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Mandy and G.D. Burkhead (26 KP) rated Poison Study (Study, #1) in Books
May 20, 2018
Shelf Life – The Chronicles of Ixia merits closer study
Contains spoilers, click to show
This review is for the entire Chronicles of Ixia series.
The first trilogy, comprised of Poison Study, Fire Study, and Magic Study, follows Yelena Zaltana. The second series, also called the Glass series, follows her friend Opal Cowan in Storm Glass, Sea Glass, and Spy Glass. The final trilogy, Shadow Study, Night Study, and Dawn Study, is where things get a bit odd. Maria V. Snyder had thrown in a few short stories/novellas throughout from different characters’ points of view. Perhaps she got bored of just sticking to one POV, or maybe fans wanted more from the other characters, so the third trilogy is from Yelena’s POV in first person and the POV’s of multiple characters (mainly Valek, Leif, and Janco, with a few others popping in from time to time) in third person.
I’m not sure which editor thought it would be a good idea to have POV switch from first person to third person in the same novel, but—yikes—is it jarring. Even with the wonky POV stuff in the third trilogy, these books are amazing and absolutely worth your time to read. Snyder’s world-building is compelling, detailed, and original. The books take place mostly between two pre-industrial countries: Ixia and Sitia. Ixia is a post-revolution country ruled by Commander Ambrose. His personal body guard and assassin is Valek. In the first novel Yelena is in prison for murder and is offered the choice to be the Commander’s food taster in exchange for her life. She agrees, and throughout the first book she and Valek begin to fall in love.
Ixia reminded me a lot of Communist Russia or China. In its attempts to throw away the corrupt government and society that came before, it has also thrown out all culture in the process. The country has been re-divided into districts with numbers instead of names, everyone is forced to wear a uniform, all art and extravagance has been destroyed, people have to have passes to travel between districts, and magic is forbidden. Anyone born with it is killed (or so the reader is led to believe). But Maria V. Snyder does a wonderful job of showing the good with the bad in this totalitarian dictatorship. Everyone has a job and nobody goes hungry, women are now equal to men, and violence and sexual assault are intolerable. This is why Yelena ends up in prison in the first place: she murdered the man that raped her. Now, this is probably my first major gripe with the series. We learn that Commander Ambrose loathes sexual assault and will execute anyone found guilty of it, but apparently killing a rapist in self-defense is also an executable offense. And all of that being said, Ambrose still has his own personal assassin. It all feels a bit contradictory, but again, that’s what I like about this series: it does an excellent job of peeling back the layers of her fictional societies and pointing out that governments and people in power tend to be hypocritical.
Now, the series name (or rather one of them) is Chronicles of Ixia, but honestly, it should have been called Chronicles of Sitia, because that is where most of the story takes place and is by far the more interesting and vibrant country. Sitia is part jungle, part desert, and full of magic. The peoples are divided into multiple clans or tribes that are all unique and compelling. In the second book, Yelena flees to Sitia after the Commander learns she has magic, and there she finds the family she was kidnapped from as a small child. They are part of the Zaltana clan, a group of people that live high in the trees in the jungle. Whenever I read about them, I would have to remind myself that they were not wood elves or dryads, because while there is magic in these books, there are no fantastical creatures: all characters are human or animal.
Another fascinating tribe is the Sandseeds, a group of nomads in the desert known for two major things: breeding super smart horses and having Storyweavers. The Storyweavers are people who have the magical ability to see the future and guide others, but who have to do it really cryptically because reasons (I appreciate that this gets pointed out by an annoyed Yelena multiple times). And of course, the Sandseed horses are fantastic; they choose their rider and able to mentally communicate with magical people. They even have their own horse names for people that they like.
Besides the different clans throughout Sitia, there is also the capitol, the Citadel, which is home to the magic school and the Sitian Council. While very different from Ixia, Sitia is by no means perfect. Its Council epitomizes everything annoying and dysfunctional about a bureaucracy. While the council members are elected and come from every clan in Sitia, they are at best useless and at worst actively impede the main characters.
The magic school is interesting, though the story doesn’t actually spend much time there. I like how magic was done in this series: it usually runs in families, most people with it have control over one or two things (ie. fire, mind-control, telepathy, etc.), but those who have the ability to master more can become Master Magicians after enduring a daunting trial. Magic is bound in people’s blood, so blood magic is a thing and is obviously bad, and magic (and a person’s soul) can be stolen using an intricate and gruesome blood ritual that involves prolonged torture, rape, and then murder.
The power blanket is another interesting concept used in this series. Essentially is resides over the entire world and is the essence of magic, so magicians can pull from it to augment their own magic. However, if they pull too much and lose control, they can flame out, killing themselves and temporarily damaging the blanket in the process. I thought this was a good literary tool to prevent magical characters from being too OP (at least most of the time).
