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Lee (2222 KP) rated Bad Boys for Life (2020) in Movies
Jan 20, 2020
The first Bad Boys movie came out in 1995, with the second arriving in 2003. So, 17 years on and these Miami bad boys are sure to be showing signs of age, following a career of fast cars and extreme action. Thankfully, Bad Boys for Life acknowledges that fact, even if we do get to hear the phrase "we're getting too old for this shit", or variations of, on many occasions throughout. Marcus Burnett (Martin Lawrence) is becoming a grandfather, keen to move on from being a bad boy in order to try and become a "good man" instead. Meanwhile, Mike Lowrey (Will Smith) isn't quite there just yet, continuing to try and live his shallow bad boy life at full throttle, dying his greying goatee beard in denial. When Mike becomes the target for a badass Mexican drug-lord (Kate del Castillo) and her ruthless son, his past comes back to haunt him and both boys have no choice but to get back together in order to take down the bad guys one last time.
OK, full disclaimer - I haven't seen Bad Boys and I haven't seen Bad Boys II. I probably wouldn't have been concerned about seeing this third installment either if I'm honest, but I found myself with a couple of hours to kill in London over the weekend, with Bad Boys for Life being literally the only movie that I hadn't seen which was showing at a convenient time. General opinion online so far seems to be that this is a fairly decent entry into the franchise though, and not necessarily something where you needed to have seen the previous movies in order to enjoy, so I decided to give it a shot. Consequently, there may be things about this movie that fans of the series will be happy to see or that they will be disappointed to see, but which I can't really comment on. I was heading into this like it was a standalone movie.
So, with Burnett trying to adjust to a life of relaxation at home, getting under his wife's feet in the process, it's up to Lowrey to tackle the assassin threat. However, due to him being one of their targets, he's forced to join the AMMO squad as a consultant. AMMO are Miami PD's elite team, utilising technology to track and monitor high-profile criminals, and the majority of the team are all considerably younger than Lowrey too. To them, Lowrey is just the old man that would rather shoot first and ask questions later, and it's not long before a frustrated Lowrey is disobeying orders, taking charge and introducing the team to some of his Bad Boy ways.
As far as buddy cop action movies go, Bad Boys for Life was an absolute blast. I've seen reviewers negatively describe the impact that Michael Bay had on the last Bad Boys movie with his over the top action mayhem style of film making. However, this time around, new co-directors Bilall Fallah and Adil El Arbi are in charge (although Bay does have a small cameo in the movie!) and while the action is still frenetic at times, it's also a lot more coherent too. The pacing in Bad Boys for Life felt spot on and with a good mix of humour, some decent villains and some fast paced inventive action that you can actually follow, it all makes for an enjoyable ride.
OK, full disclaimer - I haven't seen Bad Boys and I haven't seen Bad Boys II. I probably wouldn't have been concerned about seeing this third installment either if I'm honest, but I found myself with a couple of hours to kill in London over the weekend, with Bad Boys for Life being literally the only movie that I hadn't seen which was showing at a convenient time. General opinion online so far seems to be that this is a fairly decent entry into the franchise though, and not necessarily something where you needed to have seen the previous movies in order to enjoy, so I decided to give it a shot. Consequently, there may be things about this movie that fans of the series will be happy to see or that they will be disappointed to see, but which I can't really comment on. I was heading into this like it was a standalone movie.
So, with Burnett trying to adjust to a life of relaxation at home, getting under his wife's feet in the process, it's up to Lowrey to tackle the assassin threat. However, due to him being one of their targets, he's forced to join the AMMO squad as a consultant. AMMO are Miami PD's elite team, utilising technology to track and monitor high-profile criminals, and the majority of the team are all considerably younger than Lowrey too. To them, Lowrey is just the old man that would rather shoot first and ask questions later, and it's not long before a frustrated Lowrey is disobeying orders, taking charge and introducing the team to some of his Bad Boy ways.
