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Sophia (Bookwyrming Thoughts) (530 KP) rated The Mark of Athena in Books
Jan 23, 2020
Original Review posted on <a title="The Mark of Athena" href="http://bookwyrming-thoughts.blogspot.com/2013/07/review-mark-of-athena-by-rick-riordan.html">Bookwyrming Thoughts</a>
Note: Formatting is lost due to copy and paste.
I probably should have waited until it was about a month until The House of Hades was published in order to read The Mark of Athena.
The good thing? I don't need to do some major catching up. And I might end up dragging (not literally) my mom over to the book store when the fourth book finally does come out.
But where there's good, there's bad (boo). So, the bad thing? Considering what happened in The Mark of Athena and The Son of Sobek (I'm not even sure I spelled that right. Oh, and link leads to my Goodreads review), I really wished I could have waited. Because I now have to do the fancy little countdown... (is there even an official countdown?).
Unfortunately, I might decide to wait an entire year after all to finally read The House of Hades. (Sorry, but I'm one who keeps good things for last... sometimes. For reasons not to be told >;))
But I still want to know what happens next to Percy and Annabeth after what happens to them at the end (and definitely the rest of the demigod crew as well).
So! Overall thoughts on Riordan's most latest work in the Heroes of Olympus series: fast paced, lovable and humorous characters from the prior series returning along with the new ones, and a confession of mine: I'm a sucker for mythologies retold as I am with fairy tales retold.
Random Question: Anyone else excited for The House of Hades to come out later this year? :D
Note: Formatting is lost due to copy and paste.
I probably should have waited until it was about a month until The House of Hades was published in order to read The Mark of Athena.
The good thing? I don't need to do some major catching up. And I might end up dragging (not literally) my mom over to the book store when the fourth book finally does come out.
But where there's good, there's bad (boo). So, the bad thing? Considering what happened in The Mark of Athena and The Son of Sobek (I'm not even sure I spelled that right. Oh, and link leads to my Goodreads review), I really wished I could have waited. Because I now have to do the fancy little countdown... (is there even an official countdown?).
Unfortunately, I might decide to wait an entire year after all to finally read The House of Hades. (Sorry, but I'm one who keeps good things for last... sometimes. For reasons not to be told >;))
But I still want to know what happens next to Percy and Annabeth after what happens to them at the end (and definitely the rest of the demigod crew as well).
So! Overall thoughts on Riordan's most latest work in the Heroes of Olympus series: fast paced, lovable and humorous characters from the prior series returning along with the new ones, and a confession of mine: I'm a sucker for mythologies retold as I am with fairy tales retold.
Random Question: Anyone else excited for The House of Hades to come out later this year? :D
Gareth von Kallenbach (980 KP) rated Wrath of the Titans (2012) in Movies
Aug 7, 2019
Sequels often struggle to live up to the expectations set by their predecessors. Wrath of the Titans delivers. Sam Worthington, Liam Neeson, and Ralph Fiennes reprise their roles as Perseus, Zeus, and Hades in this continuation of the Clash of the Titans remake from 2010. They’re joined this time by Rosamund Pike, who portrays the strong, female love interest as the beautiful Queen Andromeda.
Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.
The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.
While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.
One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.
As I said before, if you enjoyed the first, seeing the second is worth your time and money.
Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.
The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.
While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.
One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.
As I said before, if you enjoyed the first, seeing the second is worth your time and money.
LeftSideCut (3776 KP) rated A Creepshow Animated Special (2020) in Movies
Nov 15, 2020
This Halloween Special of the Creepshow Shudder series is a nice pitstop whilst we patiently wait for the second season of its main run.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
Gareth von Kallenbach (980 KP) rated Captain Underpants (2017) in Movies
Jul 11, 2019
Based off the bestselling kids’ book series by Dav Pilkey, Captain
Underpants tells the story of George Beard (Kevin Hart) and Harold Hutchins
(Thomas Middleditch), a couple of over imaginative elementary school kids
that spend their days trying to make the most out of the daily monotonous
chore that is school by secretly playing pranks to keep themselves and
their fellow schoolmates entertained. And, trying to make sure they don’t
get caught by the school principal, Mr. Krupp (Ed Helm). Outside of
school, they spend countless hours in their treehouse creating comic
books.
