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Goddess in the Stacks (553 KP) rated Future Home of the Living God in Books
Mar 25, 2018
Minority Representation (1 more)
Interesting premise
NO ANSWERS (1 more)
No resolution
Well that was a waste of time. This book spends its entire length asking one real question. Will the main character's baby survive? There are a number of smaller questions - Will the baby be born normal? Why is evolution turning backwards, or sideways? What happened to the main character's father? What happened to her friend from the hospital? What happened to her husband? Does she ever find freedom?
THE BOOK ANSWERS NONE OF THESE QUESTIONS.
I am really frustrated with this book. Why did I bother reading it if it refuses to resolve any of its plotlines?
We're going to get a little bit into writing theory here. It has been a classic recommendation to have the climax of your book 2/3 of the way through the book, and have the last third be denouement. Wrap-up. Show us how the climax affected the characters and the world. John Green does this well - all his books follow a standard plot line. Character A is introduced. A meets B. B changes A's life. B leaves A's life. (Those last two are usually incorporated in the climax of the book.) A has to learn how to live without B in a world changed by B's existence in it. It's a little formulaic, but it works for Green, and his books are great. Some books do not do this so well. Wheel of Time had 5-6 pages of denouement after the series climax, and nothing was really revealed about how the events changed the world for the better. Future Home of the Living God had TWO. TWO PAGES AFTER THE CLIMAX. AND THEY ANSWER NOTHING. The main character talks about missing winter.
I finished the book and almost threw it across the room. I probably would have, except for two things: I was at a friend's house, and it was a library book. That's all that saved it from that fate. I have stacks of books I want to read, and I feel like I just wasted a few hours on this piece of crap.
The writing was actually pretty good, and the main character is an Ojibwe Indian, so there's minority representation, but the book as a whole was just CRAP. Wrap up your plotlines. Answer the questions you ask. (At least the ones having to do with your plot - you can leave unanswered philosophical questions, that's fine.)
Hard pass on this book.
You can find all my reviews at http://goddessinthestacks.wordpress.com
THE BOOK ANSWERS NONE OF THESE QUESTIONS.
I am really frustrated with this book. Why did I bother reading it if it refuses to resolve any of its plotlines?
We're going to get a little bit into writing theory here. It has been a classic recommendation to have the climax of your book 2/3 of the way through the book, and have the last third be denouement. Wrap-up. Show us how the climax affected the characters and the world. John Green does this well - all his books follow a standard plot line. Character A is introduced. A meets B. B changes A's life. B leaves A's life. (Those last two are usually incorporated in the climax of the book.) A has to learn how to live without B in a world changed by B's existence in it. It's a little formulaic, but it works for Green, and his books are great. Some books do not do this so well. Wheel of Time had 5-6 pages of denouement after the series climax, and nothing was really revealed about how the events changed the world for the better. Future Home of the Living God had TWO. TWO PAGES AFTER THE CLIMAX. AND THEY ANSWER NOTHING. The main character talks about missing winter.
I finished the book and almost threw it across the room. I probably would have, except for two things: I was at a friend's house, and it was a library book. That's all that saved it from that fate. I have stacks of books I want to read, and I feel like I just wasted a few hours on this piece of crap.
The writing was actually pretty good, and the main character is an Ojibwe Indian, so there's minority representation, but the book as a whole was just CRAP. Wrap up your plotlines. Answer the questions you ask. (At least the ones having to do with your plot - you can leave unanswered philosophical questions, that's fine.)
Hard pass on this book.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Sophia (Bookwyrming Thoughts) (530 KP) rated The Prophecy of Shadows (Elementals, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Netgalley/Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Well, then. This is going to be one of the harder reviews to write, isn't it. (And it'll probably come out a little choppy, but um... bear with me.)
Okay, so how about I start with this: <i>The Prophecy of Shadows</i> is great, but the only thing working against the book is the instalove between Nicole and Blake. But even the instalove isn't much of a bother Nicole is attracted to Blake from the get go, but she's not as <em>obsessed</em> as Danielle, who would threaten anyone in Blake's proximity. Yet?
