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Beatriz (17 KP) rated Coraline (2009) in Movies
Feb 21, 2019
Coraline
Contains spoilers, click to show
Coraline is a stop-motion film that took almost 4 years to be done. It was released in 2009 and produced by Henry Selick also knows by producing The Nightmare Before Christmas.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Merissa (13979 KP) rated Strike Out (Barlow Sisters #2) in Books
Oct 23, 2017
Strike Out (Barlow Sisters #2) by Jordan Ford
Strike Out hits the ball waaaay out of the park! Don't get me wrong, I still love Maddie and Holden, but wow... Max and Cairo! Max has lost her love for baseball, but has no idea how to tell her father when all his hopes and dreams rest on her. That's a lot of pressure on a young woman. On her first day at school, she gets lost and finds herself in the music room. There is a red Stratocaster in the room, and she can't help but be drawn to it. Cairo, the resident rock star, finds this strange blonde girl near to his precious guitar, but he doesn't think that she is there to steal it. Instead, it comes about that he offers to teach her how to play guitar - and Max finds something, and someone, who brings her alive.
Now, there are parts to this book that I didn't like - for example, how Max keeps Cairo a secret. I didn't like it, but I completely understood it, and my heart broke for both of them. Like I said in the first paragraph, Max is under a lot of pressure from her father, and doesn't want to disappoint him. The thought of losing the music though, and having to play baseball forever, hurts her more than she can say. Jordan Ford did an amazing job of making this so real. My emotions were swinging like a pendulum as I read, just like Max and Cairo's were.
The first part of the book takes you over ground already covered in Maddie and Hayden's story, but from Max's perspective. You never feel like you are bored reading this, because something is always happening that you didn't know about before.
This book had no editing or grammatical errors that disrupted my reading flow. The scenes changed smoothing, flowing from one to the next. The characters continue to engage the reader's interest, and you get updates on how things are going for characters you have met previously. No middle book slump for this series. Highly recommended by me, and I can't wait for Chloe's book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, there are parts to this book that I didn't like - for example, how Max keeps Cairo a secret. I didn't like it, but I completely understood it, and my heart broke for both of them. Like I said in the first paragraph, Max is under a lot of pressure from her father, and doesn't want to disappoint him. The thought of losing the music though, and having to play baseball forever, hurts her more than she can say. Jordan Ford did an amazing job of making this so real. My emotions were swinging like a pendulum as I read, just like Max and Cairo's were.
The first part of the book takes you over ground already covered in Maddie and Hayden's story, but from Max's perspective. You never feel like you are bored reading this, because something is always happening that you didn't know about before.
This book had no editing or grammatical errors that disrupted my reading flow. The scenes changed smoothing, flowing from one to the next. The characters continue to engage the reader's interest, and you get updates on how things are going for characters you have met previously. No middle book slump for this series. Highly recommended by me, and I can't wait for Chloe's book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gamer bunnz (4 KP) rated New Amsterdam in TV
May 22, 2019
Bring the tissues
Contains spoilers, click to show
I watched the whole first series in about two weeks, at first I thought it was going to be another grey anatomy where we see drama, love lost and betrayal, we do see some of these but in a more subtle way, the main focus in on max and how he can turn things around for new Amsterdam and put the patience’s first not money which is how it should be, whilst trying to mix things up max starts to battle a personal health issues and save his marriage after he promised to settle down and give up such a demanding job to help bring up his unborn baby girl. We see max make changes to the hospital that not everyone agrees with but he pushes for it anyways and we watch him slowly begin to lose his fight with throat cancer but still battles on. All the actors/actress bring there own style to the show and you can’t help but full in love with them, unlike other tv series there wasn’t a character I didn’t like, I enjoy watching their own stories unfold along with max’s And when things happened to them I felt all the emotions that went along with it, I laugh, I cried(quite a bit) I got anger at things that happened and felt sad when I was down the final two episodes I was sad it was ending but the final episode didn’t disappoint it left me hoping a second season will be made and all the characters return for it but with the cliff hanger we was left on, I am unsure if all will be returning if they make a second. All in all the series was surprising and different from other medical program there wasn’t to many Far-fetched medical scenes or silly medical terms that don’t get used in real life,don’t get me wrong there was some but it wasn’t t litter with it, I would recommend this to anyone looking for something more than just another modern day ER, who doesn’t have time to watch the multi seasons of grey anatomy, it different in its own right and it Will certainly take you on a emotional rollercoaster.
