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Carter Reed (Carter Reed, #1)
Carter Reed (Carter Reed, #1)
Tijan | 2013
1
1.0 (1 Ratings)
Book Rating
I think this is my fourth book by the author and i know she writes some crazy things but i really struggled with this. I didn't get her justification behind the killing of the mafia guy at the beginning. Why not just hit him over the head with something hard and heavy? Why go hunt out the gun hidden in the apartment?

Oh, well. DNF @ 26%

I felt nothing for the characters or the storyline just because i didnt understand her reasoning behind the above incident.

Not for me.
  
Burn Baby Burn (Fairytales of the Myth #1)
Burn Baby Burn (Fairytales of the Myth #1)
Miranda Grant | 2020 | Science Fiction/Fantasy
9
7.8 (4 Ratings)
Book Rating
Wow!
Ella and Cadeyrn have been captured by the enemy, Ella has promised to get her revenge for their capture and her fathers death whatever it takes or how long she will make them pay. This is fairytales of the myth #1 Miranda Grant claims it is a dark steamy retelling of Cinderella it certainly is that!



I was absolutely hooked with this book ,I actually was disappointed when i realised that id finished the book, It felt that id only just started reading it! i find it very interesting some of the things learnt like i genuinely didn't know that a slave master in roman times were actually known as Domina/Dominus.

    It certainly is steamy but i must say the sex scene of the threesome did actually bring tears to my eyes bloomin eck! A rather rough session!
 I was fascinated with the growth of Ella and the discovery of her true self and the things she had hidden.

I cannot wait for the next book in this series deffinatly one i am going to continue to read, i am also going to look at some of Miranda's other series as they too look fantastic
  
The Draughtsman's Contract (1982)
The Draughtsman's Contract (1982)
1982 | Comedy, Drama
7
7.0 (1 Ratings)
Movie Rating
Quite often more interesting in theory than practice, the films of Peter Greenaway can be inaccessible, oppressive and pretentious in the worst way. He himself would say his work is half film, half art, without apologising for it, and why should he? Looking at his CV, I can say there have been some I have enjoyed, or at least marvelled at: The Cook, The Thief, His Wife and Her Lover being the obvious one. Drowning by Numbers being another – ambitious and ingenious constructions that are startlingly effective if in the mood for such conceits. Whereas things like Prospero’s Books and The Pillow Book cross the line of pomposity and pretentiousness just too far. So it was with trepidation I approached this one, expecting that the wigs and costumes would far outshine the content of the story. I was quite wrong.

The Draughtsman’s Contract is still difficult to engage with, especially on first viewing, as the plot is dense and often hidden within the trivialities, as it unfolds, however, it becomes an ingenious murder mystery with all the clues hidden in plain sight under the artifice of surface detail. The things that are happening are not the story, the story is underneath, much as the real humanity of these people is hidden under ostentatious wigs and skirts. Familiar British actors of the time such as Anthony Higgins, Janet Suzman and Hugh Fraser serve Greenaway as consummate storytellers in a borderline theatre style throughout. It shouldn’t work or be half as compelling as it is, but there is magic at work here of some kind. Unique and marvelous if not always easy. But that is Greenaway!