Anyways, the first book in the <i>Elementals</i> series brings yet a new idea to the <a title="Mythology" href="http://www.bookwyrmingthoughts.com/search/label/Mythology"; target="_blank" rel="noopener">mythology</a> genre, sort of following in <a title="Raye Wagner" href="http://www.bookwyrmingthoughts.com/search/label/Raye%20Wagner"; target="_blank" rel="noopener">Raye Wagner's</a> footsteps. When Nicole first moves to a new school, she is quickly thrown into the world of witches, people who are descended from Greek gods but not exactly demigods. Witches in Madow's newest series are those not directly descended from a Greek god (basically, a generation or two later...?) and their powers are mostly based off of color theory (definitely not getting into the specifics of that one). Nicole is weirded out and dismisses the entire idea at first, but quickly has a change of heart.
The book is also a little slow on the pacing side, especially for those who like constant action. Madow spends approximately half the book setting up the plot and introducing the world of witches, and I personally think that in itself is good enough without being overwhelming. Even though the witches in the <i>Elementals</i> series are similar to witches in general, I enjoyed learning how each color corresponds to a particular emotion or talent. Any particular legendary creature fighting comes later on in the book.
It'll be interesting to see how Madow takes the series with the sequels, and I'll be looking forward to the sequels (which, by the way, have extremely interesting and adventurous titles).
<a href="https://bookwyrmingthoughts.com/arc-review-the-prophecy-of-shadows-by-michelle-madow/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Well, then. This is going to be one of the harder reviews to write, isn't it. (And it'll probably come out a little choppy, but um... bear with me.)
Okay, so how about I start with this: <i>The Prophecy of Shadows</i> is great, but the only thing working against the book is the instalove between Nicole and Blake. But even the instalove isn't much of a bother Nicole is attracted to Blake from the get go, but she's not as <em>obsessed</em> as Danielle, who would threaten anyone in Blake's proximity. Yet?
Anyways, the first book in the <i>Elementals</i> series brings yet a new idea to the <a title="Mythology" href="http://www.bookwyrmingthoughts.com/search/label/Mythology"; target="_blank" rel="noopener">mythology</a> genre, sort of following in <a title="Raye Wagner" href="http://www.bookwyrmingthoughts.com/search/label/Raye%20Wagner"; target="_blank" rel="noopener">Raye Wagner's</a> footsteps. When Nicole first moves to a new school, she is quickly thrown into the world of witches, people who are descended from Greek gods but not exactly demigods. Witches in Madow's newest series are those not directly descended from a Greek god (basically, a generation or two later...?) and their powers are mostly based off of color theory (definitely not getting into the specifics of that one). Nicole is weirded out and dismisses the entire idea at first, but quickly has a change of heart.
The book is also a little slow on the pacing side, especially for those who like constant action. Madow spends approximately half the book setting up the plot and introducing the world of witches, and I personally think that in itself is good enough without being overwhelming. Even though the witches in the <i>Elementals</i> series are similar to witches in general, I enjoyed learning how each color corresponds to a particular emotion or talent. Any particular legendary creature fighting comes later on in the book.
It'll be interesting to see how Madow takes the series with the sequels, and I'll be looking forward to the sequels (which, by the way, have extremely interesting and adventurous titles).
<a href="https://bookwyrmingthoughts.com/arc-review-the-prophecy-of-shadows-by-michelle-madow/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kirk Bage (1775 KP) rated Ghosteen by Nick Cave & The Bad Seeds in Music
Mar 3, 2020 (Updated Aug 6, 2020)
My intention was to listen to this twice through and then tell you what I thought about it. In the past, I have always admired Nick Cave more in theory than in practice. Finding his heavier touches a little too “noisy”. Typified by the 2004 release Abbatoir Blues / The Lyre of Orpheus, where I listened to the latter, gentler side over and over, and largely left the more raucous tracks on the former alone.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
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