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Debbiereadsbook (1554 KP) rated Finally Letting Go (Infinity #2) in Books
Mar 12, 2018
much MUCH better read than book one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Infinity series. I would recommend that you read book one, Worth The Risk, if only to know just how Brandon wrecked Tyler 3 years ago. Not totally necessary, though.
Brandon is so far in the closet, he doesn't even know WHERE he is anymore! Facing up to his father, and NOT going to law school, Brandon now comes face to face with Tyler, and he has to own up to what he did. And he does. Tyler's best friend, Simon, though, won't let Brandon get away with it. But Simon's reaction to meeting Brandon properly again for the first time is MASSIVE and INSTANT, and oh so unexpected. Simon won't, though, be anyone dirty little secret. Brandon has to own up WHO he is before Simon will go down that road.
And my gosh! What a great read! I love characters who, for one reason or another cannot own up to who they really are, who they really want, and Brandon, bless his heart, he fights. He FIGHTS so darn HARD, but Simon will not let up!
And let me tell ya, once Brandon admits to HIMSELF who he is and WHO he wants, that man is all in! And it is spectacular watching both these men fall and fall hard for each other. It is, really, quite beautiful watching these two, it really is.
And I did NOT see that coming at me, no ma'am I did not expect that!! Way to go Brandon!
I said in my review for Worth The Risk that there was some repetition of a couple of phases, and I was worried here, but there was none of that!
I loved that Tyler and Jax play a huge part here, and that Ben, the owner of Infinity plays a part, and his book is laid out, sorta. There is a little bit of a preview for Ben's book, Breaking The Rules, and his book is told in the first person. Now those who follow my reviews will know that's not a great favourite of mine, but because I KNOW this now, it won't be a problem. Can't wait to read it!
A much MUCH better read than book one so...
5 full stars.
**same worded review will appear elsewhere**
This is book two in the Infinity series. I would recommend that you read book one, Worth The Risk, if only to know just how Brandon wrecked Tyler 3 years ago. Not totally necessary, though.
Brandon is so far in the closet, he doesn't even know WHERE he is anymore! Facing up to his father, and NOT going to law school, Brandon now comes face to face with Tyler, and he has to own up to what he did. And he does. Tyler's best friend, Simon, though, won't let Brandon get away with it. But Simon's reaction to meeting Brandon properly again for the first time is MASSIVE and INSTANT, and oh so unexpected. Simon won't, though, be anyone dirty little secret. Brandon has to own up WHO he is before Simon will go down that road.
And my gosh! What a great read! I love characters who, for one reason or another cannot own up to who they really are, who they really want, and Brandon, bless his heart, he fights. He FIGHTS so darn HARD, but Simon will not let up!
And let me tell ya, once Brandon admits to HIMSELF who he is and WHO he wants, that man is all in! And it is spectacular watching both these men fall and fall hard for each other. It is, really, quite beautiful watching these two, it really is.
And I did NOT see that coming at me, no ma'am I did not expect that!! Way to go Brandon!
I said in my review for Worth The Risk that there was some repetition of a couple of phases, and I was worried here, but there was none of that!
I loved that Tyler and Jax play a huge part here, and that Ben, the owner of Infinity plays a part, and his book is laid out, sorta. There is a little bit of a preview for Ben's book, Breaking The Rules, and his book is told in the first person. Now those who follow my reviews will know that's not a great favourite of mine, but because I KNOW this now, it won't be a problem. Can't wait to read it!
A much MUCH better read than book one so...
5 full stars.
**same worded review will appear elsewhere**
The Tartan Turban: In Search of Alexander Gardner
Book
'Among the many gripping tales of travel and exploration the tale of Alexander Gardner is surely one...
history
Jesters_folly (230 KP) rated Bloodshot (2020) in Movies
Jan 9, 2021
Contains spoilers, click to show
Ok, I'll start by saying that this is one of those films that needs two viewings, not that the second viewing adds anything to it but you do get to appreciate what the film is trying to do. Let me explain.
First off Bloodshot is action/comic book movie of two half's. In the first half we half (well maybe first third) we have Ray Garrison (Vin Diesel) completing his mission, celebrating, getting captured and loosing his wife before being resurrected as Bloodshot and going out on a mission of revenge. All of this has an increasingly comic book feel to it, and so it should, the film is based on one after all. However some scenes feel too comic and the "villain", Martin Axe, feels too over the top, especially when he seems to have had a personality swap the next time we see him. There is a reason for of this reviled by the films mid way plot twist but, on the first watch through the "Psycho Killer" scene distracted me from some of the film. Then we get a plot twist that studio Trigger* would be proud of. I'm sure anyone who has read the original source material knew what was going to happen, but that has always been one of the problems, keeping the mystery for new fans but giving the comic book fans what they want.
As we get to the second half of the film it losses some of t e over the top-ness, or at least substitutes it for a different kind of over the top and does bring you back into the plot of 'Augmented man fights other augmented men' which does give us a good over the top action film.
