Search
Search results
Debbiereadsbook (1069 KP) rated Bondage Rescue (Kiss of Leather #3) in Books
Apr 24, 2018
Reluctant Dom meets bratty sub!
Independent review for Archaeolibrarian, I was gifted my copy of this book.
Book 3 in the Kiss of Leather series, and I again STRONGLY recommend you read book one, Building Bonds, and two, Safe Limits first. There are things that happen in those books that you need to know about for this one to make sense.
Reluctant Dom meets bratty sub!
Marshall is Kyle's best friend and had disappeared. Calling on Master Josh for help was a last ditch to get the help he needs. Help that comes in the form of the private detective Kiss of Leather's law firm recommends to find the Dom who hurt Corey. Stone hasn't been in any sort of D/s lifestyle for 5 years, since the death of a sub that he was accused of. But meeting Marshall, seeing that young man all haggard looking and far too thin, releases something in Master Stone and he steps up to teach Marshall that true submission really is a beautiful thing.
If you follow you reviews (and I thank you if you do!) you'll know I'm all about the sexy time. I do love my books on the more explicit side, and I make no bones nor apologies for that. What I particularly LOVED about this one, was that Master Stone and Marshall do not get their sexy time til the last TEN MINUTES of their story! I LOVED being made to wait.
Oh, don't get me wrong, Master Stone knows just how to teach Marshall about self worth and he teaches him that punishment does not mean pain, although Marshall a pain-slut. Master Stone rather enjoys teaching the bratty subs, the brattier the better and Marshall just happens to be the most brattiest, stubborn, mouthy sub he has ever come across. And Master Stone, very quickly, makes its very clear that Marshall will have to wait, and wait PATIENTLY to have sex with him. And I LOVED IT!!!
The hunt for Corey's abuser continues, takes a shocking turn. I'm not telling you what though! Cos, you know, SPOILERS and all that! But I will tell you, when all this goes down, Master Stone has the exact same reaction as Master Derek does, and they go after THEIR boys.
Sometimes, in a series, especially when the main couples are very similar (here, big bad Dom and younger smaller guy) they get a little same old/same old. I'm NOT finding that here though. Yes all three Doms are older, and bigger, and yes, all three subs are younger and smaller, but their STORIES are so different! The on-going story arc helps a great deal, and the fact that the guys from the previous books continue to play a HUGE part in future books, too, but it's the SUBS who have the greatest differences and I LOVE that they are all friends.
Up next, are Master Josh and David. While already in a committed relationship, I can't wait to get their story. Because it's the Grand Opening of Kiss of Leather and I have a feeling it is not going to be as plain sailing as it has been and I look forward to being introduced to new characters.
Some reference to drug and alcohol abuse, but not described in any detail.
Loving these!
5 full stars
**same worded review will appear elsewhere**
Book 3 in the Kiss of Leather series, and I again STRONGLY recommend you read book one, Building Bonds, and two, Safe Limits first. There are things that happen in those books that you need to know about for this one to make sense.
Reluctant Dom meets bratty sub!
Marshall is Kyle's best friend and had disappeared. Calling on Master Josh for help was a last ditch to get the help he needs. Help that comes in the form of the private detective Kiss of Leather's law firm recommends to find the Dom who hurt Corey. Stone hasn't been in any sort of D/s lifestyle for 5 years, since the death of a sub that he was accused of. But meeting Marshall, seeing that young man all haggard looking and far too thin, releases something in Master Stone and he steps up to teach Marshall that true submission really is a beautiful thing.
If you follow you reviews (and I thank you if you do!) you'll know I'm all about the sexy time. I do love my books on the more explicit side, and I make no bones nor apologies for that. What I particularly LOVED about this one, was that Master Stone and Marshall do not get their sexy time til the last TEN MINUTES of their story! I LOVED being made to wait.
Oh, don't get me wrong, Master Stone knows just how to teach Marshall about self worth and he teaches him that punishment does not mean pain, although Marshall a pain-slut. Master Stone rather enjoys teaching the bratty subs, the brattier the better and Marshall just happens to be the most brattiest, stubborn, mouthy sub he has ever come across. And Master Stone, very quickly, makes its very clear that Marshall will have to wait, and wait PATIENTLY to have sex with him. And I LOVED IT!!!
The hunt for Corey's abuser continues, takes a shocking turn. I'm not telling you what though! Cos, you know, SPOILERS and all that! But I will tell you, when all this goes down, Master Stone has the exact same reaction as Master Derek does, and they go after THEIR boys.
Sometimes, in a series, especially when the main couples are very similar (here, big bad Dom and younger smaller guy) they get a little same old/same old. I'm NOT finding that here though. Yes all three Doms are older, and bigger, and yes, all three subs are younger and smaller, but their STORIES are so different! The on-going story arc helps a great deal, and the fact that the guys from the previous books continue to play a HUGE part in future books, too, but it's the SUBS who have the greatest differences and I LOVE that they are all friends.
Up next, are Master Josh and David. While already in a committed relationship, I can't wait to get their story. Because it's the Grand Opening of Kiss of Leather and I have a feeling it is not going to be as plain sailing as it has been and I look forward to being introduced to new characters.
Some reference to drug and alcohol abuse, but not described in any detail.
Loving these!
5 full stars
**same worded review will appear elsewhere**
Ali A (76 KP) rated Practice Girl in Books
May 24, 2022
Jo always seems to fall fast for boys - boys who, for some reason, don’t fall for her. One night at a party, she hears why - the boys who are on the wrestling team she manages, consider her a girl who’s good enough to hook up with, but not someone to date, aka, a “practice girl”.
After hearing those two words, Jo feels a lot of things - hurt, angry, ashamed, betrayed… but overall, she refuses to let those words define who she is. As she works on herself and her relationships, Jo begins to unpack and find out more uncomfortable truths about herself and her connections with all those around her. And in doing so, helps her understand her real worth.
I loved the authentic voice of Jo. I was a bit worried when I first started the book, not really knowing how a YA novel was going to handle the topic of sex. But, after reading the first few chapters, I was very interested in Jo’s story, and my mind changed.
