may find the excess of blood too much but the series has always been
known for taking things to the extreme as the blend of horror and comedic
parody is what made the original film such a success.
In the end “Evil Dead Rise” does enough to keep fans of the series happy
and hopefully we will be seeing a new entry in the series in the future.
3.5 stars out of 5
Matthew Krueger (10051 KP) rated My Son, the Vampire (1952) in Movies
Oct 21, 2020
Mother Riley Meets Bela Lugosi
My Son, the Vampire as known as Mother Riley Meets The Vampire as known as Vampire Over London is a good movie.
The plot: Irish washerwoman Old Mother Riley (Arthur Lucan) foils a would-be vampire (Bela Lugosi) and his misguided robot.
This was the final film of the Old Mother Riley film series, and did not feature Lucan's ex-wife and business partner Kitty McShane, whom he had divorced in 1951.
In 1963, a recut American version called My Son, the Vampire was released, featuring an introductory segment with a song by American comedian Allan Sherman.
On the suggestion of producer Richard Gordon, Bela Lugosi had travelled to the UK to appear in a stage play of Dracula, which failed. He needed money to return to the US. Gordon persuaded fellow producer George Minter to use Lugosi in a movie in London.
Lugosi was paid $5,000 for his role. The plot was taken from Abbott and Costello Meet Frankenstein.
Its a funny horror comedy.
The plot: Irish washerwoman Old Mother Riley (Arthur Lucan) foils a would-be vampire (Bela Lugosi) and his misguided robot.
This was the final film of the Old Mother Riley film series, and did not feature Lucan's ex-wife and business partner Kitty McShane, whom he had divorced in 1951.
In 1963, a recut American version called My Son, the Vampire was released, featuring an introductory segment with a song by American comedian Allan Sherman.
On the suggestion of producer Richard Gordon, Bela Lugosi had travelled to the UK to appear in a stage play of Dracula, which failed. He needed money to return to the US. Gordon persuaded fellow producer George Minter to use Lugosi in a movie in London.
Lugosi was paid $5,000 for his role. The plot was taken from Abbott and Costello Meet Frankenstein.
Its a funny horror comedy.
Summer of Sam (1999)
6.7
Rate It
Movie
During the summer of 1977, a killer known as the Son of Sam keeps all of New York City on edge with...
Mark @ Carstairs Considers (2426 KP) rated Y is for Yesterday (Kinsey Millhone, #25) in Books
Dec 2, 2023
Yesterday, I Finished the Alphabet
It is September of 1989, and PI Kinsey Millhone is hired by a family in a difficult situation. 10 years ago, their son made an explicit tape. He’s just been released from prison, and now the tape has resurfaced. Someone is threatening to give the tape to the authorities if the family doesn’t pay up, and they want Kinsey to find out who it is. Meanwhile, Kinsey is dealing with the aftermath of the attack she recently suffered. Things only heat up when she suspects her attacker might be back in the area.
There is plenty happening here with four different storylines weaving in and out of each other. Still, I did feel the flashbacks for the main mystery slowed things down. The rest of the stories feature continuing stories and characters from earlier books in the series, and I especially liked seeing one of them come back since it gave much needed closure to the previous book in the series. As always, I liked seeing Kinsey again, and we see plenty of regulars. This is the final book in the series, and part of me is sad because I’d love to know how the author would have ended things. On the other hand, this book ends without any major cliffhangers and allows us to imagine Kinsey’s life moving forward as we want it to. I wish we could have gotten a feel for what was on the tape without going into all the detail we got, especially the second time around. There’s a dose of foul language as well I definitely recommend this for series fans even if it isn’t one of the stronger books in the series.
There is plenty happening here with four different storylines weaving in and out of each other. Still, I did feel the flashbacks for the main mystery slowed things down. The rest of the stories feature continuing stories and characters from earlier books in the series, and I especially liked seeing one of them come back since it gave much needed closure to the previous book in the series. As always, I liked seeing Kinsey again, and we see plenty of regulars. This is the final book in the series, and part of me is sad because I’d love to know how the author would have ended things. On the other hand, this book ends without any major cliffhangers and allows us to imagine Kinsey’s life moving forward as we want it to. I wish we could have gotten a feel for what was on the tape without going into all the detail we got, especially the second time around. There’s a dose of foul language as well I definitely recommend this for series fans even if it isn’t one of the stronger books in the series.
David McK (3623 KP) rated The Day After Tomorrow (2004) in Movies
Nov 20, 2019 (Updated Aug 3, 2025)
Roland Emmerich sure likes his disaster movies.
This is his 2014 disaster movie that, taking climate change as it's starting point, has entered the popular vernacular - "it's like the day after tomorrow out there" - and, until the movie 2012 came along (I'm typing this in 2019) also must have held the record for portraying natural disaster on the big screen.
The main focus of this one is on both Jake Gylenhall and Dennis Quaid, with the former becoming trapped in New York when a series of natural disasters leads to a new ice-age leading to the latter (who, natch, is an experienced climatologist) to trek has way across the frozen North America to rescue his son.
This is his 2014 disaster movie that, taking climate change as it's starting point, has entered the popular vernacular - "it's like the day after tomorrow out there" - and, until the movie 2012 came along (I'm typing this in 2019) also must have held the record for portraying natural disaster on the big screen.
The main focus of this one is on both Jake Gylenhall and Dennis Quaid, with the former becoming trapped in New York when a series of natural disasters leads to a new ice-age leading to the latter (who, natch, is an experienced climatologist) to trek has way across the frozen North America to rescue his son.