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ClareR (5726 KP) rated Heatstroke in Books
Dec 27, 2020
Heatstroke is an aptly named thriller. It uses the atmosphere and oppression of the intensely hot weather, and reflects those feelings on to the main character, Rachel. I had an overwhelming sense of claustrophobia when I was reading this - it’s not just the heat, it’s also the state of Rachel’s mental health. SHe’s clearly more involved with what is going on with her daughters friend than she can safely admit, and she is more bothered about the repercussions in her own life than the safety of a 15 year old girl.
Rachel appears to be struggling with the fact that she’s ageing, and she wants to feel both young and attractive to men - and to some extent, boys. She is constantly thinking about what other people think about her: appearances are supremely important, and she can’t understand her daughters need to look older and alter her looks with makeup. Mia is growing up and becoming more independent, and this pushes Rachel further in to despair. Surely if her daughter is older, she is too!
I found it hard to excuse Rachel’s behaviour. She could have made her daughters friend safe quite easily, I think.
I liked the abrupt ending. I rather like it when a book finishes and you can make your own mind up as to what has happened afterwards. Don’t get me wrong - a book that ends with a resolution is just as enjoyable, but you can’t beat an unresolved ending! And i don’t think that this book would have been able to give the quick fix end. It’s clear that there is a lot that needs to be done to make Rachel’s family ‘better’.
I enjoyed this book: as a debut novel, it has certainly given me something to think about, and a name to look out for in the future!
Many thanks to The Pigeonhole for serialising this fabulous book.
Rachel appears to be struggling with the fact that she’s ageing, and she wants to feel both young and attractive to men - and to some extent, boys. She is constantly thinking about what other people think about her: appearances are supremely important, and she can’t understand her daughters need to look older and alter her looks with makeup. Mia is growing up and becoming more independent, and this pushes Rachel further in to despair. Surely if her daughter is older, she is too!
I found it hard to excuse Rachel’s behaviour. She could have made her daughters friend safe quite easily, I think.
I liked the abrupt ending. I rather like it when a book finishes and you can make your own mind up as to what has happened afterwards. Don’t get me wrong - a book that ends with a resolution is just as enjoyable, but you can’t beat an unresolved ending! And i don’t think that this book would have been able to give the quick fix end. It’s clear that there is a lot that needs to be done to make Rachel’s family ‘better’.
I enjoyed this book: as a debut novel, it has certainly given me something to think about, and a name to look out for in the future!
Many thanks to The Pigeonhole for serialising this fabulous book.
Kara Skinner (332 KP) rated Second Time Around in Books
Sep 10, 2019
Genre: Contemporary, LGBTQ
Word Count: 8,140
Average Goodreads Rating: 2.67/5 stars
My Rating: 3/5 stars
Second Time Around is a story about mistaken identities. Jamie meets the man of his dreams, Matthew, at a party celebrating the opening of his new bakery. Better yet, Matthew seems to be into him. There’s just one problem: there’s a good chance Matthew is heterosexual and thinks Jamie is a girl.
You can read this book for free on Smashwords
Misunderstanding and mistaken identities can make for good stories. And Second Time Around isn’t an exception. The plot kept me intrigued throughout the whole story.
Jamie and his roommate John are both fantastic characters. I love John’s open-mindedness and his loyalty to his friend, and I love how Jamie is able to open up his own bakery and be himself instead of conforming to society’s rules.
I really wish I saw more of Matthew.
Unfortunately, I can’t get a read on his character because he’s barely in the story. You don’t actually see Matthew meeting Jamie at the party, it’s just talked about later.
Don’t get me wrong, Matthew seems all right. Aside from waiting two freaking weeks to talk to Jamie about the incident at the bakery. What the hell, dude? Yeah, you might have just met Jamie, and you need to talk to your brother about some things, but two weeks to check on somebody after that is excessive.
But that’s my only complaint about Matthew.
I really wish this story was longer and we got to see more of everyone, especially what happens to Matthew and Jamie, and what happens when Jamie meets Matthew’s brother. If it was longer, I might have gotten more attached to the characters and felt more about them. However, as is, it’s not a bad read, especially if you need a mood booster. So I only took off two stars for the length of the book and Matthew’s dick move.
