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Whatchareadin (174 KP) rated The Identicals in Books
May 10, 2018
Tabitha and Harper Frost are identical twins. Their parents divorced when they were 14 years old, and the twins were split between the parents(like the Parent Trap). Tabitha goes with their mother to Nantucket and Harper goes with their father to Martha's Vineyard. Even though these 2 islands are only a few miles away, they might as well be thousands. After this separation the girls grew farther and farther apart until they stopped speaking all together. When their father, Billy, dies, will it be enough to bring Tabitha and Harper back together as the sisters they once were, or will this drive them even farther apart?
Elin Hilderbrand has put together another enjoyable novel. My travels have never brought me further north than upstate New York, but she paints a picture of the New England coastline as a place I have to visit.
I don't know what it's like to be a twin, but I do have a sister. I think it would be impossible to go years without speaking to or seeing my sister. What happened between Tabitha and Harper that they couldn't work out their differences? Will the death of their father prove to them that whatever it was can be fixed?
For me, I didn't really connect with either of these characters. The person I connected most with was Ainsley, Tabitha's 15 year old daughter. At the beginning of the book, she is struggling through life as all girls at that age do. Trying to find out who you are, who your friends should be, which cliques to be a part of. Ainsley is trying to figure out her place in her world and trying to find her way through that with a parent who is pretty much hands-off.
Harper is also struggling through some things at the start of the book. But unfortunately, this is nothing new for Harper. She always seems to find herself on the wrong side of trouble.
Tabitha as well is going through a tough situation. As the head of her mother's clothing empire, trying to keep the store afloat as well as raise a teenage daughter and have a social life, it's a lot on one person.
Will these three ladies be able to put their differences aside, pull up their big girl panties, and work everything out so that they all will be able to coexist and thrive?
Elin Hilderbrand has put together another enjoyable novel. My travels have never brought me further north than upstate New York, but she paints a picture of the New England coastline as a place I have to visit.
I don't know what it's like to be a twin, but I do have a sister. I think it would be impossible to go years without speaking to or seeing my sister. What happened between Tabitha and Harper that they couldn't work out their differences? Will the death of their father prove to them that whatever it was can be fixed?
For me, I didn't really connect with either of these characters. The person I connected most with was Ainsley, Tabitha's 15 year old daughter. At the beginning of the book, she is struggling through life as all girls at that age do. Trying to find out who you are, who your friends should be, which cliques to be a part of. Ainsley is trying to figure out her place in her world and trying to find her way through that with a parent who is pretty much hands-off.
Harper is also struggling through some things at the start of the book. But unfortunately, this is nothing new for Harper. She always seems to find herself on the wrong side of trouble.
Tabitha as well is going through a tough situation. As the head of her mother's clothing empire, trying to keep the store afloat as well as raise a teenage daughter and have a social life, it's a lot on one person.
Will these three ladies be able to put their differences aside, pull up their big girl panties, and work everything out so that they all will be able to coexist and thrive?
Ivana A. | Diary of Difference (1171 KP) rated The Furies in Books
Feb 3, 2020
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<b><i>A high-school mystery full of suspense. A murder, a questionable friendship and witchcraft. The Furies is a modern take of all witchcraft legends and curses!</i></b>
When a teenage girl is found dead, sitting on a swing, with no clues of how the death occurred, we are set up to trust no one from the very beginning. The story begins with Violet, who start the story from the very beginning, until finally leading us to how and why this murder happened. She comes to the new school and she becomes friends with an elite group of girls and a secret advanced study group, that focuses on witchcraft and influential witches connected to the school.
From the fist to the last chapter, you can feel the suspense. The story is unique and it certainly kept me on my toes. I had trouble with who the narrator is, and in each chapter it’s Violet, but because it was written in first person and her tone changed, I kept looking for clues as to whether the narrator has changed or not. The names are also not mentioned often, which added a bit of agitation at times.
I loved every part of the book that included witchcraft. There were awful lot of scenes about this, so trust me, I was more than satisfied. From witchcraft history, to a secret society, to performing rituals, The Furies will teleport you in that world.