If you do give Bloodshot a second watch then you do notice some clever little bits, like the entire plot being told to us near the beginning of the film. Although I'm still not sure why the London police car has a machine gun in the back of it.
Over all Bloodshot is a o.k. - Good action film but for no brained augmented human action films I think ' Hobbs and Shaw' did it better, Bloodshot even shares Eiza Gonzales with them.
*Responsible for the anime's Kill la Kill and Gurren Lagann both of which have mid season twists that send the series in different directions.
First off Bloodshot is action/comic book movie of two half's. In the first half we half (well maybe first third) we have Ray Garrison (Vin Diesel) completing his mission, celebrating, getting captured and loosing his wife before being resurrected as Bloodshot and going out on a mission of revenge. All of this has an increasingly comic book feel to it, and so it should, the film is based on one after all. However some scenes feel too comic and the "villain", Martin Axe, feels too over the top, especially when he seems to have had a personality swap the next time we see him. There is a reason for of this reviled by the films mid way plot twist but, on the first watch through the "Psycho Killer" scene distracted me from some of the film. Then we get a plot twist that studio Trigger* would be proud of. I'm sure anyone who has read the original source material knew what was going to happen, but that has always been one of the problems, keeping the mystery for new fans but giving the comic book fans what they want.
As we get to the second half of the film it losses some of t e over the top-ness, or at least substitutes it for a different kind of over the top and does bring you back into the plot of 'Augmented man fights other augmented men' which does give us a good over the top action film.
If you do give Bloodshot a second watch then you do notice some clever little bits, like the entire plot being told to us near the beginning of the film. Although I'm still not sure why the London police car has a machine gun in the back of it.
Over all Bloodshot is a o.k. - Good action film but for no brained augmented human action films I think ' Hobbs and Shaw' did it better, Bloodshot even shares Eiza Gonzales with them.
*Responsible for the anime's Kill la Kill and Gurren Lagann both of which have mid season twists that send the series in different directions.
Whole (Breaking Free #5)
Book
Two broken hearts…one perfect fit. Alpha Morris Danvers likes his quiet life as a paralegal...
M_M Mpreg Omegaverse Romance Dark
Heather Cranmer (2721 KP) rated Between the Devil and the Deep Blue Sea (Between, #1) in Books
Jun 6, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
This is a book I'd been wanting to read for awhile. The whole gothic horror thing really piqued my interest. While this wasn't my favorite horror story, it was still a good read. I've also seen some reviews saying that this book was a lot like the Twilight series by Stephenie Meyer but I didn't think it was.
I must admit that the title is what caught my attention first. I love it, and I find that it's a very fitting title for the book.
The cover is the next thing that caught my attention, and while I don't think it really fits in with the story, it's still an interesting cover.
I enjoyed the world building very much. However, a majority of characters in this book had really peculiar names like Violet White, River West, True White, Sunshine, etc. Maybe it was just a coincidence, but I still found it strange that they all had extraordinary names. I loved the back story of everything which helped to set up the world building very nicely. The one thing that kind of annoyed me was the insta-love between River and Violet.
The pacing did start off a bit slow, but I hung in there. By about the third chapter, the book reeled me in, and my attention was focused solely on finding out what was going to happen and if River was truly a bad boy or just misunderstood.
I felt that the plot had some originality to it. River moves in to Violet's guest house and suddenly a bunch of weird things start happening. I really want to elaborate more on the plot, but I also don't want to give anything away. Let's just say the plot deals with the paranormal and romance. There is a plot twist. There's also a sort of cliff hanger ending since there's a second book in the series.
As for the characters, I thought they were alright even if they did seem a bit older than their actual ages of 16 and 17. I liked how Violet wasn't ashamed to be different. She was odd, yes, but that's what I loved about her. She seemed, for the most part, to be comfortable in her own skin. I didn't really know what to make of River. He was very mysterious and he lied...a lot! This made me not trust him at all, yet Violet was perfectly happy to trust River. (Okay, so Violet had one annoying trait). I liked Luke, and I didn't feel that he was as mean to Violet as what Violet led us to believe. In fact, I thought he was quite nice and caring. He was a bit of a ladies man, but the kid is 17 years old after all. I liked how Neely was like the protector of everyone. He did have a bit of a temper, but he was willing to do whatever it took to protect his friends and family. The character I really had a problem with was Brodie. He's such a stereotypical Texan, and that's what really made me upset. He came across as an uneducated hillbilly. I really did feel offended by the author for her portrayal of Texans.
The dialogue sounds more fitting for an adult novel as the teenagers in the book speak like they are much older than their 16 and 17 years. As I stated in the above paragraph, I was offended by the character of Brodie. His speech was so stereotypical and offensive. I've never even heard anyone from Texas speak the way Brodie spoke, and I was born and raised here in Texas! I think the author should've done a bit more research about the dialogue and dialect of Texas instead of just stereotyping. Other than that, the dialogue flowed smoothly and freely. The book is fairly violent, and there are some mild sexual situations. There is some swearing as well.
