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Merissa (12404 KP) rated Chiromancist (Seven Forbidden Arts, #8) in Books
Dec 17, 2018
Chiromancist is the eighth book in the Seven Forbidden Arts series, and we get to spend time with Bono - the wise-cracking pilot who has been there from the very beginning. Bono doesn't have an art, but he is still very much a member of the team. When they go to Amsterdam to investigate the possibility of a Chiromancist working for Godfrey, he will do what he can to help. Then he meets Sky, and he will still do what he can, but now his priorities include keeping Sky alive.
WOW!!! This book is... harsh. It is an emotional power pack that will hit you on so many levels. And I loved every moment!
We learn more about Bono, we learn about Sky, and we learn about Sky's quiet strength and determination, the things she puts up with to keep her son safe. Godfrey's big plan becomes clear, whilst Cain's ultimate motives are still as shadowed as ever. I love his character. He is working for the ultimate good, but you are never quite sure... and neither are the rest of the characters. Love it.
I could rave on and on about this book. I devoured it, loved every word, and hated every paragraph with certain characters in it with a passion. This book is exceptionally written, with no editing or grammatical errors to disrupt the reading flow. You will suffer the lows whilst appreciating the highs that Charmaine Pauls gives you. Whilst you could read this as a standalone, I really can't see why you would want to - when you have seven brilliant books preceding it. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
WOW!!! This book is... harsh. It is an emotional power pack that will hit you on so many levels. And I loved every moment!
We learn more about Bono, we learn about Sky, and we learn about Sky's quiet strength and determination, the things she puts up with to keep her son safe. Godfrey's big plan becomes clear, whilst Cain's ultimate motives are still as shadowed as ever. I love his character. He is working for the ultimate good, but you are never quite sure... and neither are the rest of the characters. Love it.
I could rave on and on about this book. I devoured it, loved every word, and hated every paragraph with certain characters in it with a passion. This book is exceptionally written, with no editing or grammatical errors to disrupt the reading flow. You will suffer the lows whilst appreciating the highs that Charmaine Pauls gives you. Whilst you could read this as a standalone, I really can't see why you would want to - when you have seven brilliant books preceding it. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Molly J (Cover To Cover Cafe) (106 KP) rated Return (Redemption, #3) in Books
Feb 27, 2019
This prodigal-son-returns-home story is one of my absolute favorites of Ms. Kingsbury's Baxter family books. Luke's character is the baby of the family, and she chiseled him so well in these stories. I was so excited years ago when I learned he had a book where his story was center. I loved revisiting him!
What would you feel like if everything you ever believed in was ripped away in one tragic instant? That's what Luke battles and I was so angry with him for so long in this book! I found myself on more than one occasion wanting to throw the book across the room. But, in trademark Kingsbury fashion, she weaved messages of hope, forgiveness, understanding and acceptance into her pages, and it wrapped me up instantly. Luke's story is a powerful one and I will forever love it.
This book should be able to get more than a simple 5 star rating. This book is emotional, utterly raw and absolutely breathtaking. The characters are now your family, the lessons are yours. All of it wrap up to make one unforgettable novel in a sweep-you-off-your-feet series. Ms. Kingsbury's shelf is graced with Luke's story and when someone asks me my favorites, his will always be one of the first to slip off the shelf. Well done, once again, on another amazing addition to this incredible family story.
*I purchased this book for my personal collection. Cafinated Reads was under no obligation to post a review, positive or negative.*
What would you feel like if everything you ever believed in was ripped away in one tragic instant? That's what Luke battles and I was so angry with him for so long in this book! I found myself on more than one occasion wanting to throw the book across the room. But, in trademark Kingsbury fashion, she weaved messages of hope, forgiveness, understanding and acceptance into her pages, and it wrapped me up instantly. Luke's story is a powerful one and I will forever love it.
This book should be able to get more than a simple 5 star rating. This book is emotional, utterly raw and absolutely breathtaking. The characters are now your family, the lessons are yours. All of it wrap up to make one unforgettable novel in a sweep-you-off-your-feet series. Ms. Kingsbury's shelf is graced with Luke's story and when someone asks me my favorites, his will always be one of the first to slip off the shelf. Well done, once again, on another amazing addition to this incredible family story.
