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Gareth von Kallenbach (971 KP) rated Robots (2005) in Movies
Aug 14, 2019
talents at Fox animation have crafted a new animated classic that firmly establishes the studio as a major force in the animated feature industry with the release of the next animated classic, Robots.
Set in the peaceful community of Rivettown, the film follows the story of Rodney Copperbottom (Ewan Mc Gregor), a young robot who dreams of becoming a great inventor and working for his idol, Big Weld (Mel Brooks), in Robot City.
With one of his new inventions in hand, Rodney sets off for the big city to realize his dreams and make life better for robots everywhere. Upon arriving at the city, Rodney meets up with Fender (Robin Williams), who helps Rodney with the ways of the big city. This help really becomes necessary when Rodney learns that Big Weld has not been seen in ages and that a evil and scheming robot names Ratchet (Greg Kinnear), has taken his place and is plotting to eliminate spare parts for robots thus forcing them to buy costly upgrades or face the scrap pile.
Rodney decides to fix the poorer robots on his own, and in the company of Fender and his friends, Rodney becomes a hero to the local community. Naturally this does not sit well with Ratchet and his plans, causing Rodney and his friends to face his full ire. As if this was not bad enough, it seems that Rodney’s father is in desperate need of a replacement part which forces Rodney to take Ratchet head as well as find the missing Big Weld.
The strength of the film is not just in the amazing animation and the incredible detail paid to the virtual world of the robots, but in the hilarious performance of Robin Williams and the fine work of the supporting cast.
The humor of the show was filled with many jokes that went over the heads of most of the children in the audience as they were clearly made for the adults in the audience as the film does have a PG rating. The film blends content for adults and children into a mixture that will delight both, as this is not a film that parents will have to endure for the sake of the kids, they will have plenty of material to keep them laughing.
From a visual standpoint, the film is amazing; a travel segment showing the cross town transit of Robot Town is filled with all sorts of amazing visuals as well as more than a few in jokes for baby boomers.
While some may find the plot a bit thin, this is after all a family film that is geared to younger audiences, and it does have a good flow and continuity that keeps the film moving along. Robots is simply one of the best animated films ever made and is a sign that Disney no longer has a lock on animated classics.
Set in the peaceful community of Rivettown, the film follows the story of Rodney Copperbottom (Ewan Mc Gregor), a young robot who dreams of becoming a great inventor and working for his idol, Big Weld (Mel Brooks), in Robot City.
With one of his new inventions in hand, Rodney sets off for the big city to realize his dreams and make life better for robots everywhere. Upon arriving at the city, Rodney meets up with Fender (Robin Williams), who helps Rodney with the ways of the big city. This help really becomes necessary when Rodney learns that Big Weld has not been seen in ages and that a evil and scheming robot names Ratchet (Greg Kinnear), has taken his place and is plotting to eliminate spare parts for robots thus forcing them to buy costly upgrades or face the scrap pile.
Rodney decides to fix the poorer robots on his own, and in the company of Fender and his friends, Rodney becomes a hero to the local community. Naturally this does not sit well with Ratchet and his plans, causing Rodney and his friends to face his full ire. As if this was not bad enough, it seems that Rodney’s father is in desperate need of a replacement part which forces Rodney to take Ratchet head as well as find the missing Big Weld.
The strength of the film is not just in the amazing animation and the incredible detail paid to the virtual world of the robots, but in the hilarious performance of Robin Williams and the fine work of the supporting cast.
The humor of the show was filled with many jokes that went over the heads of most of the children in the audience as they were clearly made for the adults in the audience as the film does have a PG rating. The film blends content for adults and children into a mixture that will delight both, as this is not a film that parents will have to endure for the sake of the kids, they will have plenty of material to keep them laughing.
From a visual standpoint, the film is amazing; a travel segment showing the cross town transit of Robot Town is filled with all sorts of amazing visuals as well as more than a few in jokes for baby boomers.
While some may find the plot a bit thin, this is after all a family film that is geared to younger audiences, and it does have a good flow and continuity that keeps the film moving along. Robots is simply one of the best animated films ever made and is a sign that Disney no longer has a lock on animated classics.
Andy K (10821 KP) rated Short Circuit (1986) in Movies
Jun 22, 2018
No disassemble Number 5!
