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Ivana A. | Diary of Difference (1171 KP) rated Sigfried's Smelly Socks! in Books
Oct 2, 2020
Sigfried's Smelly Socks! is an illustration book for children that focuses on describing the smell of dirty socks at its fullest. Whilst I have mixed feelings as to how disgusting this subject is, I quite liked the bright-coloured illustrations.
I strongly believe that children are meant to love this book - it is full of wittiness and it made me giggle a few times, when the author describes how different coloured socks smell differently, and all so awful.
This book has a tendency to make you imagine the smells in your mind while reading and watching the illustrations. It can even make you feel like you could actually smell them in the room. Lovely description, though some parts might be too hard to be understood by the younger audience:
But nothing compares to the other smell that burns the hairs on my head.
While we discuss the subject of how the book focuses on dirty socks and some people might find it unbearable - I would point to the fact that this book is a perfect masterpiece in reminding the little cute monsters that they need to keep their socks (and their hygiene in general) neat and clean. It is a great moral and life lesson through a very funny story told by the silly Sigfried, who seems to notice all the rotten smells that surround him.
Lovely read, and a lovely told story in a witty way. This book deserved a 4 out of 5 stars for the sole reason of this book maybe being too rich in the vocabulary for the audience it wants to reach.
I strongly believe that children are meant to love this book - it is full of wittiness and it made me giggle a few times, when the author describes how different coloured socks smell differently, and all so awful.
This book has a tendency to make you imagine the smells in your mind while reading and watching the illustrations. It can even make you feel like you could actually smell them in the room. Lovely description, though some parts might be too hard to be understood by the younger audience:
But nothing compares to the other smell that burns the hairs on my head.
While we discuss the subject of how the book focuses on dirty socks and some people might find it unbearable - I would point to the fact that this book is a perfect masterpiece in reminding the little cute monsters that they need to keep their socks (and their hygiene in general) neat and clean. It is a great moral and life lesson through a very funny story told by the silly Sigfried, who seems to notice all the rotten smells that surround him.
Lovely read, and a lovely told story in a witty way. This book deserved a 4 out of 5 stars for the sole reason of this book maybe being too rich in the vocabulary for the audience it wants to reach.
Hadley (567 KP) rated The Haunted in Books
Jun 23, 2019
A lot of inconsistencies (1 more)
Stereo-typical characters
A murder begins the story of 'The Haunted,' where Vega starts with every parent's nightmare:
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
Joelene Marie (28 KP) rated The Clockwork Dynasty in Books
Oct 1, 2018
Let me start by saying that I originally wasn't sure about this book. I had seen it on Netgalley a while back and loved the cover but after reading the description I just wasn't sure if it was something I would enjoy. I love fantasy and enjoy some sci-fi but humanoid clockwork type robots...not so sure. So I kept it on my radar but didn't request it until I read Mogsy's review on the bibliosanctum. I started it immediately and was so engrossed that I finished it in one day. It. Is. Amazing!
June is a character that I related to from the start. Her incessant curiosity and intelligence were refreshing and her love for her grandfather was endearing. I really enjoyed learning about Peter's story. The non linear storytelling, with flashbacks of his memories alternating with the present, was easy to follow. When Peter and June start working together the pacing really picks up and I couldn't put it down, I had to know what happened. The ending leaves room for a sequel but not with a cliffhanger, which is nice but I still want the sequel now lol. I really have no complaints about any part of this story. It's a wonderful adventure that makes you think. Anyone on the fence about this book like I was should just go ahead and read it, it's worth it.
**Thanks to Netgalley and the publisher for the ARC. All opinions are my own.**
June is a character that I related to from the start. Her incessant curiosity and intelligence were refreshing and her love for her grandfather was endearing. I really enjoyed learning about Peter's story. The non linear storytelling, with flashbacks of his memories alternating with the present, was easy to follow. When Peter and June start working together the pacing really picks up and I couldn't put it down, I had to know what happened. The ending leaves room for a sequel but not with a cliffhanger, which is nice but I still want the sequel now lol. I really have no complaints about any part of this story. It's a wonderful adventure that makes you think. Anyone on the fence about this book like I was should just go ahead and read it, it's worth it.
**Thanks to Netgalley and the publisher for the ARC. All opinions are my own.**
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