Smashbomb

"Blew my mind. I didn’t see it until I was middle-aged, after decades of thriving on the ongoing French New Wave. I thought of the New Wave as beginning in these subversive young Parisian cineastes’ love for American genre films. My jaw was dropped the whole length of Journey to see the sensibility and techniques of the New Wave appearing first in this Italian flick (though English-language, starring George Sanders and Ingrid Bergman). Later I read that Truffaut called it the “first modern movie,” and I believe he’s right. I haven’t researched, so don’t know if this is a commonplace, but, on a side note, it’s interesting to consider the parallels between Journey and Godard’s Contempt. They’re both about a couple whose marriage is failing, who are foreigners on a visit to Italy, where their stiff estrangement reaches a head amid the vital, pagan-slash-Catholic ancient culture of the area around Naples. Noble, erotically charged, millennia-old statuary reverently track-circled to swelling music. Local color, and travelogue landmarks of aesthetic and mythologically poetic power, integrated naturally into the story (almost Hitchcockian in a way, except with an emotional and intellectual justification). The most groundbreaking thing about it, though, is the way it’s not exactly a story, but rather a situation, depicted in fragments and episodes—the emotional situation of a couple, displaced within a continuously intruding, alien or disorienting environment, and one that keeps us conscious of death and history. A lot is pointedly artificial about it—to me the dialogue all feels like exposition, and is delivered that way, as presentation of the situation, rather than anything natural—or at least frankly cinema, but at the same time it feels like life in a way that movies hadn’t before."

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Kudos

Down Girl: The Logic of Misogyny

Kate Manne

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Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be...

The Room on Rue Amélie

Kristin Harmel

10.0 (2 Ratings) Rate It

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For fans of Kristin Hannah’s The Nightingale and Martha Hall Kelly’s Lilac Girls, this powerful...

Kyera (8 KP) rated Amina's Voice in Books

Feb 1, 2018

Amina's Voice

Hena Khan | 2017 | Children, Contemporary, Fiction & Poetry

8.0

(1 Ratings)

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Aminas Voice is a powerful middle-grade novel that I believe is so important for young readers to experience. Amina is a Pakistani-American, so we are given a wonderfully diverse, young voice to understand her world and it is so important in the current world climate. We, as a people, need to foster a sense of understanding and acceptance rather than fear and hate.

One of the events that happen in the books is heartbreaking and you wonder how people could behave in that manner. Unfortunately, these things happen in the real world and its dismaying to see people treat other fellow human beings in a less than honourable and respectful manner. It was so wonderful to see the community come together after the event, no matter their race or religion to help their neighbors. It is a ray of light in the darkness.

This short book follows Aminas life from her sixth-grade classes and middle school friends to her time at the Mosque with her Muslim friends and family. The tale is honest and heartwarming, allowing us into her mind and connecting with her family. Although it is a short tale, it is no less important to read. I would highly recommend it to middle-grade readers (and really anyone else who is open to middle-grade fiction) because it is such a powerful and important read.