Word Count: 8,140
Average Goodreads Rating: 2.67/5 stars
My Rating: 3/5 stars
Second Time Around is a story about mistaken identities. Jamie meets the man of his dreams, Matthew, at a party celebrating the opening of his new bakery. Better yet, Matthew seems to be into him. There’s just one problem: there’s a good chance Matthew is heterosexual and thinks Jamie is a girl.
You can read this book for free on Smashwords
Misunderstanding and mistaken identities can make for good stories. And Second Time Around isn’t an exception. The plot kept me intrigued throughout the whole story.
Jamie and his roommate John are both fantastic characters. I love John’s open-mindedness and his loyalty to his friend, and I love how Jamie is able to open up his own bakery and be himself instead of conforming to society’s rules.
I really wish I saw more of Matthew.
Unfortunately, I can’t get a read on his character because he’s barely in the story. You don’t actually see Matthew meeting Jamie at the party, it’s just talked about later.
Don’t get me wrong, Matthew seems all right. Aside from waiting two freaking weeks to talk to Jamie about the incident at the bakery. What the hell, dude? Yeah, you might have just met Jamie, and you need to talk to your brother about some things, but two weeks to check on somebody after that is excessive.
But that’s my only complaint about Matthew.
I really wish this story was longer and we got to see more of everyone, especially what happens to Matthew and Jamie, and what happens when Jamie meets Matthew’s brother. If it was longer, I might have gotten more attached to the characters and felt more about them. However, as is, it’s not a bad read, especially if you need a mood booster. So I only took off two stars for the length of the book and Matthew’s dick move.
Magic Princess - Makeup & Dress Up Makeover Games
Beauty, Entertainment and Games
10.0
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Welcome to a kingdom in a magical land filled with radiant colors! Here you'll meet a friendly...
Bob Mann (459 KP) rated The Girl in the Spider's Web (2018) in Movies
Sep 28, 2021
Would the last straight woman in Stockholm turn off the lights?
You’ve gotta love a Scandi-thriller. Well, that was until last year’s hopeless Michael Fassbender vehicle “The Snowman” which devalued the currency better than Brexit has done to the pound! The mother of them all though was the original “Girl with the Dragon Tattoo” trilogy (in Swedish) in 2009. Although subject to a wholly unnecessary English remake two year’s later by David Fincher (with Mara Rooney and Daniel Craig) it was Noomi Rapace who struck the perfect note as the original anarchic and damaged Lisbeth Salander: a punk wielding a baseball bat like an alien-thing possessed (pun well and truly intended!).
Now though we have “A New Dragon Tattoo Story” (as the film’s subtitle clumsily declares) based on the book by David Lagercrantz, who took over the literary franchise after the untimely death of Stieg Larsson. Picking up the reins as Salander is that most British of actresses Claire Foy…. which seems an odd choice, but one which – after you get past the rather odd accent – she just about pulls off.
The Plot
Lizbeth Salendar (Claire Foy) has an interesting hobby. She is a vigilante, like a lesbian Batman, stalking the streets of Stockholm putting wrongs right where abusive boyfriends/husbands are concerned.
She is also a hacking machine for rent. And Frans Balder (Stephen Merchant) has a problem. He has invented a software program that allows its user to control every nuclear warhead in the world from a single laptop (cue every other Bond/24/Austin Powers script ever written). But he has had second thoughts and wants it back from its resting place on the server of the NSA’s chief hacker, Ed Needham (Lakeith Stanfield). Balder recruits Salander to recover it, but when things go pear-shaped Salander finds herself on the wrong side of both the law and the encircling terrorist “spiders”.
The Review
Scandi-dramas work best when they exploit the snow; maintain a sexual tension; and go dark, gritty and violent. On the plus side, “The Girl in the Spider’s Web” ticks most of those boxes adequately. Foy’s Salandar is smart, sassy and sexy, outwitting the best of the best, and only once finding her intellectual match. (If you’re a lesbian, Stockholm is most definitely the place to be: there only seemed to be one hetero-female there, and she was an adulteress).
But Salander also has a Bond-like invincibility that unfortunately tests your incredulity at multiple points. Contributing to the excitement is the stunt team, who keep themselves busy with some great car and bike chases.