I especially like the romantic relationships in this series. Valek and Yelena are of course the main couple. In the first book they fall in love, in the second book they get separated, and throughout the series they regularly cross paths and save one another. Yelena and Valek are heartmates, and as the series progresses they both have to mature and learn how to trust one another. My biggest complaint about the romance is that all sex scenes are just fade to black, which I personally find a bit boring.
The other major romantic relationship is between Opal and Devlen. This one was a bit awkward. Opal actually goes through a couple of guys first: a stormdancer named Kade and another glassmaker named Ulrick. And I really liked that the author included this. Many people have multiple partners before finding their soulmate, and a woman who does is not a slut. Her relationship with Devlen, however . . . Well, she’s a more forgiving person than me.
You see, it turns out that Devlen is the man who kidnapped Opal a few years earlier and tortured her because he was trying to steal her magic. But he didn’t actually enjoy torturing her and never raped her, which I guess makes it better? Well, he manages to switch bodies with Ulrick and, as Ulrick, tricks Opal into dating him, then, when he’s discovered, kidnaps and tortures her (again) to gain more power. But then she steals his magic, he spends some time in prison, and the combination of the two miraculously turn him into a good guy, claiming that magic is what made him evil in the first place.
I’m going to be honest, I didn’t completely buy his redemption arc even at the end of the third book in the Glass series, but by the ninth book they’re still together and he’s on the good guys’ side, so I guess it was real. And I have definitely watched/read much worse evil asshole to boyfriend stories. At least Devlen genuinely feels guilty for the horrible things he did in the past and attempts to make up for them, and in her defense, Opal has to do a lot of soul-searching before she can find it in her to forgive and trust him, and even more before she can develop romantic feelings for him (that aren’t based on deception, anyway). Also, Ulrick becomes a huge jerk because of his newfound magical abilities, tries to kill Opal, and later gets assassinated by Valek. I appreciate what Maria V. Snyder is trying to do here, which is to teach through her storytelling how good people can become evil, and evil people can redeem themselves and be good. Their romance was uncomfortable to read, but it was supposed to be uncomfortable, because that’s how all parties involved felt.
Now, let’s talk about Commander Ambrose. Towards the end of the first book, Yelena discovers that Ambrose is a female to male trans person. This is revealed to be why Ambrose hates magicians so much: he is afraid that one of them will read his mind and then reveal his secret (which is how Yelena discovers it). After I read the first book, I was really pleased that Snyder did such a good job of depicting a trans person, as that’s really only a small part of his character, and those who know (mainly Valek and Yelena) don’t make a big deal out of it.
And then . . . I really wish that the author would have just left the issue of the Commander being trans alone. Yelena discovers it in the first book, she keeps it to herself because it’s nobody else’s business, the end. But by creating this weird intricate background to explain why Ambrose is trans, Snyder just kind of shoots herself in the foot.
Throughout the rest of the series, I kept hoping for some other LGBTQ+ characters to show up to redeem the blunder with Ambrose. I actually believed that Ari and Janco were a gay couple for the longest time, what with their banter and often being referred to as partners. However, if this was the author’s intention, it was never really explicitly stated, and the partner thing just seems to refer to them being partners in combat and nothing else.
The first trilogy, comprised of Poison Study, Fire Study, and Magic Study, follows Yelena Zaltana. The second series, also called the Glass series, follows her friend Opal Cowan in Storm Glass, Sea Glass, and Spy Glass. The final trilogy, Shadow Study, Night Study, and Dawn Study, is where things get a bit odd. Maria V. Snyder had thrown in a few short stories/novellas throughout from different characters’ points of view. Perhaps she got bored of just sticking to one POV, or maybe fans wanted more from the other characters, so the third trilogy is from Yelena’s POV in first person and the POV’s of multiple characters (mainly Valek, Leif, and Janco, with a few others popping in from time to time) in third person.
I’m not sure which editor thought it would be a good idea to have POV switch from first person to third person in the same novel, but—yikes—is it jarring. Even with the wonky POV stuff in the third trilogy, these books are amazing and absolutely worth your time to read. Snyder’s world-building is compelling, detailed, and original. The books take place mostly between two pre-industrial countries: Ixia and Sitia. Ixia is a post-revolution country ruled by Commander Ambrose. His personal body guard and assassin is Valek. In the first novel Yelena is in prison for murder and is offered the choice to be the Commander’s food taster in exchange for her life. She agrees, and throughout the first book she and Valek begin to fall in love.
Ixia reminded me a lot of Communist Russia or China. In its attempts to throw away the corrupt government and society that came before, it has also thrown out all culture in the process. The country has been re-divided into districts with numbers instead of names, everyone is forced to wear a uniform, all art and extravagance has been destroyed, people have to have passes to travel between districts, and magic is forbidden. Anyone born with it is killed (or so the reader is led to believe). But Maria V. Snyder does a wonderful job of showing the good with the bad in this totalitarian dictatorship. Everyone has a job and nobody goes hungry, women are now equal to men, and violence and sexual assault are intolerable. This is why Yelena ends up in prison in the first place: she murdered the man that raped her. Now, this is probably my first major gripe with the series. We learn that Commander Ambrose loathes sexual assault and will execute anyone found guilty of it, but apparently killing a rapist in self-defense is also an executable offense. And all of that being said, Ambrose still has his own personal assassin. It all feels a bit contradictory, but again, that’s what I like about this series: it does an excellent job of peeling back the layers of her fictional societies and pointing out that governments and people in power tend to be hypocritical.