I liked how the friendships were developed, but I didn’t cheer for them. I could perfectly understand how all girls felt and why they all made certain choices, and that is due to the excellent writing skills Katie has. I felt different emotions for them all, loved them, hated them and pitied them.
I couldn’t help but be annoyed with Violet, for never saying no, for settling, for being so naive and so needy to be accepted. I couldn’t help but be angry at her for knowing things and choosing to do nothing about it. I felt so angry at the girls, for all the drama caused and for discouraging people around them. I can’t help but feel conflicted with Violet though, because despite everything, she belonged in that group, and with those friends. As wrong as it may sound, she did fit. But with time, she did change and she did find her true self. And her development was the gem that made me really fall in love with this book.
<b>And then it struck me…</b>
I wasn’t mad at Violet. I was mad at all of us that have been in such position and chose the wrong things. I felt upset at all of us, who have changed themselves to fit in a group and forgot who they really are. To all of us, who were too afraid to say no to the popular girls in high-school.
I highly recommend it to all girls in high-school, to all mums and to everyone that loves witchcraft and mystery. You will definitely love this book!
Thank you to Katie Lowe, and the publisher, HarperCollins, for sending me a free hardcover copy in exchange for my honest review.
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<b><i>A high-school mystery full of suspense. A murder, a questionable friendship and witchcraft. The Furies is a modern take of all witchcraft legends and curses!</i></b>
When a teenage girl is found dead, sitting on a swing, with no clues of how the death occurred, we are set up to trust no one from the very beginning. The story begins with Violet, who start the story from the very beginning, until finally leading us to how and why this murder happened. She comes to the new school and she becomes friends with an elite group of girls and a secret advanced study group, that focuses on witchcraft and influential witches connected to the school.
From the fist to the last chapter, you can feel the suspense. The story is unique and it certainly kept me on my toes. I had trouble with who the narrator is, and in each chapter it’s Violet, but because it was written in first person and her tone changed, I kept looking for clues as to whether the narrator has changed or not. The names are also not mentioned often, which added a bit of agitation at times.
I loved every part of the book that included witchcraft. There were awful lot of scenes about this, so trust me, I was more than satisfied. From witchcraft history, to a secret society, to performing rituals, The Furies will teleport you in that world.
I liked how the friendships were developed, but I didn’t cheer for them. I could perfectly understand how all girls felt and why they all made certain choices, and that is due to the excellent writing skills Katie has. I felt different emotions for them all, loved them, hated them and pitied them.
I couldn’t help but be annoyed with Violet, for never saying no, for settling, for being so naive and so needy to be accepted. I couldn’t help but be angry at her for knowing things and choosing to do nothing about it. I felt so angry at the girls, for all the drama caused and for discouraging people around them. I can’t help but feel conflicted with Violet though, because despite everything, she belonged in that group, and with those friends. As wrong as it may sound, she did fit. But with time, she did change and she did find her true self. And her development was the gem that made me really fall in love with this book.
<b>And then it struck me…</b>
I wasn’t mad at Violet. I was mad at all of us that have been in such position and chose the wrong things. I felt upset at all of us, who have changed themselves to fit in a group and forgot who they really are. To all of us, who were too afraid to say no to the popular girls in high-school.
I highly recommend it to all girls in high-school, to all mums and to everyone that loves witchcraft and mystery. You will definitely love this book!
Thank you to Katie Lowe, and the publisher, HarperCollins, for sending me a free hardcover copy in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Cumberland (1142 KP) created a post in The Smashbomb Book Club
Jun 13, 2019
Lottie disney bookworm (1056 KP) rated Stepsister in Books
Aug 16, 2019
Review by Disney Bookworm
I took a break from the Disney Twisted Tales collection to check out a new novel by the New York Times best-selling author Jennifer Donnelly and wow am I glad I did!
Judging purely by the title of the book: the cynical side of me expected this to be a retelling of the traditional fairy tale from the viewpoint of the “ugly stepsisters”. Perhaps with a remorseful twist and a concluding reconciliation. I could not have been more wrong.