Overall, Between the Devil and the Deep Blue Sea is an intriguing read with a great plot. The world building is interesting, and the characters are likable even if one was extremely offensive.
I'd recommend this book to those aged 16+ who are fans of gothic horror or just horror in general.
<b>I'd give Between the Devil and the Deep Blue Sea by April Genevieve Tucholke a 3.75 out of 5.</b>
(I purchased a hardcover copy of this book with my own money from Amazon. No review was required).
This is a book I'd been wanting to read for awhile. The whole gothic horror thing really piqued my interest. While this wasn't my favorite horror story, it was still a good read. I've also seen some reviews saying that this book was a lot like the Twilight series by Stephenie Meyer but I didn't think it was.
I must admit that the title is what caught my attention first. I love it, and I find that it's a very fitting title for the book.
The cover is the next thing that caught my attention, and while I don't think it really fits in with the story, it's still an interesting cover.
I enjoyed the world building very much. However, a majority of characters in this book had really peculiar names like Violet White, River West, True White, Sunshine, etc. Maybe it was just a coincidence, but I still found it strange that they all had extraordinary names. I loved the back story of everything which helped to set up the world building very nicely. The one thing that kind of annoyed me was the insta-love between River and Violet.
The pacing did start off a bit slow, but I hung in there. By about the third chapter, the book reeled me in, and my attention was focused solely on finding out what was going to happen and if River was truly a bad boy or just misunderstood.
I felt that the plot had some originality to it. River moves in to Violet's guest house and suddenly a bunch of weird things start happening. I really want to elaborate more on the plot, but I also don't want to give anything away. Let's just say the plot deals with the paranormal and romance. There is a plot twist. There's also a sort of cliff hanger ending since there's a second book in the series.
As for the characters, I thought they were alright even if they did seem a bit older than their actual ages of 16 and 17. I liked how Violet wasn't ashamed to be different. She was odd, yes, but that's what I loved about her. She seemed, for the most part, to be comfortable in her own skin. I didn't really know what to make of River. He was very mysterious and he lied...a lot! This made me not trust him at all, yet Violet was perfectly happy to trust River. (Okay, so Violet had one annoying trait). I liked Luke, and I didn't feel that he was as mean to Violet as what Violet led us to believe. In fact, I thought he was quite nice and caring. He was a bit of a ladies man, but the kid is 17 years old after all. I liked how Neely was like the protector of everyone. He did have a bit of a temper, but he was willing to do whatever it took to protect his friends and family. The character I really had a problem with was Brodie. He's such a stereotypical Texan, and that's what really made me upset. He came across as an uneducated hillbilly. I really did feel offended by the author for her portrayal of Texans.
The dialogue sounds more fitting for an adult novel as the teenagers in the book speak like they are much older than their 16 and 17 years. As I stated in the above paragraph, I was offended by the character of Brodie. His speech was so stereotypical and offensive. I've never even heard anyone from Texas speak the way Brodie spoke, and I was born and raised here in Texas! I think the author should've done a bit more research about the dialogue and dialect of Texas instead of just stereotyping. Other than that, the dialogue flowed smoothly and freely. The book is fairly violent, and there are some mild sexual situations. There is some swearing as well.
Overall, Between the Devil and the Deep Blue Sea is an intriguing read with a great plot. The world building is interesting, and the characters are likable even if one was extremely offensive.
I'd recommend this book to those aged 16+ who are fans of gothic horror or just horror in general.
<b>I'd give Between the Devil and the Deep Blue Sea by April Genevieve Tucholke a 3.75 out of 5.</b>
(I purchased a hardcover copy of this book with my own money from Amazon. No review was required).
Dr Dystopian (526 KP) rated The Horus Heresy - Book 1: Horus Rising in Books
Jan 8, 2018
Brilliant intro to the characters (3 more)
Well written
Difficult to put down!
Great story arch that leads into the next books
Outstanding entry book to the series
Contains spoilers, click to show
The book is divided into 3 distinct sections with parts 1 & 3 focusing on the XVI Legion, The Luna Wolves (who are later renamed The Sons of Horus), and part 2 focusing on the III Legion, The Emperors Children.
The 1st section of the book nicely introduces the main characters of the Sons of Horus consisting of Horus Lupercal, who has recently taken over as the Warmaster of Imperium of Man's Great Crusade, and his Mournival of 1st Captain Abaddon, 2nd Captain Torgaddon, 4th Captain Sejanus and 5th Captain Little Horus. With the death of Sejanus in the opening pages of the book we are introduced to the main protagonist of this book (and the following 2) in 10th Captain Loken along with some more supporting characters such as remembrancers, the Warmaster equerry Maloghurst and various other space marines.
The book follows Loken and the Sons of Horus as they, and the 63rd Expeditionary Fleet, bring world Sixty Three Ninteen to compliance and Lokens doubts about his role within the mournival and the morality of their campaign. Towards the end of section one Loken is faced with a fellow space marine who has been corrupted by chaos and attempts to kill him. This is Lokens first experience with chaos and, as such, he is unfamiliar with what has corrupted is Astartes comrade and subsequently forced to cover it up by the rest of the mournival and Horus himself.
