"I do this playlist on Spotify [Ben Watt's Spincycle] and I stumbled across Gem Roses while doing it. My daughter was 15, 16 at the time, and she wandered into the room when I was playing this, and she suddenly stopped short. "Dad! This is Gem Club!" And I was all, "Yes! Yes it is." It was a really touching moment – this obscure band from Boston crossing over from a teenager to her old dad. We've always been hesitant about imposing music on the kids. When the girls were about seven, we showed them a video of us on Top of the Pops. They burst into tears. They couldn't cope with it. It was outside their comprehension. To them, we're just mum and dad. 
This record is very tender, beautiful and diaphanous. The music hovers, almost. It reminds me of Anthony and the Johnsons and The Antlers, and Christopher Barnes' voice is beautiful. There's a song about a doomed gay relationship, and you feel this different worldview being exposed to you in this very beautiful way. Gem Club supported me a few years ago, and I loved hearing them live. There's a quiet defiance to them, this outsider melancholy, that's hard to resist."

"The first Damned record is a classic. These were some of our influences and bands that never really got a wider appeal and should have. Rat Scabies was on that record and was like a rebirth of Keith Moon, Brian James’ guitar playing was second to none, suddenly punk rock had our own Eddie Van Halen - sort of [laughs]. Just a shredder. Then there was Captain Sensible and Dave Vanian... everyone was a unique character, not just personally but as a player. I don’t think anybody could have beaten the Damned at that point in their carer. It was short-lived but maybe it was too ferocious to last with that line-up. After we did that record I was playing a gig in ‘94 with Steve Jones, we were playing the Viper Room every Monday night as the Neurotic Outsiders and Rat Scabies came to one of the gigs. Steve introduced us and Rat said, ""thanks for covering that song, I got the biggest publishing cheque I ever got"". But I didn’t know what to say, I was terrified of The Damned man, these are my heroes. I mean it was Rat Scabies, what the hell do you say to Rat Scabies?"

"I guess it was originally two EPs, put together in one record. I don't have the original versions but the songs all feel like one record and it's kind of them at their catchiest. They were always a little bit creepy. Some of the other things that came out on Ralph Records like Renaldo and The Loaf were wackier but there was a creepiness to The Residents that I found very, very appealing. Do you know Long Gone John, the label boss from Sympathy For The Record Industry? I went down to visit him at his house in Long Beach. This band I was in, Bloodloss, was on tour and we all went over there because he released a couple of our records. We went to his house and he was just a massive collector of crazy rock stuff and also that kind of juxtaposed art, like Robert Williams paintings. The Residents came up and his eyes lit up. He was like, ""Come here, follow me"" and he took us to this back room, opened up a safe and pulled out a copy of Santa Dog their first record. He prized that so much he kept it in a safe!"