My father was killed in a work accident when I was 12 (3 days into my 7th grade school year), and in the past, I have wondered what has done towards male relationships for me… This book had what I felt like an authentic take on a high school girl’s insecurities and vulnerabilities involving boys and relationships during that time. High school is hard enough as it is, a death of a parent sure doesn’t make it any easier.
I absolutely loved Jo’s rekindling with Leah and making friends with Jen and Amber. The talk those four had about boys and relationships while sitting around in a circle was exactly what Jo needed and allowed for multiple viewpoints that I don’t feel like are seen or heard about often in YA (like a lot of stuff, it’s getting more and more common though!)
I’m also super proud of Jo for her stance in her relationship with Sam at the end of the book. They both had stuff they needed to figure out and kudos for her to kind of force him to acknowledge that.
Overall, I enjoyed this YA novel about reputation, double standards, relationships, and empowerment. I recommend it to those who like contemporary novels that have a strong female lead, who learns lessons that I believe are important for young girls to hear.
*Thank you Bookish First and Viking Penguin for a copy of this book in exchange for an honest review
After hearing those two words, Jo feels a lot of things - hurt, angry, ashamed, betrayed… but overall, she refuses to let those words define who she is. As she works on herself and her relationships, Jo begins to unpack and find out more uncomfortable truths about herself and her connections with all those around her. And in doing so, helps her understand her real worth.
I loved the authentic voice of Jo. I was a bit worried when I first started the book, not really knowing how a YA novel was going to handle the topic of sex. But, after reading the first few chapters, I was very interested in Jo’s story, and my mind changed.
My father was killed in a work accident when I was 12 (3 days into my 7th grade school year), and in the past, I have wondered what has done towards male relationships for me… This book had what I felt like an authentic take on a high school girl’s insecurities and vulnerabilities involving boys and relationships during that time. High school is hard enough as it is, a death of a parent sure doesn’t make it any easier.
I absolutely loved Jo’s rekindling with Leah and making friends with Jen and Amber. The talk those four had about boys and relationships while sitting around in a circle was exactly what Jo needed and allowed for multiple viewpoints that I don’t feel like are seen or heard about often in YA (like a lot of stuff, it’s getting more and more common though!)
I’m also super proud of Jo for her stance in her relationship with Sam at the end of the book. They both had stuff they needed to figure out and kudos for her to kind of force him to acknowledge that.
Overall, I enjoyed this YA novel about reputation, double standards, relationships, and empowerment. I recommend it to those who like contemporary novels that have a strong female lead, who learns lessons that I believe are important for young girls to hear.
*Thank you Bookish First and Viking Penguin for a copy of this book in exchange for an honest review
Asiza Tait (139 KP) rated Where'd You Go, Bernadette? in Books
Feb 1, 2018
4.9 Stars out of 5
Bream Reading Club met tonight to review Where’d You Go Bernadette? By Maria Semple.
We all agreed that it is a brilliant book, thought provoking, satirical, profound and very well written. One thing we didn’t like was the cover of the book! It gave the impression that the target audience were those who love ‘chick lit’ or something trivial – something the book very well is not. We all agreed that we would not have picked it up if given the choice. In this case it was me who took a gamble and reserved the book and thankfully I hit upon a gem.
The book touches on many themes, the main one in our view being destruction and reconstitution. The 20 Mile House was the beginning of the destruction, of a house and a life, and it didn’t end until rebuilding truly began at the end of the book.
We saw the dilapidated state of the house at Straight Gate as a mirror for Bernadette herself. The house was barely liveable, certain areas were completely barricaded off because of being so hazardous and Bernadette’s tactics to get by in the house were the same type of skills she was using to get by in life. Ultimately the house would come down, and so does Bernadette, as only in that way can rebuilding begin.
The relationship between Bernadette and her neighbour Audrey is at once comedic and sad and perhaps even stereotypical of the super involved PTA mum not getting on with parents who are not as involved, no matter what their reasons may be. Audrey’s character is obnoxious at best but she does redeem herself and the reading club imagined that Bernadette and Audrey may get along quite well after the change in both their perspectives.
Coming to the relationship between Bernadette and Elgie (her husband) is a show of how a marriage falls apart when partners do not communicate with each other. Bernadette leans on ‘Manjula’ the virtual assistant to get normal life done and keeps it from Elgie as she knows he will only get mad about it. We found her behaviour to be reasonable considering what she had been through and was still going through. She clearly had depression, anxiety and was hiding away from life in general, especially being in trailer a great deal of the time. The only one who really understood her was Bee her daughter.
A moment in the book that irritated us badly was Elgie giving in and sleeping with this assistant. Yes, he was vulnerable and she was hero worshipping him and almost stalking him, but that is still a poor excuse and we labelled him weak willed. We also thought that perhaps in a small way he was getting back at Bernadette over her lying to him about ‘Manjula’ and exposing their identities and finances to a stranger, who in reality was not a virtual assistant but Russian criminals were posing as such.
The most steadfast relationship is between Bernadette and Bee. No matter what happens Bee with her astonishing level of maturity sees things for what they are and she is committed to Bernadette’s cause. She appears to be in denial about her mother’s disappearance but in reality she is the one who knows more than the adults.
The trip to Antarctica is where much of the hurt and miscommunication is finally resolved. Bee asks her father what the difference is between Manjula and Samantha 2 (his huge Microsoft project) which helps him to see that Bernadette’s transgression isn’t as unforgiveable as he thinks. During the trip Bee and her father’s relationships is mended, and Elgie himself finally sees hope in finding Bernadette and gives himself completely to it. Bee’s belief is completely vindicated. The happy ending is especially poignant because in Bee’s searching for her mother, Bernadette has had the time to find herself.
Bream Reading Club met tonight to review Where’d You Go Bernadette? By Maria Semple.
We all agreed that it is a brilliant book, thought provoking, satirical, profound and very well written. One thing we didn’t like was the cover of the book! It gave the impression that the target audience were those who love ‘chick lit’ or something trivial – something the book very well is not. We all agreed that we would not have picked it up if given the choice. In this case it was me who took a gamble and reserved the book and thankfully I hit upon a gem.
