Search
Search results
The Bronze Horseman
7.8
Rate It
Book
A magnificent epic of love, war and Russia from the international bestselling author of TULLY and...
Vladimir M.
Book
Moscow, March 1953: As Stalin breathes his last, four women meet in Room 408 of the luxurious hotel...
Emma @ The Movies (1786 KP) rated The Limehouse Golem (2016) in Movies
Sep 25, 2019
The community of Limehouse in Victorian London have been rocked by a series of murders. They have called the mudered the Golem, as only such a creature could have done these heinous acts.
Elizabeth Cree, the music hall star, has been arrested for the poisoning of her husband John Cree on the same night as the last Golem murder. But when evidence is found by Inspector John Kildare that links John Cree to the murders, he sets about trying to solve both cases so that he might save Elizabeth from hanging for her crime.
Their investigation leads them to an exclusive reading room at the library, and a book on the art of murder. Within its pages are hand written notes chronicling the Golem murders to date. Only four men entered the reading room when the last entry was made; Dan Leno, Karl Marx, George Gissing and John Cree. Can the inspector eliminate the other three men and prove Cree is the Golem in order to save Elizabeth?
I was looking forward to this one. Some top actors were involved, and I love a bit of Victorian era murder. The film itself was good throughout, I can't fault it for the scenery and acting.
But...
Those of you that know me, know that I don't think about films. I'm sure I keep saying this. I watch them to have some fun, to escape reality, so what's the point in picking apart something that's made as a fiction to entertain you?
Even with me suspending my brain function for the duration of the film, I paused and thought... oh, this is what's going to happen... and it did. It felt a bit cliche, like the twist had been overused in every film like this that I'd seen. I don't think it was designed that way though. There was a clear moment in the film where they want you to know what is happening, but the realisation of the ending cam much earlier than this. And it was disappointing. I was enjoying the film a lot until I realised what was coming. Talking to my movie buddy I discovered that I wasn't the only one who had this feeling. It's such a shame, but the twist felt so obvious to me that I was suddenly very disappointed.
I have taken to looking at Rotten Tomatoes after seeing a film, and this one is currently sitting at 77% with critics and 61% with the audience. I'd say that's about right. I've left the major spoiler out of here, but if you're familiar with this sort of story then I don't think you'd be hard pressed to work it out. It is an excellent film in it's genre, but it was let down, for me, by the obvious direction it went in.
Elizabeth Cree, the music hall star, has been arrested for the poisoning of her husband John Cree on the same night as the last Golem murder. But when evidence is found by Inspector John Kildare that links John Cree to the murders, he sets about trying to solve both cases so that he might save Elizabeth from hanging for her crime.
Their investigation leads them to an exclusive reading room at the library, and a book on the art of murder. Within its pages are hand written notes chronicling the Golem murders to date. Only four men entered the reading room when the last entry was made; Dan Leno, Karl Marx, George Gissing and John Cree. Can the inspector eliminate the other three men and prove Cree is the Golem in order to save Elizabeth?
I was looking forward to this one. Some top actors were involved, and I love a bit of Victorian era murder. The film itself was good throughout, I can't fault it for the scenery and acting.
But...
Those of you that know me, know that I don't think about films. I'm sure I keep saying this. I watch them to have some fun, to escape reality, so what's the point in picking apart something that's made as a fiction to entertain you?
Even with me suspending my brain function for the duration of the film, I paused and thought... oh, this is what's going to happen... and it did. It felt a bit cliche, like the twist had been overused in every film like this that I'd seen. I don't think it was designed that way though. There was a clear moment in the film where they want you to know what is happening, but the realisation of the ending cam much earlier than this. And it was disappointing. I was enjoying the film a lot until I realised what was coming. Talking to my movie buddy I discovered that I wasn't the only one who had this feeling. It's such a shame, but the twist felt so obvious to me that I was suddenly very disappointed.
I have taken to looking at Rotten Tomatoes after seeing a film, and this one is currently sitting at 77% with critics and 61% with the audience. I'd say that's about right. I've left the major spoiler out of here, but if you're familiar with this sort of story then I don't think you'd be hard pressed to work it out. It is an excellent film in it's genre, but it was let down, for me, by the obvious direction it went in.
