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JT (287 KP) rated Buried (2010) in Movies
Mar 10, 2020
Shot with a low budget and entirely in one location (inside Paul’s coffin), Buried is a very intense and gripping movie, which plays on the age-old human fear of being buried alive and takes it to whole new levels.
Paul not only has to deal with thoughts of his almost imminent demise, but he also has to endure the psychological torment that comes with realising that your loved ones are in terrible danger and that the people whom your life depends upon don’t really care about your fate. This is the story of Paul Conroy (Ryan Reynolds), an American contractor working on an assignment in Iraq, who wakes up in something which looks like a makeshift wooden coffin, alone, and with no recollection of when and how he ended up there. All he remembers is that he and his colleagues were attacked by a group of Iraqi insurgents.
Understandably, he begins to panic, frantically trying to escape before realising that he won’t be able to do it on his own. Whoever buried him left a mobile phone, a lighter, a knife, a torch and some glow sticks in the coffin, and such items quickly become Paul’s connection to the outside world and his only hope of survival.
This situation is so exceptional (thankfully) that the film’s real challenge is to try and represent it as realistically as possible. What would you do? Would you let the nerves get the better of you, or would your will to live step in instead, and make you stay focused in trying to save yourself?
Ryan Reynolds does an excellent job in this, his Paul Conroy is human, desperate, scared, with no superhero pretence. The direction, by Rodrigo Cortes, is vivid, realistic, and makes good use of the limited space that the coffin setting allows to show; anxious people should try watching this anyway because, while it is undoubtedly claustrophobic, Paul’s determination to stay alive and the pull of wanting to know what’s going on outside keeps the mind occupied.
The voice of Hostage Work Group operator Dan Brenner (Robert Paterson) is possibly a little too “staged” and “actorish”, making it sound somewhat fake but also sinister, going to heighten the feeling of dread. Buried manages to be scary, tense, and yet ironic in representing the ignorance, incompetence and cowardice behind the behaviours of people we are supposed to trust in dangerous situations.
The whole film maintains a focused and realistic eye on the suffering of the protagonist – because we are supposed to feel what he feels, to be there with him in his fight for life- except maybe in a few moments when it slips into “mainstream”, cheap stratagems to reiterate that Paul is a good man who doesn’t deserve his fate (for example, when he calls his ill, senile mother who lives in a home and can’t even remember him).
Definitely best watched in a cinema screen rather than on DVD, this is a film which is very well done, and interesting; you will want to see what happens of Paul but also how his story is told from the confines of his coffin buried underground.
Paul not only has to deal with thoughts of his almost imminent demise, but he also has to endure the psychological torment that comes with realising that your loved ones are in terrible danger and that the people whom your life depends upon don’t really care about your fate. This is the story of Paul Conroy (Ryan Reynolds), an American contractor working on an assignment in Iraq, who wakes up in something which looks like a makeshift wooden coffin, alone, and with no recollection of when and how he ended up there. All he remembers is that he and his colleagues were attacked by a group of Iraqi insurgents.
Understandably, he begins to panic, frantically trying to escape before realising that he won’t be able to do it on his own. Whoever buried him left a mobile phone, a lighter, a knife, a torch and some glow sticks in the coffin, and such items quickly become Paul’s connection to the outside world and his only hope of survival.
This situation is so exceptional (thankfully) that the film’s real challenge is to try and represent it as realistically as possible. What would you do? Would you let the nerves get the better of you, or would your will to live step in instead, and make you stay focused in trying to save yourself?
Ryan Reynolds does an excellent job in this, his Paul Conroy is human, desperate, scared, with no superhero pretence. The direction, by Rodrigo Cortes, is vivid, realistic, and makes good use of the limited space that the coffin setting allows to show; anxious people should try watching this anyway because, while it is undoubtedly claustrophobic, Paul’s determination to stay alive and the pull of wanting to know what’s going on outside keeps the mind occupied.
The voice of Hostage Work Group operator Dan Brenner (Robert Paterson) is possibly a little too “staged” and “actorish”, making it sound somewhat fake but also sinister, going to heighten the feeling of dread. Buried manages to be scary, tense, and yet ironic in representing the ignorance, incompetence and cowardice behind the behaviours of people we are supposed to trust in dangerous situations.