Phillip McSween (751 KP) rated Light of My Life (2019) in Movies
Mar 10, 2020
Not Revolutionary But Decent
A father and daughter try to survive in a post-apocalyptic world where a virus has taken out nearly all of the female population. Light of My Life isn’t going to revolutionize post-apocalyptic movies, but I would say it’s a worthy addition. It makes you care and, more importantly, it makes you think.
Acting: 10
Casey Afleck is sensational in his role as Dad. You can feel the love he has for his daughter Rag (Anna Pniowsky) and see how torn he is between trying to be strong for her while trying not to break down himself. Pniowsky is solid as well playing the daughter. She reads the role with a defiant attitude, as a girl having to quickly grow up in a crazy world. They work perfectly together onscreen.
Beginning: 10
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Casey Afleck, also the director, effectively builds tension throughout the journey. However, there are a number of times where you expect something to happen and it doesn’t. Ultimately, the conflict wasn’t quite so strong as I would have hoped.
Entertainment Value: 5
Because not as much action is happening in a movie that’s almost two hours, my level of being entertained was up and down. I did find myself checking out quite a few times especially when it’s the rinse and repeat of finding a campground, scouting, and laying down for the night. I just wish there were a few more close scrapes to keep me guessing.
Memorability: 3
This type of movie has been done before on the big screen and in video games. Unfortunately there’s not quite enough here to make it stand out. Don’t get me wrong, it’s definitely not a bad movie. It just lacks the necessary oompf to be much more than “just ok”.
Pace: 6
Attempts to move steadily before it slows down to a crawl again and again. There is no sense of urgency in the film and it drove me mad at times. Would have been much happier with the pace had the runtime been shorter.
Plot: 10
Resolution: 6
Decent ending, but…just decent. I question the decision of closure. Like a lot of the other facets of the movie, I was hoping for more.
Overall: 72
Light of My Life made me smile at times, but infuriated me at times when I knew I was watching something that could be better. It’s a decent movie and a few tweaks would have really done the trick for me. Now that I’ve seen it once, it’s not one I need to check out again.
Acting: 10
Casey Afleck is sensational in his role as Dad. You can feel the love he has for his daughter Rag (Anna Pniowsky) and see how torn he is between trying to be strong for her while trying not to break down himself. Pniowsky is solid as well playing the daughter. She reads the role with a defiant attitude, as a girl having to quickly grow up in a crazy world. They work perfectly together onscreen.
Beginning: 10
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Casey Afleck, also the director, effectively builds tension throughout the journey. However, there are a number of times where you expect something to happen and it doesn’t. Ultimately, the conflict wasn’t quite so strong as I would have hoped.
Entertainment Value: 5
Because not as much action is happening in a movie that’s almost two hours, my level of being entertained was up and down. I did find myself checking out quite a few times especially when it’s the rinse and repeat of finding a campground, scouting, and laying down for the night. I just wish there were a few more close scrapes to keep me guessing.
Memorability: 3
This type of movie has been done before on the big screen and in video games. Unfortunately there’s not quite enough here to make it stand out. Don’t get me wrong, it’s definitely not a bad movie. It just lacks the necessary oompf to be much more than “just ok”.
Pace: 6
Attempts to move steadily before it slows down to a crawl again and again. There is no sense of urgency in the film and it drove me mad at times. Would have been much happier with the pace had the runtime been shorter.
Plot: 10
Resolution: 6
Decent ending, but…just decent. I question the decision of closure. Like a lot of the other facets of the movie, I was hoping for more.
Overall: 72
Light of My Life made me smile at times, but infuriated me at times when I knew I was watching something that could be better. It’s a decent movie and a few tweaks would have really done the trick for me. Now that I’ve seen it once, it’s not one I need to check out again.
Bookapotamus (289 KP) rated Painless in Books
Jul 2, 2018
Very Cool Book!
Excuse me for a second, while I go barf. OMG this book. Holy heck the gruesome descriptions of blood and gore and guts was SO RAD. I found myself cringing and fidgeting and yes, even feeling a bit nauseous in some spots - but totally in a GOOD WAY! Painless was exactly what I wanted in a super-unique, creepy, shocking horror-thriller.
Greg Owens is in pain. A LOT of pain. He fell off a ladder on a construction job, injuring his back, and his entire life has gone to shit. He lost his wife, his kid, he can't work, he's addicted to pills. He's desperate, and can't find anything that will help him get relief, so he can return to construction, or any job he doesn't need "Pills to pay the Bills" in order to to work. His addiction is keeping him from his little girl and he's resorted to getting pills illegally from dealers, just to make it though the day.
Dr. Dante Menta is running an exclusive clinical trial. He's been working on a pain relief technique for years, and promises a complete cure of all physical pain. Sign me up, right? We meet all the patients involved in the trial who have arrived before Greg. There are even animal patients. Some of them are seeking relief from back pain, or car accident injuries, others from auto-immune things like Lupus - and even chronic migraine headaches.