Now, the series name (or rather one of them) is Chronicles of Ixia, but honestly, it should have been called Chronicles of Sitia, because that is where most of the story takes place and is by far the more interesting and vibrant country. Sitia is part jungle, part desert, and full of magic. The peoples are divided into multiple clans or tribes that are all unique and compelling. In the second book, Yelena flees to Sitia after the Commander learns she has magic, and there she finds the family she was kidnapped from as a small child. They are part of the Zaltana clan, a group of people that live high in the trees in the jungle. Whenever I read about them, I would have to remind myself that they were not wood elves or dryads, because while there is magic in these books, there are no fantastical creatures: all characters are human or animal.
Another fascinating tribe is the Sandseeds, a group of nomads in the desert known for two major things: breeding super smart horses and having Storyweavers. The Storyweavers are people who have the magical ability to see the future and guide others, but who have to do it really cryptically because reasons (I appreciate that this gets pointed out by an annoyed Yelena multiple times). And of course, the Sandseed horses are fantastic; they choose their rider and able to mentally communicate with magical people. They even have their own horse names for people that they like.
Besides the different clans throughout Sitia, there is also the capitol, the Citadel, which is home to the magic school and the Sitian Council. While very different from Ixia, Sitia is by no means perfect. Its Council epitomizes everything annoying and dysfunctional about a bureaucracy. While the council members are elected and come from every clan in Sitia, they are at best useless and at worst actively impede the main characters.
The magic school is interesting, though the story doesn’t actually spend much time there. I like how magic was done in this series: it usually runs in families, most people with it have control over one or two things (ie. fire, mind-control, telepathy, etc.), but those who have the ability to master more can become Master Magicians after enduring a daunting trial. Magic is bound in people’s blood, so blood magic is a thing and is obviously bad, and magic (and a person’s soul) can be stolen using an intricate and gruesome blood ritual that involves prolonged torture, rape, and then murder.
The power blanket is another interesting concept used in this series. Essentially is resides over the entire world and is the essence of magic, so magicians can pull from it to augment their own magic. However, if they pull too much and lose control, they can flame out, killing themselves and temporarily damaging the blanket in the process. I thought this was a good literary tool to prevent magical characters from being too OP (at least most of the time).
I especially like the romantic relationships in this series. Valek and Yelena are of course the main couple. In the first book they fall in love, in the second book they get separated, and throughout the series they regularly cross paths and save one another. Yelena and Valek are heartmates, and as the series progresses they both have to mature and learn how to trust one another. My biggest complaint about the romance is that all sex scenes are just fade to black, which I personally find a bit boring.
The other major romantic relationship is between Opal and Devlen. This one was a bit awkward. Opal actually goes through a couple of guys first: a stormdancer named Kade and another glassmaker named Ulrick. And I really liked that the author included this. Many people have multiple partners before finding their soulmate, and a woman who does is not a slut. Her relationship with Devlen, however . . . Well, she’s a more forgiving person than me.
You see, it turns out that Devlen is the man who kidnapped Opal a few years earlier and tortured her because he was trying to steal her magic. But he didn’t actually enjoy torturing her and never raped her, which I guess makes it better? Well, he manages to switch bodies with Ulrick and, as Ulrick, tricks Opal into dating him, then, when he’s discovered, kidnaps and tortures her (again) to gain more power. But then she steals his magic, he spends some time in prison, and the combination of the two miraculously turn him into a good guy, claiming that magic is what made him evil in the first place.
I’m going to be honest, I didn’t completely buy his redemption arc even at the end of the third book in the Glass series, but by the ninth book they’re still together and he’s on the good guys’ side, so I guess it was real. And I have definitely watched/read much worse evil asshole to boyfriend stories. At least Devlen genuinely feels guilty for the horrible things he did in the past and attempts to make up for them, and in her defense, Opal has to do a lot of soul-searching before she can find it in her to forgive and trust him, and even more before she can develop romantic feelings for him (that aren’t based on deception, anyway). Also, Ulrick becomes a huge jerk because of his newfound magical abilities, tries to kill Opal, and later gets assassinated by Valek. I appreciate what Maria V. Snyder is trying to do here, which is to teach through her storytelling how good people can become evil, and evil people can redeem themselves and be good. Their romance was uncomfortable to read, but it was supposed to be uncomfortable, because that’s how all parties involved felt.
Now, let’s talk about Commander Ambrose. Towards the end of the first book, Yelena discovers that Ambrose is a female to male trans person. This is revealed to be why Ambrose hates magicians so much: he is afraid that one of them will read his mind and then reveal his secret (which is how Yelena discovers it). After I read the first book, I was really pleased that Snyder did such a good job of depicting a trans person, as that’s really only a small part of his character, and those who know (mainly Valek and Yelena) don’t make a big deal out of it.
