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Purple Phoenix Games (2266 KP) rated Monkey Around in Tabletop Games
Jun 18, 2019 (Updated Dec 12, 2019)
The Kids Table series from Purple Phoenix Games seeks to lightly explore games that are focused toward children and families. We will do our best to give some good insight, but not bog your down with the millions of rules…
Monkey Around is basically Kids’ Quelf. Never played Quelf? Meh, it’s okay if you are part of a silly group that will do anything asked of them. This game is similar in that you draw a circular card, and simply do what it asks you to do. As adults, some of the requests might be strange, but to a child, it’s all just silly fun. Many times you are asked to use the included stuffed banana in your tricks. Examples: lie on the floor with the banana on your belly button. Or: walk around the room while balancing the banana on your head. It’s silly.
I play this with my 3 year old boy and we have a great time with it. He is learning balance, improvisation, following instructions, motor skills, and interaction with others. It may make you feel silly but that’s what kids love, man. Just play this with your kids and have a really great time with zero pressure. Drop the banana? Oh well, try again with a different card. They will be cracking up and you will be strengthening that bond with your kids and fostering the love of board games early.
Monkey Around is basically Kids’ Quelf. Never played Quelf? Meh, it’s okay if you are part of a silly group that will do anything asked of them. This game is similar in that you draw a circular card, and simply do what it asks you to do. As adults, some of the requests might be strange, but to a child, it’s all just silly fun. Many times you are asked to use the included stuffed banana in your tricks. Examples: lie on the floor with the banana on your belly button. Or: walk around the room while balancing the banana on your head. It’s silly.
I play this with my 3 year old boy and we have a great time with it. He is learning balance, improvisation, following instructions, motor skills, and interaction with others. It may make you feel silly but that’s what kids love, man. Just play this with your kids and have a really great time with zero pressure. Drop the banana? Oh well, try again with a different card. They will be cracking up and you will be strengthening that bond with your kids and fostering the love of board games early.
Ayrton Senna - A Life in Pictures
Book
Ayrton Senna is still the best loved of Formula 1 champions. Now that 20 years have passed since his...
Mark @ Carstairs Considers (2460 KP) rated Murder on Lexington Avenue in Books
Jun 12, 2020
Working on Saturday is Murder
New York City Detective Sergeant Frank Malloy is called to a murder scene at a business office on a Saturday afternoon. Frank quickly learns that the man has a deaf daughter and is heavily involved with one of the deaf schools in the area. Frank’s son is deaf as well, so he already has some knowledge of the schools, but he quickly begins to learn more about the deaf community as he investigates. He also realizes that he must bring in midwife Sarah Brandt. Sarah’s involvement turns out to be a good thing since she can get close to the victim’s family. Will she learn enough so that the two of them can solve the case?
Frank gets involved in this case pretty quickly, although Sarah’s involvement takes a little longer to develop. Still, the duo once again make a fantastic team as they work together well to solve the case. Along the way, we get plenty of suspects and twists. I was sure I had it figured out several times before we reached the end. We do get some updates on Frank and Sarah’s families, including something that I think will jump start a new longer mystery arc. I also appreciated how this book explored the deaf community in the 1890’s. You really could jump in here, but whether you start this series here or go back to the beginning, you’ll be pulled back in time with these excellent books.
Frank gets involved in this case pretty quickly, although Sarah’s involvement takes a little longer to develop. Still, the duo once again make a fantastic team as they work together well to solve the case. Along the way, we get plenty of suspects and twists. I was sure I had it figured out several times before we reached the end. We do get some updates on Frank and Sarah’s families, including something that I think will jump start a new longer mystery arc. I also appreciated how this book explored the deaf community in the 1890’s. You really could jump in here, but whether you start this series here or go back to the beginning, you’ll be pulled back in time with these excellent books.
King of Thorns
9.4
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Book
The second book in the Broken Empire series, Lawrence takes his young anti-hero one step closer to...
Grimdark
Axel (Carolina Reapers #1)
8.0
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Book
The NHL’s been at my door since I was 18. But I’d never leave the Swedish Hockey League. Now...
LeftSideCut (3776 KP) rated Sonic the Hedgehog 2 (2022) in Movies
Apr 5, 2022
I was pleasantly surprised but just how damn delightful the first Sonic the Hedgehog movie was, and with this sequel, Jeff Fowler has wisely stuck with the formula, added more to it, and the results are just as enjoyable.