*I purchased this book for my personal collection. Cafinated Reads was under no obligation to post a review, positive or negative.*
Kristy H (1252 KP) rated Today Will be Different in Books
Feb 1, 2018
Eleanor wakes up with the resolution that today will indeed be different. She will be a better person, a better mother, and a better wife. She will pay more focused attention to her son, Timby. She will have sex with her surgeon husband, Joe. She will go to her poetry and yoga classes. She will wear real clothes. She will pleasantly lunch with a friend she doesn't quite care for. But it doesn't take long for Eleanor's plans to quickly derail, as a series of mishaps rapidly start to add up: Timby is sick, it appears as if Joe is no longer going to work (and lying about it), and Eleanor's lunch date isn't what it seems, either.
I may be the only person left on the planet who hasn't read [book:Where'd You Go, Bernadette|13526165] (sometimes I'm stubborn about reading "it" books, ok), so I cannot compare this novel to that one. That may be for the best. This is the second novel--in a row--that I contemplated just not finishing, and again, that is so rarely my style. This book felt like a slapdash series of paragraphs thrown together about a crazy woman whose motivations and actions made entirely no sense.
The book veers back and forth in time: while the main action occurs all in one day (the one Eleanor vows will be better), she flashes back to her past, telling the story of her childhood, a long and confusing saga with her sister, Ivy, and Ivy's husband, and how she met her own husband. She also covers her time as working as an animator. It all happens sort of randomly and often in a stream of consciousness. This occurs among the crazy, insane happenings of Eleanor's day, where she sets off a series of bizarre actions that-to me-made no sense and came across as completely irrational. She was not endearing, she was not a little silly: she was just weird and somewhat unhinged, and I'm honestly not sure how she was still allowed to care for poor Timby.
There were a few glimmers about the frustrations of modern motherhood and marriage in this novel, but most were buried by the bizarre ramblings and incoherence of the plot. Some plot pieces were never resolved, some just popped up for no reason, and some dragged on and on endlessly. Maybe I'm just not familiar with Semple's style, but I have to pass on this one.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I may be the only person left on the planet who hasn't read [book:Where'd You Go, Bernadette|13526165] (sometimes I'm stubborn about reading "it" books, ok), so I cannot compare this novel to that one. That may be for the best. This is the second novel--in a row--that I contemplated just not finishing, and again, that is so rarely my style. This book felt like a slapdash series of paragraphs thrown together about a crazy woman whose motivations and actions made entirely no sense.
The book veers back and forth in time: while the main action occurs all in one day (the one Eleanor vows will be better), she flashes back to her past, telling the story of her childhood, a long and confusing saga with her sister, Ivy, and Ivy's husband, and how she met her own husband. She also covers her time as working as an animator. It all happens sort of randomly and often in a stream of consciousness. This occurs among the crazy, insane happenings of Eleanor's day, where she sets off a series of bizarre actions that-to me-made no sense and came across as completely irrational. She was not endearing, she was not a little silly: she was just weird and somewhat unhinged, and I'm honestly not sure how she was still allowed to care for poor Timby.
There were a few glimmers about the frustrations of modern motherhood and marriage in this novel, but most were buried by the bizarre ramblings and incoherence of the plot. Some plot pieces were never resolved, some just popped up for no reason, and some dragged on and on endlessly. Maybe I'm just not familiar with Semple's style, but I have to pass on this one.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Exodus (Valen's Pack #2)
8.0
Rate It
Book
Survival of the fittest? Not when chaos rules. Rivvie does his best as beta, but he’s lonely...
MM Paranormal Romance BDSM Dystopian
Merissa (12404 KP) rated Bad Business (Billionaire's Club #17) in Books
Sep 26, 2023
BAD BUSINESS is the seventeenth and final book in the Billionaire's Club series, featuring Ro (Rome) and Maddie, both of whom we have met before.
Maddie is a fixer, always happy to solve everyone else's problems whilst ignoring her own. And Ro certainly has problems - he's still fighting a custody battle for his son and getting nowhere fast. It doesn't help that Jack is acting out due to all the changes. Top that with a cherry on the top in the shape of his ex coming back from the dead (I kid you not!) and it's all going on. He's dealing with it all as best he can and still has time for his family. I thought he was a brilliant, no-nonsense character.