This is possibly the first time I should have judged a book by its cover: the iconic glass slipper casting fragmented shards across the jacket should have certainly forewarned me that this will not be just another Cinderella story.
Unlike the twisted tales and the villain series, Step Sister is, as far as I know, not connected to the Disney enterprise at all. This makes it an edgier read by far but also allows the novel to lean as far away from the traditional fairy tale as it dares: smashing just a couple of stereotypes along the way.
Oh, and just a quick point: the novel opens on Isabelle and Octavia disfiguring their own feet, at the command of their mother, with the aim to fit into the glass slipper and marry the Prince. See what I mean- edgy right?
Stepsister is told from the viewpoint of Isabelle: a headstrong girl with an ambitious mother, an intelligent sister Octavia and a kind, sweet sister, Ella. Isabelle is a disappointment to her mother: a plain girl who prefers riding and fencing to corsets and suitors. A number of flashbacks to the girls’ childhood also suggests that Isabelle, Octavia and Ella were once very close, leading the reader to wonder how the relationship became the poisonous one we are so familiar with.
Unsurprisingly, their Maman’s plan to mutilate her way to the palace does not succeed and Ella takes her rightful place by the Prince’s side, claiming her ‘happily ever after’. But what is to become of the family she leaves behind? Maimed and outcast, Isabelle and Octavia struggle to carry on once their actions are brought to light and they are promptly labelled the “ugly stepsisters” by all around them.
Desolate and lost, Isabelle mistakenly believes that her life would improve if she were more attractive and makes a wish to the fairy queen Tanaquill, who promises to grant her desire when Isabelle finds the three missing parts of her heart.
Thus, begins Isabelle’s mission to reclaim her heart and turn her life around. The stepsister’s road of discovery is a bumpy one however, and is not made any easier by an old crone named Fate and a young man named Chance, both of whom seem to have an unhealthy obsession with her progress and a strange, almost friendly rivalry over the possession of Isabelle’s life map.
Jennifer Donnelly introduces us to a number of characters throughout Isabelle’s journey, all of whom are exquisite: Chance is an eccentric debonair with an entourage that may have just stepped out of The Greatest Showman; Octavia is every nerdy, sarcastic girl’s dream and even Fate is strangely likeable. It is truly impressive how Donnelly can make us feel like we know these people within the space of 470 pages.
I was also impressed with how different Jennifer Donnelly’s characters are from everything I have read before. Even Tanaquill is not the fairy godmother we all know and love. She isn’t even the slightly bonkers Helena Bonham-Carter version! There isn’t a bibbidi bobbidi boo in sight for this talon-fingered shapeshifter and she certainly does not grant wishes easily.
As a result, the reader does not quite trust the fairy queen: there is always an aspect of her that seems evil. Alas, this is another stroke of genius by Donnelly: the fairy queen doesn’t look like Tinkerbell or the Blue Fairy and so we don’t trust her- even when she is helping Isabelle and why is that? Because of her appearance? Well that makes us just as bad as those who persecute Isabelle!
Ella features very little in the novel. This is not wholly unexpected: it is not her story after all. She is frequently referred to and heavily present in Isabelle’s evolution but, out of all the characters, we know Ella the least. This is not to say that Donnelly presents Ella as a 2D character in order to prevent us from preferring her to our feistier protagonist: in fact, Ella slowly reveals a darker side to her own tale. Simply put, she does not have the depth and human rawness that Isabelle has. Isabelle appeals to the insecure teenager in us all: never believing that she is good enough, focusing on her flaws and judging herself based on the opinions of others.
When Isabelle finally finds the pieces of her heart and has to literally fight to achieve her happy ending, she automatically looks to one of the male characters to lead. After all, it has always been instilled into her that she is “just a girl”. However, Chance and his entourage have educated Isabelle as to the potential of her sex and it is through this inspiration that Isabelle and the reader realise that the answer has been there all along: the answer is Isabelle. All the childhood flashbacks of riding and fighting have been breadcrumbs for the reader: Isabelle is a warrior- her life is not mapped out by Fate or Chance anymore; she can decide her own path.