So, the movie has its moments and is great to look at. But the film ends up a sandwich or two short of a smorgasbord, thanks largely to some totally bonkers plot points and more than a few ridiculous coincidences. There are without doubt an array of well-constructed set pieces here, but they fail to fully connect with any great conviction. An example of a scene that infuriates is a dramatic bathroom fight in a red-lit gloom with identical protagonists that is cut together so furiously you would need a Blu-ray slo-mo to work out what the hell is going on… and then I fear you might fail.
So it’s an A- for the Production Design (Eve Stewart, “The Danish Girl“) and the Cinematography (Pedro Luque, “Don’t Breathe“), but a C- for the director Fede Alvarez (also “Don’t Breathe“).
Avoid the Trailer
I will save my biggest source of wrath though for that major bug-bear of mine: trailers that spoil the plot.
I’ve asked before, but for a film like this, WHO EXACTLY PUTS TOGETHER THE TRAILER? I’d like to think it’s some mindless committee of marketing execs somewhere. Because I HONESTLY CAN’T BELIEVE it would be the director! (If I’m wrong though, I would point my finger at Mr Alvarez and chant “shame, shame, shame”!)
For the trailer that I saw playing in UK cinemas does it’s level best to not only drop in the key spoilers of the plot (including the climactic scene), but also spoils just about every action money-shot in the movie. It’s all so pointless. If you’ve by any chance managed to get to this point without seeing the trailer, then SAVE YOURSELVES and AVOID IT!
(The one attached below by the way is slightly – slightly! – better, including some over-dubbing of a line that I don’t think was in the film. Perhaps they realised their huge mistake and reissued it?)
The Turns
As I mentioned earlier, Claire Foy again extends her range by playing Salander really well. She is the reason to go and see the film.
The Daniel Craig part of Blomkvist is played here by Sverrir Gudnason, who was in “The Circle” (which I saw) and was Borg in “Borg McEnroe” (which I didn’t). Blomkvist really is a lazy ****, since he works for the publication “Millenium” but writes absolutely nothing for years. It must be only because the boss (Vicky Krieps) fancies him that he keeps his job. Gudnason is good enough, but has very little to do in the movie: its the Salander/Foy show. Slightly, but only slightly, more involved is Lakeith Standfield as the US intelligence man.
Given little to do in the plot. Sverrir Gudnason as the incredibly unproductive ‘journalist’ Mikael Blomkvist. (Source: Sony Pictures Entertainment)
Stephen Merchant is an odd casting choice for Balder. Not withstanding that he was brilliant when almost unrecognisable in “Logan“, here he looks far too much like his “Ricky Gervais sidekick” persona to be taken seriously: and it’s not even remotely a comedy (there is only one humorous moment in the film, a nice “clicker” gag in a car park).
Final Thoughts
I had high hopes for this film from the trailer, but I was left disappointed. It’s not classic Scandi-noir like the original “Tattoo”; and it’s not going for the black comedy angle of “Headhunters” (which I saw again last week and loved… again!). It falls into a rather “meh” category. It’s not a bad evening’s watch, but perhaps worth leaving for a DVD/cable showing.
Now though we have “A New Dragon Tattoo Story” (as the film’s subtitle clumsily declares) based on the book by David Lagercrantz, who took over the literary franchise after the untimely death of Stieg Larsson. Picking up the reins as Salander is that most British of actresses Claire Foy…. which seems an odd choice, but one which – after you get past the rather odd accent – she just about pulls off.
The Plot
Lizbeth Salendar (Claire Foy) has an interesting hobby. She is a vigilante, like a lesbian Batman, stalking the streets of Stockholm putting wrongs right where abusive boyfriends/husbands are concerned.
She is also a hacking machine for rent. And Frans Balder (Stephen Merchant) has a problem. He has invented a software program that allows its user to control every nuclear warhead in the world from a single laptop (cue every other Bond/24/Austin Powers script ever written). But he has had second thoughts and wants it back from its resting place on the server of the NSA’s chief hacker, Ed Needham (Lakeith Stanfield). Balder recruits Salander to recover it, but when things go pear-shaped Salander finds herself on the wrong side of both the law and the encircling terrorist “spiders”.