Their greatest creation is the underwear sporting, high flying,
overly friendly, and extremely unintelligent superhero Captain Underpants.
Mr. Krupp’s main purpose in life is to make everyone else’s life
miserable. When he threatens to separate the boys, put them in different
classrooms, after being caught playing a prank. The boys decide to
hypnotize their principal into becoming the incredible Captain Underpants.
Ecstatic about seeing their comic book come to life, they suddenly realize
their plan backfires when Mr. Krupp in Capt Underpants persona hires
Professor Poopypants (Nick Kroll) to be the school’s new science teacher.
He’s no ordinary school teacher. Professor Poopypants wants to rid the
world of laughter starting with kids the at George and Harold’s school. Oh
NO!!!!
This film is everything you would expect it to be: outlandish, vibrant, and
full of potty humor. Just enough to keep parents entertained and the
kiddos completely engaged. From what I gather, not having read the books,
but my son has, it follows the storyline pretty closely to the first novel
in the 8 book series. I am not surprised if Dreamworks capitalizes on this
and releases a movie for each book.
Underpants tells the story of George Beard (Kevin Hart) and Harold Hutchins
(Thomas Middleditch), a couple of over imaginative elementary school kids
that spend their days trying to make the most out of the daily monotonous
chore that is school by secretly playing pranks to keep themselves and
their fellow schoolmates entertained. And, trying to make sure they don’t
get caught by the school principal, Mr. Krupp (Ed Helm). Outside of
school, they spend countless hours in their treehouse creating comic
books.
Their greatest creation is the underwear sporting, high flying,
overly friendly, and extremely unintelligent superhero Captain Underpants.
Mr. Krupp’s main purpose in life is to make everyone else’s life
miserable. When he threatens to separate the boys, put them in different
classrooms, after being caught playing a prank. The boys decide to
hypnotize their principal into becoming the incredible Captain Underpants.
Ecstatic about seeing their comic book come to life, they suddenly realize
their plan backfires when Mr. Krupp in Capt Underpants persona hires
Professor Poopypants (Nick Kroll) to be the school’s new science teacher.
He’s no ordinary school teacher. Professor Poopypants wants to rid the
world of laughter starting with kids the at George and Harold’s school. Oh
NO!!!!
This film is everything you would expect it to be: outlandish, vibrant, and
full of potty humor. Just enough to keep parents entertained and the
kiddos completely engaged. From what I gather, not having read the books,
but my son has, it follows the storyline pretty closely to the first novel
in the 8 book series. I am not surprised if Dreamworks capitalizes on this
and releases a movie for each book.
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Mr Men Trip to the Moon
Roger Hargreaves and Adam Hargreaves
6.0
Rate It
Book
The Mr Men are going on a trip to the moon! Well, the Mr Men who can fit in a space suit and helmet!...
The John Tradescants: Gardeners to the Rose and Lily Queen
Book
There are few more important figures in the early history of modern gardening than John Tradescant...
Merissa (12417 KP) rated Smitty's Sheriff (Hope #3) in Books
Dec 7, 2017
Smitty's Sheriff (Hope #3) by Cardeno C.
Smitty's Sheriff is the third book in the Hope series, and this series is one where I never know what I'm going to get. McFarland's Farm was a 4-star, Jesse's Diner was a 5. Each story is completely individual, and that is always a good thing.
Now, first off, I need to say that this story is of the same high quality as all of Cardeno C.'s work. The pace is smooth, the characters believable, and certain scenes are steamy enough for anyone.
The reason for my 3-stars is that whilst I enjoyed their story, I couldn't actually get with the relationship between the main two characters. I found myself getting quite annoyed whenever Rich spoke to Todd like he was a child. I know there is an age difference between them, but to me, their relationship was more father/son with sexy bits, rather than boyfriends/lovers/whatever you want to call them.
NOW, that is just my opinion, and I know that some readers will devour this story and love every word. I'm just sorry that I'm not one of them, although I did enjoy it. As it is Cardeno C.'s work, I have no hesitation in recommending this book, even if I didn't like it 100%.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, first off, I need to say that this story is of the same high quality as all of Cardeno C.'s work. The pace is smooth, the characters believable, and certain scenes are steamy enough for anyone.
