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BankofMarquis (1832 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 23, 2018
If you liked the first 4 films in this series, you'll like this one
Did you watch - and enjoy - the other 4 films in the JURASSIC PARK series? If so, then you'll enjoy the 5th installment, for it is more of the same - man's hubris causes giant animals to run amok and chaos, death and destruction ensues.
The plot of this film is simple enough - the island where JURASSIC WORLD was built is now in trouble as a dormant volcano is now dormant no more. The debate rages - should Man go to the island to save the Dinosaurs trapped there - or should they let nature take it's course (again). Some nefarious fellows - who's intentions don't seem to be as pure as we are led to believe - convince our heroes from the previous film, Claire and Owen to help "save" the dinosaurs.
But, of course, the plot is just an excuse to get some pretty awesome looking CGI Dinosaurs on the screen - and to put our heroes in peril. And on that score, this film succeeds wonderfully well.
I remember back in 1993 how awed I was at the spectacle on the screen. The CGI Dinosaurs were LIFE-LIKE! I was blown away by it. Today, I have come to expect the CGI will be top-notch - and I was not disappointed, to the point where I forgot that I was watching CGI.
As for the action and acting, Director J.A. Bayona (A MONSTER CALLS) keeps things moving along at a sprightly pace, not letting us catch our breath - or more importantly - stop to think of the plausibility or logic of decisions being made. His mantra seems to be "move our heroes from peril to peril" - and he does that well.
Chris Pratt is back as Owen, the "Raptor handler" and his charm and charisma on screen is in full display and really carries the weight of this film. He is able to charm his way into the audiences heart, so you end up rooting for him fully from start to finish. Bryce Dallas Howard (daughter of "Opie Cunningham" Ron Howard) comes into her own as Claire, the Dinosaur "Scientist" and quasi-love interest for Owen. She is able to avoid (mostly) the cliches of "damsel in distress" or "kick-ass chick" and gives us a rounded character that I rooted for just as strongly as Pratt's character.
The rest of the cast - save two - are pretty much throw away that are set up to be Dinosaur food. The two that stood out are the great James Cromwell as an aging Billionaire who has a connection to the originator of Jurassic Park, John Hammond. Cromwell is his usual, solid self. And...the funniest character in the film...computer expert Franklin Webb (played by Justice Smith) who, of course, is asked to do more than just "computer stuff" that he is ill-equipped to handle.
Going into this film, you know what you are going to get - and this film delivers that entertainingly enough. As I stated at the top, if you like the first 4 films of this series, you'll like this one.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
The plot of this film is simple enough - the island where JURASSIC WORLD was built is now in trouble as a dormant volcano is now dormant no more. The debate rages - should Man go to the island to save the Dinosaurs trapped there - or should they let nature take it's course (again). Some nefarious fellows - who's intentions don't seem to be as pure as we are led to believe - convince our heroes from the previous film, Claire and Owen to help "save" the dinosaurs.
But, of course, the plot is just an excuse to get some pretty awesome looking CGI Dinosaurs on the screen - and to put our heroes in peril. And on that score, this film succeeds wonderfully well.
I remember back in 1993 how awed I was at the spectacle on the screen. The CGI Dinosaurs were LIFE-LIKE! I was blown away by it. Today, I have come to expect the CGI will be top-notch - and I was not disappointed, to the point where I forgot that I was watching CGI.
As for the action and acting, Director J.A. Bayona (A MONSTER CALLS) keeps things moving along at a sprightly pace, not letting us catch our breath - or more importantly - stop to think of the plausibility or logic of decisions being made. His mantra seems to be "move our heroes from peril to peril" - and he does that well.
Chris Pratt is back as Owen, the "Raptor handler" and his charm and charisma on screen is in full display and really carries the weight of this film. He is able to charm his way into the audiences heart, so you end up rooting for him fully from start to finish. Bryce Dallas Howard (daughter of "Opie Cunningham" Ron Howard) comes into her own as Claire, the Dinosaur "Scientist" and quasi-love interest for Owen. She is able to avoid (mostly) the cliches of "damsel in distress" or "kick-ass chick" and gives us a rounded character that I rooted for just as strongly as Pratt's character.
