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Simplex Spelling Phonics 1 - English
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Simplex Spelling improves English spelling and reading skills by using a powerful combination of...
Reading Trainer
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Reading Trainer improves your reading speed and retention rate with 12 challenging and fun...
Kristy H (1252 KP) rated The Au Pair in Books
Apr 4, 2019
This was a book that everyone seemed to be talking about on Goodreads, so I picked it up. I'm glad I did. It was an engaging, quick read that kept me interested and guessing. The story alternates between the present-day, told by Seraphine and the past, leading up to the twins birth, as told by Laura, the young au pair. We learn that the Mayes family has a history of sadness and tragedy--especially when it comes to twins. However, Rous is very good as slowly unfurling her plot, letting us carefully uncover exactly what happened not only with Seraphine, Danny, and their older brother Edwin, but with their mother, Ruth, and with Laura.
The book is certainly weird and intriguing early on. It's very readable and certainly creepy at times. I did wonder why Seraphine didn't just take a DNA test from the beginning: at least then she'd know if Edwin and Danny were her brothers! There was a lot of hand-wringing and angst. Which, okay, I can understand if you believe you don't belong in your family, but it was a little much at times. There were a few cliches and predictable moments, but the plot was also really interesting and just dramatic enough to draw me in and keep me flipping the pages. I was fascinated to see how things would all turn out. And while Seraphine could irritate me at times, I overall liked both Laura and Seraphine as narrators and characters.
Overall, this was a good read--fast and twisty. I probably could have used a notepad to draw out the family dynamics by the end: there are some fun twists and turns there. It's a good book to embrace and enjoy the craziness and drama. It can be a little melodramatic, but overall a fun read. 3.5 stars.
The book is certainly weird and intriguing early on. It's very readable and certainly creepy at times. I did wonder why Seraphine didn't just take a DNA test from the beginning: at least then she'd know if Edwin and Danny were her brothers! There was a lot of hand-wringing and angst. Which, okay, I can understand if you believe you don't belong in your family, but it was a little much at times. There were a few cliches and predictable moments, but the plot was also really interesting and just dramatic enough to draw me in and keep me flipping the pages. I was fascinated to see how things would all turn out. And while Seraphine could irritate me at times, I overall liked both Laura and Seraphine as narrators and characters.
Overall, this was a good read--fast and twisty. I probably could have used a notepad to draw out the family dynamics by the end: there are some fun twists and turns there. It's a good book to embrace and enjoy the craziness and drama. It can be a little melodramatic, but overall a fun read. 3.5 stars.
Video & TV Cast for Chromecast: Stream Movies App
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Watch any web video or local video on your Chromecast 1+2+Ultra or Android TV powered television and...
Complete Criminal Law: Text, Cases, and Materials
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Complete Criminal Law: Text, Cases, & Materials offers a student-centered approach to the criminal...
Gossip Life - The Interactive Episode Story Game
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NEW GOSSIP LIFE – MORE THAN JUST A STORY GAME! IMMERSE yourself in our interactive stories...
Carma (21 KP) rated Good Time Cowboy (Gold Valley, #3) in Books
Jun 17, 2019
Another 5 star read from Maisey Yates, I wanna move to Gold Valley.
Lindy Parker is a strong woman. She wants what she wants when she wants it. She does NOT want Wyatt Dodge. Yet the same man occupies her every waking thought, her dreams and everything in between. She cant believe she is attracted to a bull rider.
Wyatt Dodge has been attracted to Lindy Parker for 5 years. Since the first day he saw her walking toward him only to kiss his friend Damien and get introduced as his wife. He cant do anything about said attraction with his ranch on the line. He has to find a way to work with her on the upcoming grand opening of his dude ranch or it will all be for nothing.
Lindy likes to be in charge, she likes order and structure. Everything Wyatt is not. Working with him is going to test her patience in more ways than one. Now if she can only stop thinking about ripping his clothes off thatd be great.