Step Sister holds up a gigantic mirror to the way we judge beauty and shows us what it really means to be a girl. Jennifer Donnelly proves that being strong, brave and, most importantly, true to yourself is what makes you beautiful. In fact, it is not until Isabelle accepts herself that she is described as beautiful and, by standing up for what she believes in, everyone achieves their own happy endings. As a mum of two young boys I really appreciated how Octavia’s love of science and math and Felix’s creativity and love of art directly contrasted with Maman’s old-fashioned desire to “marry off” her daughters. This story is no fairy tale: it is real, it is edgy and it is telling all generations that life is what you make it.
Judging purely by the title of the book: the cynical side of me expected this to be a retelling of the traditional fairy tale from the viewpoint of the “ugly stepsisters”. Perhaps with a remorseful twist and a concluding reconciliation. I could not have been more wrong.
This is possibly the first time I should have judged a book by its cover: the iconic glass slipper casting fragmented shards across the jacket should have certainly forewarned me that this will not be just another Cinderella story.
Unlike the twisted tales and the villain series, Step Sister is, as far as I know, not connected to the Disney enterprise at all. This makes it an edgier read by far but also allows the novel to lean as far away from the traditional fairy tale as it dares: smashing just a couple of stereotypes along the way.
Oh, and just a quick point: the novel opens on Isabelle and Octavia disfiguring their own feet, at the command of their mother, with the aim to fit into the glass slipper and marry the Prince. See what I mean- edgy right?
Stepsister is told from the viewpoint of Isabelle: a headstrong girl with an ambitious mother, an intelligent sister Octavia and a kind, sweet sister, Ella. Isabelle is a disappointment to her mother: a plain girl who prefers riding and fencing to corsets and suitors. A number of flashbacks to the girls’ childhood also suggests that Isabelle, Octavia and Ella were once very close, leading the reader to wonder how the relationship became the poisonous one we are so familiar with.
Unsurprisingly, their Maman’s plan to mutilate her way to the palace does not succeed and Ella takes her rightful place by the Prince’s side, claiming her ‘happily ever after’. But what is to become of the family she leaves behind? Maimed and outcast, Isabelle and Octavia struggle to carry on once their actions are brought to light and they are promptly labelled the “ugly stepsisters” by all around them.
Desolate and lost, Isabelle mistakenly believes that her life would improve if she were more attractive and makes a wish to the fairy queen Tanaquill, who promises to grant her desire when Isabelle finds the three missing parts of her heart.
Thus, begins Isabelle’s mission to reclaim her heart and turn her life around. The stepsister’s road of discovery is a bumpy one however, and is not made any easier by an old crone named Fate and a young man named Chance, both of whom seem to have an unhealthy obsession with her progress and a strange, almost friendly rivalry over the possession of Isabelle’s life map.
Jennifer Donnelly introduces us to a number of characters throughout Isabelle’s journey, all of whom are exquisite: Chance is an eccentric debonair with an entourage that may have just stepped out of The Greatest Showman; Octavia is every nerdy, sarcastic girl’s dream and even Fate is strangely likeable. It is truly impressive how Donnelly can make us feel like we know these people within the space of 470 pages.
I was also impressed with how different Jennifer Donnelly’s characters are from everything I have read before. Even Tanaquill is not the fairy godmother we all know and love. She isn’t even the slightly bonkers Helena Bonham-Carter version! There isn’t a bibbidi bobbidi boo in sight for this talon-fingered shapeshifter and she certainly does not grant wishes easily.
As a result, the reader does not quite trust the fairy queen: there is always an aspect of her that seems evil. Alas, this is another stroke of genius by Donnelly: the fairy queen doesn’t look like Tinkerbell or the Blue Fairy and so we don’t trust her- even when she is helping Isabelle and why is that? Because of her appearance? Well that makes us just as bad as those who persecute Isabelle!