Jim Carrey once again steals the show, as a more unhinged Robotnik, closer to his game counterpart than he was the first time around. When coupled with the inclusion of fan favourite characters Tails and Knuckles, alongside series mainstays like the Chaos Emeralds, Sonic 2 runs headfirst into its source material whilst still feeling at home in the real world. It's a good balance.
A lot of the comedy fell flat for me however. A lot of jokes didn't land properly, but it's important to remember that this is a movie geared towards kids, and as such, it's not a huge issue. There's also a kind of discount Meet the Parents side plot that feels wholly unnecessary and drags the mid point, but this is completely made up for by one of the most entertaining final acts in recent blockbuster memory. The final showdown is an unencumbered blast. As someone who grew up playing the Sonic games, it's a joy to behold and is a testament to how fucking fun video game adaptions can be when handled well.
Sonic the Hedgehog 2 is just a damn good time, and I say that confidently as a grown ass man. Make the trip to the cinema and treat yo self.
Jim Carrey once again steals the show, as a more unhinged Robotnik, closer to his game counterpart than he was the first time around. When coupled with the inclusion of fan favourite characters Tails and Knuckles, alongside series mainstays like the Chaos Emeralds, Sonic 2 runs headfirst into its source material whilst still feeling at home in the real world. It's a good balance.
A lot of the comedy fell flat for me however. A lot of jokes didn't land properly, but it's important to remember that this is a movie geared towards kids, and as such, it's not a huge issue. There's also a kind of discount Meet the Parents side plot that feels wholly unnecessary and drags the mid point, but this is completely made up for by one of the most entertaining final acts in recent blockbuster memory. The final showdown is an unencumbered blast. As someone who grew up playing the Sonic games, it's a joy to behold and is a testament to how fucking fun video game adaptions can be when handled well.
Sonic the Hedgehog 2 is just a damn good time, and I say that confidently as a grown ass man. Make the trip to the cinema and treat yo self.
Forever This Time (Heartbreaker #1)
7.0
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Book
The perfect woman.The perfect wife. As a celebrity, everyone believes that Shay Gardener’s life...
Contemporary Romance Series
AS
A Siren Song for Christmas (An MM Monster Christmas #5)
10.0
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Book
A pining hearth-witch. A grieving siren. A Christmas invitation that changes everything. Trent...
MM Urban Fantasy Seasonal Romance
Mark @ Carstairs Considers (2460 KP) rated Home for the Homicides in Books
Dec 18, 2025 - 6:22 AM
Who is the Christmas Grinch?
It’s the middle of December, and New Oslo has been subjected to some pranks in the last few days, but things are about to escalate. First, Tessa Treslow and her aunt Edna find a man who was car jacked and left on the side of the road. Then, various businesses in town are being vandalized. But when a murder victim is found at the sight of a fire, Tessa really steps up her sleuthing. Can she figure out who is responsible before things take a second deadly turn?
It was great to visit the characters during the Christmas season. I loved how the season was incorporated into the plot. Due to the nature of the crimes, it takes a while to zero in on definite suspects or motives, but the book always feels like it is moving forward. Having said that, the ending isn’t as definitive as I normally like, but it worked in this case. I struggled with some character ages (feel like we should have had an additional generation in there). On the other hand, we got to meet more of Tessa’s family, and I really loved spending time with them. They all felt real. And I enjoyed catching up with our friends in town as well. Fans will enjoy this holiday offering. And if you haven’t found this fun series yet, I recommend you fix that today.
It was great to visit the characters during the Christmas season. I loved how the season was incorporated into the plot. Due to the nature of the crimes, it takes a while to zero in on definite suspects or motives, but the book always feels like it is moving forward. Having said that, the ending isn’t as definitive as I normally like, but it worked in this case. I struggled with some character ages (feel like we should have had an additional generation in there). On the other hand, we got to meet more of Tessa’s family, and I really loved spending time with them. They all felt real. And I enjoyed catching up with our friends in town as well. Fans will enjoy this holiday offering. And if you haven’t found this fun series yet, I recommend you fix that today.
