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Instruments of Battle: The Fighting Drummers and Buglers of the British Army from the Late 17th Century to the Present Day
Book
Instruments of Battle examines in detail the development and role of the British Army's fighting...
Bong Mines Entertainment (15 KP) rated No Expectations - Single by Jillian Steele in Music
Jun 26, 2019
Jillian Steele is a Nashville-based singer-songwriter from New York. Not too long ago, she released a lovely pop tune, entitled, “No Expectations”.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
Future Home of the Living God
4.5
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Book
'Erdrich is one of the greatest living American writers' Guardian Louise Erdrich, the New York...
fantasy science fiction
Midnight in Europe
Book
Paris, 1938. As the shadow of war darkens Europe, democratic forces on the Continent struggle...
A Murder Most French
8.0
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Book
The City of Light is surging back to life in the wake of war, and its citizens are seizing every...
Rogues & Patriots (Nick Crane #2)
Book
In the Depths of Corruption… In the Face of Tyranny… One Man's Quest Begins… Get ready...
PI Thriller
HO
History of Dance with Web Resource
Book
History of Dance, Second Edition, offers readers a panoramic view of dance from prehistory to the...
Bob Mann (459 KP) rated Deepwater Horizon (2016) in Movies
Sep 29, 2021
“Full of sound and fury, Signifying nothing” could be a summary of this modern-age disaster movie. In 2010 the “Deepwater Horizon” drilling rig off the coast of Louisiana failed in spectacular fashion, bursting into flames and spewing millions of barrels of crude oil into the Gulf of Mexico in what was the worst oil-spill in American history. Mark Wahlberg plays the well-respected electrical ‘Mr fixit’ Mike Williams on the rig, reporting to the Operations Manager Jimmy Harrell (Kurt Russell).
The exploratory project is way-behind and BP are not happy. Big-wigs from the company add support to Donald Vidrine, the BP site leader, in applying mounting pressure on Harrell to press on regardless without all the necessary and time-consuming tests by Schlumberger being completed. Rogue numbers in further tests are waved away as ‘glitches’. A familiar story of corporate greed and pressure overriding the expert’s better judgment.
When disaster strikes it strikes quickly, with some spectacular and exciting special effects that leave the audience especially hot under the collar. Female support is provided by the comely Andrea Fleytas (Gina Rodriguez), given the almost impossible job of keeping the floating bomb on station as chaos reigns about her. As an audience we are back on familiar ground here from classic Irwin Allen disaster movies such as “The Towering Inferno” and “The Poseidon Adventure”. Who will make it, and who won’t?
A more telling question here is “Do we care?” and unfortunately for the film, the answer is “Not really”. This feels a callous thing to say when this was a real and recent event and eleven people and – as touchingly illustrated at the end of the film in tribute – many of them family men with young kids, never went home again. But film-wise, we only really get bought into the fate of Williams, whose back-story, with cute wife (Kate Hudson) and cute daughter (Stella Allen) we get to meet and sympathize with.
We get a minimalist view of Fleytas’s backstory, but only enough to provide a recurring “Mustang” reference. And that’s it. All the other characters are just two-dimensional “rig crew”: cannon-fodder for the special effects team. The screenplay by Matthew Sand and Matthew Carnahan really doesn’t deliver enough heft to get us bought in.
While the special effects are good, the sound design isn’t, with much of the dialogue being incomprehensible.
All the acting is fine, with the ever-watchable John Malkovich nicely portraying the corporate head you love to hate. Wahlberg as well delivers enough range to make you forget in this “action mode” that he was also in “Ted”. And Rodriguez as a junior lead holds her own against the big guns in what is a creditable performance in a big film role for her.
While “Lone Survivor”/”Battleship” director Peter Berg neatly provides an insight into life on and around rigs, and (via subtitles) descriptions of the drilling process which I found interesting, this comes down to the sum of a tense build up, an hour of frenetic disaster, and then a whimper of an ending. Where were some of the dramatic scenes of conflict in the congressional hearing that the film’s opening implies might come? Where are the scenes of ecological disaster and local financial ruin to add emotional angles to the story? None of this is really exploited and the whole concoction comes across a bit “meh” as a result. Not a bad film by any means. But not one I will remember in a month or two’s time.
The exploratory project is way-behind and BP are not happy. Big-wigs from the company add support to Donald Vidrine, the BP site leader, in applying mounting pressure on Harrell to press on regardless without all the necessary and time-consuming tests by Schlumberger being completed. Rogue numbers in further tests are waved away as ‘glitches’. A familiar story of corporate greed and pressure overriding the expert’s better judgment.
When disaster strikes it strikes quickly, with some spectacular and exciting special effects that leave the audience especially hot under the collar. Female support is provided by the comely Andrea Fleytas (Gina Rodriguez), given the almost impossible job of keeping the floating bomb on station as chaos reigns about her. As an audience we are back on familiar ground here from classic Irwin Allen disaster movies such as “The Towering Inferno” and “The Poseidon Adventure”. Who will make it, and who won’t?
