"Come on, it's one of the biggest records of all times! I remember the first time I heard that record, it was probably about a year after discovering Back To Black actually, when I was in eighth grade, so in 1979/1980, something like that. Me and my brother were living with my father for a year, he was stationed in Pennsylvania, and I went to school out there. There was a kid next door, a year or two older than me. I think his name was Dale Nadoo or something like that. Anyway, he would constantly be in his room, next to us, so I could hear him. We became friends. He had this kick ass stereo system in his room , and he'd smoke pot and listen to fucking music all day. He turned me on to two records which are on this list: Paranoid and Dark Side Of The Moon. There's so many things I admire in Pink Floyd: David Gilmour is one of the most expressive guitar players I’ve ever heard and one of my favourites. Also the fact that they had dual vocals, with Roger Waters singing as well. It's a landmark record, the biggest selling record of all times, in rock, for many years, if not still. Pink Floyd for me have always been a very visual band. When you listen to the music it takes you places, you see landscapes and characters, it's very cinematic. I always dug that about them. The care they took in the songwriting, the performances and at the production level, especially for the time: it was so multi-layered, so rich and deep."

"I heard this on the radio in the States, and I loved the songwriting. He was coming up with something different, it was a soulful folk, so I went and bought the album in LA, I thought “I gotta hear what this guy does” and every bloody track on it is a gem. I’ve always loved the sound of an album, maybe as much as the songs themselves, you know the performance, the sound of it makes a big difference to me. And now you know you can get box sets with alternate takes, and you realise then how long it took them sometimes to get the final take. The first time they did it was good, but then all of a sudden - boom - and there it is. I think there’s a good learning process to listen to the ones they didn’t let go, where the producers said “not yet”, and they persevered until... there it is. When I’ve been in a club sometimes, I’ve gotten up [on stage] and they’ve been like, “Do ‘Delilah’!”, and I’ve said “Let me just do this, which I don’t normally do"". So it is, because when you’ve made big records - great onstage, the way you do your own show - but it’s great to do other stuff when you don’t have to do those things. Not that I don’t like them, you know ‘Delilah’’s a great record, but its nice to do other things. So when you hear someone like Bill Withers doing something like that and being successful, you think, “See, there’s room for that.” There’s room for all different kinds of records. They don’t all have to be the same, or in the same vein, or chasing some things just to get a hit record."