Bob Mann (459 KP) rated Spider-Man: Homecoming (2017) in Movies
Sep 29, 2021
When I heard the news last year that Spider-Man was going to be rebooted yet again, I was like “are you freaking serious”? After the successful Toby Maguire trilogy (though the less said about “Spider-Man 3” the better) and the mildly successful “Amazing Spider-Man” duo with Andrew Garfield only finishing in 2014, did we REALLY need another reboot? More dramatic spider biting? More Uncle Ben spouting then dying? The same old – same old, rewarmed in a pan with a bit of red wine added just to stop it feeling so dry and tasteless.
And I still feel the same way. I understand that its more to do with rights ownership between Sony, Marvel and Disney that this got made so quickly…. but in the words of Ian Malcolm “they didn’t stop to think if they should”.
But actually, although I still don’t really approve of it, they’ve done a pretty good job in rebooting in a different manner. I commented in my review for “The Amazing Spider-Man 2” that that first reboot was “much less earnest and quirkier than the original Tobey Maguire series, and reveling more in the fun to be had around a superhero’s schooldays.” This latest reboot moves even further along that scale, being very much more of a high-school comedy that a pure superhero flick.
Wearing the suit this time is a far more age-appropriate Tom Holland, winner of last year’s BAFTA Rising Star award. And very personable he is too. The suit in question has been jizzed up by Iron Man (Robert Downey Jnr) – perhaps I could have rephrased that better! Because here the Spider-Man story carries on from the brief cameo in “Captain America: Civil War” that crossed Spidey into the mainstream Marvel timeline.
Within the high-school setting, Peter Parker’s geeky, and almost too deliberately multi-racial, gang includes his pal Ned (Jacob Batalon), very funny with a “chair guy” sequence, the unattainable Liz (Laura Harrier) as the love-interest, Betty (the excellent Angourie Rice who made such a great impression in “The Nice Guys” but didn’t really move the meter for me here I’m afraid), Flash (Tony Revolori) and best of all for me the almost horizontally laconic Michelle (Zendaya, of Shoshone heritage) – uber-cool but harbouring a secret crush on Peter.
Chris Evans pops up for comic relief as Captain America doing motivational high-school videos. And older viewers might want to have fun watching out for Tyne Daly: Lacey in the old cop show “Cagney and Lacey”.
But stealing the show in the acting stakes is Michael Keaton as Adrian Toomes (aka “The Vulture”) who could for all the world be auditioning for “Birdman 2”. The well-judged thing about this villain is that he is no hyper-galactic being with superpowers, or a typical “rule the world” Bond villain, but just an ordinary Joe in search of financial profit to keep his family in the manner to which they are accustomed. I really liked that. The script (an army of people, but led by Jonathan Goldstein and John Francis Daley, who also wrote the story) also nicely counterpoints the thin-line between the “good arms dealer” (Tony Stark) and the “bad arms dealer” (Toomes).
The script also very wisely leaps several months into where the reboot could have started. None of the tedious spider biting. No Uncle Ben – just a sly reference to “what Aunt May’s been through”. Now this might confuse anyone not familiar with the Spider-Man story, but the percentage of people in the Western world in that segment must be less than 2%.
There are however also significant character changes that may annoy Spider-Man devotees. Aunt May herself is no longer the frail old lady of previous depictions, but a hot and attractive middle-aged woman (AILF?) played by Marisa Tomei (who does indeed look ‘Mila Kunis‘).
Many of the action scenes are well done, with a scene at the Washington Monument being particularly exciting. It all gets rather overblown though with a later scene aboard the Avenger’s plane. And this scene sums up my problem with many of these films: the superhero characters are pretty well indestructible. You know they are. So the scenes of peril, that might thrill in an Indiana Jones, an M.I. or a Bond film, lack any sort of tension. Even when the protagonist does have a superhero on the ropes, they don’t carry on kicking the proverbial c**p out of them until they are “dead”…. they lay off so the superhero can recover and kick their ass in a few minutes time!
The director is Jon Watts in only his third directorial outing (with only the much praised “Cop Car” to pretty up his CV). With such a lot on his shoulders he does a good job.
At 133 minutes its a tad over-long (I watched this in a double bill with “War for the Planet of the Apes” so my eyes afterwards were 16:9!). But it’s a fun summer flick that both amuses and entertains. If you have the choice between this and Planet of the Apes though for your Saturday night at the movies, I would personally choose the latter.