The patients are taken in one by one to get the procedure and at first, it's exactly as promised and the results are impressive! But soon, shit starts hitting the fan. Patients are starting to act really strange, obsessive, destructive. Things start to go horribly, horribly wrong. And it's incredible awesome to watch!
I thought this story was really different and the premise was immediately intriguing - it was a quick read, but written really well, and explores a dark side of both how people deal with pain management and also Dr. Mentas obsession with his life's work to find a cure. I would love to see this translated to a horror movie, and I'd be first in line to buy a ticket!
Greg Owens is in pain. A LOT of pain. He fell off a ladder on a construction job, injuring his back, and his entire life has gone to shit. He lost his wife, his kid, he can't work, he's addicted to pills. He's desperate, and can't find anything that will help him get relief, so he can return to construction, or any job he doesn't need "Pills to pay the Bills" in order to to work. His addiction is keeping him from his little girl and he's resorted to getting pills illegally from dealers, just to make it though the day.
Dr. Dante Menta is running an exclusive clinical trial. He's been working on a pain relief technique for years, and promises a complete cure of all physical pain. Sign me up, right? We meet all the patients involved in the trial who have arrived before Greg. There are even animal patients. Some of them are seeking relief from back pain, or car accident injuries, others from auto-immune things like Lupus - and even chronic migraine headaches.
The patients are taken in one by one to get the procedure and at first, it's exactly as promised and the results are impressive! But soon, shit starts hitting the fan. Patients are starting to act really strange, obsessive, destructive. Things start to go horribly, horribly wrong. And it's incredible awesome to watch!
I thought this story was really different and the premise was immediately intriguing - it was a quick read, but written really well, and explores a dark side of both how people deal with pain management and also Dr. Mentas obsession with his life's work to find a cure. I would love to see this translated to a horror movie, and I'd be first in line to buy a ticket!
Haley Mathiot (9 KP) rated Sing Me to Sleep in Books
Apr 27, 2018
My Summary: Beth is a ridiculously tall, horribly ugly girl suffering though high school. Her nickname is “the Beast.” She is bullied by everyone. Her face is scared and pimply and messed up, she was born that way and nothing works to get rid of it. The only people in the world that she has are her mother—who loves her fiercely—and her best friend since pre-school, Scott.
But then through the course of several unexpected events, Beth ends up with the solo in her choir. She goes from ugly and in the back rows to re-made, re-styled, and re-“faced” after laser surgery. Her choir gets a chance to go to a competition in Switzerland.
And she meets Derek. Derek is on one of the other teams, the biggest, best, most famous choir. He’s the hottest guy she’s ever met. And he’s in love with her.
But there’s something wrong with Derek. He won’t tell her what it is, and she’s scared to ask because every time she brings it up, he runs away.
And the fact that Scott has admitted that he’s in love with her—and she’s pretty sure she loves him too—isn’t making anything less complicated…
Review:
I enjoyed Sing Me To Sleep. Please realize and remember that. It kept me reading, it moved quickly. But there were a few things that drove me crazy while I read this and took away from the overall enjoyment.
The first was the writing. There’s a difference between a writing style, and writing crappy. 75% of the “sentences” in this book were fragments. No, I did not count the sentences and take a literal percentage, but that’s what it felt like. There were a lot of two or three word phrases stacked next to each other. That does not count as a writing style, it’s poor grammar. It was so distracting that I found myself annoyed and wanting to put it down.
The second was the romance. In the beginning, the romance between Derek and Beth was just too rushed. There were no meaningful conversations, there wasn’t much plot, there wasn’t much talking. There was a lot of “I love you’s” and a lot of tension and a lot of kissing (hot kissing, but just kissing none the less). Beth was convinced she was in love with him—and he with her—but their relationship was so shallow, that I expected him to dump her any minute (or vice versa). It didn’t feel real.
Near the end, it became a little more real after Derek’s secret came out and Beth began to feel a little different about him. For the sake of keeping this review spoiler-free, I won’t say much more than that. However because their “love” was built on such shaky ground in the first place, most of the end didn’t feel very real either. Beth didn’t know what love really meant until the very end of the book. Poor girl.
The third… sadly, the characters. I didn’t feel much of a connection to them. Believe it or not, the one character I related to most was Scott. He wasn’t even in most of the book—most of it was Beth and Derek—but Scott was the most realistic character (and I’m totally in love with him) and the character that I could understand the best. But Beth and Derek both… I just didn’t connect.