The whole film maintains a focused and realistic eye on the suffering of the protagonist – because we are supposed to feel what he feels, to be there with him in his fight for life- except maybe in a few moments when it slips into “mainstream”, cheap stratagems to reiterate that Paul is a good man who doesn’t deserve his fate (for example, when he calls his ill, senile mother who lives in a home and can’t even remember him).
Definitely best watched in a cinema screen rather than on DVD, this is a film which is very well done, and interesting; you will want to see what happens of Paul but also how his story is told from the confines of his coffin buried underground.
Darren (1599 KP) rated Buffalo '66 (1998) in Movies
Sep 26, 2019
Characters – Billy Brown has just been released from prison, he has had his own problems which led to him being in prison and it isn’t long before he goes to the extremes to impress his family. He is painted as an aggressive man that believes that woman are just objects and has built his world in lies. Layla is the tap dancer that gets kidnapped, she starts to play along with what Billy wants and even enjoy his company the more time they spend together. Jimmy and Jan are his parents that have both been either distracted or strict in raising Billy, as he wants to impress them now. The Bookie is the man that put Billy in jail as a result of the debts he owed him, he gave him a choice with jail being the only one that didn’t hurt anyone.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Ivana A. | Diary of Difference (1171 KP) rated Never Forgotten (Never Forgotten, #1) in Books
Aug 23, 2018
''All changes, even the most longed for, have their melancholy; for what we leave behind us is a part of ourselves; we must die to one life before we can enter another. - Anatole France''
How can one day go so very wrong? One minute Meara Quinn is making plans for how she will spend the Summer before her senior year and the next she's finding out that her mother's cancer has returned and they are moving away from the only home she's ever known.
Now she is in a new country, taking care of her mother, living with grandparents she never met, meeting new friends at school and a guy she really likes and having weird visions of a father who was absent her entire life. There is a secret of who Meara is, and everyone seems to know this except her.
Meara is determined to find out the secrets that will change her life forever.
Review:
The beginning of this book in unbelievably good! Amazing intro and perfect character development. I loved how you could feel with Meara all the time, and go through with her while she leans about her mum's sickness and the movement to another country. It is very realistically described, and we manage to see this all through the eyes of a troubled teenager. And the descriptions of the scenes? Ahhh, just see for yourselves:
''The room was a deep purple and accented with an eclectic blend of antiques and comfortable furnishings. It was the kind of room that made a person long to grab a book and cozy into the oversized couch for a several hours.''
Thought, sometimes, there would be things that didn't make sense to me:
''The guy who delivered the pizza forgot plates and napkins. So, we just opened the box and dug in.''
Which delivery place on Earth, for God's sake, delivers plates and napkins? Is this an American thing? If I order pizza, I expect to dig into it with all my fingers, get really messy, and then lick them in the end. Just saying…
There were many twists and turns, mostly little ones in this first book, but the middle of the book gets really slow paced. For a moment, I thought this might be an unpleasant read, but it turned out to just be a calm before the storm, where the biggest twist happens right before the end, and it leaves us wanting more - therefore, the second book. Nicely done, Kelly Risser, nicely done!
Meara is an amazing girl, and we follow her story. She finds out her mum's cancer is back again, and they have to move from USA to Canada. For a teenage girl, that is a huge change. I loved the way she coped with it, even though, at the beginning she made me quite agitated - her mum is dying, and her thought are - life is unfair, why do I have to move to another country, and change schools and lose my friends? It made me incredibly angry, but as much as I don't want to admit it, those are the exact thoughts a teen would have in such moments. We don’t really tend to think about how our parents feel until we get older and wiser, do we?
I liked Meara, apart her irritating personality at times. She is a typical teenage girl, and many girls, me included, can relate to her so well! She is a good person, and she cares about the people around her.
I loved Evan - he is just the sweetest person / boyfriend a girl can have. I honestly wish I had a boyfriend like him when I was 13-years-old. He made sandwiches, and they watched a movie in the car because it was raining, and he would come to Meara's house with flowers, and offer to help out with the chores? He is the cutest person ever.
''He was about six foot tall with wavy, black hair that curled over his ears. Tanned skin, lean muscles, and strong hands that ended in long, graceful fingers.''
But then, there is Kieran… I know he is the bad boy, but I might be able to ship him and Meara together - maybe? We'll see… It's an unpopular opinion, but I actually want to see them together. Even though Evan is just the sweetest thing, and it would be horrible if Meara broke his heart.