As far as buddy cop action movies go, Bad Boys for Life was an absolute blast. I've seen reviewers negatively describe the impact that Michael Bay had on the last Bad Boys movie with his over the top action mayhem style of film making. However, this time around, new co-directors Bilall Fallah and Adil El Arbi are in charge (although Bay does have a small cameo in the movie!) and while the action is still frenetic at times, it's also a lot more coherent too. The pacing in Bad Boys for Life felt spot on and with a good mix of humour, some decent villains and some fast paced inventive action that you can actually follow, it all makes for an enjoyable ride.
Andy K (10823 KP) rated Naked Lunch (1991) in Movies
Sep 28, 2019
Exterminate all rational thought.
The closing line from Roger Ebert's TV review of Naked Lunch was "I love what he did, but I hate it!"
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
Rachel King (13 KP) rated The Sleeping Beauty (Five Hundred Kingdoms, #5) in Books
Feb 11, 2019
I found this book to be quite engrossing and entertaining as a retelling of a mixture of common fairy tales, namely Sleeping Beauty and Snow White. Other tales are also given some attention, such as the Frog Prince, as a source of humor and explanation of random occurences. The lengths to which Rosa and her Fairy Godmother must go to escapes the clutches of The Tradition are both ingenious and exhausting, and it makes me appreciate that my own life is not dictated by some non-conscious "force."
I especially enjoyed the many different challenges that the two women conceived to test the many Princes vying for Rosa's hand in marriage, and I even tried to answer a few myself before I read ahead. The novel takes the modernized approach that the Damsel in Distress does not always need a man to save her from Doom - but having a few handy just in case certainly don't hurt!
I enjoyed how unique each of the characters are, even minor characters, such as some of the Princes who were eliminated early or the different Brownies in the service of the Fairy Godmother. Seigfried and Leopold are opposites in many ways, and yet they work very well together. Seigfried's bird is also great entertainment and quite convenient as a source of knowledge and backstory. The way that Leopold resolves the force of the The Tradition that has been plaguing Seigfried is rather perfect, too. The mirror spirit, Jimson, who serves the Fairy Godmother, Lily, is also quite endearing, and I found his resolution somewhat predictable, but still enjoyable.
What I like most about the Five Hundred Kingdom series is that even though each of the books in the series could qualify as a stand-alone novel, each book still sneaks in elements to connect it to the backstory of previous books, such as when Lily contacts Elena regarding dragons. The fairy tales are reimagined in the light of modern values while still favoring core elements, and even an adult such as myself can appreciate them!
I especially enjoyed the many different challenges that the two women conceived to test the many Princes vying for Rosa's hand in marriage, and I even tried to answer a few myself before I read ahead. The novel takes the modernized approach that the Damsel in Distress does not always need a man to save her from Doom - but having a few handy just in case certainly don't hurt!
I enjoyed how unique each of the characters are, even minor characters, such as some of the Princes who were eliminated early or the different Brownies in the service of the Fairy Godmother. Seigfried and Leopold are opposites in many ways, and yet they work very well together. Seigfried's bird is also great entertainment and quite convenient as a source of knowledge and backstory. The way that Leopold resolves the force of the The Tradition that has been plaguing Seigfried is rather perfect, too. The mirror spirit, Jimson, who serves the Fairy Godmother, Lily, is also quite endearing, and I found his resolution somewhat predictable, but still enjoyable.
What I like most about the Five Hundred Kingdom series is that even though each of the books in the series could qualify as a stand-alone novel, each book still sneaks in elements to connect it to the backstory of previous books, such as when Lily contacts Elena regarding dragons. The fairy tales are reimagined in the light of modern values while still favoring core elements, and even an adult such as myself can appreciate them!
James P. Sumner (65 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 10, 2019
The MCU delivers again!
Tom Holland reprises his role as the friendly neighbourhood Spiderman in this enjoyable final entry in the MCU's third phase.