I feel really bad that I’ve complained so much. I also feel really sad that I didn’t love this one. But as a reviewer I promise to be honest, and this is how I feel. Again, as I said at the top, I enjoyed the book, it kept me reading though it wasn’t a sit-on-the-edge-of-your-seat kind of page-turner. But it was a bit of a let-down after all the 5-star or A+ reviews I’ve read for it. Don’t listen to just one opinion. Check out some other reviews for this one before you decide to believe me.
But then through the course of several unexpected events, Beth ends up with the solo in her choir. She goes from ugly and in the back rows to re-made, re-styled, and re-“faced” after laser surgery. Her choir gets a chance to go to a competition in Switzerland.
And she meets Derek. Derek is on one of the other teams, the biggest, best, most famous choir. He’s the hottest guy she’s ever met. And he’s in love with her.
But there’s something wrong with Derek. He won’t tell her what it is, and she’s scared to ask because every time she brings it up, he runs away.
And the fact that Scott has admitted that he’s in love with her—and she’s pretty sure she loves him too—isn’t making anything less complicated…
Review:
I enjoyed Sing Me To Sleep. Please realize and remember that. It kept me reading, it moved quickly. But there were a few things that drove me crazy while I read this and took away from the overall enjoyment.
The first was the writing. There’s a difference between a writing style, and writing crappy. 75% of the “sentences” in this book were fragments. No, I did not count the sentences and take a literal percentage, but that’s what it felt like. There were a lot of two or three word phrases stacked next to each other. That does not count as a writing style, it’s poor grammar. It was so distracting that I found myself annoyed and wanting to put it down.
The second was the romance. In the beginning, the romance between Derek and Beth was just too rushed. There were no meaningful conversations, there wasn’t much plot, there wasn’t much talking. There was a lot of “I love you’s” and a lot of tension and a lot of kissing (hot kissing, but just kissing none the less). Beth was convinced she was in love with him—and he with her—but their relationship was so shallow, that I expected him to dump her any minute (or vice versa). It didn’t feel real.
Near the end, it became a little more real after Derek’s secret came out and Beth began to feel a little different about him. For the sake of keeping this review spoiler-free, I won’t say much more than that. However because their “love” was built on such shaky ground in the first place, most of the end didn’t feel very real either. Beth didn’t know what love really meant until the very end of the book. Poor girl.
The third… sadly, the characters. I didn’t feel much of a connection to them. Believe it or not, the one character I related to most was Scott. He wasn’t even in most of the book—most of it was Beth and Derek—but Scott was the most realistic character (and I’m totally in love with him) and the character that I could understand the best. But Beth and Derek both… I just didn’t connect.
I feel really bad that I’ve complained so much. I also feel really sad that I didn’t love this one. But as a reviewer I promise to be honest, and this is how I feel. Again, as I said at the top, I enjoyed the book, it kept me reading though it wasn’t a sit-on-the-edge-of-your-seat kind of page-turner. But it was a bit of a let-down after all the 5-star or A+ reviews I’ve read for it. Don’t listen to just one opinion. Check out some other reviews for this one before you decide to believe me.
Night Reader Reviews (683 KP) rated The Mandore Rose in Books
Jan 9, 2020
The Mandore Rose by Cyril James Morris is set in the early 1950s yet, for the most part, it feels like it could be set in modern-day. It also has a prologue from the 1700s but it takes a while for the connection to be made. This book can easily be read in a day or two.
Just Riley is a young Romany girl who is ordered by her elder to take her caravan and run away. This is not because of anything she has done. She must run in order to protect herself from the man pretending to be her uncle after her mother died just so he can steal from her. Just Riley now has to survive on her own with her horse Pixe and her spirit guide, The Bangled Lady for companions. That is until an accident at the beach puts her in contact with Big Pierre and Rhys.
Rhys teaches her how to hunt for crabs and they quickly become friends. Big Pierre owns and works on a crabbing boat and gives Just Riley some work. When Pierre takes Riley with him one day she meets the Monks and Lady Caldey on their island. The Lady agrees to have an instrument repaired for Just Riley and the two feel a bond right away. After learning to trust one another Just Riley learns that they each have a ring identical to the other. It is with these rings and a little bit of luck that they start on an adventure that may lead them to the truth about who Just Riley really is.
What I liked most was how the main character is called Just Riley. At first, I found this to be annoying and awkward, but after the reason is explained I fund it to be cute, if not a little sad as well. What I did not like was that I wish the book would have explained the difference between Romany and Gypsey. This is because on multiple occasions people in the book confuse the two and Riley seems to be insulted by that. I feel like many people (myself included) do not know the difference and would benefit from the explanation.
