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Bob Mann (459 KP) rated Love And Friendship (2016) in Movies
Sep 29, 2021
Beckinsale excels in a comic tale of Girl Power in the 1790’s.
Set in 1790, Kate Beckinsale plays Lady Susan Vernon, an 18th century cuckoo-like ‘MILF’ (actually, more ‘LILF’, but using the ‘Lady’ term loosely) who with her glamourous demeanor is lusted after by both younger beaus as well as married aristocracy: an example being Lord Manwaring (Lochlann O’Mearáin).
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
PTL: The Rise and Fall of Jim and Tammy Faye Bakker's Evangelical Empire
Book
In the early months of 1987 Jim and Tammy Faye Bakker had it all-a popular Christian talk show,...
Jordan Binkerd (567 KP) rated American Vampire, Vol. 6 in Books
Jul 21, 2019 (Updated Jul 21, 2019)
Not all the art works (for me) (1 more)
Adult content.... but if you made it this far in the series, that's not a surprise
Filler Anthology, but still fun...
Note: this review is transposted from my personal review blog, and so was originally written several years ago.
So, it has come to this. The sixth and latest collection of American Vampire comics. Now it’s not just my library’s slow acquisition policies holding me back, but the fact that there haven’t been any more published yet! Apparently the creators put the book on hiatus for a while, but they’ve at least started publishing again. I just have to wait for it to hit the collections….This particular collection is a couple of one-shots they put out in the meantime to keep our appetites whetted–one from the main American Vampire team, one with them letting a whole bunch of other comics creators play in their sandbox. Obviously, this review could spoil events from the previous collections.
First off, we have THE LONG ROAD TO HELL. Snyder and Albuquerque set out the story for this one together, with Albuquerque taking over to script and draw the story. Billy Bob and Jo are the Bonnie and Clyde of petty thieves, picking pockets by night to add to their stash. They’re hoping to have enough soon to cover the cost of renting a chapel, but one fateful encounter with a vampire coven recruitment team and everything changes…not for the better, I’m afraid. Jasper Miller is a young orphan, favorite target of a group of bullies. It seems that young Jasper is a very insightful young man, and some of what he knows makes these bullies very nervous, and he decides that the open road would be safer for him than the old orphanage. Vampire hunter Travis Kidd we’ve already met back in Vol. IV, and it’s good to see that he survived the ambush he willingly dove into at the end of that book. Seems to have picked up a katana somewhere in the interim too, which is always cool. Fate has these four on a collision course, and blood will be spilled by the time they reach the end of the road….
Moving on to the American Vampire Anthology, we open with the frame story by Snyder and Albuquerque. THE MAN COMES AROUND is set in 1967 as Skinner Sweet hides out in the middle of nowhere, hoping to avoid the major events he can sense just over the horizon. Seems there’s always someone trying to kill him, though…. Jason Aaron and Declan Shalvey then enlighten us as to what really happened on Roanoke Island in THE LOST COLONY. Here’s a hint, vampires were involved. We then move on to BLEEDING KANSAS, where Albuquerque puts down his pencil and takes a shot at writing the story, leaving the art to Ivo Milazzo. Set against that tumultuous time and place, Albuquerque and Milazzo set down for us a tale of what I can only assume are Henry Jones’ grandparents. Next up, Jeff Lemire and Ray Fawkes serve up a tale of terror in the frozen north with CANADIAN VAMPIRE as ex-Mountie-turned-bounty-hunter Jack Warhammer is hired to find out what happened to a German fur trading expedition missing in the wild. Becky Cloonan handles both the writing and art for GREED, starring Skinner Sweet and featuring his first encounter with those crazy folks who hail from a place called “Hollywood….” Francesco Francavilla then pulls the same trick for THE PRODUCERS, detailing the birth of a star as he makes a shady deal in exchange for fame and fortune. Gail Simone and Tula Lotay treat us to Hattie Hargrove’s origin story in ESSENCE OF LIFE, showing us just what happened to her that made her willing to screw over her best friend in the world. Gabriel Ba and Fabio Moon share both the writing and artist credits for LAST NIGHT, as a lounge singer describes to a reporter the events leading up to the previous evening’s massacre at the club. Finally, Greg Rucka and JP Leon tell the tale of a dying drunk and the lowlifes who try and shanghai him in PORTLAND, 1940.