I really enjoyed this book - maybe I enjoyed it the most from all the other Young-Adult paranormal books I've read. It was a great first beginning to a series, and I can't wait to dig in the rest of the series.
As a finale - I had to also include this quote from the book:
''Humans are spiteful creatures. They destroy more than they create. That is why I do not associate with them.''
How can one day go so very wrong? One minute Meara Quinn is making plans for how she will spend the Summer before her senior year and the next she's finding out that her mother's cancer has returned and they are moving away from the only home she's ever known.
Now she is in a new country, taking care of her mother, living with grandparents she never met, meeting new friends at school and a guy she really likes and having weird visions of a father who was absent her entire life. There is a secret of who Meara is, and everyone seems to know this except her.
Meara is determined to find out the secrets that will change her life forever.
Review:
The beginning of this book in unbelievably good! Amazing intro and perfect character development. I loved how you could feel with Meara all the time, and go through with her while she leans about her mum's sickness and the movement to another country. It is very realistically described, and we manage to see this all through the eyes of a troubled teenager. And the descriptions of the scenes? Ahhh, just see for yourselves:
''The room was a deep purple and accented with an eclectic blend of antiques and comfortable furnishings. It was the kind of room that made a person long to grab a book and cozy into the oversized couch for a several hours.''
Thought, sometimes, there would be things that didn't make sense to me:
''The guy who delivered the pizza forgot plates and napkins. So, we just opened the box and dug in.''
Which delivery place on Earth, for God's sake, delivers plates and napkins? Is this an American thing? If I order pizza, I expect to dig into it with all my fingers, get really messy, and then lick them in the end. Just saying…
There were many twists and turns, mostly little ones in this first book, but the middle of the book gets really slow paced. For a moment, I thought this might be an unpleasant read, but it turned out to just be a calm before the storm, where the biggest twist happens right before the end, and it leaves us wanting more - therefore, the second book. Nicely done, Kelly Risser, nicely done!
Meara is an amazing girl, and we follow her story. She finds out her mum's cancer is back again, and they have to move from USA to Canada. For a teenage girl, that is a huge change. I loved the way she coped with it, even though, at the beginning she made me quite agitated - her mum is dying, and her thought are - life is unfair, why do I have to move to another country, and change schools and lose my friends? It made me incredibly angry, but as much as I don't want to admit it, those are the exact thoughts a teen would have in such moments. We don’t really tend to think about how our parents feel until we get older and wiser, do we?
I liked Meara, apart her irritating personality at times. She is a typical teenage girl, and many girls, me included, can relate to her so well! She is a good person, and she cares about the people around her.
I loved Evan - he is just the sweetest person / boyfriend a girl can have. I honestly wish I had a boyfriend like him when I was 13-years-old. He made sandwiches, and they watched a movie in the car because it was raining, and he would come to Meara's house with flowers, and offer to help out with the chores? He is the cutest person ever.
''He was about six foot tall with wavy, black hair that curled over his ears. Tanned skin, lean muscles, and strong hands that ended in long, graceful fingers.''
But then, there is Kieran… I know he is the bad boy, but I might be able to ship him and Meara together - maybe? We'll see… It's an unpopular opinion, but I actually want to see them together. Even though Evan is just the sweetest thing, and it would be horrible if Meara broke his heart.
I really enjoyed this book - maybe I enjoyed it the most from all the other Young-Adult paranormal books I've read. It was a great first beginning to a series, and I can't wait to dig in the rest of the series.
As a finale - I had to also include this quote from the book:
''Humans are spiteful creatures. They destroy more than they create. That is why I do not associate with them.''
Seasons in the Sun: The Battle for Britain, 1974-1979
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Dominic Sandbrook's magnificent account of the late 1970s in Britain - the book behind the major BB2...
David McK (3773 KP) rated Quiet: The Power of Introverts in a World That Can't Stop Talking in Books
Aug 15, 2020
2019.
One of the worst years of my professional working life.
In the early part of the year, I ended up getting dragged to the Doctor by my significant other, with the Doc then putting me off work with stress for just over a month. I returned, and then, roughly 6 months later, ended up putting myself off on unpaid leave for a year (which is ending soon, but that’s another matter).