Ella features very little in the novel. This is not wholly unexpected: it is not her story after all. She is frequently referred to and heavily present in Isabelle’s evolution but, out of all the characters, we know Ella the least. This is not to say that Donnelly presents Ella as a 2D character in order to prevent us from preferring her to our feistier protagonist: in fact, Ella slowly reveals a darker side to her own tale. Simply put, she does not have the depth and human rawness that Isabelle has. Isabelle appeals to the insecure teenager in us all: never believing that she is good enough, focusing on her flaws and judging herself based on the opinions of others.
When Isabelle finally finds the pieces of her heart and has to literally fight to achieve her happy ending, she automatically looks to one of the male characters to lead. After all, it has always been instilled into her that she is “just a girl”. However, Chance and his entourage have educated Isabelle as to the potential of her sex and it is through this inspiration that Isabelle and the reader realise that the answer has been there all along: the answer is Isabelle. All the childhood flashbacks of riding and fighting have been breadcrumbs for the reader: Isabelle is a warrior- her life is not mapped out by Fate or Chance anymore; she can decide her own path.
Step Sister holds up a gigantic mirror to the way we judge beauty and shows us what it really means to be a girl. Jennifer Donnelly proves that being strong, brave and, most importantly, true to yourself is what makes you beautiful. In fact, it is not until Isabelle accepts herself that she is described as beautiful and, by standing up for what she believes in, everyone achieves their own happy endings. As a mum of two young boys I really appreciated how Octavia’s love of science and math and Felix’s creativity and love of art directly contrasted with Maman’s old-fashioned desire to “marry off” her daughters. This story is no fairy tale: it is real, it is edgy and it is telling all generations that life is what you make it.
Bob Mann (459 KP) rated Peaks and Valleys (2020) in Movies
Apr 29, 2021
Acting of the two leads (2 more)
Cinematography of the beautiful Alaskan wilderness
Script and direction both good
Two strangers forced to over-winter in Alaskan wilderness
In “Peaks and Valleys”, Jack (Kevin T. Bennett) is living as a recluse in a remote cabin in Alaska. His solitude is rudely interrupted by a plane which drops a naked, trussed-up and drugged-up girl into his lake. Traumatised by her experiences, the girl (Bailey, played by Kitty Mahoney) is unwilling to trust the man. But trust him she must, since they are in the Alaskan wilderness and Jack tells her that the supply plane might not come for a couple of months.
How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.
Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.
Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.
Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.
I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).
How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.
Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.
Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.
Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.
I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).
Beatriz (17 KP) rated Coraline (2009) in Movies
Feb 21, 2019
Coraline
Contains spoilers, click to show
Coraline is a stop-motion film that took almost 4 years to be done. It was released in 2009 and produced by Henry Selick also knows by producing The Nightmare Before Christmas.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Merissa (12061 KP) rated Strike Out (Barlow Sisters #2) in Books
Oct 23, 2017
Strike Out (Barlow Sisters #2) by Jordan Ford
Strike Out hits the ball waaaay out of the park! Don't get me wrong, I still love Maddie and Holden, but wow... Max and Cairo! Max has lost her love for baseball, but has no idea how to tell her father when all his hopes and dreams rest on her. That's a lot of pressure on a young woman. On her first day at school, she gets lost and finds herself in the music room. There is a red Stratocaster in the room, and she can't help but be drawn to it. Cairo, the resident rock star, finds this strange blonde girl near to his precious guitar, but he doesn't think that she is there to steal it. Instead, it comes about that he offers to teach her how to play guitar - and Max finds something, and someone, who brings her alive.
Now, there are parts to this book that I didn't like - for example, how Max keeps Cairo a secret. I didn't like it, but I completely understood it, and my heart broke for both of them. Like I said in the first paragraph, Max is under a lot of pressure from her father, and doesn't want to disappoint him. The thought of losing the music though, and having to play baseball forever, hurts her more than she can say. Jordan Ford did an amazing job of making this so real. My emotions were swinging like a pendulum as I read, just like Max and Cairo's were.
The first part of the book takes you over ground already covered in Maddie and Hayden's story, but from Max's perspective. You never feel like you are bored reading this, because something is always happening that you didn't know about before.