Part 2 brings in the III Legion, The Emperors Children, and introduces Lord Commander Eidolon, 10th Captian Tarvitz and 13th Captain Lucius who have received a distress signal from the Blood Angels legion currently engaged against Megarachnids on the world Murder.
Whilst the 63rd expedition moves to join the Emperors Children at Murder, Loken discovers the existence of forbidden warrior lodges and that a number of the crew, and indeed the rest of the mournival, are part of. This leads Loken to further question his place within the legion. This part of the book also provides the first evidence of people worshipping the emperor as a deity in opposition to Imperial Truth. The section ends with the Sons of Horus aiding the Emperors Children with their campaign on Murder before being relieved by Blood Angels reenforcements and provides a brief introduction to their Primarch, Sanguinius.
Finally the 3rd part of the book see the Sons of Horus encounter the Interex, a Human civilisation that have incorporated certain aliens and alien customs into their society which is in direct opposition to the Imperium of Man who view xenos as inferior and to be exterminated. The Interex warn Loken of the existance of Kaos however it is clear that this is unknown to Loken which the Interex find uncomfortable. During negotiations between the Interex and Horus things come to a head when the Sons of Horus are accused of stealing an anathame, a semi sentient weapon created by one of the Interex's alien subject races, and war breaks out which leads to the eventual destruction of the Interex. The book ends with the Word Bearers Legion Chaplin, Erebus, having taken the anathame for study and the 63rd fleet moving on to the moon of Davin at his request.
All in all this book is very well written and highly engaging. It was one of those books that i didn't want to stop reading until it ended and have since read twice more.
Anyone wanting to get into the lore of Warhammer 40k, the background of how the 40k universe became as it now is or simply an engaging sci fi book cannot go wrong with this one.
The only negative i can find is that it ended however this is book 1 of a trilogy !
The 1st section of the book nicely introduces the main characters of the Sons of Horus consisting of Horus Lupercal, who has recently taken over as the Warmaster of Imperium of Man's Great Crusade, and his Mournival of 1st Captain Abaddon, 2nd Captain Torgaddon, 4th Captain Sejanus and 5th Captain Little Horus. With the death of Sejanus in the opening pages of the book we are introduced to the main protagonist of this book (and the following 2) in 10th Captain Loken along with some more supporting characters such as remembrancers, the Warmaster equerry Maloghurst and various other space marines.
The book follows Loken and the Sons of Horus as they, and the 63rd Expeditionary Fleet, bring world Sixty Three Ninteen to compliance and Lokens doubts about his role within the mournival and the morality of their campaign. Towards the end of section one Loken is faced with a fellow space marine who has been corrupted by chaos and attempts to kill him. This is Lokens first experience with chaos and, as such, he is unfamiliar with what has corrupted is Astartes comrade and subsequently forced to cover it up by the rest of the mournival and Horus himself.
Part 2 brings in the III Legion, The Emperors Children, and introduces Lord Commander Eidolon, 10th Captian Tarvitz and 13th Captain Lucius who have received a distress signal from the Blood Angels legion currently engaged against Megarachnids on the world Murder.
Whilst the 63rd expedition moves to join the Emperors Children at Murder, Loken discovers the existence of forbidden warrior lodges and that a number of the crew, and indeed the rest of the mournival, are part of. This leads Loken to further question his place within the legion. This part of the book also provides the first evidence of people worshipping the emperor as a deity in opposition to Imperial Truth. The section ends with the Sons of Horus aiding the Emperors Children with their campaign on Murder before being relieved by Blood Angels reenforcements and provides a brief introduction to their Primarch, Sanguinius.
Finally the 3rd part of the book see the Sons of Horus encounter the Interex, a Human civilisation that have incorporated certain aliens and alien customs into their society which is in direct opposition to the Imperium of Man who view xenos as inferior and to be exterminated. The Interex warn Loken of the existance of Kaos however it is clear that this is unknown to Loken which the Interex find uncomfortable. During negotiations between the Interex and Horus things come to a head when the Sons of Horus are accused of stealing an anathame, a semi sentient weapon created by one of the Interex's alien subject races, and war breaks out which leads to the eventual destruction of the Interex. The book ends with the Word Bearers Legion Chaplin, Erebus, having taken the anathame for study and the 63rd fleet moving on to the moon of Davin at his request.
All in all this book is very well written and highly engaging. It was one of those books that i didn't want to stop reading until it ended and have since read twice more.
Anyone wanting to get into the lore of Warhammer 40k, the background of how the 40k universe became as it now is or simply an engaging sci fi book cannot go wrong with this one.
The only negative i can find is that it ended however this is book 1 of a trilogy !
RəX Regent (349 KP) rated Star Wars: Episode III – Revenge of the Sith (2005) in Movies
Mar 7, 2019
Far, far away from it's potential...