People who enjoy historical mysteries would enjoy this book the most. This book is appropriate for just about all readers even those in middle school. It is not too heavily historical that it is not enjoyable. I give this book a 3 out of 4 ratings. While there is not anything wrong with this book I could not give it a perfect score. The book just was not compelling to read. While it is classified as a mystery it really doesn't have a quality that made me curious about what was happening.
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Just Riley is a young Romany girl who is ordered by her elder to take her caravan and run away. This is not because of anything she has done. She must run in order to protect herself from the man pretending to be her uncle after her mother died just so he can steal from her. Just Riley now has to survive on her own with her horse Pixe and her spirit guide, The Bangled Lady for companions. That is until an accident at the beach puts her in contact with Big Pierre and Rhys.
Rhys teaches her how to hunt for crabs and they quickly become friends. Big Pierre owns and works on a crabbing boat and gives Just Riley some work. When Pierre takes Riley with him one day she meets the Monks and Lady Caldey on their island. The Lady agrees to have an instrument repaired for Just Riley and the two feel a bond right away. After learning to trust one another Just Riley learns that they each have a ring identical to the other. It is with these rings and a little bit of luck that they start on an adventure that may lead them to the truth about who Just Riley really is.
What I liked most was how the main character is called Just Riley. At first, I found this to be annoying and awkward, but after the reason is explained I fund it to be cute, if not a little sad as well. What I did not like was that I wish the book would have explained the difference between Romany and Gypsey. This is because on multiple occasions people in the book confuse the two and Riley seems to be insulted by that. I feel like many people (myself included) do not know the difference and would benefit from the explanation.
People who enjoy historical mysteries would enjoy this book the most. This book is appropriate for just about all readers even those in middle school. It is not too heavily historical that it is not enjoyable. I give this book a 3 out of 4 ratings. While there is not anything wrong with this book I could not give it a perfect score. The book just was not compelling to read. While it is classified as a mystery it really doesn't have a quality that made me curious about what was happening.
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Hazel (1853 KP) rated Second Twin (Legend of Rhyme, #4) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With the twins, Ariana and Asher, lost in the past, and Teagan suddenly thrust into the magical realm of Coraira, the <i>Legend of Rhyme</i> series becomes even more dangerous and exciting. <i>Second Twin</i> is the fourth book of Jaime Lee Mann’s fantasy series for middle grade children (i.e. 8-13 year olds). Containing most of the key characters that readers are already familiar with, a new, sinister individual is introduced to shake the story up even more.
<i>Second Twin</i> is made up of two or three storylines that twist around each other to result in one explosive conclusion. Teagan discovers immediately that she is destined to become a mermaid and an apprentice to Starla, the ruler of the sea. Without giving Teagan a chance to get used to her new tail, Starla involves her in trying to help locate and return the twins to their correct timeline. The twins, however, are in even more peril than being in the wrong time zone. Tricked by the new, malicious character, something evil happens to Asher, leaving him once again separated from his sister Ariana. Whilst all this is going on, the reader is given insight to Elora’s – a previous antagonist – past, learning how she came to be so evil; in contrast Teagan is also learning something new; the truth about her parentage.
There is not as much detail about Teagan as some readers may be hoping for. She was the title character of the previous novel, however in this book she becomes more of a secondary character. Teagan’s transition from young girl to mermaid happens far to quickly to be appreciated. An entire book could have been devoted to this event, instead it happens in a handful of paragraphs. Nevertheless, Second Twin is filled with so many exhilarating twists and turns that it hardly matters when some aspects are not described at length.
Throughout this book the theme of twins crops up again and again. The unique relationship between twins is emphasized as a special bond, but also as a way to wield evil power. Readers will not be able to trust their preconceived judgments about the good and wickedness of key characters, causing all to question everything they believe.
<i>Second Twin</i> is the most action packed book of the series so far. With no need for introductions to characters and settings, there is more opportunity to develop the plot and fill in gaps in the history of the story, until concluding on yet another cliffhanger. Fans of the series will not be disappointed with the latest developments, although you may not be pleased to know you are in for a wait for the fifth book, Blood and Stars, to find out what happens next.
With the twins, Ariana and Asher, lost in the past, and Teagan suddenly thrust into the magical realm of Coraira, the <i>Legend of Rhyme</i> series becomes even more dangerous and exciting. <i>Second Twin</i> is the fourth book of Jaime Lee Mann’s fantasy series for middle grade children (i.e. 8-13 year olds). Containing most of the key characters that readers are already familiar with, a new, sinister individual is introduced to shake the story up even more.