The rest of the cast - save two - are pretty much throw away that are set up to be Dinosaur food. The two that stood out are the great James Cromwell as an aging Billionaire who has a connection to the originator of Jurassic Park, John Hammond. Cromwell is his usual, solid self. And...the funniest character in the film...computer expert Franklin Webb (played by Justice Smith) who, of course, is asked to do more than just "computer stuff" that he is ill-equipped to handle.
Going into this film, you know what you are going to get - and this film delivers that entertainingly enough. As I stated at the top, if you like the first 4 films of this series, you'll like this one.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
The Proposition (Nights Series #6)
10.0
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They call me the Charmer. My best friend Wade tells me it’s because I’m suave and mysterious....
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Sting in the Tail: Carnival of Mysteries
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The Carnival of Mysteries just arrived in Sutton County. They say if you cross the fortune...
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Bob Mann (459 KP) rated Spider-Man: Homecoming (2017) in Movies
Sep 29, 2021
When I heard the news last year that Spider-Man was going to be rebooted yet again, I was like “are you freaking serious”? After the successful Toby Maguire trilogy (though the less said about “Spider-Man 3” the better) and the mildly successful “Amazing Spider-Man” duo with Andrew Garfield only finishing in 2014, did we REALLY need another reboot? More dramatic spider biting? More Uncle Ben spouting then dying? The same old – same old, rewarmed in a pan with a bit of red wine added just to stop it feeling so dry and tasteless.
And I still feel the same way. I understand that its more to do with rights ownership between Sony, Marvel and Disney that this got made so quickly…. but in the words of Ian Malcolm “they didn’t stop to think if they should”.
But actually, although I still don’t really approve of it, they’ve done a pretty good job in rebooting in a different manner. I commented in my review for “The Amazing Spider-Man 2” that that first reboot was “much less earnest and quirkier than the original Tobey Maguire series, and reveling more in the fun to be had around a superhero’s schooldays.” This latest reboot moves even further along that scale, being very much more of a high-school comedy that a pure superhero flick.
Wearing the suit this time is a far more age-appropriate Tom Holland, winner of last year’s BAFTA Rising Star award. And very personable he is too. The suit in question has been jizzed up by Iron Man (Robert Downey Jnr) – perhaps I could have rephrased that better! Because here the Spider-Man story carries on from the brief cameo in “Captain America: Civil War” that crossed Spidey into the mainstream Marvel timeline.
Within the high-school setting, Peter Parker’s geeky, and almost too deliberately multi-racial, gang includes his pal Ned (Jacob Batalon), very funny with a “chair guy” sequence, the unattainable Liz (Laura Harrier) as the love-interest, Betty (the excellent Angourie Rice who made such a great impression in “The Nice Guys” but didn’t really move the meter for me here I’m afraid), Flash (Tony Revolori) and best of all for me the almost horizontally laconic Michelle (Zendaya, of Shoshone heritage) – uber-cool but harbouring a secret crush on Peter.
Chris Evans pops up for comic relief as Captain America doing motivational high-school videos. And older viewers might want to have fun watching out for Tyne Daly: Lacey in the old cop show “Cagney and Lacey”.
But stealing the show in the acting stakes is Michael Keaton as Adrian Toomes (aka “The Vulture”) who could for all the world be auditioning for “Birdman 2”. The well-judged thing about this villain is that he is no hyper-galactic being with superpowers, or a typical “rule the world” Bond villain, but just an ordinary Joe in search of financial profit to keep his family in the manner to which they are accustomed. I really liked that. The script (an army of people, but led by Jonathan Goldstein and John Francis Daley, who also wrote the story) also nicely counterpoints the thin-line between the “good arms dealer” (Tony Stark) and the “bad arms dealer” (Toomes).
The script also very wisely leaps several months into where the reboot could have started. None of the tedious spider biting. No Uncle Ben – just a sly reference to “what Aunt May’s been through”. Now this might confuse anyone not familiar with the Spider-Man story, but the percentage of people in the Western world in that segment must be less than 2%.
There are however also significant character changes that may annoy Spider-Man devotees. Aunt May herself is no longer the frail old lady of previous depictions, but a hot and attractive middle-aged woman (AILF?) played by Marisa Tomei (who does indeed look ‘Mila Kunis‘).