I remember when I saw this movie at the theatre in 1986 when it was the 2nd half of a double feature. I don't even remember what the first movie was any more.
I love this movie beyond words. The goofy humor of the robot, his interactions with Ally Sheedy and Steve Guttenberg, and even GW Bailey playing the always bad guy.
Some of the robot's one liners were just precious! "You're mamma was a snowblower!"
Probably one of those 80s movies you had to be alive then to appreciate, but still a classic!
I love this movie beyond words. The goofy humor of the robot, his interactions with Ally Sheedy and Steve Guttenberg, and even GW Bailey playing the always bad guy.
Some of the robot's one liners were just precious! "You're mamma was a snowblower!"
Probably one of those 80s movies you had to be alive then to appreciate, but still a classic!
Gareth von Kallenbach (971 KP) rated I, Robot (2004) in Movies
Aug 14, 2019
Tales of a dark and foreboding future where technology has run amuck have been cautioning viewers ever since Orwell made the phrase “Big Brother” a household expression. Other films such as ?”, “Westworld”, “Blade Runner” and “The Terminator” often show a dark and dangerous future where dependence upon technology created to serve mankind has lead to its eventual downfall.
In the film “I Robot” Director Alex Proyas who’s past work includes “The Crow” and “Dark City” tells the tale of a near future where robots have become commonplace and are entrusted to do all manner of tasks ranging from package delivery to waiting table and caring for households. The robots are assured to be safe as they are governed by a set of behavioral restrictors that require them to obey all human commands save for those to harm another human, as robots are not allowed to harm or by inaction allow to be harmed any human.
The film stars Will Smith as Del Spooner, a Chicago Homicide detective who does not trust robots and is highly suspicious of them. The fact that in 2035 there has yet to be one documented case worldwide of a robot ever being involved in a crime is of little concern to Del as he sees the potential for danger in technology that is so widely spread.
Del is in many ways a technophobe as aside from his modern car, he has a retro lifestyle including an old fashioned alarm clock, vintage 2004 shoes, and a fondness for music from the 1970’s. An incident in Del’s past has kept him off the force for a while and has only furthered his distaste for robotics and their growing place in society.
No sooner is Del back at work than an apparent suicide at U.S. Robotics by a friend sets the film into motion. What to all seems to be an open and shut case of suicide only causes Del to become more suspicious. Del soon discovers a new model robot locked in the office of the victim, who flees from crime scene and refuses to obey the orders to halt given to him.
The fact that the robot ignores command given by a human thus violating his central laws of programming is put off as a simple malfunction by Billionaire Lawrence Robertson (Bruce Greenwood), who does not want Del’s suspicions to disrupt his business plans on the eve of the largest rollout of new robots in history. It is explained that the new NX-5 model is about to be released to the public and soon there will be one robot for every 5 humans in the world and with so much invested in this, Robertson places a gag order on Del and the entire police force to forget about the renegade robot and not say a word to anyone.
Naturally Del does not follow this command and he suspects that there is a larger and much more serious threat posed to the public even though everyone around his says that he is paranoid and desperate to find or create any evidence to support his theory that robots are not as safe as everyone believes they are.
What follows is an action packed game of cat and mouse as Del and a U.S. Robotics scientist named Susan (Bridget Moynahan), start to uncover a deeper mystery, once in which the very world they have taken for granted is about to change.
The film is a visual marvel that shows you a fairly realistic view of the future as aside from the robots and futuristic highways, the world of 2035 does not look that much different than today.
Proyas knows that Smith is his star and he does a great job allowing him to carry the picture without allowing the visual effects to dominate the film, though they are spectacular. The futuristic highways and a great chase sequence were highlights of the film and had a surprising amount of tension and drama mixed into what was a solid action sequence.
Smith plays Spooner, as a man with demons yet never ceases to become a sensitive character despite his hard edge. He is a man that is determined to follow his instincts and do what is best for the people he is sworn to protect.
The film does only play lip service to the series of novels by Asimov, but it does tell a very good cautionary tale of human’s interaction and dependence upon technology without becoming preachy or losing site of the message that society must ensure to have a balance between humanity and technology in order to thrive.
If I had to find fault, it would be that many of the supporting roles were fairly bland, as Moynahan was not given much to do aside from play a Damsel in distress and the always solid James Cromwell and Bruce Greenwood were not used nearly enough. That being said “I Robot” delivers everything you want in a summer film and more.