By the way, in terms of “monkeys” – yep, it’s a Marvel film, of course there are monkeys! One early on in the credits and another one at the end… which is actually very funny indeed.
And I still feel the same way. I understand that its more to do with rights ownership between Sony, Marvel and Disney that this got made so quickly…. but in the words of Ian Malcolm “they didn’t stop to think if they should”.
But actually, although I still don’t really approve of it, they’ve done a pretty good job in rebooting in a different manner. I commented in my review for “The Amazing Spider-Man 2” that that first reboot was “much less earnest and quirkier than the original Tobey Maguire series, and reveling more in the fun to be had around a superhero’s schooldays.” This latest reboot moves even further along that scale, being very much more of a high-school comedy that a pure superhero flick.
Wearing the suit this time is a far more age-appropriate Tom Holland, winner of last year’s BAFTA Rising Star award. And very personable he is too. The suit in question has been jizzed up by Iron Man (Robert Downey Jnr) – perhaps I could have rephrased that better! Because here the Spider-Man story carries on from the brief cameo in “Captain America: Civil War” that crossed Spidey into the mainstream Marvel timeline.
Within the high-school setting, Peter Parker’s geeky, and almost too deliberately multi-racial, gang includes his pal Ned (Jacob Batalon), very funny with a “chair guy” sequence, the unattainable Liz (Laura Harrier) as the love-interest, Betty (the excellent Angourie Rice who made such a great impression in “The Nice Guys” but didn’t really move the meter for me here I’m afraid), Flash (Tony Revolori) and best of all for me the almost horizontally laconic Michelle (Zendaya, of Shoshone heritage) – uber-cool but harbouring a secret crush on Peter.
Chris Evans pops up for comic relief as Captain America doing motivational high-school videos. And older viewers might want to have fun watching out for Tyne Daly: Lacey in the old cop show “Cagney and Lacey”.
But stealing the show in the acting stakes is Michael Keaton as Adrian Toomes (aka “The Vulture”) who could for all the world be auditioning for “Birdman 2”. The well-judged thing about this villain is that he is no hyper-galactic being with superpowers, or a typical “rule the world” Bond villain, but just an ordinary Joe in search of financial profit to keep his family in the manner to which they are accustomed. I really liked that. The script (an army of people, but led by Jonathan Goldstein and John Francis Daley, who also wrote the story) also nicely counterpoints the thin-line between the “good arms dealer” (Tony Stark) and the “bad arms dealer” (Toomes).
The script also very wisely leaps several months into where the reboot could have started. None of the tedious spider biting. No Uncle Ben – just a sly reference to “what Aunt May’s been through”. Now this might confuse anyone not familiar with the Spider-Man story, but the percentage of people in the Western world in that segment must be less than 2%.
There are however also significant character changes that may annoy Spider-Man devotees. Aunt May herself is no longer the frail old lady of previous depictions, but a hot and attractive middle-aged woman (AILF?) played by Marisa Tomei (who does indeed look ‘Mila Kunis‘).
Many of the action scenes are well done, with a scene at the Washington Monument being particularly exciting. It all gets rather overblown though with a later scene aboard the Avenger’s plane. And this scene sums up my problem with many of these films: the superhero characters are pretty well indestructible. You know they are. So the scenes of peril, that might thrill in an Indiana Jones, an M.I. or a Bond film, lack any sort of tension. Even when the protagonist does have a superhero on the ropes, they don’t carry on kicking the proverbial c**p out of them until they are “dead”…. they lay off so the superhero can recover and kick their ass in a few minutes time!
The director is Jon Watts in only his third directorial outing (with only the much praised “Cop Car” to pretty up his CV). With such a lot on his shoulders he does a good job.
At 133 minutes its a tad over-long (I watched this in a double bill with “War for the Planet of the Apes” so my eyes afterwards were 16:9!). But it’s a fun summer flick that both amuses and entertains. If you have the choice between this and Planet of the Apes though for your Saturday night at the movies, I would personally choose the latter.
By the way, in terms of “monkeys” – yep, it’s a Marvel film, of course there are monkeys! One early on in the credits and another one at the end… which is actually very funny indeed.