Wyatt treats Lindy like a kid with a crush, teasing her and proverbially pulling her pigtails. He makes and effort to call her Melinda, because no one else does. He finds the verbal sparring keeps his mind off of wanting to kiss her senseless. He has to stay focused on saving the ranch.
Lindy and Wyatt dance around their attraction like a Friday night hoedown but will they find out they work better as a team, in all areas of their relationship?
As with most of the books Ive read by Maisey Yates, Good Time Cowboy makes me want to move to Gold Valley and find these families. Ms. Yates writes such realistic characters that you cant help but feel every part of the story as if you were side by side in the thick of things. I received a copy of this story without expectation for review. Any and all opinions expressed are my own.
Lindy Parker is a strong woman. She wants what she wants when she wants it. She does NOT want Wyatt Dodge. Yet the same man occupies her every waking thought, her dreams and everything in between. She cant believe she is attracted to a bull rider.
Wyatt Dodge has been attracted to Lindy Parker for 5 years. Since the first day he saw her walking toward him only to kiss his friend Damien and get introduced as his wife. He cant do anything about said attraction with his ranch on the line. He has to find a way to work with her on the upcoming grand opening of his dude ranch or it will all be for nothing.
Lindy likes to be in charge, she likes order and structure. Everything Wyatt is not. Working with him is going to test her patience in more ways than one. Now if she can only stop thinking about ripping his clothes off thatd be great.
Wyatt treats Lindy like a kid with a crush, teasing her and proverbially pulling her pigtails. He makes and effort to call her Melinda, because no one else does. He finds the verbal sparring keeps his mind off of wanting to kiss her senseless. He has to stay focused on saving the ranch.
Lindy and Wyatt dance around their attraction like a Friday night hoedown but will they find out they work better as a team, in all areas of their relationship?
As with most of the books Ive read by Maisey Yates, Good Time Cowboy makes me want to move to Gold Valley and find these families. Ms. Yates writes such realistic characters that you cant help but feel every part of the story as if you were side by side in the thick of things. I received a copy of this story without expectation for review. Any and all opinions expressed are my own.
graveyardgremlin (7194 KP) rated Zombies Vs. Unicorns in Books
Feb 15, 2019
<b>Book Review</b>
I had heard about this feud soon after it started, so when news that a book was coming out I had to read it. C'mon, zombies and unicorns, this is a combination I couldn't miss out on. After a lackluster and disappointing start, with many stories I didn't like at all, I was starting to think I'd have a hard time finishing the book, even with the different authors. It wasn't until The Children of the Revolution by Maureen Johnson on page 147 that the stories picked up and I ended up enjoying the rest, though my enjoyment deviated from okay to great. The "arguments" between editors Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) were usually quite amusing, though they themselves don't contribute to the book. I, for one, would have liked to have read their takes on their chosen teams.
I'm not going to review each story individually, but list them with my (very) basic impression of the story. The book has varying degrees of gore, cursing, sexual innuendo and references, bestiality (you read that right, but it's more referred to than shown, thank goodness), suicide, and other violent acts.
<u>Stories</u> (in order of appearance):
*The Highest Justice by Garth Nix (Marked as a unicorn story, this is actually both unicorn and zombie. A decent story.)
*Love Will Tear Us Apart by Alaya Dawn Johnson (Zombie. Did not care for this at all)
*Purity Test by Naomi Novik (Unicorn. Didn't hate this story, but wasn't fond of it either)
*Bougainvillea by Carrie Ryan (Zombie. Didn't like.)
*A Thousand Flowers by Margo Lanagan (Unicorn. Also wasn't fond of.)
*The Children of the Revolution by Maureen Johnson (Zombie. Rather twisted, but so am I, so I enjoyed it.)
*The Care and Feeding of Your Baby Killer Unicorn by Diana Peterfreund (Unicorn. My favorite story in the anthology.)