The Review
Scandi-dramas work best when they exploit the snow; maintain a sexual tension; and go dark, gritty and violent. On the plus side, “The Girl in the Spider’s Web” ticks most of those boxes adequately. Foy’s Salandar is smart, sassy and sexy, outwitting the best of the best, and only once finding her intellectual match. (If you’re a lesbian, Stockholm is most definitely the place to be: there only seemed to be one hetero-female there, and she was an adulteress).
But Salander also has a Bond-like invincibility that unfortunately tests your incredulity at multiple points. Contributing to the excitement is the stunt team, who keep themselves busy with some great car and bike chases.
So, the movie has its moments and is great to look at. But the film ends up a sandwich or two short of a smorgasbord, thanks largely to some totally bonkers plot points and more than a few ridiculous coincidences. There are without doubt an array of well-constructed set pieces here, but they fail to fully connect with any great conviction. An example of a scene that infuriates is a dramatic bathroom fight in a red-lit gloom with identical protagonists that is cut together so furiously you would need a Blu-ray slo-mo to work out what the hell is going on… and then I fear you might fail.
So it’s an A- for the Production Design (Eve Stewart, “The Danish Girl“) and the Cinematography (Pedro Luque, “Don’t Breathe“), but a C- for the director Fede Alvarez (also “Don’t Breathe“).
Avoid the Trailer
I will save my biggest source of wrath though for that major bug-bear of mine: trailers that spoil the plot.
I’ve asked before, but for a film like this, WHO EXACTLY PUTS TOGETHER THE TRAILER? I’d like to think it’s some mindless committee of marketing execs somewhere. Because I HONESTLY CAN’T BELIEVE it would be the director! (If I’m wrong though, I would point my finger at Mr Alvarez and chant “shame, shame, shame”!)
For the trailer that I saw playing in UK cinemas does it’s level best to not only drop in the key spoilers of the plot (including the climactic scene), but also spoils just about every action money-shot in the movie. It’s all so pointless. If you’ve by any chance managed to get to this point without seeing the trailer, then SAVE YOURSELVES and AVOID IT!
(The one attached below by the way is slightly – slightly! – better, including some over-dubbing of a line that I don’t think was in the film. Perhaps they realised their huge mistake and reissued it?)
The Turns
As I mentioned earlier, Claire Foy again extends her range by playing Salander really well. She is the reason to go and see the film.
The Daniel Craig part of Blomkvist is played here by Sverrir Gudnason, who was in “The Circle” (which I saw) and was Borg in “Borg McEnroe” (which I didn’t). Blomkvist really is a lazy ****, since he works for the publication “Millenium” but writes absolutely nothing for years. It must be only because the boss (Vicky Krieps) fancies him that he keeps his job. Gudnason is good enough, but has very little to do in the movie: its the Salander/Foy show. Slightly, but only slightly, more involved is Lakeith Standfield as the US intelligence man.
Given little to do in the plot. Sverrir Gudnason as the incredibly unproductive ‘journalist’ Mikael Blomkvist. (Source: Sony Pictures Entertainment)
Stephen Merchant is an odd casting choice for Balder. Not withstanding that he was brilliant when almost unrecognisable in “Logan“, here he looks far too much like his “Ricky Gervais sidekick” persona to be taken seriously: and it’s not even remotely a comedy (there is only one humorous moment in the film, a nice “clicker” gag in a car park).
Final Thoughts
I had high hopes for this film from the trailer, but I was left disappointed. It’s not classic Scandi-noir like the original “Tattoo”; and it’s not going for the black comedy angle of “Headhunters” (which I saw again last week and loved… again!). It falls into a rather “meh” category. It’s not a bad evening’s watch, but perhaps worth leaving for a DVD/cable showing.
Acanthea Grimscythe (300 KP) rated Baby Teeth in Books
Jan 31, 2019
For all the hype that Zoje Stage’s debut novel, Baby Teeth has garnered, I expected this to be a delightful, bone-chilling read. After all, the idea of homicidal children is, on its own, creepy. Unfortunately, it fell disgustingly flat, repetitive and, for the most part, bored me. This is not a novel of horror; it is barely even a thriller. If anything, it’s the story of how a selfish mother, oblivious father, and attention-seeking child live their day-to-day lives.