Picking up where Avengers: Endgame left off, the world is slowly getting back on its feet after Thanos' handiwork was reversed. Peter Parker is on a school trip across Europe when huge Elemental enemies attack. He's unprepared, but the day is saved by Mysterio - a superhero from an alternate universe.
So far, so Marvel.
Twists and turns follow, with plenty of action throughout. The storyline reminded me of Iron Man 3 in some ways, in terms of it's structure and style. The visuals were impressive as always. The acting was spot-on, with Happy returning in a comic relief/mentor role that worked really well alongside the hero.
The great thing about all the Marvel movies is how they distinguish themselves from each other. Aside from being just comic book movies, each individual series has its own themes and genre. Guardians of the Galaxy is sci-fi/action/comedy, Captain America is more political/action, Thor is fantasy, etc... Spiderman fills the gap for a teen drama, appealing to the younger audience by giving them the angst and romance they crave and relate to. The relationship between Peter and MJ is explored in greater detail here, and their on-screen awkward is fun to watch, but also believable - largely, I suspect, due to the pair's off-screen friendship. Their chemistry is brilliant and really adds to the movie.
As with all Marvel movies, it ain't over 'til it's over. The mid-credits scene does a truly fantastic job of setting up the third movie in the series, while the post-credits scene teases at the future of the wider MCU.
Marvel has had numerous hits with only a small handful of near-misses. Spiderman: Far From Home is a resounding hit and not to be missed!
Picking up where Avengers: Endgame left off, the world is slowly getting back on its feet after Thanos' handiwork was reversed. Peter Parker is on a school trip across Europe when huge Elemental enemies attack. He's unprepared, but the day is saved by Mysterio - a superhero from an alternate universe.
So far, so Marvel.
Twists and turns follow, with plenty of action throughout. The storyline reminded me of Iron Man 3 in some ways, in terms of it's structure and style. The visuals were impressive as always. The acting was spot-on, with Happy returning in a comic relief/mentor role that worked really well alongside the hero.
The great thing about all the Marvel movies is how they distinguish themselves from each other. Aside from being just comic book movies, each individual series has its own themes and genre. Guardians of the Galaxy is sci-fi/action/comedy, Captain America is more political/action, Thor is fantasy, etc... Spiderman fills the gap for a teen drama, appealing to the younger audience by giving them the angst and romance they crave and relate to. The relationship between Peter and MJ is explored in greater detail here, and their on-screen awkward is fun to watch, but also believable - largely, I suspect, due to the pair's off-screen friendship. Their chemistry is brilliant and really adds to the movie.
As with all Marvel movies, it ain't over 'til it's over. The mid-credits scene does a truly fantastic job of setting up the third movie in the series, while the post-credits scene teases at the future of the wider MCU.
Marvel has had numerous hits with only a small handful of near-misses. Spiderman: Far From Home is a resounding hit and not to be missed!
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Debbiereadsbook (1303 KP) rated Death By C*ck (Fetish Alley #2) in Books
Jul 3, 2019
a lotta LURVE in this book, folks!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Fetish Alley series, but it's not necessary to have read book one, For Fox Sake. Not necessary, but I would recommend you do read it, if only to get a better picture of Tate and Clay, and of the other characters who pop up here again. And you know, since I'm recommending, you should also probably read Feat Of Clay, from the Men of London series, cos that will give you a FAR bigger picture of Tate and Clay and how they work as a couple.
When a young taxidermist is found dead in his place of work, the police call in Tate and Clay to help with the locals, since the police seem to be hitting a wall with the residents of Fetish Alley, and Tate and Clay are almost family to Relio, who runs the Alley. Can they figure out who killed the young man, and who is behind the spate of protection racket visits the Alley residents have had?
So, like I said, book two. And an excellent follow up it is too!
I think I enjoyed this one more than book one, as well. Here's why.
I got whodunnit very quickly, and why they-dunnit too, so it was fun watching that unravel and turn out just as I thought.