*Inoculata by Scott Westerfield (Zombie. Pretty good.)
*Princess Prettypants by Meg Cabot (Unicorn. Very tongue-in-cheek, I liked this story a lot.)
*Cold Hands by Cassandra Clare (Zombie. Interesting world created here. Definitely passed my likability test.)
*The Third Virgin by Kathleen Duey (Unicorn. An okay story.)
*Prom Night by Libba Bray (Zombie. Second favorite of the book and very close to a tie with Peterfreund's tale.)
The unicorn stories went in many different directions, with all sorts of unicorns, while most of the zombie stories stayed where you would expect them and had typical zombies, though there were a few surprises still in store. I went into this as Team Zombie, and while my favorite was a unicorn story, I still firmly remain with the shamblers. Overall, I ended up enjoying the majority of the book, so if you're interested in zombies, unicorns, or especially both, pick this up for an interesting assortment of stories.
3.5 stars for the print version
<b>Audio Review</b>
This unabridged CD set includes ten discs, which average a little over one story each, though generally there is one whole story bookended by the end of one preceding it and the start of another afterward that will continue onto the next disc. They have very short chapters, generally less than a minute and I could tell when each chapter ended and the next began, which didn't make for totally smooth listening but it also wasn't too bad either. I would have rather have had longer chapters that had a clearer starting and stopping point to make it easier to find my place again. Most of the readers, both male and female, sound fairly young, which makes sense since this is a YA anthology, but the majority also sounded as if they were reading to school children, which makes for annoying listening. I found most of the voices grating and unfortunately none of them are named for me to be more specific. However, the one male was fine and the woman who did Diana Peterfreund was good and I believe she also narrated one or two others in the book. The use of sound effects break up stories, a groan that also says "brains" for zombies and trumpets and a horse whinny for unicorns. Immediately after is the intro from the editors with their ongoing debate that became increasingly irritating as I read on; this may have to do with how they performed those discussions. As written word, these exchanges are far more entertaining. For the most part, I really didn't enjoy listening to this and much prefer reading it in print.
2 stars for audio
I had heard about this feud soon after it started, so when news that a book was coming out I had to read it. C'mon, zombies and unicorns, this is a combination I couldn't miss out on. After a lackluster and disappointing start, with many stories I didn't like at all, I was starting to think I'd have a hard time finishing the book, even with the different authors. It wasn't until The Children of the Revolution by Maureen Johnson on page 147 that the stories picked up and I ended up enjoying the rest, though my enjoyment deviated from okay to great. The "arguments" between editors Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) were usually quite amusing, though they themselves don't contribute to the book. I, for one, would have liked to have read their takes on their chosen teams.
I'm not going to review each story individually, but list them with my (very) basic impression of the story. The book has varying degrees of gore, cursing, sexual innuendo and references, bestiality (you read that right, but it's more referred to than shown, thank goodness), suicide, and other violent acts.
<u>Stories</u> (in order of appearance):
*The Highest Justice by Garth Nix (Marked as a unicorn story, this is actually both unicorn and zombie. A decent story.)
*Love Will Tear Us Apart by Alaya Dawn Johnson (Zombie. Did not care for this at all)
*Purity Test by Naomi Novik (Unicorn. Didn't hate this story, but wasn't fond of it either)
*Bougainvillea by Carrie Ryan (Zombie. Didn't like.)
*A Thousand Flowers by Margo Lanagan (Unicorn. Also wasn't fond of.)
*The Children of the Revolution by Maureen Johnson (Zombie. Rather twisted, but so am I, so I enjoyed it.)
*The Care and Feeding of Your Baby Killer Unicorn by Diana Peterfreund (Unicorn. My favorite story in the anthology.)
*Inoculata by Scott Westerfield (Zombie. Pretty good.)
*Princess Prettypants by Meg Cabot (Unicorn. Very tongue-in-cheek, I liked this story a lot.)