<i>Second Twin</i> is made up of two or three storylines that twist around each other to result in one explosive conclusion. Teagan discovers immediately that she is destined to become a mermaid and an apprentice to Starla, the ruler of the sea. Without giving Teagan a chance to get used to her new tail, Starla involves her in trying to help locate and return the twins to their correct timeline. The twins, however, are in even more peril than being in the wrong time zone. Tricked by the new, malicious character, something evil happens to Asher, leaving him once again separated from his sister Ariana. Whilst all this is going on, the reader is given insight to Elora’s – a previous antagonist – past, learning how she came to be so evil; in contrast Teagan is also learning something new; the truth about her parentage.
There is not as much detail about Teagan as some readers may be hoping for. She was the title character of the previous novel, however in this book she becomes more of a secondary character. Teagan’s transition from young girl to mermaid happens far to quickly to be appreciated. An entire book could have been devoted to this event, instead it happens in a handful of paragraphs. Nevertheless, Second Twin is filled with so many exhilarating twists and turns that it hardly matters when some aspects are not described at length.
Throughout this book the theme of twins crops up again and again. The unique relationship between twins is emphasized as a special bond, but also as a way to wield evil power. Readers will not be able to trust their preconceived judgments about the good and wickedness of key characters, causing all to question everything they believe.
<i>Second Twin</i> is the most action packed book of the series so far. With no need for introductions to characters and settings, there is more opportunity to develop the plot and fill in gaps in the history of the story, until concluding on yet another cliffhanger. Fans of the series will not be disappointed with the latest developments, although you may not be pleased to know you are in for a wait for the fifth book, Blood and Stars, to find out what happens next.
Movie Metropolis (309 KP) rated Pete's Dragon (2016) in Movies
Jun 11, 2019
Lovely in every sense of the word
2016 really does belong to Disney. The House of Mouse has been churning out some incredible films this year with the live-action remake of The Jungle Book proving sceptical audiences (and critics) completely wrong.
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book?
Mr. Meacham (Robert Redford), a woodcarver, delights local children with stories of a mysterious dragon that lives deep in the woods of the Pacific Northwest. His daughter Grace (Bryce Dallas Howard) believes these are just tall tales, until she meets Pete (Oakes Fegley), a 10-year-old orphan who says he lives in the woods with a giant, friendly dragon called Elliot. With help from a young girl named Natalie (Oona Laurence), Grace sets out to investigate if this fantastic claim can be true.
Director David Lowery helms the film with a quiet subtlety that automatically makes Pete’s Dragon a very different adaptation to Jon Favreau’s stomping Jungle Book. Here, the joy is in the storytelling rather than popping on a set of nostalgia glasses and settling in for the journey.
Acting wise, it’s a pretty formulaic affair. Bryce Dallas Howard, in her first major role since last year’s smash hit Jurassic World, is as likeable as ever and like the film itself, commands the screen with an understated presence. Elsewhere, Oakes Fegley gives a cracking portrayal of Pete.
Naturally, the main character throughout is Elliot, the big friendly dragon. This bright green behemoth is rendered in wonderful CGI, with each gust of wind lifting his fur beautifully. Considering the film’s modest $65million budget, Elliot is utterly believable in each and every scene.
The lush forest landscape provides a mesmerising backdrop on which to construct a film and David Lowery takes the audience on sweeping journeys across the tree-tops, brilliantly juxtaposed with confined caves and the woodland floor.
Unfortunately, the deforestation side plot is never truly explored with Karl Urban’s underdeveloped “villain” proving to be a slight undoing in this near perfect remake.
Thankfully though, the themes of family, friendship and never giving up despite the odds are explored to their fullest – these are themes that Disney knows how to do better than any other studio and the emotional heart that brings to Pete’s Dragon ensures teary eyes are inevitable.
Overall, Disney has done it again. Just five months after the phenomenal Jungle Book remake, the studio has got it spot on with Pete’s Dragon. The two films couldn’t be further apart, with this one succeeding in its quiet dignity. It is in every sense of the word – lovely.
https://moviemetropolis.net/2016/08/16/lovely-in-every-sense-of-the-word-petes-dragon-review/
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book?
Mr. Meacham (Robert Redford), a woodcarver, delights local children with stories of a mysterious dragon that lives deep in the woods of the Pacific Northwest. His daughter Grace (Bryce Dallas Howard) believes these are just tall tales, until she meets Pete (Oakes Fegley), a 10-year-old orphan who says he lives in the woods with a giant, friendly dragon called Elliot. With help from a young girl named Natalie (Oona Laurence), Grace sets out to investigate if this fantastic claim can be true.