This book had no editing or grammatical errors that disrupted my reading flow. The scenes changed smoothing, flowing from one to the next. The characters continue to engage the reader's interest, and you get updates on how things are going for characters you have met previously. No middle book slump for this series. Highly recommended by me, and I can't wait for Chloe's book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, there are parts to this book that I didn't like - for example, how Max keeps Cairo a secret. I didn't like it, but I completely understood it, and my heart broke for both of them. Like I said in the first paragraph, Max is under a lot of pressure from her father, and doesn't want to disappoint him. The thought of losing the music though, and having to play baseball forever, hurts her more than she can say. Jordan Ford did an amazing job of making this so real. My emotions were swinging like a pendulum as I read, just like Max and Cairo's were.
The first part of the book takes you over ground already covered in Maddie and Hayden's story, but from Max's perspective. You never feel like you are bored reading this, because something is always happening that you didn't know about before.
This book had no editing or grammatical errors that disrupted my reading flow. The scenes changed smoothing, flowing from one to the next. The characters continue to engage the reader's interest, and you get updates on how things are going for characters you have met previously. No middle book slump for this series. Highly recommended by me, and I can't wait for Chloe's book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gamer bunnz (4 KP) rated New Amsterdam in TV
May 22, 2019
Bring the tissues
Contains spoilers, click to show
I watched the whole first series in about two weeks, at first I thought it was going to be another grey anatomy where we see drama, love lost and betrayal, we do see some of these but in a more subtle way, the main focus in on max and how he can turn things around for new Amsterdam and put the patience’s first not money which is how it should be, whilst trying to mix things up max starts to battle a personal health issues and save his marriage after he promised to settle down and give up such a demanding job to help bring up his unborn baby girl. We see max make changes to the hospital that not everyone agrees with but he pushes for it anyways and we watch him slowly begin to lose his fight with throat cancer but still battles on. All the actors/actress bring there own style to the show and you can’t help but full in love with them, unlike other tv series there wasn’t a character I didn’t like, I enjoy watching their own stories unfold along with max’s And when things happened to them I felt all the emotions that went along with it, I laugh, I cried(quite a bit) I got anger at things that happened and felt sad when I was down the final two episodes I was sad it was ending but the final episode didn’t disappoint it left me hoping a second season will be made and all the characters return for it but with the cliff hanger we was left on, I am unsure if all will be returning if they make a second. All in all the series was surprising and different from other medical program there wasn’t to many Far-fetched medical scenes or silly medical terms that don’t get used in real life,don’t get me wrong there was some but it wasn’t t litter with it, I would recommend this to anyone looking for something more than just another modern day ER, who doesn’t have time to watch the multi seasons of grey anatomy, it different in its own right and it Will certainly take you on a emotional rollercoaster.
Phillip McSween (751 KP) rated Light of My Life (2019) in Movies
Mar 10, 2020
Not Revolutionary But Decent
A father and daughter try to survive in a post-apocalyptic world where a virus has taken out nearly all of the female population. Light of My Life isn’t going to revolutionize post-apocalyptic movies, but I would say it’s a worthy addition. It makes you care and, more importantly, it makes you think.
Acting: 10
Casey Afleck is sensational in his role as Dad. You can feel the love he has for his daughter Rag (Anna Pniowsky) and see how torn he is between trying to be strong for her while trying not to break down himself. Pniowsky is solid as well playing the daughter. She reads the role with a defiant attitude, as a girl having to quickly grow up in a crazy world. They work perfectly together onscreen.
Beginning: 10
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Casey Afleck, also the director, effectively builds tension throughout the journey. However, there are a number of times where you expect something to happen and it doesn’t. Ultimately, the conflict wasn’t quite so strong as I would have hoped.
Entertainment Value: 5
Because not as much action is happening in a movie that’s almost two hours, my level of being entertained was up and down. I did find myself checking out quite a few times especially when it’s the rinse and repeat of finding a campground, scouting, and laying down for the night. I just wish there were a few more close scrapes to keep me guessing.