On the whole, I really enjoyed this as per the usual for this series. The writing was stellar, and the anthology format really served well for the world being depicted. As with any comics anthology, there’s a wide variety of artistic styles represented, and some of those styles I’m not really a fan of, but that’s largely a matter of taste. I could sit here and tell you that I really wasn’t a fan of Ivo Milazzo’s art on BLEEDING KANSAS (which is true), but the next guy might have loved it. I could laud Tula Lotay’s work on ESSENCE OF LIFE (also true), but the next guy may not have been a fan. That’s kind of how it works–peoples’ tastes are pretty subjective. I did enjoy getting into Hattie’s head a bit more than we were able to back when she was introduced, and Skinner Sweet’s adventures are always fun–I’ve mentioned before my weakness for antiheroes. As a historian, Roanoke’s lost colony is always a fascinating topic, and a number of the plot twists contained here were very satisfying if not always surprising. I really can’t wait for the next volume to come out so I can see the payoff to some of the plot threads being set up both here and in the teaser from the end of volume V….
CONTENT: R-rated language. Brutal, bloody vampire violence–these aren’t sparkly, angst-ridden pretty boys, these are monsters through and through. Some explicit and implicit sexual content, including what more or less constitutes a rape. No real occult content, as there isn’t a spiritual element to this version of vampirism.
Original review link: https://jordanbinkerd.wordpress.com/2014/08/15/review-american-vampire-volume-vi-by-scott-snyder-rafael-albuquerque/
So, it has come to this. The sixth and latest collection of American Vampire comics. Now it’s not just my library’s slow acquisition policies holding me back, but the fact that there haven’t been any more published yet! Apparently the creators put the book on hiatus for a while, but they’ve at least started publishing again. I just have to wait for it to hit the collections….This particular collection is a couple of one-shots they put out in the meantime to keep our appetites whetted–one from the main American Vampire team, one with them letting a whole bunch of other comics creators play in their sandbox. Obviously, this review could spoil events from the previous collections.
First off, we have THE LONG ROAD TO HELL. Snyder and Albuquerque set out the story for this one together, with Albuquerque taking over to script and draw the story. Billy Bob and Jo are the Bonnie and Clyde of petty thieves, picking pockets by night to add to their stash. They’re hoping to have enough soon to cover the cost of renting a chapel, but one fateful encounter with a vampire coven recruitment team and everything changes…not for the better, I’m afraid. Jasper Miller is a young orphan, favorite target of a group of bullies. It seems that young Jasper is a very insightful young man, and some of what he knows makes these bullies very nervous, and he decides that the open road would be safer for him than the old orphanage. Vampire hunter Travis Kidd we’ve already met back in Vol. IV, and it’s good to see that he survived the ambush he willingly dove into at the end of that book. Seems to have picked up a katana somewhere in the interim too, which is always cool. Fate has these four on a collision course, and blood will be spilled by the time they reach the end of the road….
Moving on to the American Vampire Anthology, we open with the frame story by Snyder and Albuquerque. THE MAN COMES AROUND is set in 1967 as Skinner Sweet hides out in the middle of nowhere, hoping to avoid the major events he can sense just over the horizon. Seems there’s always someone trying to kill him, though…. Jason Aaron and Declan Shalvey then enlighten us as to what really happened on Roanoke Island in THE LOST COLONY. Here’s a hint, vampires were involved. We then move on to BLEEDING KANSAS, where Albuquerque puts down his pencil and takes a shot at writing the story, leaving the art to Ivo Milazzo. Set against that tumultuous time and place, Albuquerque and Milazzo set down for us a tale of what I can only assume are Henry Jones’ grandparents. Next up, Jeff Lemire and Ray Fawkes serve up a tale of terror in the frozen north with CANADIAN VAMPIRE as ex-Mountie-turned-bounty-hunter Jack Warhammer is hired to find out what happened to a German fur trading expedition missing in the wild. Becky Cloonan handles both the writing and art for GREED, starring Skinner Sweet and featuring his first encounter with those crazy folks who hail from a place called “Hollywood….” Francesco Francavilla then pulls the same trick for THE PRODUCERS, detailing the birth of a star as he makes a shady deal in exchange for fame and fortune. Gail Simone and Tula Lotay treat us to Hattie Hargrove’s origin story in ESSENCE OF LIFE, showing us just what happened to her that made her willing to screw over her best friend in the world. Gabriel Ba and Fabio Moon share both the writing and artist credits for LAST NIGHT, as a lounge singer describes to a reporter the events leading up to the previous evening’s massacre at the club. Finally, Greg Rucka and JP Leon tell the tale of a dying drunk and the lowlifes who try and shanghai him in PORTLAND, 1940.