I liked Maddie and her get-go attitude. There was nothing that could faze her until she looked in the mirror and, I'm afraid, this is where it got to me a little. I was SO glad when Ro gave her the harsh truth, I really was!!! Life isn't a bed of roses for anyone all the time but it felt as though Maddie was wallowing in it, holding a 'Poor Me Pity Party' for one. I do understand her reaction though. It's easy to fall back on old habits because they're comfortable.
All in all, this was a great read that I enjoyed, and I am looking forward to Brooks' story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 26, 2023
Maddie is a fixer, always happy to solve everyone else's problems whilst ignoring her own. And Ro certainly has problems - he's still fighting a custody battle for his son and getting nowhere fast. It doesn't help that Jack is acting out due to all the changes. Top that with a cherry on the top in the shape of his ex coming back from the dead (I kid you not!) and it's all going on. He's dealing with it all as best he can and still has time for his family. I thought he was a brilliant, no-nonsense character.
I liked Maddie and her get-go attitude. There was nothing that could faze her until she looked in the mirror and, I'm afraid, this is where it got to me a little. I was SO glad when Ro gave her the harsh truth, I really was!!! Life isn't a bed of roses for anyone all the time but it felt as though Maddie was wallowing in it, holding a 'Poor Me Pity Party' for one. I do understand her reaction though. It's easy to fall back on old habits because they're comfortable.
All in all, this was a great read that I enjoyed, and I am looking forward to Brooks' story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 26, 2023
Peepo!
Allan Ahlberg and Janet Ahlberg
7.0
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Book
Peepo! is the much-loved picture book classic by Janet and Allan Ahlberg. Peepo! is a modern classic...
Gareth von Kallenbach (980 KP) rated Doom (2005) in Movies
Aug 14, 2019
In a remote section of Mars, something has gone horribly wrong for the scientists of the Union Aerospace Corporation’s research facility. Scientists run screaming for their lives from a deadly threat. Trapped on a barren world against forces unknown, the call goes out for an elite team of specialists to contain the situation, and neutralize the threat at any cost.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
JT (287 KP) rated Child's Play (2019) in Movies
Mar 10, 2020
Re-imagining of classic horror films can go either way. They can stick close to the original while giving it a fresh injection of gore to satisfy the bloodthirsty millennials. Or deviate it from the storyline altogether to put its own spin on the narrative.
In the Child’s Play remake the original ‘Good Guy’ dolls have been replaced by 21st-century technology in the form of ‘Buddi’ dolls which, have been produced by Kaslan Industries. And instead of a psychotic serial killer transferring his soul to the body of a doll, Buddi has all of his safety features disabled by a disgruntled Kaslan employee. The change from possession to A.I. fits perfectly within the modern world where people rely heavily on their phones and various voice-activated gadgets.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars
Best friends, Chucky and Andy (Gabriel Bateman) share a moment
Chucky, as he will inevitably call himself, makes his way to Chicago and into the home of the Barclay’s, where mum Karen (Aubrey Plaza) gets her hands on the defective doll as an early birthday present for son Andy (Gabriel Bateman). After a few small glitches (eyes turning red) Andy and Chucky start to form a close bond. But the bond takes a sinister turn when Chucky starts to act differently in his pursuit of the ultimate friendship.
One of the highlights of the film is the brilliant casting of Mark Hamill as the voice of the murderous doll. Hamill (outside of Star Wars) is well known as a talented voice actor, having provided the voice of the Joker in the animated series. Hamill uses his full range of softly spoken innocence and demented rage to portray a character who is influenced by everything around him (there are blatant references to E.T.) and then uses it to the best of his ability in killing off people in a range of horrific (and comical) ways.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars. It’s not without its faults but this satirical take on the slasher genre is certainly B-movie levels at best.