*Cold Hands by Cassandra Clare (Zombie. Interesting world created here. Definitely passed my likability test.)
*The Third Virgin by Kathleen Duey (Unicorn. An okay story.)
*Prom Night by Libba Bray (Zombie. Second favorite of the book and very close to a tie with Peterfreund's tale.)
The unicorn stories went in many different directions, with all sorts of unicorns, while most of the zombie stories stayed where you would expect them and had typical zombies, though there were a few surprises still in store. I went into this as Team Zombie, and while my favorite was a unicorn story, I still firmly remain with the shamblers. Overall, I ended up enjoying the majority of the book, so if you're interested in zombies, unicorns, or especially both, pick this up for an interesting assortment of stories.
3.5 stars for the print version
<b>Audio Review</b>
This unabridged CD set includes ten discs, which average a little over one story each, though generally there is one whole story bookended by the end of one preceding it and the start of another afterward that will continue onto the next disc. They have very short chapters, generally less than a minute and I could tell when each chapter ended and the next began, which didn't make for totally smooth listening but it also wasn't too bad either. I would have rather have had longer chapters that had a clearer starting and stopping point to make it easier to find my place again. Most of the readers, both male and female, sound fairly young, which makes sense since this is a YA anthology, but the majority also sounded as if they were reading to school children, which makes for annoying listening. I found most of the voices grating and unfortunately none of them are named for me to be more specific. However, the one male was fine and the woman who did Diana Peterfreund was good and I believe she also narrated one or two others in the book. The use of sound effects break up stories, a groan that also says "brains" for zombies and trumpets and a horse whinny for unicorns. Immediately after is the intro from the editors with their ongoing debate that became increasingly irritating as I read on; this may have to do with how they performed those discussions. As written word, these exchanges are far more entertaining. For the most part, I really didn't enjoy listening to this and much prefer reading it in print.
2 stars for audio
Gareth von Kallenbach (980 KP) rated Avatar (2009) in Movies
Aug 8, 2019
With a budget reported to be around $400 million dollars and a four year production cycle, “Avatar” by James Cameron is poised to usher in a new age in digital fx and 3d.
The film is set in 2154 and involves a disabled vet named Jake (Sam Worthington), who is sent to the distant moon of Pandora following the death of his brother.
It is learned that Pandora possesses a highly valuable resource that sells on the resource ravaged earth for $200 million a kilo and, which naturally sets off a frenzy of mining on the moon.
With the cultivation of the resource at a premium a facility has been established to ensure a constant mining operation and protect those on the base from the hostile wildlife that is everywhere.
While the wildlife on Pandora is a big issue, it pales in comparison to the issues poised by the native Na’vi who are a blue-skinned race who live in the forests of the moon and are in harmony with the nature of the planet which have caused them to hamper the mining efforts of the humans.
Anxious to keep the mining operations going, and limit the use of brute force to avoid any p.r. issues, a program known as “Avatar” is put into motion which allows select individuals to pilot a surrogate made from Na’vi and human D.N.A. in an effort to get the Na’vi to move and end their opposition to the mining.
It is hoped that the pilots will in time find a way to force the cooperation of the Na’vi after spending time amongst them.
Jake is thrilled with the program as once his remote link is established, he is free to run and jump again and in time finds himself absorbed by the Na’vi who wish to show him their ways as a test of his worthiness after he is separated from his fellow humans.
At this point Jake leads a double life as his surrogate learns what it is to be Na’vi and when the surrogate is asleep, Jake unhooks himself from his control bed, and is back on the base with his fellow humans. Jake is approached by Colonel Quaritch (Stephen Lang), who tasks the Marine to obtain tactical data on the Na’vi should his forces be called into action to force their cooperation. Jake is promised a costly procedure in return which would allow him to regain the use of his legs and live a life outside of his wheelchair.