On the whole, I really enjoyed this as per the usual for this series. The writing was stellar, and the anthology format really served well for the world being depicted. As with any comics anthology, there’s a wide variety of artistic styles represented, and some of those styles I’m not really a fan of, but that’s largely a matter of taste. I could sit here and tell you that I really wasn’t a fan of Ivo Milazzo’s art on BLEEDING KANSAS (which is true), but the next guy might have loved it. I could laud Tula Lotay’s work on ESSENCE OF LIFE (also true), but the next guy may not have been a fan. That’s kind of how it works–peoples’ tastes are pretty subjective. I did enjoy getting into Hattie’s head a bit more than we were able to back when she was introduced, and Skinner Sweet’s adventures are always fun–I’ve mentioned before my weakness for antiheroes. As a historian, Roanoke’s lost colony is always a fascinating topic, and a number of the plot twists contained here were very satisfying if not always surprising. I really can’t wait for the next volume to come out so I can see the payoff to some of the plot threads being set up both here and in the teaser from the end of volume V….
CONTENT: R-rated language. Brutal, bloody vampire violence–these aren’t sparkly, angst-ridden pretty boys, these are monsters through and through. Some explicit and implicit sexual content, including what more or less constitutes a rape. No real occult content, as there isn’t a spiritual element to this version of vampirism.
Original review link: https://jordanbinkerd.wordpress.com/2014/08/15/review-american-vampire-volume-vi-by-scott-snyder-rafael-albuquerque/
Back in Time
Education and Book
App
• "The coolest history textbook you’ll find on the iPad" - The New York Times • Winner of the...
Back in Time for iPhone
Education and Book
App
• "...a beautifully executed lesson on the history of the universe" - The New York Times •...
Track My Steps - Pedometer Activity Tracker
Health & Fitness and Productivity
App
Track My Steps - Pedometer Activity Tracker automatically and accurately tracks your daily walk and...
This Could Hurt: A Novel
Book
A razor-sharp and deeply felt novel that illuminates the pivotal role of work in our lives—a...
The Gambler: How Penniless Dropout Kirk Kerkorian Became the Greatest Deal Maker in Capitalist History
Book
The rags-to-riches story of one of America’s wealthiest and least-known financial giants,...
biography business
JasonKeenan (9 KP) rated Kingsman: The Golden Circle (2017) in Movies
Sep 20, 2017
100% worth the watch
And this movie deserved every point
I loved the first Kingsman, it has brought a new style to the spy gadget movies, most of the characters are amazing, some not so much, but still enjoyable
Right, so, the movie carries on from the first film, I'd say about a year or so has past, Eggsy 'Taron Edgerton' is a full member of 'The Kingsman' and has taken over the roll of his mentor, Harry (Colin Firth), and even taken harry's codename 'Galahad' , he is living with his girlfriend and moving forward with his life, when all of a sudden the Kingsman's headquarters were attack and destroyed.
With the world being held hostage by 'The Golden Circule' led by Poppy (Julian Moore), who is head of a drug cartel, and with a scheme to add poision into all her drugs and will only give the cure to the infected people of the world is if all the worlds leader comply with her demands,
So Eggsy and Merlin (Mark Strong) have to jump the pond to ask for help from there American cusins, 'The Statesmen', who is led by Champ 'Jeff Bridges', there cover is an organisation posing as a Bourbon whiskey distillery in Kentucky, and together they have to try and stop Poppy (Jillian Moore) from completing her evil schemes
I have to say this movie is realllllly good, the fight sequences are amazing, and the music fits the film perfectly, Taron Edgertons screen presents is just top class, and working off Colin Firth and Mark Strong, just an amazing cast, with a sneaky addition to the cast from a well known person ?, which was surprisingly nicely done, there are a few little changes I would have made, but still as a whole still amazing
If you like the Kingsman, you will absolutely love the Kingsman: The Golden Circule, I recommend you looking for the next showing and watching it now......why are you still reading this GO!