A more telling question here is “Do we care?” and unfortunately for the film, the answer is “Not really”. This feels a callous thing to say when this was a real and recent event and eleven people and – as touchingly illustrated at the end of the film in tribute – many of them family men with young kids, never went home again. But film-wise, we only really get bought into the fate of Williams, whose back-story, with cute wife (Kate Hudson) and cute daughter (Stella Allen) we get to meet and sympathize with.
We get a minimalist view of Fleytas’s backstory, but only enough to provide a recurring “Mustang” reference. And that’s it. All the other characters are just two-dimensional “rig crew”: cannon-fodder for the special effects team. The screenplay by Matthew Sand and Matthew Carnahan really doesn’t deliver enough heft to get us bought in.
While the special effects are good, the sound design isn’t, with much of the dialogue being incomprehensible.
All the acting is fine, with the ever-watchable John Malkovich nicely portraying the corporate head you love to hate. Wahlberg as well delivers enough range to make you forget in this “action mode” that he was also in “Ted”. And Rodriguez as a junior lead holds her own against the big guns in what is a creditable performance in a big film role for her.
While “Lone Survivor”/”Battleship” director Peter Berg neatly provides an insight into life on and around rigs, and (via subtitles) descriptions of the drilling process which I found interesting, this comes down to the sum of a tense build up, an hour of frenetic disaster, and then a whimper of an ending. Where were some of the dramatic scenes of conflict in the congressional hearing that the film’s opening implies might come? Where are the scenes of ecological disaster and local financial ruin to add emotional angles to the story? None of this is really exploited and the whole concoction comes across a bit “meh” as a result. Not a bad film by any means. But not one I will remember in a month or two’s time.
Naomi Forrest (42 KP) rated City of Ghosts in Books
Dec 31, 2018 (Updated Dec 31, 2018)
I haven't read any Victoria Schwab before though I do have another of her books to read and I know that she is extremely popular, particularly for fans of the young adult genre. This book piqued my interest as a middle grade ghost story so when I found it at a gorgeous second hand book store in Alnwick, Northumberland (you trade your old books in for new ones, it is amazing!), I snapped it up.
Cass is a brilliant protagonist....she's weird, she knows she's weird and she embraces her weird. We live in a world of fashion rules and being told that being different is wrong, even now in 2018. To be the generic carbon copy makes you popular. As Cass says:
'I know you're supposed to want to be one of the popular kids....It just seems like it would be exhausting...Smile, but not too wide. Laugh, but not too loud.'
From this quote alone, you just know that Schwab understands pre-teens and teens. She has been there. Cass is a brilliant character to empower the intended audience and show them it's good to be different. The other big character in the book is Cass's best friend, Jacob, who often has amusing little retorts to Cass and adds humour throughout the book. Oh yes, and he's dead! Apart from this interesting fact and also that he saved Cass's life, the bond between the two is like any other friendship and I get the feeling we will see more of these characters. It is hinted at in the story that Jacob remaining in the world of the living may create problems so it raises a lot of questions about what is coming. I was constantly questioning throughout the book, where did Jacob come from? Did he die saving Cass? Why has he not crossed over? How can he come through the veil? The writing just flows so easily and is told through Cass's eyes. I'm not always the biggest fan of present tense writing in novel's but the use of first person really put me into Cass's world and I had to know about the veil! (I was also a big Ghost Whisperer fan).
This book also has one of my favourite things, a cute little map at the start. However, unlike the often fiction maps that enhance the story, this is Cassidy's map of Edinburgh, which is pretty awesome, especially as I know the places on it, living just an hour's train ride from the city. It shows the main places you would expect, as well as Blackwell's book shop (it is a good Blackwell's too, bigger than Newcastle!). I just love maps in books, I spend ages pouring over them and it really adds to the pictures in your mind.
Of course, being a ghost story, this novel is quite edgy for middle grade but absolutely age appropriate and Schwab is so skillful at pushing the tension right up before diffusing it at just the right point. I get scared even by some young adult ghost stories (no lie) and this one was borderline comfortable for me. The description perfectly set the scene and I truly felt like I was in a foggy graveyard in the dark, or underground in Mary King's Close. I love how Schwab drew on Scottish history and Scotland's love of ghost stories and seamlessly weaves them with the fiction of this ghost hunting American family. I think a lot of children who I come across and potentially across the country may have been to Edinburgh so it makes the story a little bit more accessible while the fantasy creates a boundary from it being too scary. Cass is also a big fan of Harry Potter and the frequent references throughout will really resonate with contemporary children who also love the series.
I loved this book and can't wait for what follows on. It is definitely an exciting addition to a class bookshelf for the ghost story lover but would be a gripping book to share with your class just for pleasure. Brimming with tension, spine tingling atmosphere and completely relevant to the modern day pre-teen, I recommend whole heartedly.