In the film “I Robot” Director Alex Proyas who’s past work includes “The Crow” and “Dark City” tells the tale of a near future where robots have become commonplace and are entrusted to do all manner of tasks ranging from package delivery to waiting table and caring for households. The robots are assured to be safe as they are governed by a set of behavioral restrictors that require them to obey all human commands save for those to harm another human, as robots are not allowed to harm or by inaction allow to be harmed any human.
The film stars Will Smith as Del Spooner, a Chicago Homicide detective who does not trust robots and is highly suspicious of them. The fact that in 2035 there has yet to be one documented case worldwide of a robot ever being involved in a crime is of little concern to Del as he sees the potential for danger in technology that is so widely spread.
Del is in many ways a technophobe as aside from his modern car, he has a retro lifestyle including an old fashioned alarm clock, vintage 2004 shoes, and a fondness for music from the 1970’s. An incident in Del’s past has kept him off the force for a while and has only furthered his distaste for robotics and their growing place in society.
No sooner is Del back at work than an apparent suicide at U.S. Robotics by a friend sets the film into motion. What to all seems to be an open and shut case of suicide only causes Del to become more suspicious. Del soon discovers a new model robot locked in the office of the victim, who flees from crime scene and refuses to obey the orders to halt given to him.
The fact that the robot ignores command given by a human thus violating his central laws of programming is put off as a simple malfunction by Billionaire Lawrence Robertson (Bruce Greenwood), who does not want Del’s suspicions to disrupt his business plans on the eve of the largest rollout of new robots in history. It is explained that the new NX-5 model is about to be released to the public and soon there will be one robot for every 5 humans in the world and with so much invested in this, Robertson places a gag order on Del and the entire police force to forget about the renegade robot and not say a word to anyone.
Naturally Del does not follow this command and he suspects that there is a larger and much more serious threat posed to the public even though everyone around his says that he is paranoid and desperate to find or create any evidence to support his theory that robots are not as safe as everyone believes they are.
What follows is an action packed game of cat and mouse as Del and a U.S. Robotics scientist named Susan (Bridget Moynahan), start to uncover a deeper mystery, once in which the very world they have taken for granted is about to change.
The film is a visual marvel that shows you a fairly realistic view of the future as aside from the robots and futuristic highways, the world of 2035 does not look that much different than today.
Proyas knows that Smith is his star and he does a great job allowing him to carry the picture without allowing the visual effects to dominate the film, though they are spectacular. The futuristic highways and a great chase sequence were highlights of the film and had a surprising amount of tension and drama mixed into what was a solid action sequence.
Smith plays Spooner, as a man with demons yet never ceases to become a sensitive character despite his hard edge. He is a man that is determined to follow his instincts and do what is best for the people he is sworn to protect.
The film does only play lip service to the series of novels by Asimov, but it does tell a very good cautionary tale of human’s interaction and dependence upon technology without becoming preachy or losing site of the message that society must ensure to have a balance between humanity and technology in order to thrive.
If I had to find fault, it would be that many of the supporting roles were fairly bland, as Moynahan was not given much to do aside from play a Damsel in distress and the always solid James Cromwell and Bruce Greenwood were not used nearly enough. That being said “I Robot” delivers everything you want in a summer film and more.
Jesters_folly (230 KP) rated Robo Vampire (1988) in Movies
Aug 11, 2020
Contains spoilers, click to show
Drug baron Mr Young is fed up with Narcotics agent Tom Wilde interfering with his plans so he hires a Taoist monk to train a vampire to kill him. After his death Tom is rebuilt as an Android Robot and sent on a mission to help rescue a captured officer.
The cover/poster art would have us believe that this is a Robocop vs vampire movie and I suppose that it is in the looses possible sense. First off this is low budget Hong Kong Jiangshi (rotting corpse) movie with added cyborg (Sorry Android Robot) so the vampires are of the hopping type not the western 'gentleman'.