The book touches on many themes, the main one in our view being destruction and reconstitution. The 20 Mile House was the beginning of the destruction, of a house and a life, and it didn’t end until rebuilding truly began at the end of the book.
We saw the dilapidated state of the house at Straight Gate as a mirror for Bernadette herself. The house was barely liveable, certain areas were completely barricaded off because of being so hazardous and Bernadette’s tactics to get by in the house were the same type of skills she was using to get by in life. Ultimately the house would come down, and so does Bernadette, as only in that way can rebuilding begin.
The relationship between Bernadette and her neighbour Audrey is at once comedic and sad and perhaps even stereotypical of the super involved PTA mum not getting on with parents who are not as involved, no matter what their reasons may be. Audrey’s character is obnoxious at best but she does redeem herself and the reading club imagined that Bernadette and Audrey may get along quite well after the change in both their perspectives.
Coming to the relationship between Bernadette and Elgie (her husband) is a show of how a marriage falls apart when partners do not communicate with each other. Bernadette leans on ‘Manjula’ the virtual assistant to get normal life done and keeps it from Elgie as she knows he will only get mad about it. We found her behaviour to be reasonable considering what she had been through and was still going through. She clearly had depression, anxiety and was hiding away from life in general, especially being in trailer a great deal of the time. The only one who really understood her was Bee her daughter.
A moment in the book that irritated us badly was Elgie giving in and sleeping with this assistant. Yes, he was vulnerable and she was hero worshipping him and almost stalking him, but that is still a poor excuse and we labelled him weak willed. We also thought that perhaps in a small way he was getting back at Bernadette over her lying to him about ‘Manjula’ and exposing their identities and finances to a stranger, who in reality was not a virtual assistant but Russian criminals were posing as such.
The most steadfast relationship is between Bernadette and Bee. No matter what happens Bee with her astonishing level of maturity sees things for what they are and she is committed to Bernadette’s cause. She appears to be in denial about her mother’s disappearance but in reality she is the one who knows more than the adults.
The trip to Antarctica is where much of the hurt and miscommunication is finally resolved. Bee asks her father what the difference is between Manjula and Samantha 2 (his huge Microsoft project) which helps him to see that Bernadette’s transgression isn’t as unforgiveable as he thinks. During the trip Bee and her father’s relationships is mended, and Elgie himself finally sees hope in finding Bernadette and gives himself completely to it. Bee’s belief is completely vindicated. The happy ending is especially poignant because in Bee’s searching for her mother, Bernadette has had the time to find herself.
Bong Mines Entertainment (15 KP) rated Rather You Than Me by Rick Ross in Music
Jun 7, 2019
Rick Ross is a rapper and CEO of Maybach Music Group. Not too long ago, he released “Rather You Than Me“, a star-studded album filled with expensive thoughts and gun-toting lyrics.
This is Ross’ ninth studio album, and we can agree that his wisdom and wishful thinking are two ingredients which make this project noteworthy.
1) Rick Ross – “Apple of My Eye” (ft. Raphael Saadiq)
Ross, who used to view himself as a fat ugly ni^^a who wouldn’t be anything, now feels out of place in a room full of failures. His lyrical growth is obvious, and Major Nine’s production is reminiscent of ‘90s Funk/R&B. The mood is laid back with choppy drums beating to Beanie Sigel’s “I Feel It in the Air’ vibe.
Ross injects his thoughts about Meek’s & Nicki’s breakup, “I told Meek I wouldn’t trust Nicki, instead of beefing with your dog, you just give him some distance.” But the questionable, “I’m happy Donald Trump became the president because we gotta destroy before we elevate,” had us scratching our heads. Ni^^a what? Anyhow, this is a dope track and we will bump it again.
2) Rick Ross – “Santorini Greece”
Ross realizes that his success doesn’t exempt him from being crucified like Christ or anyone else. But one thing’s for sure, success gave Ross the ability to travel the world, and the bragging rights to say that he put Santorini, Greece on the map.
3) Rick Ross – “Idols Become Rivals” (ft. Chris Rock)
After letting the first two songs marinate, Ross adds a plot to the scene and pens a letter to Birdman, the CEO of Cash Money Records. If Tupac’s “Against All Odds” is the realest sh^t ever written in hip-hop, then this song is not too far behind. Ross airs out the rap mogul’s dirty laundry while taking him to the cleaners at the same time.
Black Metaphor’s track is laid back and Ross’s melodic flow is hypnotic. And Ross reaches Godfather status when he chooses to stick up for DJ Khalid, BG, Lil Wayne, Mannie Fresh, etc.
4) Rick Ross – “Trap Trap Trap” (ft. Young Thug, Wale)
Ross turns up the pulse and takes us on a trap journey with Young Thug and Wale. But unfortunately, Ross talking about trapping isn’t stimulating and doesn’t contribute to the momentum gained by the first three songs. Quite frankly, Ross already established his trapping legacy on his first album.
Now, it just sounds repetitive, causing our emotional attachment to depart temporarily, especially when Wale raps, “I ain’t nothing like them trap guys,” got us questioning the lineup, even though Wale delivers a dope verse. If the first three songs brought us to the third eye or crown chakra, then this song took us down to the solar chakra.
5) Rick Ross – “Dead Presidents” (ft. Future, Jeezy, Yo Gotti)
Ross goes lower to the root chakra and brings in a drug-dealing line up to support his trapping movement. But the drug-dealing references and gun-toting accolades blow a huge black cloud over Rather You Than Me, an optimistic album that Ross created to showcase his happiness of seeing other survivalist enjoying the finer things in life.
So, every time a dark thought or a dire situation is inserted, it defeats Ross’ higher purpose for the album. We would’ve appreciated this song more if it was on another project with a trapping theme.