Memorability: 3
This type of movie has been done before on the big screen and in video games. Unfortunately there’s not quite enough here to make it stand out. Don’t get me wrong, it’s definitely not a bad movie. It just lacks the necessary oompf to be much more than “just ok”.
Pace: 6
Attempts to move steadily before it slows down to a crawl again and again. There is no sense of urgency in the film and it drove me mad at times. Would have been much happier with the pace had the runtime been shorter.
Plot: 10
Resolution: 6
Decent ending, but…just decent. I question the decision of closure. Like a lot of the other facets of the movie, I was hoping for more.
Overall: 72
Light of My Life made me smile at times, but infuriated me at times when I knew I was watching something that could be better. It’s a decent movie and a few tweaks would have really done the trick for me. Now that I’ve seen it once, it’s not one I need to check out again.
Acting: 10
Casey Afleck is sensational in his role as Dad. You can feel the love he has for his daughter Rag (Anna Pniowsky) and see how torn he is between trying to be strong for her while trying not to break down himself. Pniowsky is solid as well playing the daughter. She reads the role with a defiant attitude, as a girl having to quickly grow up in a crazy world. They work perfectly together onscreen.
Beginning: 10
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Casey Afleck, also the director, effectively builds tension throughout the journey. However, there are a number of times where you expect something to happen and it doesn’t. Ultimately, the conflict wasn’t quite so strong as I would have hoped.
Entertainment Value: 5
Because not as much action is happening in a movie that’s almost two hours, my level of being entertained was up and down. I did find myself checking out quite a few times especially when it’s the rinse and repeat of finding a campground, scouting, and laying down for the night. I just wish there were a few more close scrapes to keep me guessing.
Memorability: 3
This type of movie has been done before on the big screen and in video games. Unfortunately there’s not quite enough here to make it stand out. Don’t get me wrong, it’s definitely not a bad movie. It just lacks the necessary oompf to be much more than “just ok”.
Pace: 6
Attempts to move steadily before it slows down to a crawl again and again. There is no sense of urgency in the film and it drove me mad at times. Would have been much happier with the pace had the runtime been shorter.
Plot: 10
Resolution: 6
Decent ending, but…just decent. I question the decision of closure. Like a lot of the other facets of the movie, I was hoping for more.
Overall: 72
Light of My Life made me smile at times, but infuriated me at times when I knew I was watching something that could be better. It’s a decent movie and a few tweaks would have really done the trick for me. Now that I’ve seen it once, it’s not one I need to check out again.
Haley Mathiot (9 KP) rated Sing Me to Sleep in Books
Apr 27, 2018
My Summary: Beth is a ridiculously tall, horribly ugly girl suffering though high school. Her nickname is “the Beast.” She is bullied by everyone. Her face is scared and pimply and messed up, she was born that way and nothing works to get rid of it. The only people in the world that she has are her mother—who loves her fiercely—and her best friend since pre-school, Scott.
But then through the course of several unexpected events, Beth ends up with the solo in her choir. She goes from ugly and in the back rows to re-made, re-styled, and re-“faced” after laser surgery. Her choir gets a chance to go to a competition in Switzerland.
And she meets Derek. Derek is on one of the other teams, the biggest, best, most famous choir. He’s the hottest guy she’s ever met. And he’s in love with her.
But there’s something wrong with Derek. He won’t tell her what it is, and she’s scared to ask because every time she brings it up, he runs away.
And the fact that Scott has admitted that he’s in love with her—and she’s pretty sure she loves him too—isn’t making anything less complicated…
Review:
I enjoyed Sing Me To Sleep. Please realize and remember that. It kept me reading, it moved quickly. But there were a few things that drove me crazy while I read this and took away from the overall enjoyment.
The first was the writing. There’s a difference between a writing style, and writing crappy. 75% of the “sentences” in this book were fragments. No, I did not count the sentences and take a literal percentage, but that’s what it felt like. There were a lot of two or three word phrases stacked next to each other. That does not count as a writing style, it’s poor grammar. It was so distracting that I found myself annoyed and wanting to put it down.