I've given this film a 6 on the basis that it's so bad it's good. Most of the vampires are ok and look like the standard hopping type but the lead vampire seems to be wearing a gorilla mask to make it look rotten. No one bleeds when shot and it's obvious when dummies are used instead of stun doubles . Even taking this into account I would have given Robo Vampire a higher rating but it gets hard to follow. There are two story-lines to follow, the rescue of Sophie, an undercover agent that has been kidnapped and the Tom-robot vs the vampire's and ghost. And this is the first confusing part of the plot. Tom's creators say that he is to be sent on the rescue mission but he is never with the rescue party. Instead he goes off to fight the vampire. So the film switches between the rescue and Tom vs the vampires. Even this wouldn't be a problem except that the story-lines seem to continue even when we're not watching. For example, the rescue party are heading towards the camp with baddies jumping out at them from all directions. The we switch to Robo and when we switch back to the rescue two of the party are swimming in a lake with no sign of any of the others and end up getting captured, then back to Robo, then back the rest of the rescue party who don't even acknowledged that two of their party are missing but aren't surprised when they see them as prisoners. This sort of thing happens a lot, it's almost as if some one just cut out random scenes. Characters also just seem to appear with no introduction and switch sides with no seeming reason.
The cover/poster art would have us believe that this is a Robocop vs vampire movie and I suppose that it is in the looses possible sense. First off this is low budget Hong Kong Jiangshi (rotting corpse) movie with added cyborg (Sorry Android Robot) so the vampires are of the hopping type not the western 'gentleman'.
I've given this film a 6 on the basis that it's so bad it's good. Most of the vampires are ok and look like the standard hopping type but the lead vampire seems to be wearing a gorilla mask to make it look rotten. No one bleeds when shot and it's obvious when dummies are used instead of stun doubles . Even taking this into account I would have given Robo Vampire a higher rating but it gets hard to follow. There are two story-lines to follow, the rescue of Sophie, an undercover agent that has been kidnapped and the Tom-robot vs the vampire's and ghost. And this is the first confusing part of the plot. Tom's creators say that he is to be sent on the rescue mission but he is never with the rescue party. Instead he goes off to fight the vampire. So the film switches between the rescue and Tom vs the vampires. Even this wouldn't be a problem except that the story-lines seem to continue even when we're not watching. For example, the rescue party are heading towards the camp with baddies jumping out at them from all directions. The we switch to Robo and when we switch back to the rescue two of the party are swimming in a lake with no sign of any of the others and end up getting captured, then back to Robo, then back the rest of the rescue party who don't even acknowledged that two of their party are missing but aren't surprised when they see them as prisoners. This sort of thing happens a lot, it's almost as if some one just cut out random scenes. Characters also just seem to appear with no introduction and switch sides with no seeming reason.
LoganCrews (2861 KP) rated Real Steel (2011) in Movies
Sep 20, 2020
Shame on this movie for having awesome arena robot boxing take place in 2020 meanwhile in the real world all we got was a global pandemic, massive forest fires, and WWIII threats smfh. In seriousness, it's no 𝘈𝘭𝘪𝘵𝘢: 𝘉𝘢𝘵𝘵𝘭𝘦 𝘈𝘯𝘨𝘦𝘭 but it gets the job done. I have my grievances: the cinematography is too sterile for something like this, the design of the main robot also happens to be the lamest one, so on and so forth. But the biggest one of them all is how blissfully content this is with being a totally kickass mech boxing movie with some of the greatest effects you'll ever see, lovingly nerdy designs/energy, and spectacularly rousing fights... that gets *smothered* by another schmaltz-filled, threadbare, dull-as-a-doorstop 'washed-up underdog rekindles relationship with estranged urchin son/daughter' familial 'drama' which almost entirely overtakes the whole thing. And then it has the gall to not even resolve that main plot point it tried to get us so invested in to begin with. Also ends with total bullshit, but when this is in the zone it's as cool as can be - does *exactly* what it should. Whoever put Shawn Levy on this job needs to be fired, but if someone would be so gracious as to give this a re-edit with all of the intolerable syrup taken out then tbh I'd watch the hell out of it again 🤷♂️
Emma Ashford (10 KP) created a post
Aug 18, 2018
Ross (3282 KP) rated Doom Patrol - Season 1 in TV
Jan 11, 2021
Brilliant nonsense
This series covers the formation of the band of misfits gathered together by Timothy Dalton's Niles Caulder, including a range of people with odd abilities after suffering unusual events. With the exception of try-hard Cyborg, they are all wonderfully flawed people just trying to find some purpose to their lives. Alan Tudyk serves as the antagonist for most of the series, as well as a wonderful forth-wall-breaking narrator and the source of most of the laugh-out-loud moments.