And then . . . I really wish that the author would have just left the issue of the Commander being trans alone. Yelena discovers it in the first book, she keeps it to herself because it’s nobody else’s business, the end. But by creating this weird intricate background to explain why Ambrose is trans, Snyder just kind of shoots herself in the foot.
Throughout the rest of the series, I kept hoping for some other LGBTQ+ characters to show up to redeem the blunder with Ambrose. I actually believed that Ari and Janco were a gay couple for the longest time, what with their banter and often being referred to as partners. However, if this was the author’s intention, it was never really explicitly stated, and the partner thing just seems to refer to them being partners in combat and nothing else.
Heather Cranmer (2721 KP) rated Ruby's Fire in Books
Jun 7, 2018
(This review will be available on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> in August).
You know when you get a book, and it's much better than you thought it was going to be? Well, Ruby's Fire by Catherine Stine was definitely one of those books! I absolutely loved it, and it's definitely one of my favorite books that I've read in 2013!
Ruby is a 17 year old girl who, with her 8 year old brother Thorn, escapes from a cult which pairs young girls with much older men. Ruby and Thorn arrive at a school known as The Greening. Here she meets a whole cast of characters. When an act of bullying goes horribly wrong, Ruby and her brother Thorn are left with extreme changes that alter their DNA. When a contest in announces with a prize of a hefty cash sum, all the students are The Greening are excited! However, this competition reveals that all is not what it seems.
I do like the title, and I find it very interesting! However, I don't really get the meaning of it. Maybe I'm just being thick, but it makes no sense to me.
I think the cover does an amazing job at depicting the plot of the book. In fact, this is one of the best book covers I've ever seen that is actually relevant to the book. Whoever came up with this idea for the cover is a genius!
I enjoyed the setting of this book very much! I like the futuristic/dystopian world that Stine has created. Catherine Stine does an awesome job at making this world come alive. The world in which Ruby lives has become unbearably hot, and people must wear masks and burn suits if they don't want to burn. The author paints a vivid picture of this throughout the book. I can very much see this happening in the future.
The pacing was done really well! Not once in the book did I feel like the pacing was going too slow or too fast for my liking. I couldn't wait to find out what would happen next. If it was possible to eat books by reading them quickly because they are amazing, this would would've been gone in flash!
What an amazing plot! Besides the main plot, there were lots of sub-plots! Will Ruby figure out what is wrong with her and Thorn? Will she choose Armonk or Blane since she cares for both? Can she escape her past? That's just some of the questions answered in the book. Also, there is a fantastic plot twist that I didn't see coming!
All of the characters were written superbly! I loved Ruby and how willing she was to take care of her little brother. Ruby was a very down to Earth character who had went through a lot of hardships. I believe this made her a better person. What I didn't like about her was the fact that she kept going on about how beautiful she was. However, this is probably just a personal thing. I found Thorn to be so cute!! It would've been interesting to see things from his point of view as the book is told from Ruby's point of view. Armonk seems like such a sweet guy, and I loved how he was willing to defend his friends. I feel like Armonk was an all around nice guy. I really loved Blane! I like how he grew as a person going from a mean brute to a gentle warrior. It was nice to see this change in him. Like Armonk, I loved how he was willing to protect his friends at all cost.
The dialogue was fantastic! It is told in a first person point of view with Ruby being the narrator. I usually don't enjoy first person reads as much as third person ones, but this one was done fantastically! Some books that take place in the future have really cheesy dialogue, but Ruby's Fire wasn't one of those books. The dialogue was also easy to understand with no futuristic terms getting in the way. There are a few swear words though.
Overall, Ruby's Fire by Catherine Stine is such an amazing and interesting read! While it is a part of a series, it can be read as a stand alone. I usually don't read books out of series order because I feel like I'll miss so much information, but this book can actually be read as a standalone without missing much. (The first book in the series talks about a minor character in this book).
I'd recommend this book to those aged 14+ who want some adventure in their life!
I'd give Ruby's Fire by Catherine Stine a 5 out of 5.
(I received a free paperback copy of this book from the author in exchange for a fair and honest review).
You know when you get a book, and it's much better than you thought it was going to be? Well, Ruby's Fire by Catherine Stine was definitely one of those books! I absolutely loved it, and it's definitely one of my favorite books that I've read in 2013!
Ruby is a 17 year old girl who, with her 8 year old brother Thorn, escapes from a cult which pairs young girls with much older men. Ruby and Thorn arrive at a school known as The Greening. Here she meets a whole cast of characters. When an act of bullying goes horribly wrong, Ruby and her brother Thorn are left with extreme changes that alter their DNA. When a contest in announces with a prize of a hefty cash sum, all the students are The Greening are excited! However, this competition reveals that all is not what it seems.
