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The Art of Dying
Peter Fenwick and Elizabeth Fenwick
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The Art of Dying is a contemporary version of the medieval Ars Moriendi--a manual on how to achieve...
Death paranormal

Thy Killer's Keeper
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John Salton is everything that a country police can expect of its agent. He has brilliant analytical...
sci fi science fiction paranormal thriller crime detective

Kristy H (1252 KP) rated The Perfect Girl in Books
Feb 13, 2018
This book grabbed me immediately; it sucks you in from the start and doesn't let you go until it finishes, when you're exhilarated and exhausted. It's a fascinating, easy-to-read thriller with short chapters that tell us about the events surrounding the timeframe after Zoe's concert, but also going back into the past via flashbacks from the characters. We hear from Zoe, her aunt, Tessa, Tessa's husband, Richard, and Sam, Zoe's lawyer from her "previous" life. Their narratives weave flawlessly into a tense and sometimes psychologically creepy tale that has you sitting spellbound, turning pages frantically, wanting to know what happens.
In theory, the action happens over a very short period of time, as Maria's killer is unveiled, but the ability to go into the past with the characters extends the time and makes you tensely await each action. Macmillan's characters are nuanced and deep--each with their own quirks, flaws, and motivations. Beyond the actual plotline of murder, there is a deep thread of discord and familial drama and angst running among our characters, who are certainly a flawed bunch. The book makes you question and ponder many things, including the topics of forgiveness, loyalty, marriage, and what really makes a family. I won't forget either the exciting story or the characters themselves for some time.
Overall, while there were certainly a few things to quibble with with this one, I thoroughly enjoyed it. It was a tense but enjoyable thriller to escape into and certainly well worth the thread.
I received a copy of this book from the publisher and Librarything (thank you)!
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a> ~ <a href="https://twitter.com/mwcmoto">Twitter</a>

Acanthea Grimscythe (300 KP) rated A House at the Bottom of a Lake in Books
Jan 31, 2019
A House at the Bottom of a Lake is a coming of age story, one of those ones where the reader experiences the final moments of the main characters’ innocence. The house itself symbolizes the imaginative youthfulness and innocence of the more childlike mind, while the canoe represents the path to adulthood and the obstacles that must be overcome. Just like life experiences change us, the events leading up to the conclusion of the story change the canoe in ways that cannot be undone: paint chipping, dents, scratches, etc. I’d provide another example to support this theory, but that would, unfortunately, mean giving away a major spoiler to the story–so I won’t.
As far as the characters go, I found Amelia and James to be your stereotypical awkward teenagers. There is a bit of a disconnect between their age and their assumed behavior, leaning to the idea that these two kids are well-behaved and normally aren’t risk takers. Because of this, there are several moments where the story is dull.
There’s no doubt that this is a piece of work by Josh Malerman; it has his style all over it. That is, it’s meant to be suspenseful. However, the manner in which Malerman writes A House on the Bottom of a Lake struck me as a bit more jarring than edge-of-your-seat, ohmigawd what is happening!? This is probably because Malerman is a little too friendly with the parentheses in this book.
A House on the Bottom of a Lake is a great one-time read. It’s enjoyable and it has its moments, and the bond shared between Amelia and James feels realistic. It’s definitely something I’d recommend to a Malerman fan, though it isn’t worthy of a pedestal of its own.

Deborah (162 KP) rated The Marlowe Papers in Books
Dec 21, 2018
The book apparently formed part of Barber's PhD and her central theory is the one that playwright and intelligencer Christopher Marlowe did not in fact die in Deptford as supposed. Subsidiary to this is the idea that William Shakespeare was just a front man for a whole host of plays written by an exiled Marlowe. Despite appearing in a production of Doctor Faustus as a teenager, I will admit that I am not terribly au fait with the details of Marlowe's life but having read Barber's work and the notes at the back, I can see there is some mileage in the idea of him having not actually died as reported; certainly there appears something fishy going on. I'm less convinced by the idea that someone else 'must' have written Shakespeare's plays. If Marlowe could be successful as the son of a Kentish Cobbler, why can't we believe the same of the son of a Stratford glover? Be that as it may, that is the stance Barber has chosen to take and I can accept what she gives me for the purpose of her 'entertainment' of 'what might have happened'.
As to the book itself, it's about 400 pages long and I think it took about 100 of those before I felt I was really getting into it. I'm not sure if it was adjusting to the style of the work (I read some plays in Blank Verse, but I'm not a great poetry lover) or if the early section was more chronologically disjointed and more tricky to get into the swing of the action? I am glad I persevered though, as I did end up enjoying it. On the other hand, I can more than understand that some people won't find it their cup of tea at all - I don't think there is any other work, at least not in English, that is written in quite the same way. It certainly must have been a labour of love getting exactly the right words to make all that Iambic Pentameter work, so hats off to Barber on this score.
Now I feel like seeing if I can find a decent biography of Marlowe, and surely that can only be a good thing.

Whatchareadin (174 KP) rated The First Mistake in Books
Jul 22, 2019
Thank you to Minotaur Books for the opportunity to read and review this book.
When I first started reading this book, I thought I knew exactly what was going to happen. All the clues were laid out for you right there in the open. But what actually happened was quite different and it had me shocked all the way until the end. There were some parts to my theory that were correct and others that were way off.
Alice and Beth as well as their daughters are best friends. Even though they have only known each other for a few years, they share similar interests and disinterests(where other school moms are concerned). When strange things start to happen that Alice can't explain, she turns to her best friend for help. But when Beth gives her information that she never expected to hear, she's not sure who to believe or trust. Trying to keep her daughters in the dark about what is really going on in their house is not easy and when it all comes to the surface, will Beth have anyone she can lean on?
I can understand Alice's position. I don't have a lot of close friends where I currently live and those friends I do have, we all have children in the same grade. So I can see myself confiding in them. These people are more likely to know my husband since he grew up in the area we now live in. So it's interesting to see women I talk to mention my husband if they went to school with him. But if he was dead and someone didn't know him brought him up, I would be very wary of that. Beth thinks she knows Alice's dead husband. But how could she. And why does he now have an active Facebook page. This is all becoming too much, but Alice has to know what is going on.

Rob P (30 KP) rated The Heroes in Books
Dec 20, 2018
The story centres on a battle between the empirical Union, or otherwise the seat of power from the south of the continent, and the brutish Northmen united under a legendary fighter, Black Dow. Dow has (presumably) killed, and seized power from the previous lord of war, Logen Ninefingers (also known as The Bloody Nine) and declared the north independent.
In the south, the Union (under guidance and governance from external parties) raises it’s army to march north and deal with this threat, with the two armies set to collide at an old northern monument of stone pillars, known as The Heroes.
Now, for a reader with a severe completion complex, this book is just a warm hug. Leading on from the trilogy that left just enough unanswered to make you need more, this book if anything over-delivers on detail and lends some of its best moments from characters you just didn’t realise you wanted to know more about, or passed you by entirely.
The very best state of mind to go into with this read, is to remember that both story and moral lines are perennially blurred. Every character belongs to one side or the other in theory, but with their own agenda entirely.
Abercrombie, to me, really stands out when it comes to fighting sequences, and there’s no shortage in this offering. He uses point of view accounts from multiple characters, chaining them as they fall or impact the flow of battle, making for a visceral and investing read.
Ultimately, fans of the series or Abercrombie’s works will already have enough to know they want to read this, but if you’re thinking of picking this as a starting point, your bookshelf will be sponsored by Abercrombie before you even know what is happening – Rob.

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