Contains spoilers, click to show
After 22 years of waiting, since 1983′s "Return Of The Jedi", we were sat in the auditorium ready to witness the epic moment when Obi Wan Kenobi and Anakin Skywalker would finally turn on one and other and Darth Vader's conception would be complete.
As the 'Clone War' came to a close, the Jedi had been all but wiped of the face of a galaxy far, far away and Chancellor Palpatine had ascended to become the emperor of the newly formed 'Galactic Empire', that moment had finally arrived. Was it worth the wait? Well, since the bar had be not so much lowered, but obliterated by the the first two prequels, measured with those in mind, then yes, absolutely! In fact, it does stand up well, and on the initial viewing, it was outstanding. A visual feast or choreography, visual style and epic art direction, everything you would expect from the man who had changed cinema forever, 28 years earlier.
The only issue is that even though the fans wanted nothing more that to see this duel, the rest of the prequel franchise was merely filler, and a series of plots designed to delay the inevitable battle and to give the audience anything but what they had expected. But after a ridiculous 22 year wait, there was almost no good ideas left that hadn't been explored in two decades of fan fiction, leaving all the bad ones to be included in Lucus' second, no rather third rate scripts! We had been told that he was waiting for the technology to make these films, but what was he waiting for exactly? The technology to animate the, perhaps? The visual effects in these films, though sparkling and perfect in its details, are hollow and do not match the standards of the original films, and begs the question as to why not? Four years since the release of "Revenge Of The Sith", James Cameron would finally release a film which he had being developing the technology for, for over 10 years, ("Avatar") and the result: Groundbreaking cinema, in both the 3D and Mo-cap tech, raising the bar, as "Star Wars" had done three decades earlier.
But this film had restored something which the franchise had all but destroyed with episodes one and two. This finally felt something like the original films and was a joy to watch, even though it still falls short of the mark. The acting is poor in all the prequels, which account to Lucas' directorial style, favoring green screen and CGI over acting. But John William's score is first rate, as it has been throughout the entire saga, but this was both classic and moving, a score truly in touch with the audiences love and feeling towards the films, sadly devoid in most other aspects of the production.
That's not to say that technically this was well produced, because on paper, in the computers, and certainly in sound editing suites, it was perfect, with levels of audio visual detail to die for and the scope was awesome. But in the end, it is a hollow shell of what it should have been. "Episode III" though, is the most fulfilling of the three, but all of them rely of the decades of loyalty given to them, because without it, these would probably be laughed out of the auditoriums.
But having said all that, I enjoy this film, as a part of the saga, and still look forward to seeing it, and some of the sequences in this film , though far from perfectly realized, are fun and enjoyable. This is leagues below "Star Wars" and the superior "Empire Strikes Back", but still worth a watch.
As the 'Clone War' came to a close, the Jedi had been all but wiped of the face of a galaxy far, far away and Chancellor Palpatine had ascended to become the emperor of the newly formed 'Galactic Empire', that moment had finally arrived. Was it worth the wait? Well, since the bar had be not so much lowered, but obliterated by the the first two prequels, measured with those in mind, then yes, absolutely! In fact, it does stand up well, and on the initial viewing, it was outstanding. A visual feast or choreography, visual style and epic art direction, everything you would expect from the man who had changed cinema forever, 28 years earlier.
The only issue is that even though the fans wanted nothing more that to see this duel, the rest of the prequel franchise was merely filler, and a series of plots designed to delay the inevitable battle and to give the audience anything but what they had expected. But after a ridiculous 22 year wait, there was almost no good ideas left that hadn't been explored in two decades of fan fiction, leaving all the bad ones to be included in Lucus' second, no rather third rate scripts! We had been told that he was waiting for the technology to make these films, but what was he waiting for exactly? The technology to animate the, perhaps? The visual effects in these films, though sparkling and perfect in its details, are hollow and do not match the standards of the original films, and begs the question as to why not? Four years since the release of "Revenge Of The Sith", James Cameron would finally release a film which he had being developing the technology for, for over 10 years, ("Avatar") and the result: Groundbreaking cinema, in both the 3D and Mo-cap tech, raising the bar, as "Star Wars" had done three decades earlier.
But this film had restored something which the franchise had all but destroyed with episodes one and two. This finally felt something like the original films and was a joy to watch, even though it still falls short of the mark. The acting is poor in all the prequels, which account to Lucas' directorial style, favoring green screen and CGI over acting. But John William's score is first rate, as it has been throughout the entire saga, but this was both classic and moving, a score truly in touch with the audiences love and feeling towards the films, sadly devoid in most other aspects of the production.
That's not to say that technically this was well produced, because on paper, in the computers, and certainly in sound editing suites, it was perfect, with levels of audio visual detail to die for and the scope was awesome. But in the end, it is a hollow shell of what it should have been. "Episode III" though, is the most fulfilling of the three, but all of them rely of the decades of loyalty given to them, because without it, these would probably be laughed out of the auditoriums.