So, once that was established, I sorta glanced over those bits and settled on the more important parts of this book: that of Tate and Clay, and the way each of them, independently of each other, thought about things they wanted to change. It's gonna be kinda vague, cos spoilers and all that, but bear with me!
One of the two had asked the other, a long time ago, to marry him. And I expected THAT person to ask again, but its the OTHER that does, and in such a way, you felt it, deep in your heart! It's not a well thought out, planned long declaration of love, though. It's a rushed, heartfelt deeply emotional proposal, done in a way that is so very THEM, and I bloody loved it!
OH! And, I noticed, in both For Fox Sake, and Feat of Clay, that these guys are not ones for professing their love. Don't get me wrong, Tate and Clay adore the ground the other walks on and would KILL for the other, but they don't say those three little words. And they do here, and again, its just dropped in, as they do, with one of them nodding off. And bloody hell if it didn't make me cry!
Although this is set in Fetish Alley, there is very little actual kink, almost none, really. Tate and Clay do some shopping and that's about as kinky as it gets. Oh, there is heat, so much heat and sexy time between Tate and Clay, and some we get shut down on, but the KINK? not so much.
Relio and Tomas play a part, and we still have not very much idea with what's going on with those two, but clearly, something is. I can't wait to find out what!
A thoroughly enjoyable way to spend the afternoon!
5 stars
**same worded review will appear elsewhere**
This is book two in the Fetish Alley series, but it's not necessary to have read book one, For Fox Sake. Not necessary, but I would recommend you do read it, if only to get a better picture of Tate and Clay, and of the other characters who pop up here again. And you know, since I'm recommending, you should also probably read Feat Of Clay, from the Men of London series, cos that will give you a FAR bigger picture of Tate and Clay and how they work as a couple.
When a young taxidermist is found dead in his place of work, the police call in Tate and Clay to help with the locals, since the police seem to be hitting a wall with the residents of Fetish Alley, and Tate and Clay are almost family to Relio, who runs the Alley. Can they figure out who killed the young man, and who is behind the spate of protection racket visits the Alley residents have had?
So, like I said, book two. And an excellent follow up it is too!
I think I enjoyed this one more than book one, as well. Here's why.
I got whodunnit very quickly, and why they-dunnit too, so it was fun watching that unravel and turn out just as I thought.
So, once that was established, I sorta glanced over those bits and settled on the more important parts of this book: that of Tate and Clay, and the way each of them, independently of each other, thought about things they wanted to change. It's gonna be kinda vague, cos spoilers and all that, but bear with me!
One of the two had asked the other, a long time ago, to marry him. And I expected THAT person to ask again, but its the OTHER that does, and in such a way, you felt it, deep in your heart! It's not a well thought out, planned long declaration of love, though. It's a rushed, heartfelt deeply emotional proposal, done in a way that is so very THEM, and I bloody loved it!
OH! And, I noticed, in both For Fox Sake, and Feat of Clay, that these guys are not ones for professing their love. Don't get me wrong, Tate and Clay adore the ground the other walks on and would KILL for the other, but they don't say those three little words. And they do here, and again, its just dropped in, as they do, with one of them nodding off. And bloody hell if it didn't make me cry!
Although this is set in Fetish Alley, there is very little actual kink, almost none, really. Tate and Clay do some shopping and that's about as kinky as it gets. Oh, there is heat, so much heat and sexy time between Tate and Clay, and some we get shut down on, but the KINK? not so much.
Relio and Tomas play a part, and we still have not very much idea with what's going on with those two, but clearly, something is. I can't wait to find out what!
A thoroughly enjoyable way to spend the afternoon!
5 stars
**same worded review will appear elsewhere**
Sheridan (209 KP) rated Love, Death & Robots in TV
Apr 20, 2019
CGI is amazing (1 more)
The Perfect Mix of Morbid Humour and Gore
A Masterpiece of the Weird and Fantastical
This is going to be a long one, I'm going to review each episode as they aren't linked or related in any way, but just know, they are all gorgeous works of art and you should totally go watch the whole thing ?.