Director David Lowery helms the film with a quiet subtlety that automatically makes Pete’s Dragon a very different adaptation to Jon Favreau’s stomping Jungle Book. Here, the joy is in the storytelling rather than popping on a set of nostalgia glasses and settling in for the journey.
Acting wise, it’s a pretty formulaic affair. Bryce Dallas Howard, in her first major role since last year’s smash hit Jurassic World, is as likeable as ever and like the film itself, commands the screen with an understated presence. Elsewhere, Oakes Fegley gives a cracking portrayal of Pete.
Naturally, the main character throughout is Elliot, the big friendly dragon. This bright green behemoth is rendered in wonderful CGI, with each gust of wind lifting his fur beautifully. Considering the film’s modest $65million budget, Elliot is utterly believable in each and every scene.
The lush forest landscape provides a mesmerising backdrop on which to construct a film and David Lowery takes the audience on sweeping journeys across the tree-tops, brilliantly juxtaposed with confined caves and the woodland floor.
Unfortunately, the deforestation side plot is never truly explored with Karl Urban’s underdeveloped “villain” proving to be a slight undoing in this near perfect remake.
Thankfully though, the themes of family, friendship and never giving up despite the odds are explored to their fullest – these are themes that Disney knows how to do better than any other studio and the emotional heart that brings to Pete’s Dragon ensures teary eyes are inevitable.
Overall, Disney has done it again. Just five months after the phenomenal Jungle Book remake, the studio has got it spot on with Pete’s Dragon. The two films couldn’t be further apart, with this one succeeding in its quiet dignity. It is in every sense of the word – lovely.
https://moviemetropolis.net/2016/08/16/lovely-in-every-sense-of-the-word-petes-dragon-review/
Daniel Boyd (1066 KP) rated Big Little Lies - Season 1 in TV
Feb 8, 2019 (Updated Feb 8, 2019)
Rich White People Problems: The Show
As more news of Season 2 of this show seeps out, I decided to eventually get around to catching the first season of this highly praised and seemingly universally lauded show. I went in expecting greatness from this thing after reading all of the glowing critic's reviews. I am also a huge fan of many of the cast members involved in this project, so knowing nothing about the plot or subject matter the show is based on, I went in blind; excited to see what this series had in store.
The series opens with some ominous editing and vague hints that a major crime has been committed, which we eventually realise to be a murder. Then we are taken backwards tin time and are introduced to Reese Witherspoon's character Madeline, whom initially comes off as entitled and annoying, but you assume that this is going to have a purpose in her character's arc and she will grow on you. You are wrong to assume that as she is extremely irritating throughout the entire duration of the series, constantly interrupting other characters lines and sticking her oar in during group situations, just for the sake of clinging on to the spotlight and keeping herself at the centre of attention.
Thankfully, Nicole Kidman's character Celeste is less annoying and instead just a bit strange. We see pretty early on that she is a victim of domestic abuse at the hands of her much younger husband played by Alexander Skarsgard. At first this is pretty harrowing and sad to see, but for some reason, - and I don't want to kink shame anyone, - but it seems like she kind of likes it. The third main character we are introduced to is Jane, played by Shailene Woodley who immediately seems like damaged goods.
The "conflict," is then set up. After the first day at school we see a highly unrealistic scene play out as the most insensitive teacher in the world with zero foresight gathers all of the children in her class along with their parents outside the school gates. A girl has marks on her neck from being choked by one of the other kids. The teacher then asks the girl to point out the kid that did this to her (in front of the entire class and their parents!) and she points to Jane's son Ziggy. The boy denies any wrongdoing, but the girl who has been hurt's mother, (played by Laura Dern, whom I normally really like,) is a horrible, bitter bitch who responds to the situation by berating the accused boy in front of everyone, degrading his mother in the process for defending her child and not "making," him apologise.
*Insert Peter Griffin "Oh my God, who the hell cares?" meme here.*
Yeah, this is the kind of schoolyard bullshit that this show expects us to treat as a life or death issue. The whole thing is full of non-issues and petty whines centred around 'he said/she said,' nonsense. Then we are supposed to relate to these immature, venomous parents who don't do anything to help the situation whatsoever. Meanwhile the show treats domestic abuse, - something that is a very real and threatening issue, - as just a weird kink in this oddball couple's relationship.
It is clear that all of these parents clearly care far more about self-image than they do about their own children, which makes all of them extremely gross and off putting as characters. They constantly make up excuses as if to try and justify themselves and claim that the bitchy, conniving choices that they make towards each other is for the sake of their kids, when it is clearly just to one up each other in pathetic, petty social warfare and childish beefs.