I do like the title, and I find it very interesting! However, I don't really get the meaning of it. Maybe I'm just being thick, but it makes no sense to me.
I think the cover does an amazing job at depicting the plot of the book. In fact, this is one of the best book covers I've ever seen that is actually relevant to the book. Whoever came up with this idea for the cover is a genius!
I enjoyed the setting of this book very much! I like the futuristic/dystopian world that Stine has created. Catherine Stine does an awesome job at making this world come alive. The world in which Ruby lives has become unbearably hot, and people must wear masks and burn suits if they don't want to burn. The author paints a vivid picture of this throughout the book. I can very much see this happening in the future.
The pacing was done really well! Not once in the book did I feel like the pacing was going too slow or too fast for my liking. I couldn't wait to find out what would happen next. If it was possible to eat books by reading them quickly because they are amazing, this would would've been gone in flash!
What an amazing plot! Besides the main plot, there were lots of sub-plots! Will Ruby figure out what is wrong with her and Thorn? Will she choose Armonk or Blane since she cares for both? Can she escape her past? That's just some of the questions answered in the book. Also, there is a fantastic plot twist that I didn't see coming!
All of the characters were written superbly! I loved Ruby and how willing she was to take care of her little brother. Ruby was a very down to Earth character who had went through a lot of hardships. I believe this made her a better person. What I didn't like about her was the fact that she kept going on about how beautiful she was. However, this is probably just a personal thing. I found Thorn to be so cute!! It would've been interesting to see things from his point of view as the book is told from Ruby's point of view. Armonk seems like such a sweet guy, and I loved how he was willing to defend his friends. I feel like Armonk was an all around nice guy. I really loved Blane! I like how he grew as a person going from a mean brute to a gentle warrior. It was nice to see this change in him. Like Armonk, I loved how he was willing to protect his friends at all cost.
The dialogue was fantastic! It is told in a first person point of view with Ruby being the narrator. I usually don't enjoy first person reads as much as third person ones, but this one was done fantastically! Some books that take place in the future have really cheesy dialogue, but Ruby's Fire wasn't one of those books. The dialogue was also easy to understand with no futuristic terms getting in the way. There are a few swear words though.
Overall, Ruby's Fire by Catherine Stine is such an amazing and interesting read! While it is a part of a series, it can be read as a stand alone. I usually don't read books out of series order because I feel like I'll miss so much information, but this book can actually be read as a standalone without missing much. (The first book in the series talks about a minor character in this book).
I'd recommend this book to those aged 14+ who want some adventure in their life!
I'd give Ruby's Fire by Catherine Stine a 5 out of 5.
(I received a free paperback copy of this book from the author in exchange for a fair and honest review).
Haley Mathiot (9 KP) rated The Language of Secrets in Books
Apr 27, 2018
Justin Fisher was just an ordinary guy—he was a manager of a hotel, married with a son, and a great future ahead of him. But he decides that he must go back to his home, because he hasn’t spoken with his family in years.
When he arrives, his parents are dead—and his gravestone is beside theirs.
Justin embarks on an amazing terrifying journey of mystery, self discovery, and secrets to try to fix his broken past—or at least figure out who he is.
The Language of Secrets was powerful, ironic, and profound. I was instantly swept away by Dixon’s prose and illustrations. My jaw literally dropped as I read the opening paragraphs, the writing was so fluid and descriptive. It was all written in third person, but switched perspectives every few chapters.
Near the middle I felt like I was in the middle of two separate stories, and I wasn’t sure how they connected, but I knew they did because they were about the same characters. Watching the story unfold in almost a mystery-novel way was incredible: it was a complex series of events woven together expertly so that you can’t even find the seams.
I loved the ending. The Language of Secrets finishes up the story, concludes it, leaves you satisfied, and then throws something at you in the very last paragraph of the very last chapter that you didn’t expect. It sent my eyebrows to the ceiling and my jaw to the floor. I think my eyeballs are still rolling around on the ground somewhere.
The Language of Secrets was amazing—it’s staying on my shelf for a definite re-read.
Content: medium language, some violence, mention of sex but no details, mention of rape but no details.
Recommendation: Ages 16+
When he arrives, his parents are dead—and his gravestone is beside theirs.
Justin embarks on an amazing terrifying journey of mystery, self discovery, and secrets to try to fix his broken past—or at least figure out who he is.
The Language of Secrets was powerful, ironic, and profound. I was instantly swept away by Dixon’s prose and illustrations. My jaw literally dropped as I read the opening paragraphs, the writing was so fluid and descriptive. It was all written in third person, but switched perspectives every few chapters.
Near the middle I felt like I was in the middle of two separate stories, and I wasn’t sure how they connected, but I knew they did because they were about the same characters. Watching the story unfold in almost a mystery-novel way was incredible: it was a complex series of events woven together expertly so that you can’t even find the seams.