The second was the romance. In the beginning, the romance between Derek and Beth was just too rushed. There were no meaningful conversations, there wasn’t much plot, there wasn’t much talking. There was a lot of “I love you’s” and a lot of tension and a lot of kissing (hot kissing, but just kissing none the less). Beth was convinced she was in love with him—and he with her—but their relationship was so shallow, that I expected him to dump her any minute (or vice versa). It didn’t feel real.
Near the end, it became a little more real after Derek’s secret came out and Beth began to feel a little different about him. For the sake of keeping this review spoiler-free, I won’t say much more than that. However because their “love” was built on such shaky ground in the first place, most of the end didn’t feel very real either. Beth didn’t know what love really meant until the very end of the book. Poor girl.
The third… sadly, the characters. I didn’t feel much of a connection to them. Believe it or not, the one character I related to most was Scott. He wasn’t even in most of the book—most of it was Beth and Derek—but Scott was the most realistic character (and I’m totally in love with him) and the character that I could understand the best. But Beth and Derek both… I just didn’t connect.
I feel really bad that I’ve complained so much. I also feel really sad that I didn’t love this one. But as a reviewer I promise to be honest, and this is how I feel. Again, as I said at the top, I enjoyed the book, it kept me reading though it wasn’t a sit-on-the-edge-of-your-seat kind of page-turner. But it was a bit of a let-down after all the 5-star or A+ reviews I’ve read for it. Don’t listen to just one opinion. Check out some other reviews for this one before you decide to believe me.
But then through the course of several unexpected events, Beth ends up with the solo in her choir. She goes from ugly and in the back rows to re-made, re-styled, and re-“faced” after laser surgery. Her choir gets a chance to go to a competition in Switzerland.
And she meets Derek. Derek is on one of the other teams, the biggest, best, most famous choir. He’s the hottest guy she’s ever met. And he’s in love with her.
But there’s something wrong with Derek. He won’t tell her what it is, and she’s scared to ask because every time she brings it up, he runs away.
And the fact that Scott has admitted that he’s in love with her—and she’s pretty sure she loves him too—isn’t making anything less complicated…
Review:
I enjoyed Sing Me To Sleep. Please realize and remember that. It kept me reading, it moved quickly. But there were a few things that drove me crazy while I read this and took away from the overall enjoyment.
The first was the writing. There’s a difference between a writing style, and writing crappy. 75% of the “sentences” in this book were fragments. No, I did not count the sentences and take a literal percentage, but that’s what it felt like. There were a lot of two or three word phrases stacked next to each other. That does not count as a writing style, it’s poor grammar. It was so distracting that I found myself annoyed and wanting to put it down.
The second was the romance. In the beginning, the romance between Derek and Beth was just too rushed. There were no meaningful conversations, there wasn’t much plot, there wasn’t much talking. There was a lot of “I love you’s” and a lot of tension and a lot of kissing (hot kissing, but just kissing none the less). Beth was convinced she was in love with him—and he with her—but their relationship was so shallow, that I expected him to dump her any minute (or vice versa). It didn’t feel real.
Near the end, it became a little more real after Derek’s secret came out and Beth began to feel a little different about him. For the sake of keeping this review spoiler-free, I won’t say much more than that. However because their “love” was built on such shaky ground in the first place, most of the end didn’t feel very real either. Beth didn’t know what love really meant until the very end of the book. Poor girl.
The third… sadly, the characters. I didn’t feel much of a connection to them. Believe it or not, the one character I related to most was Scott. He wasn’t even in most of the book—most of it was Beth and Derek—but Scott was the most realistic character (and I’m totally in love with him) and the character that I could understand the best. But Beth and Derek both… I just didn’t connect.
I feel really bad that I’ve complained so much. I also feel really sad that I didn’t love this one. But as a reviewer I promise to be honest, and this is how I feel. Again, as I said at the top, I enjoyed the book, it kept me reading though it wasn’t a sit-on-the-edge-of-your-seat kind of page-turner. But it was a bit of a let-down after all the 5-star or A+ reviews I’ve read for it. Don’t listen to just one opinion. Check out some other reviews for this one before you decide to believe me.