Gareth von Kallenbach (980 KP) rated Rock of Ages (2012) in Movies
Aug 7, 2019
Rock of Ages is a film adaptation of the 2006 Chris D’Arienzo comedy rock/jukebox Broadway musical.
It is lightly satirical, a parody at times, that seems to mock our beloved 80’s rock era, while honoring its eccentricities, its tight leopard print pants, big hair, shoulder pads and over the top MTV music videos.
I like to judge a movie not only by how it makes me feel but also by how the audience reacts. This wasn’t an in-your-face-slapstick comedy, yet the whole theater roared with laughter throughout the film. To sum up the experience of Rock of Ages, it’s like watching a string of 80’s music videos mashed into a weak plot, with well-timed laughing points. Some of us laughed because we remember being the ones with those crazy hair-dos and out-of-control fashion sense and some were just laughing because this movie was so well done. It walked the fine line between super over-the-top corny and truly honoring our rock heritage. This movie does play to a specific demographic of ages 30 to 50, those who, with great nostalgia, remember how the 80’s rock and fashion revolution shaped their lives.
As the song goes, just a small town girl, Sherrie Christian played by Julianne Hough, travels to the big city in search of her dreams of becoming a singer, where she meets her city boy, Drew Boley played by Diego Boneta. Together they embark on a musical romance while working at a rock club named The Bourbon Room. Alec Baldwin plays an old rocker named Dennis Dupree struggling to keep his legend of a night club/concert hall open. Russell Brand, as always, steps in as the comic relief while playing the club owner;s assistant named Lonny. Together they work to keep The Bourbon Room afloat while dealing with a vengeful Patricia Whitmore, played by Catherine Zeta-Jones, who wishes nothing more then to see The Bourbon Room burned to the ground.
There are points in this movie when the acting, the singing and yes, even the plot, grabs you and holds your attention, much like watching the train wreck we call 80’s fashion. Its painful but you can’t look away! There were other times in this movie when the singing felt like it would go on forever. I noticed that the low points would be immediately succeeded by a very entertaining turn of events, so my attention was not lost for long. There came a point, at about the third Glee style 80’s rock mash-up, where I felt like slapping the director, Adam Shankman. Even too much of a good thing can get boring and I felt Shankman reached that point several times in the film. Luckily, he redeemed himself by bringing in Tom Cruise to play the Satan worshiping, alcoholic, megalomaniacal rock god Stacee Jaxx who went above and beyond in perfecting his role.
This movie’s soundtrack features songs and power ballads from Guns N’ Roses, Def Leppard, Bon Jovi, Journey, Twisted Sister, Pat Benetar, Scorpions, Whitesnake, Poison, REO Speedwagon, Foreigner among other epic bands giving Rock of Ages it’s 80’s jukebox musical foundation.
Mary J. Blige, Cruise, Ale Baldwin, Boneta, Hough and the whole cast of mega stars went above and beyond in selling their characters and performing stunning and accurate vocals that really pulled this movie together. The corny 80’s fashion and authentic dance numbers were the real icing on the cake. If you can sit through two hours of 80’s rock and pop nostalgia and know you will enjoy it, then definitely check this movie out.
It is lightly satirical, a parody at times, that seems to mock our beloved 80’s rock era, while honoring its eccentricities, its tight leopard print pants, big hair, shoulder pads and over the top MTV music videos.
I like to judge a movie not only by how it makes me feel but also by how the audience reacts. This wasn’t an in-your-face-slapstick comedy, yet the whole theater roared with laughter throughout the film. To sum up the experience of Rock of Ages, it’s like watching a string of 80’s music videos mashed into a weak plot, with well-timed laughing points. Some of us laughed because we remember being the ones with those crazy hair-dos and out-of-control fashion sense and some were just laughing because this movie was so well done. It walked the fine line between super over-the-top corny and truly honoring our rock heritage. This movie does play to a specific demographic of ages 30 to 50, those who, with great nostalgia, remember how the 80’s rock and fashion revolution shaped their lives.