As time passes, Jake grows closer to his Na’vi mentor Neytire (Zoe Saldana), who aside from being the daughter of the chief is a skilled hunter for her people. At this point Jake begins to question the motives and methods of his people and sees the exploitation and possible massacre of the Na’vi as something he can no longer accept. Jake puts a plan in motion to protect his human and Na’vi friends and what follows is an epic confrontation that is awash in visual splendor and action as James Cameron once again pushes the boundaries of technology.
Some may cite the story as resembling “Dances with Wolves’; and other films that deal with the exploitation of the native races, but the true magic of the film is that it is not limited to the lavish visuals but is instead powered by the compelling characters.
The 3d fx shine as Cameron has created another world with a thriving ecosystem that is as much a character in the film as the flesh and blood and digital creations that power the story.
The film has good supporting work from Sigourney Weaver, and Michelle Rodriquez as well as the fine ensemble cast. The amazing blend of story, digital splendor, and characters all combine to make “Avatar” a truly amazing visual film with a strong message of love, hope, and unity. James Cameron has once again proved that he is one of the true masters of cinema and has crafted a magical experience that enchants and informs.
The film is set in 2154 and involves a disabled vet named Jake (Sam Worthington), who is sent to the distant moon of Pandora following the death of his brother.
It is learned that Pandora possesses a highly valuable resource that sells on the resource ravaged earth for $200 million a kilo and, which naturally sets off a frenzy of mining on the moon.
With the cultivation of the resource at a premium a facility has been established to ensure a constant mining operation and protect those on the base from the hostile wildlife that is everywhere.
While the wildlife on Pandora is a big issue, it pales in comparison to the issues poised by the native Na’vi who are a blue-skinned race who live in the forests of the moon and are in harmony with the nature of the planet which have caused them to hamper the mining efforts of the humans.
Anxious to keep the mining operations going, and limit the use of brute force to avoid any p.r. issues, a program known as “Avatar” is put into motion which allows select individuals to pilot a surrogate made from Na’vi and human D.N.A. in an effort to get the Na’vi to move and end their opposition to the mining.
It is hoped that the pilots will in time find a way to force the cooperation of the Na’vi after spending time amongst them.
Jake is thrilled with the program as once his remote link is established, he is free to run and jump again and in time finds himself absorbed by the Na’vi who wish to show him their ways as a test of his worthiness after he is separated from his fellow humans.
At this point Jake leads a double life as his surrogate learns what it is to be Na’vi and when the surrogate is asleep, Jake unhooks himself from his control bed, and is back on the base with his fellow humans. Jake is approached by Colonel Quaritch (Stephen Lang), who tasks the Marine to obtain tactical data on the Na’vi should his forces be called into action to force their cooperation. Jake is promised a costly procedure in return which would allow him to regain the use of his legs and live a life outside of his wheelchair.
As time passes, Jake grows closer to his Na’vi mentor Neytire (Zoe Saldana), who aside from being the daughter of the chief is a skilled hunter for her people. At this point Jake begins to question the motives and methods of his people and sees the exploitation and possible massacre of the Na’vi as something he can no longer accept. Jake puts a plan in motion to protect his human and Na’vi friends and what follows is an epic confrontation that is awash in visual splendor and action as James Cameron once again pushes the boundaries of technology.
Some may cite the story as resembling “Dances with Wolves’; and other films that deal with the exploitation of the native races, but the true magic of the film is that it is not limited to the lavish visuals but is instead powered by the compelling characters.
The 3d fx shine as Cameron has created another world with a thriving ecosystem that is as much a character in the film as the flesh and blood and digital creations that power the story.
The film has good supporting work from Sigourney Weaver, and Michelle Rodriquez as well as the fine ensemble cast. The amazing blend of story, digital splendor, and characters all combine to make “Avatar” a truly amazing visual film with a strong message of love, hope, and unity. James Cameron has once again proved that he is one of the true masters of cinema and has crafted a magical experience that enchants and informs.