Beyond the Aquila Rift - CGI was beautiful from the moment it started, I was like 'shiiiit this series is going to be everything I love'. This one is about a crew making a delivery in space, however nothing quite goes to plan. For me, it had a very 'Mass Effect' feel with the FTL travel. I was not expecting a full out sex scene in the first 6 minutes but then again the episodes are on average only 16 minutes long. It was rauncy yet somehow, still quite tasteful, but as with most animated stuff there was an excessive amount of topless boob shots. I won't spoil it, but it ended up as a horrific mind fuck that left a shiver down my spine ?.
Secret War - Again, CGI was epic and the story was the perfect mix of unsettling, gory, and tragic. It follows a platoon of Red Army soldiers who are hunting down mysterious 'monsters'. There's blood, there's guts, a guy has an arm off at one point - what more could you ask for?
Sonnie's Edge - Immediately feels hellishly grunge and rave. I absolutely adored the blacklight effects and a strong female styling, the fight is gorgeous, the monsters have almost a Kaju feel which really made me happy as I love Pacific Rim. Of course this epicness is immediately ruined by a sloppy scene (I won't spoil it) which cemented the fact in my mind this was written by a man (I checked later and found I was correct), it does save itself with a fantastic twist at the end though so it was still an amazing short.
Sucker of Souls - This had a great grungy cartooning that felt half Kill Bill, half 2003 TMNT. It ended up being a real bad day for an archaeological expedition. Gore injected with humour is always a favourite of mine and this ticked all those boxes, including a wisecracking explosives expert (looking at you Gary!) If we've learnt anything from Indiana Jones and Rick O'Connell it's, don't fuck with tombs. This time was no different.
Three Robots - There's something just so fucking fantastic about robots going on holiday and speculating about 'human' stuff. It's just the perfect injection of morbid humour and I love it. The twist at the end had me laughing harder than I had any right to ?.
Ice Age - I haven't seen Topher Grace since That 70's Show so I was like 'heeeey cool'. This was the first one that wasn't soley animation so that was really cool. They find a civilization in their freezer - yes, you read that right, their freezer - and the story is awesome ?. It's a neat reflection on humans and our place in the world.
The Witness - Set in a brightly coloured city the animation here feels very Borderlands-y, which is super cool because I fricking love that game ?. There's murder, full frontal nudity, erotic dancing, and an ending that will tear your head right off. Pretty neat all in all.
Suits - Great Googamooga, this is my absolutely favourite so far, a perfectly normal looking farm, complete with adorable hick accents, discovers a breach in their fence. This isn't just any breach, this is an alien style swarm complete with Mech Warrior suits and a woman named Mel, who I'm convinced is Tank Girl as an old lady. 17 minutes of utter badassery you do not want to miss. Utterly LOVED it, and would 10/10 watch this as its own series.
When the Yogurt Took Over - Ok so the name - I was like 'should I take this seriously? Oooor' ?. Weirdly serious - yet hysterical. A five minute journey into what happened when Yogurt became sentient. You will not be disaappointed ?.
Good Hunting - With animation that reminds me of The Last Airbender, it's a story of magic, friendship, and the industrial age. A beautiful and tragic story, with horrific overtones of what greed and 'progress' can do.
The Dump - The animation this reminds me of would be sorta like, if the people at Pixar got high with Tim Burton. There was one random thing - I found Pearly's dick swing in the wind much funnier than any sane person probably would ?. A great story about man's best friend and let me tell ya, everyone needs an Otto ❤.
Shape-Shifter - There's something so deeply interesting about putting the supernatural into regular life. Two men, who are not human, in the US marines. Insanely intense story for under 15 minutes. Gorgeous CGI work too.
