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KatieLouCreate (162 KP) rated The Resistance in Books
Feb 6, 2018 (Updated Feb 6, 2018)
A Nice Quick Read
This book is perfect for those who want a nice quick YA dystopian read. It will literally take only a few hours to read. I read it in about 6 hours and I am a slow reader. The story line is great. In fact, it is its most greatest strength. This book, I think, is the worst of the three books in the trilogy. Not much really happens in terms of plot until the end. But it makes up for it with the third book.
The main downfall of this book is the characters. I'm sure I mentioned it previously. Although some of the characters are good, like Pip, Richard and Mrs Pincent, other characters are lacking. Peter is too centered around wanting action, and being the hero, Anna thinks she's strong but is actually quiet a passive character when you think about it. Jude always thinks he is the underdog, a shadow of Peter and loves Sheila, even though they barely know each other, and Sheila is whiney. You notice these traits more in this book because the book has a gradual buildup of action so you have no choice but to focus on the characters.
The book does not shy away from controversial topics. Where other authors would have left the scene to the imagination or alluded to it, Malley delves right into it which forces us to be exposed to the same trauma as the characters. It helps highlight what is wrong in their society and allows us think about the ethical situations and implications of what is happening. For this, I applaud Malley greatly.
It is not a terrible read and the third book makes up for what this book lacks but the are room for improvements in this collection.
The main downfall of this book is the characters. I'm sure I mentioned it previously. Although some of the characters are good, like Pip, Richard and Mrs Pincent, other characters are lacking. Peter is too centered around wanting action, and being the hero, Anna thinks she's strong but is actually quiet a passive character when you think about it. Jude always thinks he is the underdog, a shadow of Peter and loves Sheila, even though they barely know each other, and Sheila is whiney. You notice these traits more in this book because the book has a gradual buildup of action so you have no choice but to focus on the characters.
The book does not shy away from controversial topics. Where other authors would have left the scene to the imagination or alluded to it, Malley delves right into it which forces us to be exposed to the same trauma as the characters. It helps highlight what is wrong in their society and allows us think about the ethical situations and implications of what is happening. For this, I applaud Malley greatly.
It is not a terrible read and the third book makes up for what this book lacks but the are room for improvements in this collection.
Gareth von Kallenbach (980 KP) rated Edge of Darkness (2010) in Movies
Aug 8, 2019
Mel Gibson is back on the screen in the winter thriller “Edge of Darkness”. Boston cop Thomas Craven (Gibson) is excited about his daughter Emma’s (Bojana Novakovic) visit home from her first post college employment position. Yet from the very start something seems wrong. Before dinner is even served a masked assailant kills Emma in cold blood on the porch of her father’s house leaving Officer Craven determined to figure out who killed his daughter and why which requires Craven to do this with or without the help of the law.
This is not a mystery but rather the story of a cop’s determination to avenge his daughter against impossible odds which are stacked with numerous shady characters that Craven must deal with to solve the murder, including senators, businessmen, and one title-less problem solver. Moreover, the flick walks directly into the muddy waters of morality, the law, business, and politics.
Tightly packed with characters, “Edge of Darkness” leaves little room for character development, thereby loosing much of the emotional response it seeks to create. However, the standout performance by Ray Winstone, who plays the insightful but questionably aligned Jedburgh, did lighten what otherwise is a dark and densely packed tale.
Further frustrating the viewer, the film’s ending is expected and not at all as dramatic as the buildup demanded. I left wondering why Gibson would remake the original award winning BBC-miniseries into a boring film that is ripe with undeveloped characters.
This thriller lacks the inventiveness or conclusion to make it worthy of Mel Gibson’s return. There were a couple of mildly tense moments and few well executed scenes but overall “Edge of Darkness” is really more of a substandard drama than an engaging thriller. The 117 minutes spent watching the “Edge of Darkness” was slightly enjoyable, but the story really is nothing new.