The reason for my 3-stars is that whilst I enjoyed their story, I couldn't actually get with the relationship between the main two characters. I found myself getting quite annoyed whenever Rich spoke to Todd like he was a child. I know there is an age difference between them, but to me, their relationship was more father/son with sexy bits, rather than boyfriends/lovers/whatever you want to call them.
NOW, that is just my opinion, and I know that some readers will devour this story and love every word. I'm just sorry that I'm not one of them, although I did enjoy it. As it is Cardeno C.'s work, I have no hesitation in recommending this book, even if I didn't like it 100%.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (12417 KP) rated Unapologetically Me (Offbeat Shifters #3) in Books
Mar 25, 2021 (Updated Aug 2, 2023)
UNAPOLOGETICALLY ME is the third book in the Offbeat Shifters series, but the first one of Charlie and Austin. Charlie was the unreliable pop Divo, who wouldn't take any nonsense, and Austin was Jesse's dad, who made more than a few mistakes when raising his son. This is their story.
And what a story it is!!! I really enjoyed Jesse and Isaac, I did. But these two, wow! I loved their story. It made me smile, it made me laugh, and it also made me cry. I NEED their happy ending! Part of what I loved though, was seeing Jesse and Isaac with the twins, through Austin's eyes, and seeing how he felt about his past.
This is an incredibly well-written story, that has an open ending designed to leave you hanging on for the next book, which I need, like yesterday! The characters are all amazing, with their own interests and foibles to make them more 'human'. I loved how Charlie bakes when he's stressed! And I do so love a flapjack.
This really is a fantastic addition to the series, and I can't wait for more. It was brilliant seeing Jesse and Isaac again, but now I need to know Austin and Charlie get their HEA!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 25, 2021
And what a story it is!!! I really enjoyed Jesse and Isaac, I did. But these two, wow! I loved their story. It made me smile, it made me laugh, and it also made me cry. I NEED their happy ending! Part of what I loved though, was seeing Jesse and Isaac with the twins, through Austin's eyes, and seeing how he felt about his past.
This is an incredibly well-written story, that has an open ending designed to leave you hanging on for the next book, which I need, like yesterday! The characters are all amazing, with their own interests and foibles to make them more 'human'. I loved how Charlie bakes when he's stressed! And I do so love a flapjack.
This really is a fantastic addition to the series, and I can't wait for more. It was brilliant seeing Jesse and Isaac again, but now I need to know Austin and Charlie get their HEA!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 25, 2021
Mark @ Carstairs Considers (2277 KP) rated Racing the Light in Books
Jun 17, 2023
Elvis Cole is in a Race to Find a Missing Man
PI Elvis Cole’s latest client is a mother who insists that her son, Josh, is missing. She sounds like a conspiracy nut, and it doesn’t help that Josh hosts a podcast about aliens and other out there topics. But Elvis gives himself a day to figure out what he thinks of the case, and in that time he realizes that someone dangerous is very interested in where Josh is. Can Elvis find him in time?
As usual, this book was a mixed bag for me. The case was interesting, although some of the events were entirely predictable to anyone who has read this series on a regular basis. While I do like Elvis and his partner, Joe Pike, I still find Joe to be a rather thin character. The new characters are also definitely on the thin side, and many of them are annoying. In fact, at times the plot seemed to be based on the characters doing the absolutely stupidest things they could do and Elvis trying to save them. There’s also quite a bit of adult content in this book, more so than I really thought it needed. There are lots of point of view changes, but I never had a hard time with them since they were clearly labeled and happened at chapter breaks. Fans will be interested in the sub-plot here. There are things I enjoyed, but once again, this is an average entry in an average series.
As usual, this book was a mixed bag for me. The case was interesting, although some of the events were entirely predictable to anyone who has read this series on a regular basis. While I do like Elvis and his partner, Joe Pike, I still find Joe to be a rather thin character. The new characters are also definitely on the thin side, and many of them are annoying. In fact, at times the plot seemed to be based on the characters doing the absolutely stupidest things they could do and Elvis trying to save them. There’s also quite a bit of adult content in this book, more so than I really thought it needed. There are lots of point of view changes, but I never had a hard time with them since they were clearly labeled and happened at chapter breaks. Fans will be interested in the sub-plot here. There are things I enjoyed, but once again, this is an average entry in an average series.