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Handel
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Handel is one of the most remarkable figures in the history of western music. His compositions form...
The Sleuth Sisters
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In this cozy mystery, the first of a series, middle-aged sisters Faye and Barb decide to open a...
Gareth von Kallenbach (980 KP) rated Black Sea (2015) in Movies
Aug 6, 2019
Jude Law stars as Robinson, a former submarine captain made redundant after a long career with an underwater salvage company. Left without a pension, and blaming the company for his failed marriage, he learns from a former co-worker that a vast sum of Nazi gold is lying in wait aboard a sunken German U-boat at the bottom of the Black Sea. Upon securing financing and a submarine that has most definitely seen better days, he pulls together a crew of both British and Russian sailors, assuring every man that an equal share of the loot is to be had. Tensions among the crew soon arise and as one character chillingly questions, “What happens when one of them starts to figure out that their share gets bigger, when there is less people to share it with?”
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
RəX Regent (349 KP) rated Big Hero 6 (2014) in Movies
Feb 20, 2019
Based on a short lived and obscure Marvel comic book series of the same name, Big Hero 6 was an attempt by Disney to develop a Disney feature from their newly acquired catalogue of Marvel properties after Disney's Marvel buy-out in 2010.
Popular though this movie is, I find it to be a little slow, plodding, patronising and trying too hard to evoke an emotional reaction from its audience. Focusing on Hiro, an orphan who's older brother is also killed in an accident, he ends up creating a team of superheroes from a group of geeks and his late brother's medical robot, B-Max.
Big Hero 6 was an attempt at blending Disney's brand of sentimental animation with that of Pixar's more imaginative stylised family action, The Incredibles springs to mind, along with Marvel's more family friendly action romps which make up the Avenger's franchise.
The result? Well, not so good. Entertaining? Sort of. Interesting? Okay if not derivative and what about innovative? No.
The 3-D was deep but also flat and uninteresting as was the story and the plodding pacing. The ideas were there but the execution was weak, with 2-D characters to make up a confused team. Was it supposed to be the X-Men or The Avengers? I believe that the Comic book the team was started not by Hiro but by an X-Man in the source material and the tone did lean towards X-Men: First Class (2010) at times, but overall, I found this to tick all the boxes in order to meet the expectation of fans of both superhero and Disney films.
As Hiro and B-Max fly across the city of San Fransokyo, I thought that I was watching How To Train Your Dragon (2010)! This borrows too much and offers too little to impress me and it was a shame as the notion of Disney producing an action hero movie is interesting but the results are nothing short of disappointing.
Popular though this movie is, I find it to be a little slow, plodding, patronising and trying too hard to evoke an emotional reaction from its audience. Focusing on Hiro, an orphan who's older brother is also killed in an accident, he ends up creating a team of superheroes from a group of geeks and his late brother's medical robot, B-Max.
Big Hero 6 was an attempt at blending Disney's brand of sentimental animation with that of Pixar's more imaginative stylised family action, The Incredibles springs to mind, along with Marvel's more family friendly action romps which make up the Avenger's franchise.
The result? Well, not so good. Entertaining? Sort of. Interesting? Okay if not derivative and what about innovative? No.
The 3-D was deep but also flat and uninteresting as was the story and the plodding pacing. The ideas were there but the execution was weak, with 2-D characters to make up a confused team. Was it supposed to be the X-Men or The Avengers? I believe that the Comic book the team was started not by Hiro but by an X-Man in the source material and the tone did lean towards X-Men: First Class (2010) at times, but overall, I found this to tick all the boxes in order to meet the expectation of fans of both superhero and Disney films.
As Hiro and B-Max fly across the city of San Fransokyo, I thought that I was watching How To Train Your Dragon (2010)! This borrows too much and offers too little to impress me and it was a shame as the notion of Disney producing an action hero movie is interesting but the results are nothing short of disappointing.
Eleanor (1463 KP) rated Avengers: Endgame (2019) in Movies
Jun 5, 2019
Hulk and Thor (1 more)
Little screen time for many favourite characters
Solid end to an epic series.
So back in 2008 (which is 11 years ago at the time of writing - where did the time go!) the film Iron Man came out starring Robert Downey Jr. I loved that film but little did I know at the time that over the course of the next 11 years we’d have such a huge universe created for us by Marvel over a plethora of films culminating in one 3 hour epic film (no consideration for my bladder.) The whole scale of this movie is mind blowing in that context.
This film has plenty of action and lots of homage to the films in the franchise. It does a solid job of tying things off. It's just not going to be one of my favourites (although an improvement on Infinity war.)