But having said all that, I enjoy this film, as a part of the saga, and still look forward to seeing it, and some of the sequences in this film , though far from perfectly realized, are fun and enjoyable. This is leagues below "Star Wars" and the superior "Empire Strikes Back", but still worth a watch.
Debbiereadsbook (1554 KP) rated Laws of Attraction (The Manx Cat Guardians #6) in Books
Apr 29, 2019
i had another hissy fit!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 6 in the Manx Cat Guardians series, and you really SHOULD read the other books first. There is MUCH referenced to, but not fully explained, from those books, and you will need to know what’s happened before now. And, you know, I TOLD you to!
Nick has had an attraction to his brother’s best friend, Brody, since he was a child. Now, on the Isle of Man, working on Aaden and Greg’s new kitchen, with Brody in close proximity, Nick can no longer hide his feelings. Brody’s reaction to Nick at Christmas has him questioning everything he ever thought about the squirt. When a certain witchy-poo's involvement in both men’s feelings come to light, and that spell is lifted, Brody is confused about some things, but he knows this: Nick is HIS. They just need to get to the bottom of Brody’s true feelings, what Nick thinks happened all that time ago, and just how deep that witch went with her spell.
So, yes, book 6, but I’ve been awaiting this one since we met Nick and Brody in book 4, Searching For A Soul to Love. Nick is Aaden’s younger brother and Brody his best friend. There were some hints to this book in that one, and a development in 12 Disasters of Christmas and this one does not disappoint!
Well, it DOES, just a tad, and I’m being petty, I know but these books tend to bring out my darkest thoughts, and also the most extreme! I wanted Nick and Brody to get together FAR sooner in this book! They do get together, I just had to wait til nearly the end for the main event! Oh don’t get me wrong, its sexy, and steamy and hawt as hell in places, but for the final joining of their souls and bodies? FAR too long I had to wait! And this is why I can’t stretch to 5 stars!
Everyone has a say, EVERYONE! Brody and Nick, mostly, but some of the other guys get a few minutes too. We also get a lot of that witchy-poo, Christina, and how she spelled Brody and Nick all that time ago, and WHY she did it. And now she’s paying the price for that: but she was warned! She is working off her penance, helping to find out who is trying to sabotage Greg at work and she wants her magic back. She does NOT like feeling human! Some amusing moments, though, for Christina and her body without magic.
King Manannan has a say, and we get how he feels about said witch. Which was totally unexpected! I did not see that coming! There are a lot of HINTS about what Christina is to the King, and about something that her father did to her as a child, but these are not fully explained and I wanted to know! Again, the extremes these books drag out of me! I was like, JUST BLOODY TELL ME!! And Ms Sayle, in true fashion, does not tell me, and so again, I spat me dummy out and threw my toys out the pram and everything, A-BLOODY-GAIN!
And we meet Ellie, and Cam, who are the stars of the next book. And even though THEY didn’t meet each other, I have a feeling their book will be quite explosive. So, write quicker, please!
Because I had to wait so bloody long for the main event, and because my questions about the King and Christina are NOT answered (but I think HERE, everyone will be asking questions about those two!) I can only stretch to..
..a hot and steamy 4 stars
**same worded review will appear elsewhere**
This is book 6 in the Manx Cat Guardians series, and you really SHOULD read the other books first. There is MUCH referenced to, but not fully explained, from those books, and you will need to know what’s happened before now. And, you know, I TOLD you to!
Nick has had an attraction to his brother’s best friend, Brody, since he was a child. Now, on the Isle of Man, working on Aaden and Greg’s new kitchen, with Brody in close proximity, Nick can no longer hide his feelings. Brody’s reaction to Nick at Christmas has him questioning everything he ever thought about the squirt. When a certain witchy-poo's involvement in both men’s feelings come to light, and that spell is lifted, Brody is confused about some things, but he knows this: Nick is HIS. They just need to get to the bottom of Brody’s true feelings, what Nick thinks happened all that time ago, and just how deep that witch went with her spell.
So, yes, book 6, but I’ve been awaiting this one since we met Nick and Brody in book 4, Searching For A Soul to Love. Nick is Aaden’s younger brother and Brody his best friend. There were some hints to this book in that one, and a development in 12 Disasters of Christmas and this one does not disappoint!
Well, it DOES, just a tad, and I’m being petty, I know but these books tend to bring out my darkest thoughts, and also the most extreme! I wanted Nick and Brody to get together FAR sooner in this book! They do get together, I just had to wait til nearly the end for the main event! Oh don’t get me wrong, its sexy, and steamy and hawt as hell in places, but for the final joining of their souls and bodies? FAR too long I had to wait! And this is why I can’t stretch to 5 stars!
Everyone has a say, EVERYONE! Brody and Nick, mostly, but some of the other guys get a few minutes too. We also get a lot of that witchy-poo, Christina, and how she spelled Brody and Nick all that time ago, and WHY she did it. And now she’s paying the price for that: but she was warned! She is working off her penance, helping to find out who is trying to sabotage Greg at work and she wants her magic back. She does NOT like feeling human! Some amusing moments, though, for Christina and her body without magic.