Helping Hand - This had a great "Gravity" feel to it, when everything goes wrong you just keep going, give a little and then a little more and you achieve the impossible. Breathtaking space visuals is just an added bonus ?.
Fish Night - Telltale style animation, depicts a story of a father and son on the road. The car breaks down and something both magical and tragic happens. The ending left me reeling ?.
Lucky 13 - The CGI in this one was so good it took me half the time to figure out that it wasn't real. Lucky 13 was to Cutter like the Normandy was to Joker. Just - the best goddamn ship ❤.
Zima Blues - Animated in a style similiar to Archer, this was an interesting piece about art and how it effects us, we search for meaning through it sometimes it's about appreciating the little things ❤.
Blindspot - 90's animation and a rad story about robots. This is my second favourite after Suits, would 10/10 watch as its own movie ?.
Alternate Histories - Did not stop laughing the entire time. Utter gold. I will recommend one thing - pause it at the blue screen bit, you won't be disappointed ?.
The only thing I'm sad about is there wasn't more of this to watch, it was incredible ?.
Beyond the Aquila Rift - CGI was beautiful from the moment it started, I was like 'shiiiit this series is going to be everything I love'. This one is about a crew making a delivery in space, however nothing quite goes to plan. For me, it had a very 'Mass Effect' feel with the FTL travel. I was not expecting a full out sex scene in the first 6 minutes but then again the episodes are on average only 16 minutes long. It was rauncy yet somehow, still quite tasteful, but as with most animated stuff there was an excessive amount of topless boob shots. I won't spoil it, but it ended up as a horrific mind fuck that left a shiver down my spine ?.
Secret War - Again, CGI was epic and the story was the perfect mix of unsettling, gory, and tragic. It follows a platoon of Red Army soldiers who are hunting down mysterious 'monsters'. There's blood, there's guts, a guy has an arm off at one point - what more could you ask for?
Sonnie's Edge - Immediately feels hellishly grunge and rave. I absolutely adored the blacklight effects and a strong female styling, the fight is gorgeous, the monsters have almost a Kaju feel which really made me happy as I love Pacific Rim. Of course this epicness is immediately ruined by a sloppy scene (I won't spoil it) which cemented the fact in my mind this was written by a man (I checked later and found I was correct), it does save itself with a fantastic twist at the end though so it was still an amazing short.
Sucker of Souls - This had a great grungy cartooning that felt half Kill Bill, half 2003 TMNT. It ended up being a real bad day for an archaeological expedition. Gore injected with humour is always a favourite of mine and this ticked all those boxes, including a wisecracking explosives expert (looking at you Gary!) If we've learnt anything from Indiana Jones and Rick O'Connell it's, don't fuck with tombs. This time was no different.
Three Robots - There's something just so fucking fantastic about robots going on holiday and speculating about 'human' stuff. It's just the perfect injection of morbid humour and I love it. The twist at the end had me laughing harder than I had any right to ?.
Ice Age - I haven't seen Topher Grace since That 70's Show so I was like 'heeeey cool'. This was the first one that wasn't soley animation so that was really cool. They find a civilization in their freezer - yes, you read that right, their freezer - and the story is awesome ?. It's a neat reflection on humans and our place in the world.
The Witness - Set in a brightly coloured city the animation here feels very Borderlands-y, which is super cool because I fricking love that game ?. There's murder, full frontal nudity, erotic dancing, and an ending that will tear your head right off. Pretty neat all in all.
Suits - Great Googamooga, this is my absolutely favourite so far, a perfectly normal looking farm, complete with adorable hick accents, discovers a breach in their fence. This isn't just any breach, this is an alien style swarm complete with Mech Warrior suits and a woman named Mel, who I'm convinced is Tank Girl as an old lady. 17 minutes of utter badassery you do not want to miss. Utterly LOVED it, and would 10/10 watch this as its own series.
When the Yogurt Took Over - Ok so the name - I was like 'should I take this seriously? Oooor' ?. Weirdly serious - yet hysterical. A five minute journey into what happened when Yogurt became sentient. You will not be disaappointed ?.