In the Child’s Play remake the original ‘Good Guy’ dolls have been replaced by 21st-century technology in the form of ‘Buddi’ dolls which, have been produced by Kaslan Industries. And instead of a psychotic serial killer transferring his soul to the body of a doll, Buddi has all of his safety features disabled by a disgruntled Kaslan employee. The change from possession to A.I. fits perfectly within the modern world where people rely heavily on their phones and various voice-activated gadgets.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars
Best friends, Chucky and Andy (Gabriel Bateman) share a moment
Chucky, as he will inevitably call himself, makes his way to Chicago and into the home of the Barclay’s, where mum Karen (Aubrey Plaza) gets her hands on the defective doll as an early birthday present for son Andy (Gabriel Bateman). After a few small glitches (eyes turning red) Andy and Chucky start to form a close bond. But the bond takes a sinister turn when Chucky starts to act differently in his pursuit of the ultimate friendship.
One of the highlights of the film is the brilliant casting of Mark Hamill as the voice of the murderous doll. Hamill (outside of Star Wars) is well known as a talented voice actor, having provided the voice of the Joker in the animated series. Hamill uses his full range of softly spoken innocence and demented rage to portray a character who is influenced by everything around him (there are blatant references to E.T.) and then uses it to the best of his ability in killing off people in a range of horrific (and comical) ways.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars. It’s not without its faults but this satirical take on the slasher genre is certainly B-movie levels at best.
Merissa (12404 KP) rated Pestilence (The Four Horsemen #1) in Books
Apr 25, 2023
This book starts with Aldo 'waking up' after a successful attempt at killing himself, so to say he was a bit confused should be taken as given. He finds out that he is now Pestilence, the White Horseman. It is his job to go where he is sent and spread epidemics in order to keep the balance between Heaven and Hell. He was a doctor in his life, so it is both ironic and heartbreaking for him to now be spreading disease. In an effort to distance himself from the human population, he lives in the middle of the Amazon jungle. So you can imagine his surprise when he sees a man stumble into his clearing, full of fever and virus.
Bart was left in the middle of the jungle by his lover and the rest of the research team. He doesn't know how he has made it to the clearing, but he is glad that he did when Pestilence looks after him and helps him to make a long and slow recovery. Pestilence is riddled with guilt over the deaths of his wife and son due to the Bubonic Plague, and his 'job'. Bart comes into his life like a dervish and Pestilence starts to question if he can actually have a relationship.
I thoroughly enjoyed the world-building and characters in this book. It is the first of a new series, and I am looking forward to reading the others. Although I really liked Pestilence and Bart, I personally loved the scenes with Death, as I really enjoyed his dry wit and personality.
With a relationship that grows and develops, as well as forgiveness, guilt, love, and disease, this book is certainly worth the read. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 10, 2015
Bart was left in the middle of the jungle by his lover and the rest of the research team. He doesn't know how he has made it to the clearing, but he is glad that he did when Pestilence looks after him and helps him to make a long and slow recovery. Pestilence is riddled with guilt over the deaths of his wife and son due to the Bubonic Plague, and his 'job'. Bart comes into his life like a dervish and Pestilence starts to question if he can actually have a relationship.
I thoroughly enjoyed the world-building and characters in this book. It is the first of a new series, and I am looking forward to reading the others. Although I really liked Pestilence and Bart, I personally loved the scenes with Death, as I really enjoyed his dry wit and personality.
With a relationship that grows and develops, as well as forgiveness, guilt, love, and disease, this book is certainly worth the read. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 10, 2015
BankofMarquis (1832 KP) rated The Power of the Dog (2021) in Movies
Dec 7, 2021
Deep and Layered
If the movie you are watching has a long shot of wheat blowing in the wind, then you are watching a character drama. If that same film also includes a 5 minute scene of someone braiding rope, then you have THE POWER OF THE DOG.
Written and Directed by Jane Campion (THE PIANO) and based on the best-selling novel by Thomas Savage, THE POWER OF THE DOG tells the tale of 2 brothers, talkative and charismatic Phil (Benedict Cumberbatch) and quiet and contemplative George (Jesse Plemons) who are tending their cattle ranch in Montana in the mid-1920’s. As horses give way to horseless carriages, George falls for a widow (Kirsten Dunst) who has an effeminate son (Kodi Smit-McPhee) and this relationship makes Phil face his own feelings - and a changing world.
In the hands of Campion, this film is a quiet, introspective look at how a hard-drinking, hard-living Cowboy deals with a changing world - and his own pent up emotions - and it works well. She weaves a fascinating story that takes its time unfurling it’s pages and the time that the audience takes in steeping themselves in the story and the characters is time well spent, indeed.
