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Mark @ Carstairs Considers (2336 KP) rated The Forgotten Man (Elvis Cole, #10) in Books
Mar 9, 2018
Normally, a man shot in an alley in downtown Los Angeles wouldn’t cross Elvis Cole’s radar. However, this man claimed that he was the PI’s long-lost father in town to make up for lost time with his son. Could it be true? If so, what was he doing in the alley when he got shot?
At some point, this part of Cole’s past had to come into the foreground in the series, and this book does a great job of using that hook to springboard us into a great mystery. As you’d expect, there are some good twists and an exciting climax. I did feel that a flashback to Elvis as an early teen really didn’t do much for the story other than slow it down. We don’t get to see much of Joe Pike, Elvis’ partner. Instead, the sidekick role is filled with Carol Starkey, but I hated how she came across here. Definitely a step down for her character.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2018/01/book-review-forgotten-man-by-robert.html">Carstairs Considers</a>.
At some point, this part of Cole’s past had to come into the foreground in the series, and this book does a great job of using that hook to springboard us into a great mystery. As you’d expect, there are some good twists and an exciting climax. I did feel that a flashback to Elvis as an early teen really didn’t do much for the story other than slow it down. We don’t get to see much of Joe Pike, Elvis’ partner. Instead, the sidekick role is filled with Carol Starkey, but I hated how she came across here. Definitely a step down for her character.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2018/01/book-review-forgotten-man-by-robert.html">Carstairs Considers</a>.
Gareth von Kallenbach (980 KP) rated Entourage (2015) in Movies
Jun 19, 2019
When we last saw the crew from the smash HBO series Entourage, they were jetting their way to Europe to celebrate the pending marriage of movie star Vincent Chase (Adrian Grenier). Taking up soon after the events of the series finale, “Entourage” opens with a spectacular deck party hosted by Vinnie after his marriage lasted all of 9 days. He has his friends Turtle (Jerry Ferrara), Eric (Kevin Connolly), and his half-brother Johnny (Kevin Dillon), join him at his party set aboard a lavish yacht.
At the same time, former Agent to the Stars and now studio head, Ari Gold (Jeremy Piven) has called Vincent to offer him the lead for what he plans to be his first blockbuster under his watch. Vincent accepts the role but on the condition that he makes his directorial debut on the picture.
Despite his reservations, Ari uses his influence to get Vincent the job and attempts very hard to keep his end of deal he made with his wife that they could take the job and move back to Hollywood as long as Ari can keep his anger in check and make sure he has fun moments with his family often.
When the film runs over budget and Eric is forced to ask Ari for more money, Ari must travel to Texas to meet with the main financer of the film, Larsen McCredle (Billy Bob Thornton), Larsen is not willing to part with more money and he assigns his son Travis (Haley Joel Osment), to travel back to L.A. with Ari and oversee the completion of the film.
Naturally things do not go as planned and Ari’s slow burning fuse is ramping to overdrive with hysterical results and despite their best intentions, Vincent’s friends cannot seem to get out of their own way as they have numerous funny and embarrassing subplots around them and their romantic interests.
If you are a fan of the series you know what to expect, plenty of male bonding, women, jokes, and Ari pouring gasoline on every fire he attempts to put out.
The film is well-paced and very funny and it was great to see the gang back in action, especially when they had a script that enhances the show and does not treat it as a movie of the week reunion.
The supporting cast is solid and it is great fun seeing all the celebrity cameos and characters from the series that appear in the film.
The big draw is Piven, as he commands every scene that he is in. Running from full on rage to subtle submission in a blink of an eye, he reminds us of why he won three Emmy Awards for his portrayal of the character, and I will honestly say I think he should be given Oscar consideration for his performance in the film.
In the end if you are a fan of the series you will likely enjoy the film very much and if not, then what are you waiting for? See the show and you will fast become a fan.
http://sknr.net/2015/06/03/entourage/
At the same time, former Agent to the Stars and now studio head, Ari Gold (Jeremy Piven) has called Vincent to offer him the lead for what he plans to be his first blockbuster under his watch. Vincent accepts the role but on the condition that he makes his directorial debut on the picture.
Despite his reservations, Ari uses his influence to get Vincent the job and attempts very hard to keep his end of deal he made with his wife that they could take the job and move back to Hollywood as long as Ari can keep his anger in check and make sure he has fun moments with his family often.
When the film runs over budget and Eric is forced to ask Ari for more money, Ari must travel to Texas to meet with the main financer of the film, Larsen McCredle (Billy Bob Thornton), Larsen is not willing to part with more money and he assigns his son Travis (Haley Joel Osment), to travel back to L.A. with Ari and oversee the completion of the film.
Naturally things do not go as planned and Ari’s slow burning fuse is ramping to overdrive with hysterical results and despite their best intentions, Vincent’s friends cannot seem to get out of their own way as they have numerous funny and embarrassing subplots around them and their romantic interests.