Looking back on it, I believe a MASSIVE contributor to me feeling the way I did was the change in the office environment, and in my role: a move from being a key member of a small technical team (with its own side office) to being put in charge of a customer focused role I felt ill suited to, and slap-bang in the middle of a massive open plan office no less (which had the effect of leaving me completely and utterly drained each and every day, having to be always ‘on’).
Which is a long winded way of saying that I am, as I’ve always expected, a massive Introvert. (That could also probably be borne out by the fact that it’s now been more than 10 months since I last physically saw most of my friends due to Covid-19, and that I can count on the fingers of one hand the amount of times I’ve spoken to them in the same period (we more often text). Which I’m perfectly happy with.)
I’ve always felt exhausted by daily interactions, always felt happier in my own head than in the midst of a crowd. A music festival, or rock concert? My idea of hell. However, I’ve also always felt guilty for feeling the same, with society (seemingly) geared towards the go-getters, the ‘look at me!’ life and soul of the party (which I always leave early), to those who make the most noise. In short, to the Extroverts.
While it’s true that this book is American centric (I’m glad to say, in the UK at least, the large gatherings/conventions described in the chapter about ‘The Extrovert Ideal’ don’t seem to happen), I’m also glad I’m not alone, that – actually - there’s nothing wrong with me. There’s nothing wrong with being quiet, reserved, needing time alone to recharge. Just ask Mother Theresa. Steve Wozniak. Eleanor Roosevelt. Rosa Parks.
This should be required reading in our schools.
One of the worst years of my professional working life.
In the early part of the year, I ended up getting dragged to the Doctor by my significant other, with the Doc then putting me off work with stress for just over a month. I returned, and then, roughly 6 months later, ended up putting myself off on unpaid leave for a year (which is ending soon, but that’s another matter).
Looking back on it, I believe a MASSIVE contributor to me feeling the way I did was the change in the office environment, and in my role: a move from being a key member of a small technical team (with its own side office) to being put in charge of a customer focused role I felt ill suited to, and slap-bang in the middle of a massive open plan office no less (which had the effect of leaving me completely and utterly drained each and every day, having to be always ‘on’).
Which is a long winded way of saying that I am, as I’ve always expected, a massive Introvert. (That could also probably be borne out by the fact that it’s now been more than 10 months since I last physically saw most of my friends due to Covid-19, and that I can count on the fingers of one hand the amount of times I’ve spoken to them in the same period (we more often text). Which I’m perfectly happy with.)
I’ve always felt exhausted by daily interactions, always felt happier in my own head than in the midst of a crowd. A music festival, or rock concert? My idea of hell. However, I’ve also always felt guilty for feeling the same, with society (seemingly) geared towards the go-getters, the ‘look at me!’ life and soul of the party (which I always leave early), to those who make the most noise. In short, to the Extroverts.
While it’s true that this book is American centric (I’m glad to say, in the UK at least, the large gatherings/conventions described in the chapter about ‘The Extrovert Ideal’ don’t seem to happen), I’m also glad I’m not alone, that – actually - there’s nothing wrong with me. There’s nothing wrong with being quiet, reserved, needing time alone to recharge. Just ask Mother Theresa. Steve Wozniak. Eleanor Roosevelt. Rosa Parks.
This should be required reading in our schools.
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Becs (244 KP) rated Death of a Salesman in Books
Oct 2, 2019
Wow. Death of a Salesman was a different style of a literary classic that I was honestly never expecting. It grabbed my emotions and pulled on my heartstrings. The plot contained a rollercoaster of events, and I’ll admit, there were a few times I was utterly confused and wanted to throw the book across the room. But towards the end of the ride, I was able to understand what each issue each of the characters had and what it meant to them.
Understanding the pain that Willy was going through. Understanding the issues Biff has with stealing from jobs. Understanding Happy’s need to sleep around. Bringing to light the issue of a salesman’s career and how the job market was going downhill. Death of a Salesman is worth a read or a couple of rereads!
Genre: Literary Classic, plays
Audience: Young Adult and Adults
Interests: Plays, salesmen, American Dreams, family-ties
Quality: The quality of Death of a Salesman is not one you can take lightly. There are moments throughout the play that a younger version of myself would never be able to understand until I experienced the real world for myself. Now, I understand what it’s like losing a job you hoped to have for the rest of your life. Becoming depressed to the point that you just don’t know what to do anymore regarding your family other than hoping that they can make ends meet when you’re gone.
