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Colin Newman recommended Harvest by Neil Young in Music (curated)

 
Harvest by Neil Young
Harvest by Neil Young
1972 | Country
8.8 (6 Ratings)
Album Favorite

"There are quite a few Neil Young albums I could have chosen, but Harvest I like because it's that combination of acoustic guitar and dry, heavy drums. That's a certain kind of special thing that he invented, and they're quite slow. 'Out On The Weekend' is a prime example of that kind of slow, purposeful rhythm with heavy acoustic guitars. My best friend from school, Desmond, who unfortunately is not with us anymore- there's a piece I wrote about him on the Quietus actually - he was a huge Neil Young fan, and he had all of the Neil Young records. We were so close that we never bought any record that the other had. I spent so much time around his place anyway, so if Desmond owned it, it was like me owning it. Again, what can you say about Neil Young? He's a classic artist. He flew in the face of quite a lot of things. I liked Crosby, Stills & Nash; I liked Crosby, Stills, Nash & Young. There was a point when Crosby, Stills & Nash were uncool but Crosby, Stills, Nash & Young were more cool, and Young was the most cool. There was a rumour that he'd left Crosby, Stills, Nash & Young because he'd figured out that he could make more money on his own. I actually think that's probably not true because I've read a little bit of stuff around that period. But Neil Young has remained singular. In theory I like everything he's ever done, although I haven't heard everything he's ever done. But certainly I've heard later work and really liked it as well. He's the important figure, as a contrary kind of figure."

Source
  
The Draughtsman's Contract (1982)
The Draughtsman's Contract (1982)
1982 | Comedy, Drama
7
7.0 (1 Ratings)
Movie Rating
Quite often more interesting in theory than practice, the films of Peter Greenaway can be inaccessible, oppressive and pretentious in the worst way. He himself would say his work is half film, half art, without apologising for it, and why should he? Looking at his CV, I can say there have been some I have enjoyed, or at least marvelled at: The Cook, The Thief, His Wife and Her Lover being the obvious one. Drowning by Numbers being another – ambitious and ingenious constructions that are startlingly effective if in the mood for such conceits. Whereas things like Prospero’s Books and The Pillow Book cross the line of pomposity and pretentiousness just too far. So it was with trepidation I approached this one, expecting that the wigs and costumes would far outshine the content of the story. I was quite wrong.

The Draughtsman’s Contract is still difficult to engage with, especially on first viewing, as the plot is dense and often hidden within the trivialities, as it unfolds, however, it becomes an ingenious murder mystery with all the clues hidden in plain sight under the artifice of surface detail. The things that are happening are not the story, the story is underneath, much as the real humanity of these people is hidden under ostentatious wigs and skirts. Familiar British actors of the time such as Anthony Higgins, Janet Suzman and Hugh Fraser serve Greenaway as consummate storytellers in a borderline theatre style throughout. It shouldn’t work or be half as compelling as it is, but there is magic at work here of some kind. Unique and marvelous if not always easy. But that is Greenaway!
  
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