Now the Marvel universe has built up a heck of a lot of characters, some I love, some less so but fundamentally we just have too many characters. Trying to cram them into one film is just unwieldy and we lose the sharpness many of the films had. For me, unfortunately this film focuses more of the characters I’m less keen on. The ones I do love, that were front and centre, seemed to have all undergone personality changes to make them terrible. OK I get it seeing half the life in the universe wiped out is going to ruin anyone's mood but the changes we saw in Hulk and Thor were just way off for me. Downey fortunately manages to carry a lot of the film, with some great revisiting of tension between Stark and Cpt. America. Only Rocket seemed vaguely recognisable as a character I love. Many barely get a line in when they do turn up.
The fun that is so evident in most of the best marvel films didn’t feel as present, I just needed more of that Marvel feel before a big huge battle to save the day.
This film has plenty of action and lots of homage to the films in the franchise. It does a solid job of tying things off. It's just not going to be one of my favourites (although an improvement on Infinity war.)
Now the Marvel universe has built up a heck of a lot of characters, some I love, some less so but fundamentally we just have too many characters. Trying to cram them into one film is just unwieldy and we lose the sharpness many of the films had. For me, unfortunately this film focuses more of the characters I’m less keen on. The ones I do love, that were front and centre, seemed to have all undergone personality changes to make them terrible. OK I get it seeing half the life in the universe wiped out is going to ruin anyone's mood but the changes we saw in Hulk and Thor were just way off for me. Downey fortunately manages to carry a lot of the film, with some great revisiting of tension between Stark and Cpt. America. Only Rocket seemed vaguely recognisable as a character I love. Many barely get a line in when they do turn up.
The fun that is so evident in most of the best marvel films didn’t feel as present, I just needed more of that Marvel feel before a big huge battle to save the day.
Debbiereadsbook (1694 KP) rated Patron Of Mercy (Lords of The Underworld #3) in Books
Aug 14, 2019
I was missing . . . .something!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Lords of The Underworld series, and it CAN be read as a stand alone. However, personally, I felt I was missing. . . something . . .that I can't quite put my finger on, for not having read books one and two YET. I have them, but I have not got round to them yet! I will do, now though!
Lach walked away from Thanatos a milennia ago, because now he was immortal, who wanted to hang aroudn the God of Death? But both Thanatos and Lach lusted after the other for all that time. When Lach discoveres a way to save the world from starvation, he knows he will need Thanatos. Can Lach win back the only man, the only GOD he would ever love?
I did enjoy this, apart from the previously mentioned . . .something . . . I really did!
All the major players get a say, and you don't see what fate has instore for Lach and his friend till all is made clear in the book.
It is HEAVY on the Greek gods history. I *sort of* managed to keep up, because I paid no attention to histoy at school, but I felt I was given enough to *sort of* keep up! Someone else will have paid far better attention, and followed it beautifully.
Thanatos and Lach's story, though, I had no trouble following!
It;s not overly explicit, but hot enough. There is some detailed descriptions when Lach is in major trouble, though.
It is the first book I've read of Sam Burns or WM Fawkes. I'd like to read more, as I said, I have books one and two to read. Their collaboration is really well written, and you really can't tell how they split the writing! (sometimes, it's very obvious!)
So, ONLY because of that . . .something . . .I (personally, me, myself, and no one else!) was missing. . .
4 solid stars
**same worded review will appear elsewhere**
This is book 3 in the Lords of The Underworld series, and it CAN be read as a stand alone. However, personally, I felt I was missing. . . something . . .that I can't quite put my finger on, for not having read books one and two YET. I have them, but I have not got round to them yet! I will do, now though!
Lach walked away from Thanatos a milennia ago, because now he was immortal, who wanted to hang aroudn the God of Death? But both Thanatos and Lach lusted after the other for all that time. When Lach discoveres a way to save the world from starvation, he knows he will need Thanatos. Can Lach win back the only man, the only GOD he would ever love?
I did enjoy this, apart from the previously mentioned . . .something . . . I really did!
All the major players get a say, and you don't see what fate has instore for Lach and his friend till all is made clear in the book.
It is HEAVY on the Greek gods history. I *sort of* managed to keep up, because I paid no attention to histoy at school, but I felt I was given enough to *sort of* keep up! Someone else will have paid far better attention, and followed it beautifully.
Thanatos and Lach's story, though, I had no trouble following!
It;s not overly explicit, but hot enough. There is some detailed descriptions when Lach is in major trouble, though.