I loved the ending. The Language of Secrets finishes up the story, concludes it, leaves you satisfied, and then throws something at you in the very last paragraph of the very last chapter that you didn’t expect. It sent my eyebrows to the ceiling and my jaw to the floor. I think my eyeballs are still rolling around on the ground somewhere.
The Language of Secrets was amazing—it’s staying on my shelf for a definite re-read.
Content: medium language, some violence, mention of sex but no details, mention of rape but no details.
Recommendation: Ages 16+
graveyardgremlin (7194 KP) rated Spooky Little Girl in Books
Feb 15, 2019
Poor Lucy Fisher. Just when she thinks she can go home and relax from a crummy vacation, she finds all her belongings tossed out onto the lawn of the house she shares with her fiance, and to top that off, she then loses her job. The last thing she needs is to be hit by a bus and left to be scraped up by an over-sized spatula (I don't envy whoever has to do that!).
After a slow build-up, the book finally came alive (so to speak) for me at the half-way point, along with the help of her grandmother, Naunie. Told in third-person, Lucy is a slightly flaky, but completely sympathetic character who goes through many moods as she deals with her death and how to become a proper ghost. Along with other clever touches, the idea of having untimely deaths go to a ghost school before arriving in "The State" is utterly fantastic. I wouldn't mind seeing that more fleshed out for another book, although I don't know how that would work. Lucy is helped in her haunting assignment by Naunie, whose exploits in "The State" are hilarious and she really livens up the book and provides many laughs. All the other characters add to the book without either being unnecessary or overused. Also, I would be remiss if I didn't mention Tulip, Lucy's dog before her death, who is the most adorable and sweetest thing ever. No, there aren't really any surprises plot-wise, but it's the journey that matters, and I enjoyed it.
So, even though it started slow, SPOOKY LITTLE GIRL picked up pace and ended up being a cute, funny, charming, thoughtful, and heartwarming little book. I'm glad I got a chance to read this and learn about how this book came to be in the author's note at the end.
After a slow build-up, the book finally came alive (so to speak) for me at the half-way point, along with the help of her grandmother, Naunie. Told in third-person, Lucy is a slightly flaky, but completely sympathetic character who goes through many moods as she deals with her death and how to become a proper ghost. Along with other clever touches, the idea of having untimely deaths go to a ghost school before arriving in "The State" is utterly fantastic. I wouldn't mind seeing that more fleshed out for another book, although I don't know how that would work. Lucy is helped in her haunting assignment by Naunie, whose exploits in "The State" are hilarious and she really livens up the book and provides many laughs. All the other characters add to the book without either being unnecessary or overused. Also, I would be remiss if I didn't mention Tulip, Lucy's dog before her death, who is the most adorable and sweetest thing ever. No, there aren't really any surprises plot-wise, but it's the journey that matters, and I enjoyed it.
So, even though it started slow, SPOOKY LITTLE GIRL picked up pace and ended up being a cute, funny, charming, thoughtful, and heartwarming little book. I'm glad I got a chance to read this and learn about how this book came to be in the author's note at the end.
Kyera (8 KP) rated Battle of the Ampere (Michael Vey, #3) in Books
Feb 1, 2018
As this is the third book in the series, there is not much that I can say about it that will not spoil either of the previous books but I will do my best to avoid most specifics. If you haven't read the series yet, I would recommend not reading this review.
My opinions about this book have not varied greatly since I began reading the Prisoner of Cell 25. The writing quality is still not impressive, but it feels more like a middle-grade novel or low-level young adult so it isn't entirely out of place. The author continues to overuse the word said as his descriptor for almost every person who is speaking, which becomes tedious. As I am listening to the audiobook, I have mentioned before that it could compound the issue for me hearing so many "saids" in a row but in my opinion, that's just poor word choice that could be rectified quite easily.
I enjoyed how this book continued to develop the characters and world because previously I felt those aspects to be a little lacking. We learn more about the Elgen and their secretive board, though I hope that is expanded in future books. They are a shadowy corporation and the "big bad" of the series in conjunction with Hatch, but we know very little about either party.
There was more character development and added depth to their personalities. We were given internal motivation and struggles that made them more realistic and relatable. Our core group feels more developed now, although the supporting characters are still a little flat. I hope that they are fleshed out more in subsequent books.
Overall, this is a fast, easy read that is perfect for middle grade or young adult/teen who just want a fun book with an aspect of fantasy.
My opinions about this book have not varied greatly since I began reading the Prisoner of Cell 25. The writing quality is still not impressive, but it feels more like a middle-grade novel or low-level young adult so it isn't entirely out of place. The author continues to overuse the word said as his descriptor for almost every person who is speaking, which becomes tedious. As I am listening to the audiobook, I have mentioned before that it could compound the issue for me hearing so many "saids" in a row but in my opinion, that's just poor word choice that could be rectified quite easily.
I enjoyed how this book continued to develop the characters and world because previously I felt those aspects to be a little lacking. We learn more about the Elgen and their secretive board, though I hope that is expanded in future books. They are a shadowy corporation and the "big bad" of the series in conjunction with Hatch, but we know very little about either party.