If you are a fan of the series you know what to expect, plenty of male bonding, women, jokes, and Ari pouring gasoline on every fire he attempts to put out.
The film is well-paced and very funny and it was great to see the gang back in action, especially when they had a script that enhances the show and does not treat it as a movie of the week reunion.
The supporting cast is solid and it is great fun seeing all the celebrity cameos and characters from the series that appear in the film.
The big draw is Piven, as he commands every scene that he is in. Running from full on rage to subtle submission in a blink of an eye, he reminds us of why he won three Emmy Awards for his portrayal of the character, and I will honestly say I think he should be given Oscar consideration for his performance in the film.
In the end if you are a fan of the series you will likely enjoy the film very much and if not, then what are you waiting for? See the show and you will fast become a fan.
http://sknr.net/2015/06/03/entourage/
The Secrets of Wishtide
Book
Mrs Laetitia Rodd is the impoverished widow of an Archdeacon, living modestly in Hampstead with her...
Merissa (12827 KP) rated The Diplomatic Heir (Etherya's Earth #7) in Books
Jan 3, 2023
Every page was a delight!
THE DIPLOMATIC HEIR is the seventh book in the Etherya's Earth series and continues with the next generation. This time, it's Tor's turn and he has found his mate in Esme, the disinherited Elven hybrid princess who has spent the majority of her life running from her dastardly father!
Tor is wonderful - handsome, caring, protective - everything you would expect from a son of Miranda and Sathan. He is also a virgin but that isn't the main characteristic. Esme is strong but oh so broken. She constantly makes decisions that hurt her but help those she is trying to protect, whether they want it or not!
Not only do we get their amazing action-packed story, but we also get updates on Miranda and Sathan. Latimus, Evie, and Darkrip have cameos, plus other family members. And not only that, but you meet new characters that I now want their stories too. I'm looking at you, Jaxon! There is so much to this book, every page was a delight.
This was a wonderful addition to the series and, honestly, makes me want to re-read all of them again. I can't wait for book 8 but I guess I must. 😂 HIGHLY RECOMMENDED by me but, please, start from the beginning so you don't miss anything.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Tor is wonderful - handsome, caring, protective - everything you would expect from a son of Miranda and Sathan. He is also a virgin but that isn't the main characteristic. Esme is strong but oh so broken. She constantly makes decisions that hurt her but help those she is trying to protect, whether they want it or not!
Not only do we get their amazing action-packed story, but we also get updates on Miranda and Sathan. Latimus, Evie, and Darkrip have cameos, plus other family members. And not only that, but you meet new characters that I now want their stories too. I'm looking at you, Jaxon! There is so much to this book, every page was a delight.
This was a wonderful addition to the series and, honestly, makes me want to re-read all of them again. I can't wait for book 8 but I guess I must. 😂 HIGHLY RECOMMENDED by me but, please, start from the beginning so you don't miss anything.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sophia (Bookwyrming Thoughts) (530 KP) rated The Mark of Athena in Books
Jan 23, 2020
Original Review posted on <a title="The Mark of Athena" href="http://bookwyrming-thoughts.blogspot.com/2013/07/review-mark-of-athena-by-rick-riordan.html">Bookwyrming Thoughts</a>
Note: Formatting is lost due to copy and paste.
I probably should have waited until it was about a month until The House of Hades was published in order to read The Mark of Athena.
The good thing? I don't need to do some major catching up. And I might end up dragging (not literally) my mom over to the book store when the fourth book finally does come out.
But where there's good, there's bad (boo). So, the bad thing? Considering what happened in The Mark of Athena and The Son of Sobek (I'm not even sure I spelled that right. Oh, and link leads to my Goodreads review), I really wished I could have waited. Because I now have to do the fancy little countdown... (is there even an official countdown?).
Unfortunately, I might decide to wait an entire year after all to finally read The House of Hades. (Sorry, but I'm one who keeps good things for last... sometimes. For reasons not to be told >;))
But I still want to know what happens next to Percy and Annabeth after what happens to them at the end (and definitely the rest of the demigod crew as well).
So! Overall thoughts on Riordan's most latest work in the Heroes of Olympus series: fast paced, lovable and humorous characters from the prior series returning along with the new ones, and a confession of mine: I'm a sucker for mythologies retold as I am with fairy tales retold.
Random Question: Anyone else excited for The House of Hades to come out later this year? :D
Note: Formatting is lost due to copy and paste.
I probably should have waited until it was about a month until The House of Hades was published in order to read The Mark of Athena.
The good thing? I don't need to do some major catching up. And I might end up dragging (not literally) my mom over to the book store when the fourth book finally does come out.
But where there's good, there's bad (boo). So, the bad thing? Considering what happened in The Mark of Athena and The Son of Sobek (I'm not even sure I spelled that right. Oh, and link leads to my Goodreads review), I really wished I could have waited. Because I now have to do the fancy little countdown... (is there even an official countdown?).