King Manannan has a say, and we get how he feels about said witch. Which was totally unexpected! I did not see that coming! There are a lot of HINTS about what Christina is to the King, and about something that her father did to her as a child, but these are not fully explained and I wanted to know! Again, the extremes these books drag out of me! I was like, JUST BLOODY TELL ME!! And Ms Sayle, in true fashion, does not tell me, and so again, I spat me dummy out and threw my toys out the pram and everything, A-BLOODY-GAIN!
And we meet Ellie, and Cam, who are the stars of the next book. And even though THEY didn’t meet each other, I have a feeling their book will be quite explosive. So, write quicker, please!
Because I had to wait so bloody long for the main event, and because my questions about the King and Christina are NOT answered (but I think HERE, everyone will be asking questions about those two!) I can only stretch to..
..a hot and steamy 4 stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Aug 6, 2019
Full disclosure here: I am a huge fan of the original series of Planet of the Apes movies. I have them on VHS and Laser Disc, having watched them at least a dozen times each. That being said, I didn’t really enjoy 2011’s Rise of the Planet of Apes with James Franco. Not that it was a bad movie, per say, but it didn’t really keep me captivated, so much so that I can barely remember all of the main plot points. At the time I thought that I might be jaded being such a huge fan of the originals. And then I saw Dawn of the Planet of the Apes (we’ll just refer to it as “Dawn” from here on out). I didn’t have very high expectations for Dawn.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Movie Metropolis (309 KP) rated Pacific Rim: Uprising (2018) in Movies
Jun 10, 2019
Absolutely Bonkers
2013’s Pacific Rim was one of the most underrated films of the year. Lumbered in the same category as the Transformers series for its seemingly simple premise about robots fighting giant monsters, it had a lukewarm performance at the box office.
For those movie buffs reading this, you’ll of course know the film was directed by the Oscar-winning Guillermo Del Toro and with that came his signature quirks and visual sense of style. Oh yes, Pacific Rim was much more than a mish-mash of action.
A sequel looked very unlikely given the mediocre reception it received and then Del Toro passed on the idea altogether, instead focusing on the film that earned him a Best Director award at this year’s Oscars, The Shape of Water. I’m not going to pretend that was the wrong decision because it clearly wasn’t.
Nevertheless, Universal and Legendary pictures, with help from Del Toro handpicked little-known director Steven S. DeKnight to helm this second instalment in the new series, Pacific Rim: Uprising. It’s taken five years and $150million to get here. Was it worth it?
Jake Pentecost (John Boyega) is a once-promising Jaeger pilot whose legendary father gave his life to secure humanity’s victory against the monstrous Kaiju. Jake has since abandoned his training only to become caught up in a criminal underworld. But when an even more unstoppable threat is unleashed to tear through cities and bring the world to its knees, Jake is given one last chance by his estranged sister, Mako Mori (Rinko Kikuchi), to live up to his father’s legacy.
Coming hot off the heels of his performance in Star Wars: The Last Jedi, John Boyega channels his franchise father, Idris Elba, reasonably well and his estranged relationship with the former jaeger pilot is discussed, albeit briefly. Boyega is still discovering himself as a leading star and it’s films like Pacific Rim and Star Wars that he continues to impress in.
Here, he plays a cocky, arrogant young man who has lost his way until he’s given a second chance by returnee Mako (Kikuchi). It’s nice to see her and both Charlie Day’s Newton Geiszler and Burn Gorman’s Hermann Gottlieb return to this new series.
The inclusion of the film’s previous stars doesn’t feel unnecessarily shoe-horned in and this is a welcome change to many other films that try the same trick. Gorman and Day in particular provide some decent comic relief throughout. The weakest link over the course of the film is Scott Eastwood’s Ranger Lambert. His forced backstory with Boyega’s Pentecost isn’t particularly engaging.
The finale is punch-the-air fun and beautifully filmed in and around Tokyo
Setting the action a decade after the events of the first film is a good way to freshen things up and Uprising feels all the better for it. The world is continuing to recover from the previous war and this change in atmosphere lends a new dynamic to the film. It certainly looks and sounds a lot like its predecessor, but Uprising is a very different beast, both in storytelling and the way it presents that story.
Where Pacific Rimwas a paint-by-numbers adventure transformed by Del Toro’s stunning visual acuity, Uprising is a well-plotted movie that lacks its previous director’s soft touch. Director Steven S. DeKnight rightly carves his own path with the visuals but sometimes this is at the cost of the charm that made the original such an unexpected delight. The plot is actually much better than that of its predecessor with numerous twists and turns that create a fun atmosphere for the audience, but with four writers working on it, you’d expect nothing less.
There are some Del-Toro-isms still present however and these remind us that this is very much more than a Michael Bay Transformers film. The special effects are excellent and with De Knight’s decision to film as much as possible during the day (a stark contrast to Del Toro) there really is nowhere to hide. The jaegers and Kaiju are all as detailed as you would expect from a movie costing $150million.