As the song goes, just a small town girl, Sherrie Christian played by Julianne Hough, travels to the big city in search of her dreams of becoming a singer, where she meets her city boy, Drew Boley played by Diego Boneta. Together they embark on a musical romance while working at a rock club named The Bourbon Room. Alec Baldwin plays an old rocker named Dennis Dupree struggling to keep his legend of a night club/concert hall open. Russell Brand, as always, steps in as the comic relief while playing the club owner;s assistant named Lonny. Together they work to keep The Bourbon Room afloat while dealing with a vengeful Patricia Whitmore, played by Catherine Zeta-Jones, who wishes nothing more then to see The Bourbon Room burned to the ground.
There are points in this movie when the acting, the singing and yes, even the plot, grabs you and holds your attention, much like watching the train wreck we call 80’s fashion. Its painful but you can’t look away! There were other times in this movie when the singing felt like it would go on forever. I noticed that the low points would be immediately succeeded by a very entertaining turn of events, so my attention was not lost for long. There came a point, at about the third Glee style 80’s rock mash-up, where I felt like slapping the director, Adam Shankman. Even too much of a good thing can get boring and I felt Shankman reached that point several times in the film. Luckily, he redeemed himself by bringing in Tom Cruise to play the Satan worshiping, alcoholic, megalomaniacal rock god Stacee Jaxx who went above and beyond in perfecting his role.
This movie’s soundtrack features songs and power ballads from Guns N’ Roses, Def Leppard, Bon Jovi, Journey, Twisted Sister, Pat Benetar, Scorpions, Whitesnake, Poison, REO Speedwagon, Foreigner among other epic bands giving Rock of Ages it’s 80’s jukebox musical foundation.
Mary J. Blige, Cruise, Ale Baldwin, Boneta, Hough and the whole cast of mega stars went above and beyond in selling their characters and performing stunning and accurate vocals that really pulled this movie together. The corny 80’s fashion and authentic dance numbers were the real icing on the cake. If you can sit through two hours of 80’s rock and pop nostalgia and know you will enjoy it, then definitely check this movie out.
LiveTalk - Free Video Chat
Social Networking
4.0
Rate It
App
Get a chance to see foreigner. Live Talk video chat is a new concept video chat application that...
JT (287 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Mar 10, 2020
John Wick: Chapter 3 – Parabellum picks up where chapter 2 left off, with young Johnathan running for his life as the clock ticks down until the $14 million bounty on his head is activated. With man’s best friend in tow, he searches for a place to patch himself up before he is finally made excommunicado – flipping a gold coin as a rite of passage.
It seems funny that we have got to this point in the story which involved a murdered puppy and a stolen car, but we needn’t dwell on that for too long before the carnage starts to unravel at a frenetic pace. Not since the Raid 2 has there been fight sequences choreographed with such vicious aplomb, it leaves you breathless.
The stunt coordinators give us a range of unique locations for John Wick to dispatch his enemies; including a room packed full of antique ceremonial knives and a glass room displaying a variety of crystal skulls – it isn’t just bones getting shattered here. Not forgetting a horse chase that is simply spectacular.
On paper the action genre might be one of the simplest to execute, add some elaborate set pieces, crazy stunts and a pumping score and you have a recipe for success – you can even drop the odd plot hole without notice.
Director Chad Stahelski has helmed all three films and is able to give Wick the tools needed to off anyone he comes into close contact with. Is there no end to his talents – as he uses a library book to kill off a 7ft assassin and handle weaponry around a Moroccan bazaar with seamless precision.
He is aided in his quest to reach the High Table (a place to atone for his sin of killing on Continental grounds) by Sofia (Halle Berry) who begrudgingly agrees to help him. Despite her minimal screen time she does more than enough to leave a lasting impression – if not her, then most definitely the pair of vicious K-9s complete with snug fitting Kevlar vests that accompany her.
As an action film this is what I crave, something that is relentless from start to finish – I can only lick my lips in anticipation of the inevitable Chapter 4!