It is the first book I've read of Sam Burns or WM Fawkes. I'd like to read more, as I said, I have books one and two to read. Their collaboration is really well written, and you really can't tell how they split the writing! (sometimes, it's very obvious!)
So, ONLY because of that . . .something . . .I (personally, me, myself, and no one else!) was missing. . .
4 solid stars
**same worded review will appear elsewhere**
J Elizabeth Klug (21 KP) rated Misadventures of a Virgin (Misadventures, #4) in Books
Dec 14, 2019
***MISADVENTURES ARE A SERIES OF STANDALONE ROMANCES THAT CAN BE READ IN ANY ORDER***
“And now I have to worry I may have given him more than my body. I may have just given up my heart.”
June Bell and Kase McCasker grew up as neighbors in Falls Edge. Kase was June’s girlhood crush with whom she shared a memorable kiss before he disappeared off to college and out of her life.
Four years ago, Kase received unexpected news that shook his world and drove him away. Now he’s back, a degree in hand, ready to face his demons. He’s determined to save the struggling farm that’s been in his family for generations.
The time and distance have done nothing to tame Kase’s desire for June, who is the daughter of the man trying to buy his family’s land. Just one look at her, even after all this time, has him ready to risk his future and his heart.
For years, June’s father has been trying to buy the McCasker land. Now, Kase agrees to the sale with one stipulation. June must spend 2 weeks with him on the property.
June agrees, finding out that Kase has been forgotten about her and is intent on finishing what they started all those years ago at the farm. Kase is upfront with his feelings and very possessive of June. As they spend time together and their feelings for each grow into something deeper, June begins to question whether she really wants the sale of the property to go through.
In learning more about Kase, June also learns some startling truths about her own mother’s death and the ongoing feud be their two families. Will this startling revelation destroy any chance of a happily ever after?
This was a great, well-written story. The characters were well developed. I found myself able to really empathize with characters emotions. Meredith Wild is rapidly becoming my favorite romance author.
“And now I have to worry I may have given him more than my body. I may have just given up my heart.”
June Bell and Kase McCasker grew up as neighbors in Falls Edge. Kase was June’s girlhood crush with whom she shared a memorable kiss before he disappeared off to college and out of her life.
Four years ago, Kase received unexpected news that shook his world and drove him away. Now he’s back, a degree in hand, ready to face his demons. He’s determined to save the struggling farm that’s been in his family for generations.
The time and distance have done nothing to tame Kase’s desire for June, who is the daughter of the man trying to buy his family’s land. Just one look at her, even after all this time, has him ready to risk his future and his heart.
For years, June’s father has been trying to buy the McCasker land. Now, Kase agrees to the sale with one stipulation. June must spend 2 weeks with him on the property.
June agrees, finding out that Kase has been forgotten about her and is intent on finishing what they started all those years ago at the farm. Kase is upfront with his feelings and very possessive of June. As they spend time together and their feelings for each grow into something deeper, June begins to question whether she really wants the sale of the property to go through.
In learning more about Kase, June also learns some startling truths about her own mother’s death and the ongoing feud be their two families. Will this startling revelation destroy any chance of a happily ever after?
This was a great, well-written story. The characters were well developed. I found myself able to really empathize with characters emotions. Meredith Wild is rapidly becoming my favorite romance author.
Gareth von Kallenbach (980 KP) rated Focus (2015) in Movies
Aug 6, 2019
Focus, a new film starring Will Smith, Rodrigo Santoro, Margot Robbie, and Gerald McRaney seems like it ‘should be’ predictable, but I didn’t find it to be predictable at all.
I only caught one of the tricky story line twists at the last minute, at the very end, and the whole entire movie, I really thought that the leading lady Jess (Margot Robbie) was up to something other than what she was.
The movie overall, after watching it, reminds me a bit of Oceans 11, with twists and turns and surprises and things I just didn’t see coming.
I felt Will Smith as Nicky Spurgeon did a great job, and portrayed his relationship, or the fact that he was bothered by his lack of a relationship with Jess very believably.
The story moves along quickly, flowing well, for the most part. We watch Jess try to con Nicky, and watch him school her on ‘how it’s done’.
This sets the tone for the rest of the show which follows Nickys’ path as a con man and him working with his crew in one job after another.
He is supposed to be the best of the best and we watch him successfully carry off con after con in the first half.
The second half of the movie takes place after a number of years have passed, and more closely details Nicky’s feelings or apparent feelings for Jess.