There was more character development and added depth to their personalities. We were given internal motivation and struggles that made them more realistic and relatable. Our core group feels more developed now, although the supporting characters are still a little flat. I hope that they are fleshed out more in subsequent books.
Overall, this is a fast, easy read that is perfect for middle grade or young adult/teen who just want a fun book with an aspect of fantasy.
Hazel (1853 KP) rated The One Safe Place in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Review of an uncorrected bound manuscript.
<i>The One Safe Place</i> is a gripping tale by Tania Unsworth aimed at older children, although completely enjoyable by teens and adults too. Written in the third person and set in the not so distant future, we follow Devin’s story.
In the future the climate has changed, the temperature has risen and rain is very rare. The opening scene reveals Devin, a young boy, on a farm, digging a grave to bury his grandfather who has recently died (presumably of old age and not something sinister). Devin, now alone, decides to head to the city, a place he has never visited, in order to find some help for the farm. The problem is he has never once left the farm and knows nothing of the real world. Here he meets Kit, a young girl on her own living on the roof of a building, and decides to tag along with her. But then they meet Roman who promises them a safe home. Although skeptical, they decide to trust him and thus they arrive at the <i>Gabriel H. Penn Home For Childhood</i>. The place is amazing and has everything a child could want: toys, games, clothes, individual bedrooms, a swimming pool, and most importantly, food and drink. So why are all the other children walking around in limbo, uninterested in everything around them?
Devin, with the help of his friends, and his synesthesia, soon discovers and pieces together what is wrong about the home. The pace picks up as they plan their escape leading to the exciting ending.
<i>The One Safe Place</i> is a book young readers will love. Well what child would not love a book where the children outsmart the adults?
Review of an uncorrected bound manuscript.
<i>The One Safe Place</i> is a gripping tale by Tania Unsworth aimed at older children, although completely enjoyable by teens and adults too. Written in the third person and set in the not so distant future, we follow Devin’s story.
In the future the climate has changed, the temperature has risen and rain is very rare. The opening scene reveals Devin, a young boy, on a farm, digging a grave to bury his grandfather who has recently died (presumably of old age and not something sinister). Devin, now alone, decides to head to the city, a place he has never visited, in order to find some help for the farm. The problem is he has never once left the farm and knows nothing of the real world. Here he meets Kit, a young girl on her own living on the roof of a building, and decides to tag along with her. But then they meet Roman who promises them a safe home. Although skeptical, they decide to trust him and thus they arrive at the <i>Gabriel H. Penn Home For Childhood</i>. The place is amazing and has everything a child could want: toys, games, clothes, individual bedrooms, a swimming pool, and most importantly, food and drink. So why are all the other children walking around in limbo, uninterested in everything around them?
Devin, with the help of his friends, and his synesthesia, soon discovers and pieces together what is wrong about the home. The pace picks up as they plan their escape leading to the exciting ending.
<i>The One Safe Place</i> is a book young readers will love. Well what child would not love a book where the children outsmart the adults?
Louise (64 KP) rated Horrorstör in Books
Jul 2, 2018
I was super excited about reading this book, when I first read the synopsis of a haunted Ikea style superstore I was instantly intrigued and couldn’t wait to pick it up. I showed my friend the book and she too wanted to read this book on the synopsis alone. There is something quite thrilling about a superstore being haunted especially as I have an Ikea around the corner from where I live.
Lets talk about the design of this book first of all, when I picked it up it looked and felt just like a shopping catalogue,the book also had french flaps and on the inside of the cover there was a layout of the store and list of areas, such as kitchens, bedrooms, wardrobes etc etc. Every chapter had a product advertisement that become more and more sinister throughout the book.
This book was definitely intense and got very creepy and definitely scary in parts but I didn’t feel any connection with the characters, This could be that it was told from a third person perspective or that none of them had personalities.All of the characters were just boring. The reason why it was haunted was quite interesting and I really liked that aspect of the story. The ending, I think is a bit 50/50 you are either going to love it or hate it and I didn’t like it.When I finished this book there was one question on my mind WHY? This book is described as a parody/humor which I found wasn’t the case at all and I perhaps sniggered once.
Overall I enjoyed the book and loved the aesthetic side of it but it just didn’t blow me away. I recommend this for people who want a quick read with elements of horror.
I rated this 2.5 out of 5 stars
Lets talk about the design of this book first of all, when I picked it up it looked and felt just like a shopping catalogue,the book also had french flaps and on the inside of the cover there was a layout of the store and list of areas, such as kitchens, bedrooms, wardrobes etc etc. Every chapter had a product advertisement that become more and more sinister throughout the book.
This book was definitely intense and got very creepy and definitely scary in parts but I didn’t feel any connection with the characters, This could be that it was told from a third person perspective or that none of them had personalities.All of the characters were just boring. The reason why it was haunted was quite interesting and I really liked that aspect of the story. The ending, I think is a bit 50/50 you are either going to love it or hate it and I didn’t like it.When I finished this book there was one question on my mind WHY? This book is described as a parody/humor which I found wasn’t the case at all and I perhaps sniggered once.