I loved the first Kingsman, it has brought a new style to the spy gadget movies, most of the characters are amazing, some not so much, but still enjoyable
Right, so, the movie carries on from the first film, I'd say about a year or so has past, Eggsy 'Taron Edgerton' is a full member of 'The Kingsman' and has taken over the roll of his mentor, Harry (Colin Firth), and even taken harry's codename 'Galahad' , he is living with his girlfriend and moving forward with his life, when all of a sudden the Kingsman's headquarters were attack and destroyed.
With the world being held hostage by 'The Golden Circule' led by Poppy (Julian Moore), who is head of a drug cartel, and with a scheme to add poision into all her drugs and will only give the cure to the infected people of the world is if all the worlds leader comply with her demands,
So Eggsy and Merlin (Mark Strong) have to jump the pond to ask for help from there American cusins, 'The Statesmen', who is led by Champ 'Jeff Bridges', there cover is an organisation posing as a Bourbon whiskey distillery in Kentucky, and together they have to try and stop Poppy (Jillian Moore) from completing her evil schemes
I have to say this movie is realllllly good, the fight sequences are amazing, and the music fits the film perfectly, Taron Edgertons screen presents is just top class, and working off Colin Firth and Mark Strong, just an amazing cast, with a sneaky addition to the cast from a well known person ?, which was surprisingly nicely done, there are a few little changes I would have made, but still as a whole still amazing
If you like the Kingsman, you will absolutely love the Kingsman: The Golden Circule, I recommend you looking for the next showing and watching it now......why are you still reading this GO!
Whatchareadin (174 KP) rated Little Princes: One Man's Promise to Bring Home the Lost Children of Nepal in Books
May 10, 2018
Conor Grennan is an American traveling the world for one year. One of his planned stops on his journey is at Little Princes orphanage in Nepal. After this 3 months stay at the orphanage, he promises the children that he would return in one years time. Hardly did volunteers return to the orphanage, after they left. Conor was abe to keep his promise and after his return he set out on a true journey...to find the families of the children at Little Princes and other orphanages in the area. He set up a foundation in order to fund this necessary endeavor. Many of the children had been taken from their homes by child traffickers with the promise to provide a better life for the children Many of these parents had no idea where their children were and just as many children thought their parents were dead. Conor ended up staying in Nepal for the next three years helping reconnect Nepal's lost children with their families.
Many times when we do volunteer work whether it is within our own country or abroad, we go into it thinking how much good we are going to do for someone else. What really is the case is that the volunteer is the one who ends up benefiting the most. Hearts and minds are forever changed. We implore our friends and family to help with the cause we are involved in and pray that we are making a difference. I have never met anyone who has not had their lives impacted by volunteer work.
Conor is no exception. He has made friends with these children, learned something new about a different culture and has taught us all something new with this book. Little Princes, has touched my heart and I'm eager to know how the children of Nepal are doing now after all of the help that Conor has brought to the region. You can find out more about Conor's work visit http://www.nextgenerationnepal.org/
Many times when we do volunteer work whether it is within our own country or abroad, we go into it thinking how much good we are going to do for someone else. What really is the case is that the volunteer is the one who ends up benefiting the most. Hearts and minds are forever changed. We implore our friends and family to help with the cause we are involved in and pray that we are making a difference. I have never met anyone who has not had their lives impacted by volunteer work.
Conor is no exception. He has made friends with these children, learned something new about a different culture and has taught us all something new with this book. Little Princes, has touched my heart and I'm eager to know how the children of Nepal are doing now after all of the help that Conor has brought to the region. You can find out more about Conor's work visit http://www.nextgenerationnepal.org/