It seems funny that we have got to this point in the story which involved a murdered puppy and a stolen car, but we needn’t dwell on that for too long before the carnage starts to unravel at a frenetic pace. Not since the Raid 2 has there been fight sequences choreographed with such vicious aplomb, it leaves you breathless.
The stunt coordinators give us a range of unique locations for John Wick to dispatch his enemies; including a room packed full of antique ceremonial knives and a glass room displaying a variety of crystal skulls – it isn’t just bones getting shattered here. Not forgetting a horse chase that is simply spectacular.
On paper the action genre might be one of the simplest to execute, add some elaborate set pieces, crazy stunts and a pumping score and you have a recipe for success – you can even drop the odd plot hole without notice.
Director Chad Stahelski has helmed all three films and is able to give Wick the tools needed to off anyone he comes into close contact with. Is there no end to his talents – as he uses a library book to kill off a 7ft assassin and handle weaponry around a Moroccan bazaar with seamless precision.
He is aided in his quest to reach the High Table (a place to atone for his sin of killing on Continental grounds) by Sofia (Halle Berry) who begrudgingly agrees to help him. Despite her minimal screen time she does more than enough to leave a lasting impression – if not her, then most definitely the pair of vicious K-9s complete with snug fitting Kevlar vests that accompany her.
As an action film this is what I crave, something that is relentless from start to finish – I can only lick my lips in anticipation of the inevitable Chapter 4!
Christen (28 KP) rated KleptoCats in Apps
Apr 30, 2018
Cute cats that can be customized. (1 more)
Fun environments to decorate with your cats.
Can be tedious waiting for the cats to come back. (1 more)
Hard to get gems to buy certain items for the cats. Unless you use real money.
When I saw KleptoCats in the app store I fell in love with the cute art style and the concept that you send out cats to bring back treasures. The first few hours of gameplay are fun. You send out your first cat and you play silly games to earn some more coins to customize them while you wait. When they come back they have some oddball treasure for your room. Then once you have collected a few items it takes a lot longer for the cats to come back and the mini-games you were playing get a little old. The gem currency is a little off. It takes 250 coins for 1 gem or you can use real money to buy more gems. Gems can be used to buy accessories for the cats or new environments. The most gems you can buy is 200 for $9.99. This is not that bad compared to other games. All that aside I really enjoy the game. It's a cutesy, fun, relaxing, game and would recommend for anyone.
Movie Metropolis (309 KP) rated Toy Story 4 (2019) in Movies
Jun 23, 2019
Animation (1 more)
Voicework
Fun for kids and adults alike
The animation is absolutely exquisite and probably the best to have ever graced the big screen. With this and How to Train Your Dragon: The Hidden World, animated films have never looked better and the bar has been set very high indeed. Everything from the glisten in Woody’s eyes to the rope-like fabric of Jessie’s hair is astounding and needs to be seen on the biggest screen possible. There are shots here that wouldn’t look out of place on your living room wall, they are breath-taking.
Of course, the main test of a good Pixar movie is how it makes you feel. And Toy Story 4 delivers heart and humour in spades with a witty script and beautiful send-off to these beloved characters. If Disney makes good on its promise that this IS the final part of a quadrilogy, then they’ve created something very special indeed. We may have lost two animated series’ in 2019, but boy did they go out with a bang.
Now pass me the tissues for god’s sake.
More at: https://moviemetropolis.net/2019/06/21/toy-story-4-review-this-is-the-end/
Of course, the main test of a good Pixar movie is how it makes you feel. And Toy Story 4 delivers heart and humour in spades with a witty script and beautiful send-off to these beloved characters. If Disney makes good on its promise that this IS the final part of a quadrilogy, then they’ve created something very special indeed. We may have lost two animated series’ in 2019, but boy did they go out with a bang.
Now pass me the tissues for god’s sake.
More at: https://moviemetropolis.net/2019/06/21/toy-story-4-review-this-is-the-end/
Merchant & Mills Sewing Book
Carolyn Denham and Roderick Field
8.0
Rate It
Book
Keep it simple and do it well. The Merchant & Mills Sewing Book contains fifteen step-by-step...