At 111 minutes, Pacific Rim: Uprising zips along briskly and rarely leaves you wanting. The finale is punch-the-air fun and beautifully filmed in and around Tokyo. It may be a cynical marketing ploy to set portions of the film in Japan and China in order to appease international audiences, but it does lend itself to some lovely scenery.
Overall, Pacific Rim: Uprising is a film that manages to build upon its predecessor’s strong foundations, yet still manages to feel very much part of its universe. Sequels, especially to films that don’t perform well are risky business as movie studios try to save as much cash as possible, but thankfully Uprising is a fully-realised and confidently filmed second instalment. It’s loud, brash and completely unashamed of what it tries to be, but sometimes that’s all you want from a visit to the cinema. Call it Classy Transformers and you won’t be far from spot on.
https://moviemetropolis.net/2018/03/24/pacific-rim-uprising-absolutely-bonkers/
For those movie buffs reading this, you’ll of course know the film was directed by the Oscar-winning Guillermo Del Toro and with that came his signature quirks and visual sense of style. Oh yes, Pacific Rim was much more than a mish-mash of action.
A sequel looked very unlikely given the mediocre reception it received and then Del Toro passed on the idea altogether, instead focusing on the film that earned him a Best Director award at this year’s Oscars, The Shape of Water. I’m not going to pretend that was the wrong decision because it clearly wasn’t.
Nevertheless, Universal and Legendary pictures, with help from Del Toro handpicked little-known director Steven S. DeKnight to helm this second instalment in the new series, Pacific Rim: Uprising. It’s taken five years and $150million to get here. Was it worth it?
Jake Pentecost (John Boyega) is a once-promising Jaeger pilot whose legendary father gave his life to secure humanity’s victory against the monstrous Kaiju. Jake has since abandoned his training only to become caught up in a criminal underworld. But when an even more unstoppable threat is unleashed to tear through cities and bring the world to its knees, Jake is given one last chance by his estranged sister, Mako Mori (Rinko Kikuchi), to live up to his father’s legacy.
Coming hot off the heels of his performance in Star Wars: The Last Jedi, John Boyega channels his franchise father, Idris Elba, reasonably well and his estranged relationship with the former jaeger pilot is discussed, albeit briefly. Boyega is still discovering himself as a leading star and it’s films like Pacific Rim and Star Wars that he continues to impress in.
Here, he plays a cocky, arrogant young man who has lost his way until he’s given a second chance by returnee Mako (Kikuchi). It’s nice to see her and both Charlie Day’s Newton Geiszler and Burn Gorman’s Hermann Gottlieb return to this new series.
The inclusion of the film’s previous stars doesn’t feel unnecessarily shoe-horned in and this is a welcome change to many other films that try the same trick. Gorman and Day in particular provide some decent comic relief throughout. The weakest link over the course of the film is Scott Eastwood’s Ranger Lambert. His forced backstory with Boyega’s Pentecost isn’t particularly engaging.
The finale is punch-the-air fun and beautifully filmed in and around Tokyo
Setting the action a decade after the events of the first film is a good way to freshen things up and Uprising feels all the better for it. The world is continuing to recover from the previous war and this change in atmosphere lends a new dynamic to the film. It certainly looks and sounds a lot like its predecessor, but Uprising is a very different beast, both in storytelling and the way it presents that story.
Where Pacific Rimwas a paint-by-numbers adventure transformed by Del Toro’s stunning visual acuity, Uprising is a well-plotted movie that lacks its previous director’s soft touch. Director Steven S. DeKnight rightly carves his own path with the visuals but sometimes this is at the cost of the charm that made the original such an unexpected delight. The plot is actually much better than that of its predecessor with numerous twists and turns that create a fun atmosphere for the audience, but with four writers working on it, you’d expect nothing less.
There are some Del-Toro-isms still present however and these remind us that this is very much more than a Michael Bay Transformers film. The special effects are excellent and with De Knight’s decision to film as much as possible during the day (a stark contrast to Del Toro) there really is nowhere to hide. The jaegers and Kaiju are all as detailed as you would expect from a movie costing $150million.
At 111 minutes, Pacific Rim: Uprising zips along briskly and rarely leaves you wanting. The finale is punch-the-air fun and beautifully filmed in and around Tokyo. It may be a cynical marketing ploy to set portions of the film in Japan and China in order to appease international audiences, but it does lend itself to some lovely scenery.
Overall, Pacific Rim: Uprising is a film that manages to build upon its predecessor’s strong foundations, yet still manages to feel very much part of its universe. Sequels, especially to films that don’t perform well are risky business as movie studios try to save as much cash as possible, but thankfully Uprising is a fully-realised and confidently filmed second instalment. It’s loud, brash and completely unashamed of what it tries to be, but sometimes that’s all you want from a visit to the cinema. Call it Classy Transformers and you won’t be far from spot on.
https://moviemetropolis.net/2018/03/24/pacific-rim-uprising-absolutely-bonkers/