Good Hunting - With animation that reminds me of The Last Airbender, it's a story of magic, friendship, and the industrial age. A beautiful and tragic story, with horrific overtones of what greed and 'progress' can do.
The Dump - The animation this reminds me of would be sorta like, if the people at Pixar got high with Tim Burton. There was one random thing - I found Pearly's dick swing in the wind much funnier than any sane person probably would ?. A great story about man's best friend and let me tell ya, everyone needs an Otto ❤.
Shape-Shifter - There's something so deeply interesting about putting the supernatural into regular life. Two men, who are not human, in the US marines. Insanely intense story for under 15 minutes. Gorgeous CGI work too.
Helping Hand - This had a great "Gravity" feel to it, when everything goes wrong you just keep going, give a little and then a little more and you achieve the impossible. Breathtaking space visuals is just an added bonus ?.
Fish Night - Telltale style animation, depicts a story of a father and son on the road. The car breaks down and something both magical and tragic happens. The ending left me reeling ?.
Lucky 13 - The CGI in this one was so good it took me half the time to figure out that it wasn't real. Lucky 13 was to Cutter like the Normandy was to Joker. Just - the best goddamn ship ❤.
Zima Blues - Animated in a style similiar to Archer, this was an interesting piece about art and how it effects us, we search for meaning through it sometimes it's about appreciating the little things ❤.
Blindspot - 90's animation and a rad story about robots. This is my second favourite after Suits, would 10/10 watch as its own movie ?.
Alternate Histories - Did not stop laughing the entire time. Utter gold. I will recommend one thing - pause it at the blue screen bit, you won't be disappointed ?.
The only thing I'm sad about is there wasn't more of this to watch, it was incredible ?.
Gareth von Kallenbach (980 KP) rated Terminator Salvation (2009) in Movies
Aug 14, 2019
Following up the legendary first two Terminator films was no easy task. Without series creator, James Cameron. many fans found “Terminator: Rise of the Machines” to be lacking the depth, action, and character of the earlier films. When Director McG was announced to continue the war between humanity and the machines in “Terminator Salvation” fans feared that the series might become a campy action film in the vein of the directors “Charlie’s Angels” films. Thankfully for fans, the film more than delivers and continues the dark and intensely human story about the battle for humanities’ survival against the ruthless computer network, Skynet.
The film opens in 2018 where John Connor (Christian Bale), is involved in a raid on a Skynet facility with a group of fellow soldiers. The team is attempting to gain sensitive information from the main servers about Skynet. Along the way, they discover many human prisoners are being kept by the machines and learn what they believe is a weakness in the network that will allow them to defeat Skynet once and for all.
In the aftermath of the mission, John is debriefed by the human leadership and learns that their names are on a Skynet kill list and ironically John is #2 on the list behind someone named Kyle Reese (Anton Yelchin). While the name does not ring any bells with the command staff, John knows the name all too well and how his future, and all of humanity, hinges on this person staying alive.
At the same time, a man emerges named Marcus Wright (Sam Worthington), who meets up with Reese. Together they flee from a an array of deadly machines intent on capturing Reese. In a spectacular action sequence, Reese and Marcus battle a giant machine as well as Hunter Killers and cycle-like assassins that are as relentless as their terminator counterparts. Separated from Reese by the enemy, Marcus meets a resistance pilot named Blair Williams (Moon Bloodgood), who convinces him to return to the resistance camp where John Connor can help him locate Reese.
Fates collide and a shocking secret is revealed that causes division in the resistance and places Connor at odds with his chain of command. As a pending strike on Skynet looms, Connor is forced to undertake a desperate mission to save the future, one that challenges much of what he believes and rocks the very foundation of the resistance. What follows is an intense series of events and an explosive series of action scenes that should delight fans of the series and sets the stage well for future films.