One of the things that drew me in initially with this book is the fact that the mother, Suzette, suffers from Crohn’s disease. Stage does an amazing job at describing life for someone who suffers from IBD – all the way down to the medications (which I knew by their descriptions exactly what they were from experience). This is great, especially since more attention needs to be drawn to Crohn’s and colitis. However, Suzette’s personality, innermost thoughts, and general disdain give a poor, almost stereotypical visual of the character. Stage makes it seem like Suzette simply doesn’t want to do things, rather than can’t which, as a sufferer of ulcerative colitis, really irks me. In fact, Suzette is utterly unlikable.
Hanna, on the other hand, is a child that acts out horridly in order to garner her father’s attention. Sure, it’s pretty messed up–the things she does to her mother–but overall, she seems more like an undisciplined brat with a hint of something worse wrong with her. And the father? God forbid he man up and play his role as he should; rather, he coddles and feeds into Hanna’s bad behavior. Seriously, there’s nothing to like about the characters here.
Moving on to the plot, Baby Teeth is an absolute snoozefest. Girl attacks mom, mom gets upset, dad doesn’t listen, rinse and repeat for three hundred or so pages. Seriously, the only good thing it has is that things escalate, but even that is extremely slow.
Overall, I’m utterly disappointed in this book. It’s extremely tame (though there is a brief, unnecessary sex scene). I’d like to thank NetGalley and St. Martin’s Press for providing me with a copy of this book for the purpose of an unbiased review.
One of the things that drew me in initially with this book is the fact that the mother, Suzette, suffers from Crohn’s disease. Stage does an amazing job at describing life for someone who suffers from IBD – all the way down to the medications (which I knew by their descriptions exactly what they were from experience). This is great, especially since more attention needs to be drawn to Crohn’s and colitis. However, Suzette’s personality, innermost thoughts, and general disdain give a poor, almost stereotypical visual of the character. Stage makes it seem like Suzette simply doesn’t want to do things, rather than can’t which, as a sufferer of ulcerative colitis, really irks me. In fact, Suzette is utterly unlikable.
Hanna, on the other hand, is a child that acts out horridly in order to garner her father’s attention. Sure, it’s pretty messed up–the things she does to her mother–but overall, she seems more like an undisciplined brat with a hint of something worse wrong with her. And the father? God forbid he man up and play his role as he should; rather, he coddles and feeds into Hanna’s bad behavior. Seriously, there’s nothing to like about the characters here.
Moving on to the plot, Baby Teeth is an absolute snoozefest. Girl attacks mom, mom gets upset, dad doesn’t listen, rinse and repeat for three hundred or so pages. Seriously, the only good thing it has is that things escalate, but even that is extremely slow.
Overall, I’m utterly disappointed in this book. It’s extremely tame (though there is a brief, unnecessary sex scene). I’d like to thank NetGalley and St. Martin’s Press for providing me with a copy of this book for the purpose of an unbiased review.
Rachel King (13 KP) rated Radiant Shadows (Wicked Lovely, #4) in Books
Feb 11, 2019
This book continued with the theme of each book focusing on different pivotal characters in the world of Faerie by focusing on Devlin and Ani and their respective roles and impact. I loved how different these two were and yet had such a strong connection right from their first meeting. As usual with this series, I could not predict the ending, which makes it all that much more satisfying.
The spectral girl Rae was a very interesting character in that she seems to be an orchestrator of much of Devlin and Ani's relationship, even though she behaves as if she is in love with Devlin. Only once is jealousy even mentioned on her part in the entire book, and it is so brief I almost missed it. This reminds me of the triangle of Niall, Irial, and Leslie, as well as the two triangles that Keenan seems to be a member of. The fact that Marr pulls all of these off so seamlessly marks her as an excellent writer, in my opinion.
The High Queen Sorcha becomes quite a sorry excuse for a queen through most of the book because of her inability to handle all of the new emotions she possesses for her "son" Seth. I find it quite ironic that though she is the creator and controller of Faerie and one of the first two faeries to exist, she is still dependent upon things she can not control in order to continue to exist.
I was very disappointed in the near absence of Aislinn and any information regarding her relationship with Seth. In addition, Keenan seems to have disappeared with no explanation, and apparently very little concern on anyone's part throughout the book. While I never liked the guy, he is kind of important in the world of Faerie.