Insights: Death of a Salesman shows that dreams are not always sunny beaches and sprinkles. But that it contains a dark side that will rip your happiness and everything you’ve lived for into a million tiny pieces that will never be able to be fixed again.
Favorite Quotes: “The jungle is dark but full of diamonds, Willy.”
“I realized what a ridiculous lie my whole life has been.”
“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?”
Aesthetics: I love how Arthur Miller shows the reader what it’s like in a world as a struggling family. Nonetheless, a struggling middle-aged man in the fifties who is battling depression and the loss of his career. It really shows the reader that anything can happen, that you could possibly lose your career. That you could possibly lose your home or even your loved ones. Anything can happen when life decides to wipe your slate and leave you with nothing in return. So the time we have now, we must cherish it. For we never know how much time we truly have.
“The only thing you’ve got in this world is what you can sell.”
Understanding the pain that Willy was going through. Understanding the issues Biff has with stealing from jobs. Understanding Happy’s need to sleep around. Bringing to light the issue of a salesman’s career and how the job market was going downhill. Death of a Salesman is worth a read or a couple of rereads!
Genre: Literary Classic, plays
Audience: Young Adult and Adults
Interests: Plays, salesmen, American Dreams, family-ties
Quality: The quality of Death of a Salesman is not one you can take lightly. There are moments throughout the play that a younger version of myself would never be able to understand until I experienced the real world for myself. Now, I understand what it’s like losing a job you hoped to have for the rest of your life. Becoming depressed to the point that you just don’t know what to do anymore regarding your family other than hoping that they can make ends meet when you’re gone.
Insights: Death of a Salesman shows that dreams are not always sunny beaches and sprinkles. But that it contains a dark side that will rip your happiness and everything you’ve lived for into a million tiny pieces that will never be able to be fixed again.
Favorite Quotes: “The jungle is dark but full of diamonds, Willy.”
“I realized what a ridiculous lie my whole life has been.”
“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?”
Aesthetics: I love how Arthur Miller shows the reader what it’s like in a world as a struggling family. Nonetheless, a struggling middle-aged man in the fifties who is battling depression and the loss of his career. It really shows the reader that anything can happen, that you could possibly lose your career. That you could possibly lose your home or even your loved ones. Anything can happen when life decides to wipe your slate and leave you with nothing in return. So the time we have now, we must cherish it. For we never know how much time we truly have.
“The only thing you’ve got in this world is what you can sell.”
Hazel (1853 KP) rated The Inexplicable Logic of My Life in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Over the past couple of years, social media, particularly Tumblr, has been raving over Benjamin Alire Sáenz’s multi-award winning novel, <i>Aristotle and Dante Discover the Secrets of the Universe</i>. As a result, I have wanted to read this book to see what the fuss is about. Unfortunately, libraries and bookstores in the UK do not appear to stock any of Sáenz’s novels.
When I saw an ARC of <i>The Inexplicable Logic of My Life</i> was available for request on NetGalley, I took the risk, having not read any of Sáenz’s work, and requested a copy. And I am truly glad I did. What, from the blurb and book cover, could result in a mundane Young Adult novel, turned out to be a thing of true beauty. The prose is almost poetic and full of emotion; it not only tells the story, it makes you feel it too.
The narrator, Salvador “Sal”, is beginning his final year at El Paso High School with his best friend Sam. Normally, the first day of school is something he looks forward to, however he feels differently this year. Something within Sal has changed, something indescribable but there all the same. Something that makes punching someone in the face an automatic reaction.
Sal’s dad is gay. Although not his real dad, Vicente adopted Sal into his extended Mexican American family after the death of his mother when he was three years old. He could not have asked for a better parent, but something is niggling in the back of his mind: who is his birth father?
Whilst Sal soliloquizes about his feelings, the reader is introduced to best friend Sam – a girl who, despite an erudite vocabulary, is not afraid to cuss and swear. Sam also understands what it is like to not truly know who you are, as does Fito, another friend, with terrible relations. Tragic events pull the three together, giving them a new chance at being part of a family despite not being blood related.
Sal, Sam and Fito try to help each other through their problems, ruminating together over their pasts and contemplating the unpredictable future. Despite each character suffering from grief, their friendship gives them a purpose and the encouragement to carry on.