Without revealing too much, I can only say everything is not as it appears, but the action of what is happening is fast enough that it distracted me from being able to concentrate too hard on what the deceptions might be.
I think this might be Will Smiths ‘comeback movie’ after a series of recent films over the past handful of years with him as a headliner have been really, really bad.
I have already encouraged a handful of friends to see the film when it comes to regular release, and I would gladly see it again.
I would give this movie 4 out of 5 stars.
I only caught one of the tricky story line twists at the last minute, at the very end, and the whole entire movie, I really thought that the leading lady Jess (Margot Robbie) was up to something other than what she was.
The movie overall, after watching it, reminds me a bit of Oceans 11, with twists and turns and surprises and things I just didn’t see coming.
I felt Will Smith as Nicky Spurgeon did a great job, and portrayed his relationship, or the fact that he was bothered by his lack of a relationship with Jess very believably.
The story moves along quickly, flowing well, for the most part. We watch Jess try to con Nicky, and watch him school her on ‘how it’s done’.
This sets the tone for the rest of the show which follows Nickys’ path as a con man and him working with his crew in one job after another.
He is supposed to be the best of the best and we watch him successfully carry off con after con in the first half.
The second half of the movie takes place after a number of years have passed, and more closely details Nicky’s feelings or apparent feelings for Jess.
Without revealing too much, I can only say everything is not as it appears, but the action of what is happening is fast enough that it distracted me from being able to concentrate too hard on what the deceptions might be.
I think this might be Will Smiths ‘comeback movie’ after a series of recent films over the past handful of years with him as a headliner have been really, really bad.
I have already encouraged a handful of friends to see the film when it comes to regular release, and I would gladly see it again.
I would give this movie 4 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Project X (2012) in Movies
Aug 7, 2019
Project X is a wild ride fueled by drugs, booze, nudity, strong language, and a mob mentality. It starts off very slow, like every other day at high school (for most of us), and then quickly escalates into a series of events that seem inevitable, like watching dominoes fall.
The story follows three teens: Thomas, Costa, and JB. Costa and JB are on a mission to execute the biggest birthday bash known to man for their best friend Thomas. Their mission? To hopefully change their reputations as high school losers. Of these three, Costa is the only one whose real life name is not the same as his character. Many of the characters in this film used their real names, much to my surprise.
When I first read the film’s synopsis, the following phrase was included: “Project X is a warning to teens, parents and law enforcement.” Naturally, I assumed the film was going to be a documentary laced with lessons for the viewers. While I can’t say more without giving away what happens, I was surprised — and that’s saying something.
Nima Nourizadeh showcases his skills on the silver screen for the first time in a non-documentary capacity, though the film is very documentary-esque. I have to give him two thumbs up for creating a very funny, visually appealing, and emotionally charged film.
The best part for me was the comedy, which I’m sure resonated with younger viewers more, but was hilarious none-the-less. It’s a triumph for true laugh-out-loud film-making.
My only criticism comes from a scene near the end, which seems completely implausible given the realistic nature of the film. This particular scene felt very out of place. At the risk of ruining the moment for you, I will simply say that the drug dealer really lights up the scene, albeit
in a very unlikely manner.
I would call this underdog film an unexpected win.
The story follows three teens: Thomas, Costa, and JB. Costa and JB are on a mission to execute the biggest birthday bash known to man for their best friend Thomas. Their mission? To hopefully change their reputations as high school losers. Of these three, Costa is the only one whose real life name is not the same as his character. Many of the characters in this film used their real names, much to my surprise.
When I first read the film’s synopsis, the following phrase was included: “Project X is a warning to teens, parents and law enforcement.” Naturally, I assumed the film was going to be a documentary laced with lessons for the viewers. While I can’t say more without giving away what happens, I was surprised — and that’s saying something.
Nima Nourizadeh showcases his skills on the silver screen for the first time in a non-documentary capacity, though the film is very documentary-esque. I have to give him two thumbs up for creating a very funny, visually appealing, and emotionally charged film.
The best part for me was the comedy, which I’m sure resonated with younger viewers more, but was hilarious none-the-less. It’s a triumph for true laugh-out-loud film-making.
My only criticism comes from a scene near the end, which seems completely implausible given the realistic nature of the film. This particular scene felt very out of place. At the risk of ruining the moment for you, I will simply say that the drug dealer really lights up the scene, albeit
in a very unlikely manner.
I would call this underdog film an unexpected win.
AS
Along Some Rivers: Photographs and Conversations
Robert Adams and Richard B. Woodward
Book
Robert Adams, one of America's foremost living photographers, has spent decades considering and...