Many of the action scenes are well done, with a scene at the Washington Monument being particularly exciting. It all gets rather overblown though with a later scene aboard the Avenger’s plane. And this scene sums up my problem with many of these films: the superhero characters are pretty well indestructible. You know they are. So the scenes of peril, that might thrill in an Indiana Jones, an M.I. or a Bond film, lack any sort of tension. Even when the protagonist does have a superhero on the ropes, they don’t carry on kicking the proverbial c**p out of them until they are “dead”…. they lay off so the superhero can recover and kick their ass in a few minutes time!
The director is Jon Watts in only his third directorial outing (with only the much praised “Cop Car” to pretty up his CV). With such a lot on his shoulders he does a good job.
At 133 minutes its a tad over-long (I watched this in a double bill with “War for the Planet of the Apes” so my eyes afterwards were 16:9!). But it’s a fun summer flick that both amuses and entertains. If you have the choice between this and Planet of the Apes though for your Saturday night at the movies, I would personally choose the latter.
By the way, in terms of “monkeys” – yep, it’s a Marvel film, of course there are monkeys! One early on in the credits and another one at the end… which is actually very funny indeed.
And I still feel the same way. I understand that its more to do with rights ownership between Sony, Marvel and Disney that this got made so quickly…. but in the words of Ian Malcolm “they didn’t stop to think if they should”.
But actually, although I still don’t really approve of it, they’ve done a pretty good job in rebooting in a different manner. I commented in my review for “The Amazing Spider-Man 2” that that first reboot was “much less earnest and quirkier than the original Tobey Maguire series, and reveling more in the fun to be had around a superhero’s schooldays.” This latest reboot moves even further along that scale, being very much more of a high-school comedy that a pure superhero flick.
Wearing the suit this time is a far more age-appropriate Tom Holland, winner of last year’s BAFTA Rising Star award. And very personable he is too. The suit in question has been jizzed up by Iron Man (Robert Downey Jnr) – perhaps I could have rephrased that better! Because here the Spider-Man story carries on from the brief cameo in “Captain America: Civil War” that crossed Spidey into the mainstream Marvel timeline.
Within the high-school setting, Peter Parker’s geeky, and almost too deliberately multi-racial, gang includes his pal Ned (Jacob Batalon), very funny with a “chair guy” sequence, the unattainable Liz (Laura Harrier) as the love-interest, Betty (the excellent Angourie Rice who made such a great impression in “The Nice Guys” but didn’t really move the meter for me here I’m afraid), Flash (Tony Revolori) and best of all for me the almost horizontally laconic Michelle (Zendaya, of Shoshone heritage) – uber-cool but harbouring a secret crush on Peter.
Chris Evans pops up for comic relief as Captain America doing motivational high-school videos. And older viewers might want to have fun watching out for Tyne Daly: Lacey in the old cop show “Cagney and Lacey”.
But stealing the show in the acting stakes is Michael Keaton as Adrian Toomes (aka “The Vulture”) who could for all the world be auditioning for “Birdman 2”. The well-judged thing about this villain is that he is no hyper-galactic being with superpowers, or a typical “rule the world” Bond villain, but just an ordinary Joe in search of financial profit to keep his family in the manner to which they are accustomed. I really liked that. The script (an army of people, but led by Jonathan Goldstein and John Francis Daley, who also wrote the story) also nicely counterpoints the thin-line between the “good arms dealer” (Tony Stark) and the “bad arms dealer” (Toomes).
The script also very wisely leaps several months into where the reboot could have started. None of the tedious spider biting. No Uncle Ben – just a sly reference to “what Aunt May’s been through”. Now this might confuse anyone not familiar with the Spider-Man story, but the percentage of people in the Western world in that segment must be less than 2%.
There are however also significant character changes that may annoy Spider-Man devotees. Aunt May herself is no longer the frail old lady of previous depictions, but a hot and attractive middle-aged woman (AILF?) played by Marisa Tomei (who does indeed look ‘Mila Kunis‘).
Many of the action scenes are well done, with a scene at the Washington Monument being particularly exciting. It all gets rather overblown though with a later scene aboard the Avenger’s plane. And this scene sums up my problem with many of these films: the superhero characters are pretty well indestructible. You know they are. So the scenes of peril, that might thrill in an Indiana Jones, an M.I. or a Bond film, lack any sort of tension. Even when the protagonist does have a superhero on the ropes, they don’t carry on kicking the proverbial c**p out of them until they are “dead”…. they lay off so the superhero can recover and kick their ass in a few minutes time!