Unfortunately, I might decide to wait an entire year after all to finally read The House of Hades. (Sorry, but I'm one who keeps good things for last... sometimes. For reasons not to be told >;))
But I still want to know what happens next to Percy and Annabeth after what happens to them at the end (and definitely the rest of the demigod crew as well).
So! Overall thoughts on Riordan's most latest work in the Heroes of Olympus series: fast paced, lovable and humorous characters from the prior series returning along with the new ones, and a confession of mine: I'm a sucker for mythologies retold as I am with fairy tales retold.
Random Question: Anyone else excited for The House of Hades to come out later this year? :D
Gareth von Kallenbach (980 KP) rated Wrath of the Titans (2012) in Movies
Aug 7, 2019
Sequels often struggle to live up to the expectations set by their predecessors. Wrath of the Titans delivers. Sam Worthington, Liam Neeson, and Ralph Fiennes reprise their roles as Perseus, Zeus, and Hades in this continuation of the Clash of the Titans remake from 2010. They’re joined this time by Rosamund Pike, who portrays the strong, female love interest as the beautiful Queen Andromeda.
Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.
The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.
While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.
One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.
As I said before, if you enjoyed the first, seeing the second is worth your time and money.
Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.
The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.
While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.
One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.
As I said before, if you enjoyed the first, seeing the second is worth your time and money.
LeftSideCut (3776 KP) rated A Creepshow Animated Special (2020) in Movies
Nov 15, 2020
This Halloween Special of the Creepshow Shudder series is a nice pitstop whilst we patiently wait for the second season of its main run.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
Gareth von Kallenbach (980 KP) rated Captain Underpants (2017) in Movies
Jul 11, 2019
Based off the bestselling kids’ book series by Dav Pilkey, Captain
Underpants tells the story of George Beard (Kevin Hart) and Harold Hutchins
(Thomas Middleditch), a couple of over imaginative elementary school kids
that spend their days trying to make the most out of the daily monotonous
chore that is school by secretly playing pranks to keep themselves and
their fellow schoolmates entertained. And, trying to make sure they don’t
get caught by the school principal, Mr. Krupp (Ed Helm). Outside of
school, they spend countless hours in their treehouse creating comic
books.
Their greatest creation is the underwear sporting, high flying,
overly friendly, and extremely unintelligent superhero Captain Underpants.
Mr. Krupp’s main purpose in life is to make everyone else’s life
miserable. When he threatens to separate the boys, put them in different
classrooms, after being caught playing a prank. The boys decide to
hypnotize their principal into becoming the incredible Captain Underpants.
Ecstatic about seeing their comic book come to life, they suddenly realize
their plan backfires when Mr. Krupp in Capt Underpants persona hires
Professor Poopypants (Nick Kroll) to be the school’s new science teacher.
He’s no ordinary school teacher. Professor Poopypants wants to rid the
world of laughter starting with kids the at George and Harold’s school. Oh
NO!!!!
This film is everything you would expect it to be: outlandish, vibrant, and
full of potty humor. Just enough to keep parents entertained and the
kiddos completely engaged. From what I gather, not having read the books,
but my son has, it follows the storyline pretty closely to the first novel
in the 8 book series. I am not surprised if Dreamworks capitalizes on this
and releases a movie for each book.
Underpants tells the story of George Beard (Kevin Hart) and Harold Hutchins
(Thomas Middleditch), a couple of over imaginative elementary school kids
that spend their days trying to make the most out of the daily monotonous
chore that is school by secretly playing pranks to keep themselves and
their fellow schoolmates entertained. And, trying to make sure they don’t
get caught by the school principal, Mr. Krupp (Ed Helm). Outside of
school, they spend countless hours in their treehouse creating comic
books.
Their greatest creation is the underwear sporting, high flying,
overly friendly, and extremely unintelligent superhero Captain Underpants.
Mr. Krupp’s main purpose in life is to make everyone else’s life
miserable. When he threatens to separate the boys, put them in different
classrooms, after being caught playing a prank. The boys decide to
hypnotize their principal into becoming the incredible Captain Underpants.
Ecstatic about seeing their comic book come to life, they suddenly realize
their plan backfires when Mr. Krupp in Capt Underpants persona hires
Professor Poopypants (Nick Kroll) to be the school’s new science teacher.
He’s no ordinary school teacher. Professor Poopypants wants to rid the
world of laughter starting with kids the at George and Harold’s school. Oh
NO!!!!
This film is everything you would expect it to be: outlandish, vibrant, and
full of potty humor. Just enough to keep parents entertained and the
kiddos completely engaged. From what I gather, not having read the books,
but my son has, it follows the storyline pretty closely to the first novel
in the 8 book series. I am not surprised if Dreamworks capitalizes on this
and releases a movie for each book.
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Mr Men Trip to the Moon
Roger Hargreaves and Adam Hargreaves
6.0
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The Mr Men are going on a trip to the moon! Well, the Mr Men who can fit in a space suit and helmet!...