Website theodysseyonline.com has an article called, '13 Reasons Why Big Little Lies Is So Powerful.' I truly fail to see what is apparently so powerful and ground-breaking about this series. I'm not even sure what it is trying to say; that domestic abuse and rape are bad things done by evil people? Wow, what a brave and unique stance to take! I also resent the idea that everyone that says anything remotely negative about this show is a women-hating misogynist. I consider myself a left-leaning liberal and a feminist, I am a strong supporter of equal rights amongst all genders and races and I do regular work for a women's mental health charity, but I can still spot an overrated, hollow waste of 7 hours when I see one.
Overall, even though this season only last 7 episodes, it is not worth your time. After watching the first 2 episodes I thought about giving up on it, but then I thought about all of the glowing reviews and thought, 'no, surely this must get better.' Let me save you seven hours of your time; it doesn't. This is a melodramatic glorified soap opera that doesn't handle any of the issues that it tries to tackle well and it is filled, - to the point it is bursting at the seams, - with small scope issues and minor annoyances treated as life threatening scenarios, all the while brushing off the genuinely scary and potentially life threatening scenario of domestic abuse.
The series opens with some ominous editing and vague hints that a major crime has been committed, which we eventually realise to be a murder. Then we are taken backwards tin time and are introduced to Reese Witherspoon's character Madeline, whom initially comes off as entitled and annoying, but you assume that this is going to have a purpose in her character's arc and she will grow on you. You are wrong to assume that as she is extremely irritating throughout the entire duration of the series, constantly interrupting other characters lines and sticking her oar in during group situations, just for the sake of clinging on to the spotlight and keeping herself at the centre of attention.
Thankfully, Nicole Kidman's character Celeste is less annoying and instead just a bit strange. We see pretty early on that she is a victim of domestic abuse at the hands of her much younger husband played by Alexander Skarsgard. At first this is pretty harrowing and sad to see, but for some reason, - and I don't want to kink shame anyone, - but it seems like she kind of likes it. The third main character we are introduced to is Jane, played by Shailene Woodley who immediately seems like damaged goods.
The "conflict," is then set up. After the first day at school we see a highly unrealistic scene play out as the most insensitive teacher in the world with zero foresight gathers all of the children in her class along with their parents outside the school gates. A girl has marks on her neck from being choked by one of the other kids. The teacher then asks the girl to point out the kid that did this to her (in front of the entire class and their parents!) and she points to Jane's son Ziggy. The boy denies any wrongdoing, but the girl who has been hurt's mother, (played by Laura Dern, whom I normally really like,) is a horrible, bitter bitch who responds to the situation by berating the accused boy in front of everyone, degrading his mother in the process for defending her child and not "making," him apologise.
*Insert Peter Griffin "Oh my God, who the hell cares?" meme here.*
Yeah, this is the kind of schoolyard bullshit that this show expects us to treat as a life or death issue. The whole thing is full of non-issues and petty whines centred around 'he said/she said,' nonsense. Then we are supposed to relate to these immature, venomous parents who don't do anything to help the situation whatsoever. Meanwhile the show treats domestic abuse, - something that is a very real and threatening issue, - as just a weird kink in this oddball couple's relationship.
It is clear that all of these parents clearly care far more about self-image than they do about their own children, which makes all of them extremely gross and off putting as characters. They constantly make up excuses as if to try and justify themselves and claim that the bitchy, conniving choices that they make towards each other is for the sake of their kids, when it is clearly just to one up each other in pathetic, petty social warfare and childish beefs.
Website theodysseyonline.com has an article called, '13 Reasons Why Big Little Lies Is So Powerful.' I truly fail to see what is apparently so powerful and ground-breaking about this series. I'm not even sure what it is trying to say; that domestic abuse and rape are bad things done by evil people? Wow, what a brave and unique stance to take! I also resent the idea that everyone that says anything remotely negative about this show is a women-hating misogynist. I consider myself a left-leaning liberal and a feminist, I am a strong supporter of equal rights amongst all genders and races and I do regular work for a women's mental health charity, but I can still spot an overrated, hollow waste of 7 hours when I see one.
Overall, even though this season only last 7 episodes, it is not worth your time. After watching the first 2 episodes I thought about giving up on it, but then I thought about all of the glowing reviews and thought, 'no, surely this must get better.' Let me save you seven hours of your time; it doesn't. This is a melodramatic glorified soap opera that doesn't handle any of the issues that it tries to tackle well and it is filled, - to the point it is bursting at the seams, - with small scope issues and minor annoyances treated as life threatening scenarios, all the while brushing off the genuinely scary and potentially life threatening scenario of domestic abuse.