Overall I enjoyed the book and loved the aesthetic side of it but it just didn’t blow me away. I recommend this for people who want a quick read with elements of horror.
I rated this 2.5 out of 5 stars
ClareR (5911 KP) rated The Labyrinth of the Spirits in Books
Nov 2, 2018
A beautiful and deserving ending to a wonderful series
This is the fourth and final instalment in the Cemetery of Forgotten Books series. I have to be honest - I have read the first book in the series, and I have the second and third books on my bookshelf, unread. I thought I had actually read them, but as I read this book, it became blatantly obvious that I hadn't. I WILL be rectifying that! However, it isn't actually necessary to read these in order. I don't feel I've missed any of the plot, although I have a sneaking suspicion I would have 'cottoned on' a lot quicker with some of the story lines.
I loved this book - the characters are so well developed, the story had me reading through my fingers (if you see what I mean!). I wanted the best for the Sempere's for Alicia and Fermin, and they all got the ending they deserved (and that's all I'll say!).
Parts of the book are toe-curlingly graphic. Alicia's life is not a pleasant one, and one of the other characters has a very bad experience. We get to see the corruptness of government officials in fascist Spain, and the depths they go to for money and power.
And underlying it all is a love of books that we book lovers all understand: "This is a place of mystery...a sanctuary. Every book, every volume you see here has a soul. The soul of the person who wrote it and of those who read it and loved and dreamed with it."
Yes, I cried. It's a gorgeous book.
Many thanks to NetGalley and the publisher for my copy of this book.
I loved this book - the characters are so well developed, the story had me reading through my fingers (if you see what I mean!). I wanted the best for the Sempere's for Alicia and Fermin, and they all got the ending they deserved (and that's all I'll say!).
Parts of the book are toe-curlingly graphic. Alicia's life is not a pleasant one, and one of the other characters has a very bad experience. We get to see the corruptness of government officials in fascist Spain, and the depths they go to for money and power.
And underlying it all is a love of books that we book lovers all understand: "This is a place of mystery...a sanctuary. Every book, every volume you see here has a soul. The soul of the person who wrote it and of those who read it and loved and dreamed with it."
Yes, I cried. It's a gorgeous book.
Many thanks to NetGalley and the publisher for my copy of this book.
David McK (3576 KP) rated Mockingjay in Books
Jan 28, 2019
The third and final book in Suzanne Collin's <i>The Hunger Games</i> trilogy, in which the (I found) the whole proved to be greater than the sum of its parts.
Like the previous two entries, this is again told in the first-person immediate sense, and is again a 'true' sequel - don't even bother trying to read this without the first two!
Picking up from the end of <i>Catching Fire</i>, Katniss (and some other victors) has been rescued from the 75th annual Hunger Games by the previously-thought-to-be-a-myth survivors of District 13. Not all have made it out, however, Peeta (and two other victors) have been captured by the Capitol, who are now in the process of torturing them for information as the other Districts (1 through 12) rise up against teh Capitol.
This, then, is pretty much a war story, and doesn't shy away from the realities of such (albeit also somewhat sanitized), with characters dropping left, right and centre in unexpected moments, and with Katniss suffering further mental scarring as a result.
But if the Capitol falls, what will rise to replace it?
As a series over-all, I'll admit I wasn't too sure about it at first, and that it took a while for me to get used to the format in which it was told. The every-chapter-must-end-on-a-cliffhanger approach might have been a bit too much for my tastes, but in the end you just had to go with it (think of it like those old TV episodes that did the same!). Individually, the stories were enjoyable enough but nothing special, but put together as one whole arc (and read back to back) I have to say, it proved to be better than I was expecting.
Like the previous two entries, this is again told in the first-person immediate sense, and is again a 'true' sequel - don't even bother trying to read this without the first two!
Picking up from the end of <i>Catching Fire</i>, Katniss (and some other victors) has been rescued from the 75th annual Hunger Games by the previously-thought-to-be-a-myth survivors of District 13. Not all have made it out, however, Peeta (and two other victors) have been captured by the Capitol, who are now in the process of torturing them for information as the other Districts (1 through 12) rise up against teh Capitol.
This, then, is pretty much a war story, and doesn't shy away from the realities of such (albeit also somewhat sanitized), with characters dropping left, right and centre in unexpected moments, and with Katniss suffering further mental scarring as a result.
But if the Capitol falls, what will rise to replace it?
As a series over-all, I'll admit I wasn't too sure about it at first, and that it took a while for me to get used to the format in which it was told. The every-chapter-must-end-on-a-cliffhanger approach might have been a bit too much for my tastes, but in the end you just had to go with it (think of it like those old TV episodes that did the same!). Individually, the stories were enjoyable enough but nothing special, but put together as one whole arc (and read back to back) I have to say, it proved to be better than I was expecting.