6) Rick Ross – “She’s on My D*ck” (ft. Gucci Mane)
A dope, hard-knocking track produced by Beat Billionaire, keeps the momentum going horizontally when it should be moving vertically north towards Ross’ original script. This song has a mediocre theme and suffers from lack of creativity in the chorus, but the beat saves the song. [usr 3.0]
7) Rick Ross – “I Think She Like Me” (ft. Ty Dolla $ign)
Ross probably heard us yelling, “Stick to the script” because he restores order over J-Pilot- & C Gutta-produced track.
Ross raps with a Barry White vocal tone, “I once got no allowance, now I got the crown. I said I was The Boss, nobody made a sound. Really had to see them things, this level story telling. Who else could flip a chorus into 40 million?”
Ross wins here, and he wins big. One of the best in the business to talk that talk and Ty Dollar $ign comes through in the clutch.
8) Rick Ross – “Powers That Be” (ft. Nas)
Now in storytelling mode, Ross enlists lyricist Nas to help him usher his concept. The lyrics are on point but the fullness of the song is lackluster. We expected more, but only got a few firecrackers igniting, roman candles busting, minus the major firework show. It felt like an appetizer. You know? If you eat enough, you might be too full to finish your incoming meal.
9) Rick Ross – “Game Ain’t Based on Sympathy”
Ross reminisces about his past over a dope soul-inspired track with a groovy/psychedelic loop that blends in naturally with Ross’s deep monotone.
We can listen to Ross rap for hours, especially if he’s talking about conscious issues.
10) Rick Ross – “Scientology”
As the momentum, gradually rises back to the crown, Ross flows over a dope, wonderland of sounds track produced by Bink! & The Youngstars. Like going up an elevator, Ross took us to a destination that we didn’t know existed.
11) Lamborghini Doors – (ft. Meek Mill, Anthony Hamilton)
If it’s not broke, don’t fix it. Ross’ decision to follow in the same direction as “Scientology” was the right one because Ross’ and Meek Mill’s chemistry is heartfelt. Since the momentum is moving upwards towards the sky, it’s fitting when Meek said, “We coming up like them Lamborghini doors.”
12) Triple Platinum – (ft. Scrilla)
The prayer at the beginning does the album justice; and when Ross said, “Me and HOV back and forth like I’m triple platinum,” we saw how far Ross had come, and how far he still must go.
13) Maybach Music V – (ft. Katt Rockell & Dej Loaf)
Ross and Dej Loaf rap over an airy/dreamy track produced by Beat Butcha & Buda & Grandz. More expensive thoughts and money spending don’t hurt the momentum if the topic is about the finer things in life.
14) Summer Seventeen – (ft. Yo Gotti)
In conclusion, Ross ends the album on a gangster note. And the Beat Billionaire-produced track is hard as steel and bump-worthy. We love the theme, “I want my ni^^as rich by summer seventeen”, a wishful thought like that is what ‘Rather You Than Me’ is all about—everybody eating.
https://www.bongminesentertainment.com/rick-ross-rather-review/
This is Ross’ ninth studio album, and we can agree that his wisdom and wishful thinking are two ingredients which make this project noteworthy.
1) Rick Ross – “Apple of My Eye” (ft. Raphael Saadiq)
Ross, who used to view himself as a fat ugly ni^^a who wouldn’t be anything, now feels out of place in a room full of failures. His lyrical growth is obvious, and Major Nine’s production is reminiscent of ‘90s Funk/R&B. The mood is laid back with choppy drums beating to Beanie Sigel’s “I Feel It in the Air’ vibe.
Ross injects his thoughts about Meek’s & Nicki’s breakup, “I told Meek I wouldn’t trust Nicki, instead of beefing with your dog, you just give him some distance.” But the questionable, “I’m happy Donald Trump became the president because we gotta destroy before we elevate,” had us scratching our heads. Ni^^a what? Anyhow, this is a dope track and we will bump it again.
2) Rick Ross – “Santorini Greece”
Ross realizes that his success doesn’t exempt him from being crucified like Christ or anyone else. But one thing’s for sure, success gave Ross the ability to travel the world, and the bragging rights to say that he put Santorini, Greece on the map.
3) Rick Ross – “Idols Become Rivals” (ft. Chris Rock)
After letting the first two songs marinate, Ross adds a plot to the scene and pens a letter to Birdman, the CEO of Cash Money Records. If Tupac’s “Against All Odds” is the realest sh^t ever written in hip-hop, then this song is not too far behind. Ross airs out the rap mogul’s dirty laundry while taking him to the cleaners at the same time.
Black Metaphor’s track is laid back and Ross’s melodic flow is hypnotic. And Ross reaches Godfather status when he chooses to stick up for DJ Khalid, BG, Lil Wayne, Mannie Fresh, etc.
4) Rick Ross – “Trap Trap Trap” (ft. Young Thug, Wale)
Ross turns up the pulse and takes us on a trap journey with Young Thug and Wale. But unfortunately, Ross talking about trapping isn’t stimulating and doesn’t contribute to the momentum gained by the first three songs. Quite frankly, Ross already established his trapping legacy on his first album.
Now, it just sounds repetitive, causing our emotional attachment to depart temporarily, especially when Wale raps, “I ain’t nothing like them trap guys,” got us questioning the lineup, even though Wale delivers a dope verse. If the first three songs brought us to the third eye or crown chakra, then this song took us down to the solar chakra.
5) Rick Ross – “Dead Presidents” (ft. Future, Jeezy, Yo Gotti)
Ross goes lower to the root chakra and brings in a drug-dealing line up to support his trapping movement. But the drug-dealing references and gun-toting accolades blow a huge black cloud over Rather You Than Me, an optimistic album that Ross created to showcase his happiness of seeing other survivalist enjoying the finer things in life.
So, every time a dark thought or a dire situation is inserted, it defeats Ross’ higher purpose for the album. We would’ve appreciated this song more if it was on another project with a trapping theme.
6) Rick Ross – “She’s on My D*ck” (ft. Gucci Mane)
A dope, hard-knocking track produced by Beat Billionaire, keeps the momentum going horizontally when it should be moving vertically north towards Ross’ original script. This song has a mediocre theme and suffers from lack of creativity in the chorus, but the beat saves the song. [usr 3.0]
7) Rick Ross – “I Think She Like Me” (ft. Ty Dolla $ign)
Ross probably heard us yelling, “Stick to the script” because he restores order over J-Pilot- & C Gutta-produced track.