<i>The Inexplicable Logic of My Life</i> covers so many themes it is impossible to categorize. Sam, Fito and Vicente are all encumbered with something that could ostracize them from society – their sexuality, race, drug addict parents – but they never let this get in their way. Sal, on the other hand, struggles somewhat, believing he no longer knows who he really is. He questions everything: how does he fit into the world around him? What right does he have to graduate and go to college?
With great efficacy, Sáenz explains through Sal’s voice, the importance of believing in yourself, letting yourself be loved, and accepting things for what they really are. All the main characters are trying so hard to belong; they do not realize that they always have belonged.
<i>The Inexplicable Logic of My Life</i> is a story of grief, death, family, friendship, fathers and words; a graceful, almost lyrical, narrative that gets to the heart of human existence and uplifts the spirit. The expressive language has a great emotional impact on the reader – have your tissues at the ready – and resonates within the soul. With quotable lines that you will wish you had written yourself, I guarantee you will love this book.
Over the past couple of years, social media, particularly Tumblr, has been raving over Benjamin Alire Sáenz’s multi-award winning novel, <i>Aristotle and Dante Discover the Secrets of the Universe</i>. As a result, I have wanted to read this book to see what the fuss is about. Unfortunately, libraries and bookstores in the UK do not appear to stock any of Sáenz’s novels.
When I saw an ARC of <i>The Inexplicable Logic of My Life</i> was available for request on NetGalley, I took the risk, having not read any of Sáenz’s work, and requested a copy. And I am truly glad I did. What, from the blurb and book cover, could result in a mundane Young Adult novel, turned out to be a thing of true beauty. The prose is almost poetic and full of emotion; it not only tells the story, it makes you feel it too.
The narrator, Salvador “Sal”, is beginning his final year at El Paso High School with his best friend Sam. Normally, the first day of school is something he looks forward to, however he feels differently this year. Something within Sal has changed, something indescribable but there all the same. Something that makes punching someone in the face an automatic reaction.
Sal’s dad is gay. Although not his real dad, Vicente adopted Sal into his extended Mexican American family after the death of his mother when he was three years old. He could not have asked for a better parent, but something is niggling in the back of his mind: who is his birth father?
Whilst Sal soliloquizes about his feelings, the reader is introduced to best friend Sam – a girl who, despite an erudite vocabulary, is not afraid to cuss and swear. Sam also understands what it is like to not truly know who you are, as does Fito, another friend, with terrible relations. Tragic events pull the three together, giving them a new chance at being part of a family despite not being blood related.
Sal, Sam and Fito try to help each other through their problems, ruminating together over their pasts and contemplating the unpredictable future. Despite each character suffering from grief, their friendship gives them a purpose and the encouragement to carry on.
<i>The Inexplicable Logic of My Life</i> covers so many themes it is impossible to categorize. Sam, Fito and Vicente are all encumbered with something that could ostracize them from society – their sexuality, race, drug addict parents – but they never let this get in their way. Sal, on the other hand, struggles somewhat, believing he no longer knows who he really is. He questions everything: how does he fit into the world around him? What right does he have to graduate and go to college?
With great efficacy, Sáenz explains through Sal’s voice, the importance of believing in yourself, letting yourself be loved, and accepting things for what they really are. All the main characters are trying so hard to belong; they do not realize that they always have belonged.
<i>The Inexplicable Logic of My Life</i> is a story of grief, death, family, friendship, fathers and words; a graceful, almost lyrical, narrative that gets to the heart of human existence and uplifts the spirit. The expressive language has a great emotional impact on the reader – have your tissues at the ready – and resonates within the soul. With quotable lines that you will wish you had written yourself, I guarantee you will love this book.
Kirk Bage (1775 KP) rated His Dark Materials in TV
Mar 3, 2020
Any fan of Phillip Pullman’s epic trilogy will tell you that His Dark Materials is one of the best stories ever told. There is so much scope to adapt and interpret the narrative, so rich are the textures, characterisation and pure weight of its many themes. Which is perhaps why any re-imagining will always come under such intense and divisive scrutiny.
The American studio version, patronisingly renamed The Golden Compass for the hard of thinking, was absolutely woeful, despite some canny casting. Choosing to focus too much on the potential of spectacular effects, rather than concentrating on the key elements of plot that make Northern Lights the perfect exposition for a much larger message.