While I enjoy Cliff (the robot, former racing car driver), Jane is by far the best character. An extreme schizophrenic, she has over 60 personalities to call on, each with its own special power.
Good, daft fun.
While I enjoy Cliff (the robot, former racing car driver), Jane is by far the best character. An extreme schizophrenic, she has over 60 personalities to call on, each with its own special power.
Good, daft fun.
Debbie (52 KP) rated The Wild Robot Escapes in Books
Jul 18, 2018
The Wild Robot Escapes By: Peter Brown
Middle Grade Pages: 273
This is the second book in a series. I didn't realize it when I picked it up at the library. I read this book to my 13/14 year old. I read to him most every night for 20 minutes because he has a learning disability and this helps him with his reading.
Even though this is the second we still really enjoyed it and gave it 4 stars. The author did a great job with giving you a run down of what happened in the first book that yo able to catch on with what he telling in this book.
This book is about a robot named Roz who wants to go back home to her Island. The book starts off with Roz working at a farm well she is actually running the farm. She is very good at what she does. She becomes friends with the cows and the two children on the farm. Roz can only think about going home to her island while working on the farm. Roz also has a secret that she is hiding because she is afraid that if someone finds out she will never get back home and she thinks the family will send her back to the factory because she is dysfunctional. Does Roz make it back to her island. You will have to read the book to find out.
This book is full of adventures that your child will enjoy it.
Middle Grade Pages: 273
This is the second book in a series. I didn't realize it when I picked it up at the library. I read this book to my 13/14 year old. I read to him most every night for 20 minutes because he has a learning disability and this helps him with his reading.
Even though this is the second we still really enjoyed it and gave it 4 stars. The author did a great job with giving you a run down of what happened in the first book that yo able to catch on with what he telling in this book.
This book is about a robot named Roz who wants to go back home to her Island. The book starts off with Roz working at a farm well she is actually running the farm. She is very good at what she does. She becomes friends with the cows and the two children on the farm. Roz can only think about going home to her island while working on the farm. Roz also has a secret that she is hiding because she is afraid that if someone finds out she will never get back home and she thinks the family will send her back to the factory because she is dysfunctional. Does Roz make it back to her island. You will have to read the book to find out.
This book is full of adventures that your child will enjoy it.
BookwormLea (3034 KP) rated The Umbrella Academy in TV
Dec 13, 2019
Contains spoilers, click to show
I only started to watch this because I loved Robert Sheehan in Misfits and I thought it seemed like a similar show. It starts off quite slow in my opinion with the 'death' of the father and the reunion of the siblings but it quickly picks up! You learn what powers they have and how they affected them. You find out each characters background and why they turned out how they are. I particularly love Diego and his wholesome relationship with the 'mom' robot. I have to say though, I hated Vanyas character. I thought she was a whiny bitch and she quite literally ruins the whole thing. I understand why she was important though. Also, R.I.P Ben, the poor guy didnt even get enough screen time.
LoganCrews (2861 KP) rated Transformers (2007) in Movies
Jul 4, 2021
In retrospect - this essentially becoming the template for the modern blockbuster and all - it's crazy to me how bonkers this was considered back in the day despite being almost entirely held back by its simplicity and formality. You've got almost two and a half hours to make a movie about alien robot vehicles who come to Earth and fuck shit up... and you decided to go with making most of it a rigorously exhausting expository bore? Yes it's racist and sexist and jingoistic and all that too, but that's a given with Bay. What isn't - however - is how much the action lacks any pop or clarity. There's a ton of impressive (for the time) CGI and no shortage of practical effects either but it's too shaky and overcut to really enjoy any of it. The first hour where this is a weird sci-fi/action comedy about a car that really wants to help Shia LaBeouf (who is excellent in this, btw) fuck Mega Fox is no joke worlds better than the flat action - which is tepidly amusing at best. And it's of course shameful how obviously oversexualized Fox's character is, but that's only made like 100 times worse by the fact that she's supposed to be like 16/17 in this. Not to mention the robot designs - and I realize I'm in the minority here - are ass ugly imo. Yes they're 'realistic' but they don't lend themselves to being very watchable especially during the fights. As a Bay defender, this was hugely disappointing. At least a lot of the jokes land?