Ross raps with a Barry White vocal tone, “I once got no allowance, now I got the crown. I said I was The Boss, nobody made a sound. Really had to see them things, this level story telling. Who else could flip a chorus into 40 million?”
Ross wins here, and he wins big. One of the best in the business to talk that talk and Ty Dollar $ign comes through in the clutch.
8) Rick Ross – “Powers That Be” (ft. Nas)
Now in storytelling mode, Ross enlists lyricist Nas to help him usher his concept. The lyrics are on point but the fullness of the song is lackluster. We expected more, but only got a few firecrackers igniting, roman candles busting, minus the major firework show. It felt like an appetizer. You know? If you eat enough, you might be too full to finish your incoming meal.
9) Rick Ross – “Game Ain’t Based on Sympathy”
Ross reminisces about his past over a dope soul-inspired track with a groovy/psychedelic loop that blends in naturally with Ross’s deep monotone.
We can listen to Ross rap for hours, especially if he’s talking about conscious issues.
10) Rick Ross – “Scientology”
As the momentum, gradually rises back to the crown, Ross flows over a dope, wonderland of sounds track produced by Bink! & The Youngstars. Like going up an elevator, Ross took us to a destination that we didn’t know existed.
11) Lamborghini Doors – (ft. Meek Mill, Anthony Hamilton)
If it’s not broke, don’t fix it. Ross’ decision to follow in the same direction as “Scientology” was the right one because Ross’ and Meek Mill’s chemistry is heartfelt. Since the momentum is moving upwards towards the sky, it’s fitting when Meek said, “We coming up like them Lamborghini doors.”
12) Triple Platinum – (ft. Scrilla)
The prayer at the beginning does the album justice; and when Ross said, “Me and HOV back and forth like I’m triple platinum,” we saw how far Ross had come, and how far he still must go.
13) Maybach Music V – (ft. Katt Rockell & Dej Loaf)
Ross and Dej Loaf rap over an airy/dreamy track produced by Beat Butcha & Buda & Grandz. More expensive thoughts and money spending don’t hurt the momentum if the topic is about the finer things in life.
14) Summer Seventeen – (ft. Yo Gotti)
In conclusion, Ross ends the album on a gangster note. And the Beat Billionaire-produced track is hard as steel and bump-worthy. We love the theme, “I want my ni^^as rich by summer seventeen”, a wishful thought like that is what ‘Rather You Than Me’ is all about—everybody eating.
https://www.bongminesentertainment.com/rick-ross-rather-review/
Charlie Cobra Reviews (1840 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Oct 2, 2020 (Updated Oct 6, 2020)
Margot Robbie and her return to Harley Quinn (2 more)
Badass fight choreography
Some really cool action sequences
I wasn't a fan of the self narration the entire film. (2 more)
I also didn't like the Tarantino-ish way of chopping up the story and going back and forth the way they did.
I feel like every character in this movie was underutilized and could have been done better or had better character development.
Birds of a Feather Can't Stick Their Landing On This One
Contains spoilers, click to show
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is a 2020 action super hero film. Distributed by Warner Bros. Pictures, it is a follow-up to Suicide Squad (2016). The movie was directed by Cathy Yan and written by Christina Hodson, and it stars Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina and Ewan McGregor.
Four years after the defeat of the Enchantress, the Joker throws Harley Quinn out on the Gotham City streets when they break up. The already extremely volatile and unhinged, Harley (Margot Robbie) finds herself all alone with a huge target on her back. Without the Joker in the picture, the city is turned upside down as criminals that have a beef with Harley hunt her down. Gotham's most narcissistic villain, Roman Sionis (Ewan McGregor), and his right-hand man, Victor Zsasz (Chris Messina), have Harley and a precious diamond in their sights. Now Harley, Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell) and Detective Renee Montoya's (Rosie Perez) paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
First off let me say that I love Margot Robbie as Harley Quinn. I've always been a big Harley fan since before she was mainstream cool and a big part of that would have to be the Batman Animated Series and how it portrayed her. I liked Margot Robbie's performance in Suicide Squad and thought she did an excellent job of bringing that character to "life". I didn't have high expectations for this movie going in and sometimes that can be a good thing because it leaves you more open to the film being better than you thought it was going to be. Right away I didn't like the whole, Harley narrating the movie in the beginning and kind of throughout the movie. I don't know if they were trying to go for a "funny" Deadpool breaking the "4th" wall type thing but for me it just kind of made the movie less fun. I also have to say that I wasn't a big fan of the pacing and the whole going back and forth through time in the events of the movie. I think it might have been better on paper than how it actually came out in the movie. Kind of Tarantino-ish but just kind of overdone because of the info-dumping narration. There were some awesome fight sequences and there was plenty of over the top violence and action but a lot could have been done better. For me the plot was what felt like it made the movie feel a little lackluster. I really felt like they failed to flesh out Black Canary's character and Huntress felt extremely unpolished as well. A lot of the character's were underutilized except in gratuitous fight scenes and the audience is not shown their motivations a lot of the time but instead told them. I have to say some parts did make me laugh and the music wasn't terrible. The acting was extremely bad sometimes though. I don't know what they were going for with Huntress/Mary Elizabeth Winstead but she comes off as a badass but then really awkward or nerdy and then for a little bit she was a raging psychopath killer. I don't think they knew what direction to take the character and her performance definitely suffered. Black Canary/Jurnee Smollett-Bell was a character that was really cool but without knowing her motivations it really took alot out by never uncovering more about her character until later. A lot of things didn't make sense too. I can't believe that anyone would want to mess with Harley even if she wasn't with Joker. I however could have seen anyone and I mean anyone go after her for a big reward like they placed on the kid. Also a big reward like that on a no name kid who is just a low level pick pocket wouldn't have brought in that much results. Plus the diamond that she has is something you wouldn't want anybody else finding out about so why bring so much attention to it. Harley Quinn and all the other female actors in this movie have "plot armor" and never get hurt even when being blown up or shot at. All-in-all, it was an enjoyable movie but I wouldn't say it was anything special. This was a big-budget superhero film that comes off more run of the mill and fails to bring anything "wow" except some pretty kick ass action sequences and Margot Robbie and her return to Harley Quinn. I give it a 5/10.