Another loose thread that really bugged me was the outcome of Irial's injury - one minute he is dying and the next everyone is behaving as if nothing is wrong and he's not going anywhere. So which is it??
The outcome of Devlin and Ani's budding relationship was thoroughly satisfying and exactly what the world of Faerie needed, but now I am wondering what will happen with an odd number of courts. The logical response is that yet another court will be created to restore balance, but Marr rarely sticks to the easy solutions with this series. I can not wait for Darkest Mercy (Wicked Lovely).
The spectral girl Rae was a very interesting character in that she seems to be an orchestrator of much of Devlin and Ani's relationship, even though she behaves as if she is in love with Devlin. Only once is jealousy even mentioned on her part in the entire book, and it is so brief I almost missed it. This reminds me of the triangle of Niall, Irial, and Leslie, as well as the two triangles that Keenan seems to be a member of. The fact that Marr pulls all of these off so seamlessly marks her as an excellent writer, in my opinion.
The High Queen Sorcha becomes quite a sorry excuse for a queen through most of the book because of her inability to handle all of the new emotions she possesses for her "son" Seth. I find it quite ironic that though she is the creator and controller of Faerie and one of the first two faeries to exist, she is still dependent upon things she can not control in order to continue to exist.
I was very disappointed in the near absence of Aislinn and any information regarding her relationship with Seth. In addition, Keenan seems to have disappeared with no explanation, and apparently very little concern on anyone's part throughout the book. While I never liked the guy, he is kind of important in the world of Faerie.
Another loose thread that really bugged me was the outcome of Irial's injury - one minute he is dying and the next everyone is behaving as if nothing is wrong and he's not going anywhere. So which is it??
The outcome of Devlin and Ani's budding relationship was thoroughly satisfying and exactly what the world of Faerie needed, but now I am wondering what will happen with an odd number of courts. The logical response is that yet another court will be created to restore balance, but Marr rarely sticks to the easy solutions with this series. I can not wait for Darkest Mercy (Wicked Lovely).
Bob Mann (459 KP) rated Table 19 (2017) in Movies
Sep 29, 2021
Mean spirited and atrocious.
I really hated this film. There. BOOM. Got it off my chest.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.
Bad writing (1 more)
Mostly romance
Drowning is one of the top fears in the world, and it's also one of the top ways to cover up a murder. In Lie to Me, Ward's fourth YA novel, she uses drowning as the basis of the story. Yet, this book fell very short in the thriller/mystery genre: Ward gives away too many hints at the beginning of the book, that most readers will have the murderer figured out by chapter 7; she also focuses too much on romance, something that should have caused this story to be filed under a different category other than mystery/thriller. But luckily she didn't bring in a wide circle of characters to cause confusion, using only one view point from the main character of Lie to Me: Amelia- - - a teen girl who believes she was pushed down a ravine to be left for dead in the raging water below.
Besides her 'accident,' Amelia leads a normal life with her mother, father and brother, Hunter - - - she also has a small group of friends. After her 'fall,' a body of a teen girl from the same town is found in a nearby river, but the town gossips, and makes it seem that this girl committed suicide, leaving Amelia worried that her family would think the same thing about her. Depression is something that Amelia's family has had to deal with before, but the talk of depression is candid and not very enlightening; her brother, Hunter, who is in therapy for such doesn't even talk about it, instead he's usually seen playing soccer or Fortnite, this seems to be a broad attempt to bring mental health into the story,but without going into that subject, it failed as a story line. Yet, one of the main causes of depression today is social media, which we find Amelia stalking one of her best friends/love interest on- - -if Ward was trying to reach the YA community about depression, she went the wrong way about it.
Another mistake that Ward made was when Amelia receives an anonymous text message from someone telling her to 'Just let it go,Amelia,' this occurs after she has started investigating whether her 'accident' was an accident. Amelia tells us that she is always suspicious of everyone, but when this text message comes around, it's as if she could care less. She even tries to take the anonymous message as advice: " 'Or it's advice.' I feel backed into a corner. It's one thing to believe someone hurt me and another thing to have proof of it. I don't want this to be proof. 'I mean, Sky's always telling me I should let my life get back to normal, and she doesn't even know I'm thinking any of this. Maybe someone else feels that way,too.' " In reality, if you believed that someone attempted to murder you, and suddenly you are receiving a cryptic message about letting it go, wouldn't the logic thing to do is go to the police?? Amelia doesn't!