This is not a mystery but rather the story of a cop’s determination to avenge his daughter against impossible odds which are stacked with numerous shady characters that Craven must deal with to solve the murder, including senators, businessmen, and one title-less problem solver. Moreover, the flick walks directly into the muddy waters of morality, the law, business, and politics.
Tightly packed with characters, “Edge of Darkness” leaves little room for character development, thereby loosing much of the emotional response it seeks to create. However, the standout performance by Ray Winstone, who plays the insightful but questionably aligned Jedburgh, did lighten what otherwise is a dark and densely packed tale.
Further frustrating the viewer, the film’s ending is expected and not at all as dramatic as the buildup demanded. I left wondering why Gibson would remake the original award winning BBC-miniseries into a boring film that is ripe with undeveloped characters.
This thriller lacks the inventiveness or conclusion to make it worthy of Mel Gibson’s return. There were a couple of mildly tense moments and few well executed scenes but overall “Edge of Darkness” is really more of a substandard drama than an engaging thriller. The 117 minutes spent watching the “Edge of Darkness” was slightly enjoyable, but the story really is nothing new.
Gareth von Kallenbach (980 KP) rated Fame (2009) in Movies
Aug 9, 2019
I love musicals so whenever the big guys at the studios decide to remake a classic like “Fame”(1982), I get, well, nervous. How could there be a remake of a film that is so well associated with the 1980s without mocking current audience’s film going standards? Would a new “Fame” be possible without the time period that created it in the first place?
“Fame” follows the year-by-year story of a group of kids who apply to and later attend the New York Academy of Performing Arts. The story follows their growth as performers and as people in the never forgiving streets of New York City. The film has the expected music, dancing, and moral tales about the harsh realities of people in search of that ever-elusive “Fame”.
Littered in guest stars ranging from “Frasier’s” Kelsey Grammer to “Will and Grace’s” Megan Mullally, “Fame” seemed less like the remake of a musical and more like a star studded Ellen show.
Still, there are some exceptional performances from less seasoned stars like Anna Maria Perez de Tagle who plays young aspiring actress Joy and Natuari Naughton as Denise a classical pianist who dreams of singing.
While the film is good, it lacks the heart of a truly engrossing musical. The acting is decent and the choreography is excellent but this modernized version of “Fame” complete with Barenaked Ladies song jokes is no “Chicago”. Moreover, the new version of “Fame” varies significantly from the classic, with hip-hop tracks and a rhythm heavy version of the classic theme song. For many the biggest downside to this musical is sure to be the less than engrossing musical numbers.
Like a darker “High School Musical” for a slightly older audience, “Fame” is a decent film worth a watch, but it will not have you singing a medley in your living room.
“Fame” follows the year-by-year story of a group of kids who apply to and later attend the New York Academy of Performing Arts. The story follows their growth as performers and as people in the never forgiving streets of New York City. The film has the expected music, dancing, and moral tales about the harsh realities of people in search of that ever-elusive “Fame”.
Littered in guest stars ranging from “Frasier’s” Kelsey Grammer to “Will and Grace’s” Megan Mullally, “Fame” seemed less like the remake of a musical and more like a star studded Ellen show.
Still, there are some exceptional performances from less seasoned stars like Anna Maria Perez de Tagle who plays young aspiring actress Joy and Natuari Naughton as Denise a classical pianist who dreams of singing.
While the film is good, it lacks the heart of a truly engrossing musical. The acting is decent and the choreography is excellent but this modernized version of “Fame” complete with Barenaked Ladies song jokes is no “Chicago”. Moreover, the new version of “Fame” varies significantly from the classic, with hip-hop tracks and a rhythm heavy version of the classic theme song. For many the biggest downside to this musical is sure to be the less than engrossing musical numbers.
Like a darker “High School Musical” for a slightly older audience, “Fame” is a decent film worth a watch, but it will not have you singing a medley in your living room.
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9.4
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