You could always trust the BBC in conjunction with HBO not to make that same mistake. Which is why this version largely succeeds, regardless of some valid criticism concerning clunky dialogue and some creative re-arranging of events from the book. Yes, there is still a lot of telling rather than showing, in an attempt to engage an audience that have yet to read the source material; but, really, it didn’t bother me at all.
Casting Logan’s Dafne Keen as Lyra was the first stroke of genius. This girl has some serious potential, and, as the episodes unfold, she more than holds her own against more experienced actors in key roles. Her presence is a driving force from the get go that at times left me breathless at just how much she understands this complex young character. Truly exciting for the next chapter…
Of course, Ruth Wilson is more than capable of fulfilling the nuance of the sinister Mrs Coulter. And James McAvoy does an admirable job also, in a pivotal, but thankless role (for now) as Lord Asriel. But, no part is neglected, in this cast of dozens, which depends hugely on the idea of adults trying to control a world (eventually many worlds) in crisis!
The casting throughout is immensely bold – hardly a single actor matched my inner vision of them from the book, but the more I came to trust the production, the more I appreciated the clever choices made in this respect. Again, story-telling is always more important than spectacle, and episode to episode I simply began to believe in this version whole-heartedly – and I include in that all the voice actors who bring to life the demons, bears and all other CGI characters.
It is easy to gripe about what is wrong about it all. I can’t ever imagine a perfect visual re-telling of HDM that doesn’t disappoint at some level… but, more important to see what is very right about it! I felt moved, shocked, excited and elated at all the right moments! Basically, I got onboard and allowed myself to enjoy the story.
And what a story! Northern Lights exists as a phenomenon on its merits, but The Subtle Knife is where the themes of this idea really take off! Almost a year to wait for the next season… All I can say is, what an opportunity to make this one of the best things BBC has ever done.
Too many debating points for a brief summary. Keep watching is all I would say to anyone. Or perhaps I just want it too much…
The American studio version, patronisingly renamed The Golden Compass for the hard of thinking, was absolutely woeful, despite some canny casting. Choosing to focus too much on the potential of spectacular effects, rather than concentrating on the key elements of plot that make Northern Lights the perfect exposition for a much larger message.
You could always trust the BBC in conjunction with HBO not to make that same mistake. Which is why this version largely succeeds, regardless of some valid criticism concerning clunky dialogue and some creative re-arranging of events from the book. Yes, there is still a lot of telling rather than showing, in an attempt to engage an audience that have yet to read the source material; but, really, it didn’t bother me at all.
Casting Logan’s Dafne Keen as Lyra was the first stroke of genius. This girl has some serious potential, and, as the episodes unfold, she more than holds her own against more experienced actors in key roles. Her presence is a driving force from the get go that at times left me breathless at just how much she understands this complex young character. Truly exciting for the next chapter…
Of course, Ruth Wilson is more than capable of fulfilling the nuance of the sinister Mrs Coulter. And James McAvoy does an admirable job also, in a pivotal, but thankless role (for now) as Lord Asriel. But, no part is neglected, in this cast of dozens, which depends hugely on the idea of adults trying to control a world (eventually many worlds) in crisis!
The casting throughout is immensely bold – hardly a single actor matched my inner vision of them from the book, but the more I came to trust the production, the more I appreciated the clever choices made in this respect. Again, story-telling is always more important than spectacle, and episode to episode I simply began to believe in this version whole-heartedly – and I include in that all the voice actors who bring to life the demons, bears and all other CGI characters.
It is easy to gripe about what is wrong about it all. I can’t ever imagine a perfect visual re-telling of HDM that doesn’t disappoint at some level… but, more important to see what is very right about it! I felt moved, shocked, excited and elated at all the right moments! Basically, I got onboard and allowed myself to enjoy the story.
And what a story! Northern Lights exists as a phenomenon on its merits, but The Subtle Knife is where the themes of this idea really take off! Almost a year to wait for the next season… All I can say is, what an opportunity to make this one of the best things BBC has ever done.
Too many debating points for a brief summary. Keep watching is all I would say to anyone. Or perhaps I just want it too much…
Sarah (7800 KP) rated Little Miss Sunshine (2006) in Movies
Mar 24, 2021
Adorably heartwarming
Film #17 on the 100 Movies Bucket List: Little Miss Sunshine
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