Ward has written three other YA novels, 'Lie to Me' being her fourth. The writing in this story is bad in some places, for example, a scene with Amelia and her best friend, Sky, meeting up at the 'screen' (technically a giant drive-in movie theater screen); Amelia thinks about how this town is a haven for her, that everyone feels safe, but the very next paragraph, she's stating she doesn't feel safe anymore. This makes sense if you haven't read it, but the way it's written could have been in a much better and concise way. This and most scenes makes the story read like a sloppy diary entry. That, and the killer being predictable so early on in the story made me very disappointed with this book. 'Lie to Me' had great potential from the synopsis, but it lacked story, mystery, suspense and diverse characters.
I can't recommend this book to people who love horror stories, like I do. I think the only ones who would enjoy this story are the die-hard YA fans. It has everything that YA is known for: romance and teen drama, but it's lacking in everything else. Other than that, I don't think I'll read another book by Ward, but as far as Point horror books go, I will still give them a shot.
Besides her 'accident,' Amelia leads a normal life with her mother, father and brother, Hunter - - - she also has a small group of friends. After her 'fall,' a body of a teen girl from the same town is found in a nearby river, but the town gossips, and makes it seem that this girl committed suicide, leaving Amelia worried that her family would think the same thing about her. Depression is something that Amelia's family has had to deal with before, but the talk of depression is candid and not very enlightening; her brother, Hunter, who is in therapy for such doesn't even talk about it, instead he's usually seen playing soccer or Fortnite, this seems to be a broad attempt to bring mental health into the story,but without going into that subject, it failed as a story line. Yet, one of the main causes of depression today is social media, which we find Amelia stalking one of her best friends/love interest on- - -if Ward was trying to reach the YA community about depression, she went the wrong way about it.
Another mistake that Ward made was when Amelia receives an anonymous text message from someone telling her to 'Just let it go,Amelia,' this occurs after she has started investigating whether her 'accident' was an accident. Amelia tells us that she is always suspicious of everyone, but when this text message comes around, it's as if she could care less. She even tries to take the anonymous message as advice: " 'Or it's advice.' I feel backed into a corner. It's one thing to believe someone hurt me and another thing to have proof of it. I don't want this to be proof. 'I mean, Sky's always telling me I should let my life get back to normal, and she doesn't even know I'm thinking any of this. Maybe someone else feels that way,too.' " In reality, if you believed that someone attempted to murder you, and suddenly you are receiving a cryptic message about letting it go, wouldn't the logic thing to do is go to the police?? Amelia doesn't!
Ward has written three other YA novels, 'Lie to Me' being her fourth. The writing in this story is bad in some places, for example, a scene with Amelia and her best friend, Sky, meeting up at the 'screen' (technically a giant drive-in movie theater screen); Amelia thinks about how this town is a haven for her, that everyone feels safe, but the very next paragraph, she's stating she doesn't feel safe anymore. This makes sense if you haven't read it, but the way it's written could have been in a much better and concise way. This and most scenes makes the story read like a sloppy diary entry. That, and the killer being predictable so early on in the story made me very disappointed with this book. 'Lie to Me' had great potential from the synopsis, but it lacked story, mystery, suspense and diverse characters.
I can't recommend this book to people who love horror stories, like I do. I think the only ones who would enjoy this story are the die-hard YA fans. It has everything that YA is known for: romance and teen drama, but it's lacking in everything else. Other than that, I don't think I'll read another book by Ward, but as far as Point horror books go, I will still give them a shot.
Emma @ The Movies (1786 KP) rated I Am Lisa (2020) in Movies
Oct 4, 2020
This caught my eye on the Fright Fest line-up for its intriguing idea, who doesn't love werewolves?
Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.
There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.
I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.
The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.
It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.
My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.
Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html
Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.
There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.
I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.
The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.
It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.
My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.
Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html
An Amish Christmas Love: Four Novellas
Beth Wiseman, Amy Clipston, Ruth Reid and Kelly Irvin
10.0
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Winter Kisses by Beth Wiseman Three generations of Stoltzfus women are all living under the same...