This is because the great Benedict Cumberbatch (TV’s SHERLOCK) is on-screen for 95% of the film as Phil and he commands the screen every moment that his presence is known. It is a bravura - though eerily quiet and introspective - performance by Cumberbatch. Campion and Cumberbatch create a memorable character that fills the screen not because he is wide or high or showy, but because he is deep and layered and the film spends most of its 2 hour and 6 minute running time peeling back the layers and digging deep into this character. It is an Oscar-worthy performance and is a shoo-in Oscar nominee and would not be surprising if Cumberbatch finally wins his Oscar for this role.
Plemons and Dunst (who played a couple in the first season of the TV series FARGO) are the catalyst that set the film - and the discoveries - in motion, but, though they are good, they have very little to do besides react to Cumberbatch’s characters’ moves.
Surprisingly, the character that does stand-out and the actor who does go toe-to-toe with Cumberbatch’s Phil is Peter, the son of Rose and played by Kodi Smit-McPhee (NIghtcrawler in X-MEN:APOCALYPSE) who is (at first) befriended by Phil as a joke and becomes closer and closer to him as the film progresses. It is through Peter that we dig through the layers of Phil - and it is a fascinating journey.
This is a gorgeous film to look at - Cinematographer Ari Wegner (THE GIRLFRIEND EXPERIENCE) is a shoo-in for an Oscar nomination as well - and this is good, because Phil (and the audience) spend long stretches looking out in the wilderness, contemplating the world - and change.
Not the fastest moving film you will ever encounter, but if you are in the mood for this sort of thing and can get caught up with discovering the layers of Phil, then you will be rewarded with a layered and deep experience.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written and Directed by Jane Campion (THE PIANO) and based on the best-selling novel by Thomas Savage, THE POWER OF THE DOG tells the tale of 2 brothers, talkative and charismatic Phil (Benedict Cumberbatch) and quiet and contemplative George (Jesse Plemons) who are tending their cattle ranch in Montana in the mid-1920’s. As horses give way to horseless carriages, George falls for a widow (Kirsten Dunst) who has an effeminate son (Kodi Smit-McPhee) and this relationship makes Phil face his own feelings - and a changing world.
In the hands of Campion, this film is a quiet, introspective look at how a hard-drinking, hard-living Cowboy deals with a changing world - and his own pent up emotions - and it works well. She weaves a fascinating story that takes its time unfurling it’s pages and the time that the audience takes in steeping themselves in the story and the characters is time well spent, indeed.
This is because the great Benedict Cumberbatch (TV’s SHERLOCK) is on-screen for 95% of the film as Phil and he commands the screen every moment that his presence is known. It is a bravura - though eerily quiet and introspective - performance by Cumberbatch. Campion and Cumberbatch create a memorable character that fills the screen not because he is wide or high or showy, but because he is deep and layered and the film spends most of its 2 hour and 6 minute running time peeling back the layers and digging deep into this character. It is an Oscar-worthy performance and is a shoo-in Oscar nominee and would not be surprising if Cumberbatch finally wins his Oscar for this role.
Plemons and Dunst (who played a couple in the first season of the TV series FARGO) are the catalyst that set the film - and the discoveries - in motion, but, though they are good, they have very little to do besides react to Cumberbatch’s characters’ moves.
Surprisingly, the character that does stand-out and the actor who does go toe-to-toe with Cumberbatch’s Phil is Peter, the son of Rose and played by Kodi Smit-McPhee (NIghtcrawler in X-MEN:APOCALYPSE) who is (at first) befriended by Phil as a joke and becomes closer and closer to him as the film progresses. It is through Peter that we dig through the layers of Phil - and it is a fascinating journey.
This is a gorgeous film to look at - Cinematographer Ari Wegner (THE GIRLFRIEND EXPERIENCE) is a shoo-in for an Oscar nomination as well - and this is good, because Phil (and the audience) spend long stretches looking out in the wilderness, contemplating the world - and change.
Not the fastest moving film you will ever encounter, but if you are in the mood for this sort of thing and can get caught up with discovering the layers of Phil, then you will be rewarded with a layered and deep experience.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)