Four years after the defeat of the Enchantress, the Joker throws Harley Quinn out on the Gotham City streets when they break up. The already extremely volatile and unhinged, Harley (Margot Robbie) finds herself all alone with a huge target on her back. Without the Joker in the picture, the city is turned upside down as criminals that have a beef with Harley hunt her down. Gotham's most narcissistic villain, Roman Sionis (Ewan McGregor), and his right-hand man, Victor Zsasz (Chris Messina), have Harley and a precious diamond in their sights. Now Harley, Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell) and Detective Renee Montoya's (Rosie Perez) paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
First off let me say that I love Margot Robbie as Harley Quinn. I've always been a big Harley fan since before she was mainstream cool and a big part of that would have to be the Batman Animated Series and how it portrayed her. I liked Margot Robbie's performance in Suicide Squad and thought she did an excellent job of bringing that character to "life". I didn't have high expectations for this movie going in and sometimes that can be a good thing because it leaves you more open to the film being better than you thought it was going to be. Right away I didn't like the whole, Harley narrating the movie in the beginning and kind of throughout the movie. I don't know if they were trying to go for a "funny" Deadpool breaking the "4th" wall type thing but for me it just kind of made the movie less fun. I also have to say that I wasn't a big fan of the pacing and the whole going back and forth through time in the events of the movie. I think it might have been better on paper than how it actually came out in the movie. Kind of Tarantino-ish but just kind of overdone because of the info-dumping narration. There were some awesome fight sequences and there was plenty of over the top violence and action but a lot could have been done better. For me the plot was what felt like it made the movie feel a little lackluster. I really felt like they failed to flesh out Black Canary's character and Huntress felt extremely unpolished as well. A lot of the character's were underutilized except in gratuitous fight scenes and the audience is not shown their motivations a lot of the time but instead told them. I have to say some parts did make me laugh and the music wasn't terrible. The acting was extremely bad sometimes though. I don't know what they were going for with Huntress/Mary Elizabeth Winstead but she comes off as a badass but then really awkward or nerdy and then for a little bit she was a raging psychopath killer. I don't think they knew what direction to take the character and her performance definitely suffered. Black Canary/Jurnee Smollett-Bell was a character that was really cool but without knowing her motivations it really took alot out by never uncovering more about her character until later. A lot of things didn't make sense too. I can't believe that anyone would want to mess with Harley even if she wasn't with Joker. I however could have seen anyone and I mean anyone go after her for a big reward like they placed on the kid. Also a big reward like that on a no name kid who is just a low level pick pocket wouldn't have brought in that much results. Plus the diamond that she has is something you wouldn't want anybody else finding out about so why bring so much attention to it. Harley Quinn and all the other female actors in this movie have "plot armor" and never get hurt even when being blown up or shot at. All-in-all, it was an enjoyable movie but I wouldn't say it was anything special. This was a big-budget superhero film that comes off more run of the mill and fails to bring anything "wow" except some pretty kick ass action sequences and Margot Robbie and her return to Harley Quinn. I give it a 5/10.
Dave Mustaine recommended No Sleep 'Til Hammersmith by Motorhead in Music (curated)
Laura Doe (1350 KP) rated Life, Death and Biscuits in Books
Apr 4, 2022
This book was an interesting look at the life of a critical care nurse during the Covid-19 pandemic. It was both heartbreaking and heartwarming in places and it was interesting to learn what exactly a critical care nurse is tasked with daily.
However, this has not been my favourite medical memoir, having read Adam Kay’s This Is Going To Hurt just before starting this book. While I liked that the emails that Anthea originally sent out were included, they became very repetitive and I started to become a little bit bored of reading about the same things. I understood that when they were sent out, they were a week or so apart from each other so it may have been necessary for the repetition, but I just don’t think that it worked well within a book.
I also started to get annoyed at the way that Anthea referred to young doctors and belittled them (they were so young they still had acne or a doctor fainted within 2 hours of starting work on the Covid ICU) and how she repeatedly told the reader that the nurses that were sent to help weren’t trained enough and weren’t giving the best care to their patients. It was like she forgot that these nurses had been pulled out of their specialties and thrown into a place where they had to learn new skills, I would bet that Anthea couldn’t work in the areas that these nurses came from to the same standard as them either.
I also got frustrated and felt that she was trying to make us feel sorry for the nurses who were fed three times a day during the start of the pandemic and were forever being gifted snacks, gift bags and hampers and how later on during the second wave she said that they did their job without the discounts, without the free coffee and without a pay rise. While these nurses really did go through hell and I wouldn’t wish it on anybody, the hospital nurses received a lot more than other nurses (especially community nurses), support workers and care home staff who worked tirelessly through the pandemic caring for those who weren’t in the hospitals. The only difference being that they didn’t have the luxury that Anthea and her team had of the food and endless “PPE hugs” whilst still working in the strangest times. Another sentence that stuck out to me was “only nurses talk of food while the aroma of faeces fills the air”, which is not true at all. Anyone who works within the health and social care sector and deals with the personal care of people have the same sense of humour and the same outlooks as many nurses but often get forgotten about.
While this book was interesting to begin, I found from about 40% through I was starting to get very annoyed by the repetition and the self-congratulatory writing that I wasn’t sure if I could finish the book. I think the book could have been much shorter than it was, but I also think that anyone who worked from home or was furloughed during the pandemic should read this to understand how hard it was to work on the front lines while most were enjoying the glorious weather and all of the lockdown activities that went on.
However, this has not been my favourite medical memoir, having read Adam Kay’s This Is Going To Hurt just before starting this book. While I liked that the emails that Anthea originally sent out were included, they became very repetitive and I started to become a little bit bored of reading about the same things. I understood that when they were sent out, they were a week or so apart from each other so it may have been necessary for the repetition, but I just don’t think that it worked well within a book.