The director is Jon Watts in only his third directorial outing (with only the much praised “Cop Car” to pretty up his CV). With such a lot on his shoulders he does a good job.
At 133 minutes its a tad over-long (I watched this in a double bill with “War for the Planet of the Apes” so my eyes afterwards were 16:9!). But it’s a fun summer flick that both amuses and entertains. If you have the choice between this and Planet of the Apes though for your Saturday night at the movies, I would personally choose the latter.
By the way, in terms of “monkeys” – yep, it’s a Marvel film, of course there are monkeys! One early on in the credits and another one at the end… which is actually very funny indeed.
Purple Phoenix Games (2266 KP) rated Monkey Around in Tabletop Games
Jun 18, 2019 (Updated Dec 12, 2019)
The Kids Table series from Purple Phoenix Games seeks to lightly explore games that are focused toward children and families. We will do our best to give some good insight, but not bog your down with the millions of rules…
Monkey Around is basically Kids’ Quelf. Never played Quelf? Meh, it’s okay if you are part of a silly group that will do anything asked of them. This game is similar in that you draw a circular card, and simply do what it asks you to do. As adults, some of the requests might be strange, but to a child, it’s all just silly fun. Many times you are asked to use the included stuffed banana in your tricks. Examples: lie on the floor with the banana on your belly button. Or: walk around the room while balancing the banana on your head. It’s silly.
I play this with my 3 year old boy and we have a great time with it. He is learning balance, improvisation, following instructions, motor skills, and interaction with others. It may make you feel silly but that’s what kids love, man. Just play this with your kids and have a really great time with zero pressure. Drop the banana? Oh well, try again with a different card. They will be cracking up and you will be strengthening that bond with your kids and fostering the love of board games early.
Monkey Around is basically Kids’ Quelf. Never played Quelf? Meh, it’s okay if you are part of a silly group that will do anything asked of them. This game is similar in that you draw a circular card, and simply do what it asks you to do. As adults, some of the requests might be strange, but to a child, it’s all just silly fun. Many times you are asked to use the included stuffed banana in your tricks. Examples: lie on the floor with the banana on your belly button. Or: walk around the room while balancing the banana on your head. It’s silly.
I play this with my 3 year old boy and we have a great time with it. He is learning balance, improvisation, following instructions, motor skills, and interaction with others. It may make you feel silly but that’s what kids love, man. Just play this with your kids and have a really great time with zero pressure. Drop the banana? Oh well, try again with a different card. They will be cracking up and you will be strengthening that bond with your kids and fostering the love of board games early.
Ayrton Senna - A Life in Pictures
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Ayrton Senna is still the best loved of Formula 1 champions. Now that 20 years have passed since his...
Mark @ Carstairs Considers (2579 KP) rated Murder on Lexington Avenue in Books
Jun 12, 2020
Working on Saturday is Murder
New York City Detective Sergeant Frank Malloy is called to a murder scene at a business office on a Saturday afternoon. Frank quickly learns that the man has a deaf daughter and is heavily involved with one of the deaf schools in the area. Frank’s son is deaf as well, so he already has some knowledge of the schools, but he quickly begins to learn more about the deaf community as he investigates. He also realizes that he must bring in midwife Sarah Brandt. Sarah’s involvement turns out to be a good thing since she can get close to the victim’s family. Will she learn enough so that the two of them can solve the case?
Frank gets involved in this case pretty quickly, although Sarah’s involvement takes a little longer to develop. Still, the duo once again make a fantastic team as they work together well to solve the case. Along the way, we get plenty of suspects and twists. I was sure I had it figured out several times before we reached the end. We do get some updates on Frank and Sarah’s families, including something that I think will jump start a new longer mystery arc. I also appreciated how this book explored the deaf community in the 1890’s. You really could jump in here, but whether you start this series here or go back to the beginning, you’ll be pulled back in time with these excellent books.
Frank gets involved in this case pretty quickly, although Sarah’s involvement takes a little longer to develop. Still, the duo once again make a fantastic team as they work together well to solve the case. Along the way, we get plenty of suspects and twists. I was sure I had it figured out several times before we reached the end. We do get some updates on Frank and Sarah’s families, including something that I think will jump start a new longer mystery arc. I also appreciated how this book explored the deaf community in the 1890’s. You really could jump in here, but whether you start this series here or go back to the beginning, you’ll be pulled back in time with these excellent books.
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