Bale brings his signature intensity to Connor, smoothly moving between the action and dramatic scenes well, something he’s had practice with as Batman. Worthington was a very pleasant surprise. His character not only has an interesting back-story but provides a great compass for the storyline. I did have some questions about how, in a post-Apocalypse setting, things like water were free from fallout, as were blasted out cities, and how military planes and ships survived without having their chips scrambled by a nuclear pulse. That being said, the film works very well. A strong cast and good action were well blended with great effects to create a winning formula. I did wonder where the plasma rifles that were shown in the earlier films were, but did remember that those were shown in a time 11 years in the future from this film.
Of great significance in James Cameron’s earlier films was the way he deftly combined action and real characters with a complex storyline. “Terminator Salvation” is not as deep as the first two films but it also does not rely on explosions of CGI effects to carry the story. At the core of the film is a bleak but human drama about love, sacrifice, survival, and determination. While some may have issues with the dark tone of the film, it is important to remember that this is about humanities’ struggle against extinction. McG keeps things moving at a brisk pace and has crafted a slick and enjoyable film that has many clever nods to the source material without ever being disrespectful to the franchise. I am looking forward to see what future films in the story will offer, as truly the battle for humanity has just begun.
The film opens in 2018 where John Connor (Christian Bale), is involved in a raid on a Skynet facility with a group of fellow soldiers. The team is attempting to gain sensitive information from the main servers about Skynet. Along the way, they discover many human prisoners are being kept by the machines and learn what they believe is a weakness in the network that will allow them to defeat Skynet once and for all.
In the aftermath of the mission, John is debriefed by the human leadership and learns that their names are on a Skynet kill list and ironically John is #2 on the list behind someone named Kyle Reese (Anton Yelchin). While the name does not ring any bells with the command staff, John knows the name all too well and how his future, and all of humanity, hinges on this person staying alive.
At the same time, a man emerges named Marcus Wright (Sam Worthington), who meets up with Reese. Together they flee from a an array of deadly machines intent on capturing Reese. In a spectacular action sequence, Reese and Marcus battle a giant machine as well as Hunter Killers and cycle-like assassins that are as relentless as their terminator counterparts. Separated from Reese by the enemy, Marcus meets a resistance pilot named Blair Williams (Moon Bloodgood), who convinces him to return to the resistance camp where John Connor can help him locate Reese.
Fates collide and a shocking secret is revealed that causes division in the resistance and places Connor at odds with his chain of command. As a pending strike on Skynet looms, Connor is forced to undertake a desperate mission to save the future, one that challenges much of what he believes and rocks the very foundation of the resistance. What follows is an intense series of events and an explosive series of action scenes that should delight fans of the series and sets the stage well for future films.
Bale brings his signature intensity to Connor, smoothly moving between the action and dramatic scenes well, something he’s had practice with as Batman. Worthington was a very pleasant surprise. His character not only has an interesting back-story but provides a great compass for the storyline. I did have some questions about how, in a post-Apocalypse setting, things like water were free from fallout, as were blasted out cities, and how military planes and ships survived without having their chips scrambled by a nuclear pulse. That being said, the film works very well. A strong cast and good action were well blended with great effects to create a winning formula. I did wonder where the plasma rifles that were shown in the earlier films were, but did remember that those were shown in a time 11 years in the future from this film.
Of great significance in James Cameron’s earlier films was the way he deftly combined action and real characters with a complex storyline. “Terminator Salvation” is not as deep as the first two films but it also does not rely on explosions of CGI effects to carry the story. At the core of the film is a bleak but human drama about love, sacrifice, survival, and determination. While some may have issues with the dark tone of the film, it is important to remember that this is about humanities’ struggle against extinction. McG keeps things moving at a brisk pace and has crafted a slick and enjoyable film that has many clever nods to the source material without ever being disrespectful to the franchise. I am looking forward to see what future films in the story will offer, as truly the battle for humanity has just begun.