I also started to get annoyed at the way that Anthea referred to young doctors and belittled them (they were so young they still had acne or a doctor fainted within 2 hours of starting work on the Covid ICU) and how she repeatedly told the reader that the nurses that were sent to help weren’t trained enough and weren’t giving the best care to their patients. It was like she forgot that these nurses had been pulled out of their specialties and thrown into a place where they had to learn new skills, I would bet that Anthea couldn’t work in the areas that these nurses came from to the same standard as them either.
I also got frustrated and felt that she was trying to make us feel sorry for the nurses who were fed three times a day during the start of the pandemic and were forever being gifted snacks, gift bags and hampers and how later on during the second wave she said that they did their job without the discounts, without the free coffee and without a pay rise. While these nurses really did go through hell and I wouldn’t wish it on anybody, the hospital nurses received a lot more than other nurses (especially community nurses), support workers and care home staff who worked tirelessly through the pandemic caring for those who weren’t in the hospitals. The only difference being that they didn’t have the luxury that Anthea and her team had of the food and endless “PPE hugs” whilst still working in the strangest times. Another sentence that stuck out to me was “only nurses talk of food while the aroma of faeces fills the air”, which is not true at all. Anyone who works within the health and social care sector and deals with the personal care of people have the same sense of humour and the same outlooks as many nurses but often get forgotten about.
While this book was interesting to begin, I found from about 40% through I was starting to get very annoyed by the repetition and the self-congratulatory writing that I wasn’t sure if I could finish the book. I think the book could have been much shorter than it was, but I also think that anyone who worked from home or was furloughed during the pandemic should read this to understand how hard it was to work on the front lines while most were enjoying the glorious weather and all of the lockdown activities that went on.
MaryAnn (14 KP) rated Just Let Go (Harbor Pointe #2) in Books
Mar 5, 2019
For Quinn Collins, buying the flower shop in downtown Harbor Pointe fulfills a childhood dream, but also gives her the chance to stick it to her mom, who owned the store before skipping town twenty years ago and never looking back. Completing much-needed renovations, however, while also competing for a prestigious flower competition with her mother as the head judge, soon has Quinn in over her head. Not that she’d ever ask for help.
Luckily, she may not need to. Quinn’s father and his meddling friends find the perfect solution in notorious Olympic skier Grady Benson, who had only planned on passing through the old-fashioned lakeside town. But when a heated confrontation leads to property damage, helping Quinn as a community-service sentence seems like the quickest way out—and the best way to avoid more negative press.
Quinn finds Grady reckless and entitled; he thinks she’s uptight and too regimented. Yet as the two begin to hammer and saw, Quinn sees glimpses of the vulnerability behind the bravado, and Grady learns from her passion and determination, qualities he seems to have lost along the way. But when a well-intentioned omission has devastating consequences, Grady finds himself cast out of town—and Quinn’s life—possibly forever. Forced to face the hurt holding her back, Quinn must finally let go or risk missing out on the adventure of a lifetime.
My Thoughts: What do an Olympian skier, a flower shop and a small town have in common? a storyline for a wonderful novel "Just Let Go". When Olympian skier Grady Benson comes to town no one knows the trials he has been going through, but like most people, they assume he lives and acts a certain way. With the help of a judge, a teenage boy and Quin, all help him realze what he's been missing in life. Sometimes God does put people in our lives to either help us or four us to help them. This s a story about not judging a book by its cover. Learning to take time to get to know someone. We all have a life, a past; burdens we carry with us and sometimes we have to learn to let it all go and move on with the future. That is the theme of this novel. Well written, and hard to put down. The reader can easily identify with the characters. The characters in the novel all work well and interweave in the storyline that compliments the narrative.
I truly enjoyed this story and Courtney Walsh's writing.
Luckily, she may not need to. Quinn’s father and his meddling friends find the perfect solution in notorious Olympic skier Grady Benson, who had only planned on passing through the old-fashioned lakeside town. But when a heated confrontation leads to property damage, helping Quinn as a community-service sentence seems like the quickest way out—and the best way to avoid more negative press.
Quinn finds Grady reckless and entitled; he thinks she’s uptight and too regimented. Yet as the two begin to hammer and saw, Quinn sees glimpses of the vulnerability behind the bravado, and Grady learns from her passion and determination, qualities he seems to have lost along the way. But when a well-intentioned omission has devastating consequences, Grady finds himself cast out of town—and Quinn’s life—possibly forever. Forced to face the hurt holding her back, Quinn must finally let go or risk missing out on the adventure of a lifetime.
My Thoughts: What do an Olympian skier, a flower shop and a small town have in common? a storyline for a wonderful novel "Just Let Go". When Olympian skier Grady Benson comes to town no one knows the trials he has been going through, but like most people, they assume he lives and acts a certain way. With the help of a judge, a teenage boy and Quin, all help him realze what he's been missing in life. Sometimes God does put people in our lives to either help us or four us to help them. This s a story about not judging a book by its cover. Learning to take time to get to know someone. We all have a life, a past; burdens we carry with us and sometimes we have to learn to let it all go and move on with the future. That is the theme of this novel. Well written, and hard to put down. The reader can easily identify with the characters. The characters in the novel all work well and interweave in the storyline that compliments the narrative.
I truly enjoyed this story and Courtney Walsh's writing.
Gareth von Kallenbach (965 KP) rated Jurassic World (2015) in Movies
Jun 19, 2019
After several years of starts and stops as Universal attempted to find the right script to relaunch their Dinosaur franchise, “Jurassic World” has arrived.
The film picks up years after the events of the first film and does not reference the events of the 2nd or third film in the series as the focus is on the fact that the park has now become a fully functioning and popular resort destination.
Monorails, rides, petting zoos, hotels, restaurants, and of course, gift shops now dominate the island and keep the revenue going. The resort is under the watchful eye of Claire (Bruce Dallas Howard), who is an ultra-organized workaholic who reportedly brought an itinerary on a first date.
Claire is always finding a way to keep the cash flowing as the park has a very high overhead and as such, is always looking at new ways to attract fans as new attractions bring in more money.
Claire is in the midst of pitching their latest idea to investors, a genetically modified and created Dinosaur dubbed the “Indominous Rex” when her two nephews arrive.
The boys are taking a break from the cold climate of home as well as the fact that their parents are splitting up and see the trip as a way for their parents to get them out of the way by dumping them on their indifferent Aunt who assigns an assistant to watch them.
Naturally things do not go as planned as the new Dinosaur decides to bust up the fun and escapes from its enclosure and wreaks havoc on the humans and dinosaurs in the park.
Ex-Navy Raptor wrangler Owen (Chris Pratt) is requested to evaluate the situation and he sees the Indominous as a creature that kills for fun and is more intelligent than her creators thought, and with thousands of guests lining the park, this could be a disaster in the making. Not wanting to hurt their corporate image and investment, Claire and a scheming company exec named Hoskins (Vincent D’Onfrio); devise a series of plans to stop their new creation which only tend to exacerbate the situation.
With few options left, Owen and his pack muster their resources to locate and stop the most dangerous creature ever created before it can do even more damage to the guests and park.
The film is a spectacle of 3D CGI and there are plenty of great visuals and action sequences that underscore just how fat CGI technology has come since the first film. The creatures are simply amazing to see and the action is more intense and violent then some people may be expecting.
Director Colin Trevorrow directing only his second film and his first with any real budget has made sure the film never stops trying to wow the audience with plenty of sharp visuals and action and aside from a few pacing issues now and then, the film moves along well. The film does suffer at times from a fairly linear story and actors who at times are pretty much along for the ride and to be props for their CGI co-stars but Pratt and Howard do solid work as does Irrfan Khan and D’Onfrio.
The film uses elements of a script that was discarded when Universal was planning a new film, but it has been woven into the story in an intriguing way that does setup the next film in the series well and does offer up some very intriguing possibilities for future chapters.
For now, “Jurassic World” is a welcome return to the franchise, one that for me is the first true sequel to the original as I enjoyed it more than the two films that followed.
http://sknr.net/2015/06/12/jurassic-world/
The film picks up years after the events of the first film and does not reference the events of the 2nd or third film in the series as the focus is on the fact that the park has now become a fully functioning and popular resort destination.
Monorails, rides, petting zoos, hotels, restaurants, and of course, gift shops now dominate the island and keep the revenue going. The resort is under the watchful eye of Claire (Bruce Dallas Howard), who is an ultra-organized workaholic who reportedly brought an itinerary on a first date.
Claire is always finding a way to keep the cash flowing as the park has a very high overhead and as such, is always looking at new ways to attract fans as new attractions bring in more money.
Claire is in the midst of pitching their latest idea to investors, a genetically modified and created Dinosaur dubbed the “Indominous Rex” when her two nephews arrive.
The boys are taking a break from the cold climate of home as well as the fact that their parents are splitting up and see the trip as a way for their parents to get them out of the way by dumping them on their indifferent Aunt who assigns an assistant to watch them.
Naturally things do not go as planned as the new Dinosaur decides to bust up the fun and escapes from its enclosure and wreaks havoc on the humans and dinosaurs in the park.
Ex-Navy Raptor wrangler Owen (Chris Pratt) is requested to evaluate the situation and he sees the Indominous as a creature that kills for fun and is more intelligent than her creators thought, and with thousands of guests lining the park, this could be a disaster in the making. Not wanting to hurt their corporate image and investment, Claire and a scheming company exec named Hoskins (Vincent D’Onfrio); devise a series of plans to stop their new creation which only tend to exacerbate the situation.
With few options left, Owen and his pack muster their resources to locate and stop the most dangerous creature ever created before it can do even more damage to the guests and park.
The film is a spectacle of 3D CGI and there are plenty of great visuals and action sequences that underscore just how fat CGI technology has come since the first film. The creatures are simply amazing to see and the action is more intense and violent then some people may be expecting.
Director Colin Trevorrow directing only his second film and his first with any real budget has made sure the film never stops trying to wow the audience with plenty of sharp visuals and action and aside from a few pacing issues now and then, the film moves along well. The film does suffer at times from a fairly linear story and actors who at times are pretty much along for the ride and to be props for their CGI co-stars but Pratt and Howard do solid work as does Irrfan Khan and D’Onfrio.
The film uses elements of a script that was discarded when Universal was planning a new film, but it has been woven into the story in an intriguing way that does setup the next film in the series well and does offer up some very intriguing possibilities for future chapters.
For now, “Jurassic World” is a welcome return to the franchise, one that for me is the first true sequel to the original as I enjoyed it more than the two films that followed.
http://sknr.net/2015/06/12/jurassic-world/
Kristina (502 KP) rated Ten Below Zero in Books
Dec 7, 2020
Contains spoilers, click to show
I'm going to be brutally honest. Throughout the first several chapters of this book, I was only mildly interested. Parker is so negative and closed off, I almost quit reading - I've had experience with that before and reading her thoughts were just too much for me. But I stuck with it, even if hearing about Everett's problem almost made me bow out. I felt like things finally picked up around the time both Everett and Parker left for their trip. Considering how well they get along, all I could do was imagine how entertaining things would be; I was not disappointed! It's crazy, because even though I enjoyed the story and became marginally more interested when they traveled together, I can only describe my interest as casual, at best. A lot of that, I do believe, had to do with how I assumed the book would end. I've gotten used to seeing heartache from chapters away, so perhaps I was trying to cushion the blow. Unfortunately, it didn't work for me. Now, I didn't ugly cry. But I did shed some tears and felt the emotions deep within my bones. I yearned right along with Parker. Wished and hoped, even though I kept telling myself it was probably futile. Reading the Divergent series, the Bright Side, and Me Before You has hardened my heart a bit. I don't regret the tears that spilled while reading Ten Below Zero. It made my heart hurt and burst at the same time. I'm equally ecstatic that Whitney releases bonus scenes every few months - I look forward to signing up and reading more, especially from Everett's point of view.