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BankofMarquis (1832 KP) rated Hellboy (2019) in Movies
Apr 14, 2019
Oh...hell, no!
HELLBOY?!? HELL NO!
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
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Haley Mathiot (9 KP) rated Wanderlove in Books
Apr 27, 2018
Wanderlove was one of the most refreshing books I've read in a very long time. It's against the grain, unique, one of a kind, and inspiring.
So. This is why I loved it.
The characters were real. Bria is a real girl with real problems and real memories. She was really hurt, and as a reader, I felt it, and even though (as she says in the book) other people out there in third world countries have big problems, her problems were big to her, and they were real to her. And because they were real to her, they were real to me. Rowan was a guy with a screwed up past, trying to stick to the straight and narrow, but it's hard when you're just prone to being a bad boy. His memories haunt him and give him so much depth that I wouldn't have him any other way.
The relationship between Bria and Rowan was a beautiful breath of fresh air. Yes they had their arguments, yes they had their miscommunications, but for the most part, they communicated with each other—or at least tried—they worked together and made sacrifices for each other, and they forgave each other. They apologized for the real stuff—sometimes the small stuff, but stuff that had actually hurt the other person, no matter how small. BUT! Hubbard managed to write this whole beautiful relationship WITHOUT making it a victim of Happyland Syndrome. Gold stars for her!
The plot was a total surprise the whole way through. Because of the concept of the story (backpacking wherever they felt so inclined without planning ahead too much), the plot had to reflect that free-flowing laidback unplanned feeling, the feeling that it was all happening randomly and the characters (and therefore the author) were making spontaneous decisions. And it did: I never knew what would happen next. But I always knew it would be excellent.
The writing was great! It was so descriptive that I feel like I've watched a movie or an advertisement for a vacation (but without the annoying sales pitch), or maybe looked at photographs of the area… and at times, I could feel the sand between my toes and the water lapping at my ankles, and the sun on my face. I went headlong into this story and got lost in it.
I loved the ending. It was one of those open endings where you know what happens, but you don't know how, and that's okay because you know it turned out wonderfully. There was enough of a conclusion that I felt like the story was complete when I got to it, but not so much that it threw me out of the story in a jolt. (Also: love the cover. It's perfect.)
Lastly: The message. I'm not going to spoil anything, or give it away, or take away your reason to read it. But, there's a wonderful (subtle un-preachy) message in this book about past memories, future hope, trust, and what it means to change as a person. Bria grew up. She kept her fun-side, but she grew up. Rowan grew up too (it took him a little longer, but he managed). And they're going to continue to grow together. I loved watching it happen, and I hope you get a chance to see it too.
Content/recommendation: No sex, maybe 1 bad word total? It was wonderful. Ages 14+
*This would make an excellent summer read! Add to your vacation lists!*
So. This is why I loved it.
The characters were real. Bria is a real girl with real problems and real memories. She was really hurt, and as a reader, I felt it, and even though (as she says in the book) other people out there in third world countries have big problems, her problems were big to her, and they were real to her. And because they were real to her, they were real to me. Rowan was a guy with a screwed up past, trying to stick to the straight and narrow, but it's hard when you're just prone to being a bad boy. His memories haunt him and give him so much depth that I wouldn't have him any other way.
The relationship between Bria and Rowan was a beautiful breath of fresh air. Yes they had their arguments, yes they had their miscommunications, but for the most part, they communicated with each other—or at least tried—they worked together and made sacrifices for each other, and they forgave each other. They apologized for the real stuff—sometimes the small stuff, but stuff that had actually hurt the other person, no matter how small. BUT! Hubbard managed to write this whole beautiful relationship WITHOUT making it a victim of Happyland Syndrome. Gold stars for her!
The plot was a total surprise the whole way through. Because of the concept of the story (backpacking wherever they felt so inclined without planning ahead too much), the plot had to reflect that free-flowing laidback unplanned feeling, the feeling that it was all happening randomly and the characters (and therefore the author) were making spontaneous decisions. And it did: I never knew what would happen next. But I always knew it would be excellent.
The writing was great! It was so descriptive that I feel like I've watched a movie or an advertisement for a vacation (but without the annoying sales pitch), or maybe looked at photographs of the area… and at times, I could feel the sand between my toes and the water lapping at my ankles, and the sun on my face. I went headlong into this story and got lost in it.
I loved the ending. It was one of those open endings where you know what happens, but you don't know how, and that's okay because you know it turned out wonderfully. There was enough of a conclusion that I felt like the story was complete when I got to it, but not so much that it threw me out of the story in a jolt. (Also: love the cover. It's perfect.)
Lastly: The message. I'm not going to spoil anything, or give it away, or take away your reason to read it. But, there's a wonderful (subtle un-preachy) message in this book about past memories, future hope, trust, and what it means to change as a person. Bria grew up. She kept her fun-side, but she grew up. Rowan grew up too (it took him a little longer, but he managed). And they're going to continue to grow together. I loved watching it happen, and I hope you get a chance to see it too.
Content/recommendation: No sex, maybe 1 bad word total? It was wonderful. Ages 14+
*This would make an excellent summer read! Add to your vacation lists!*
Chris Sawin (602 KP) rated S. Darko: A Donnie Darko Tale (2009) in Movies
Jun 22, 2019
Samantha Darko, or Sam as she goes by, just wants to feel like a normal person. Back where she's from, Virginia, she feels like everyone knows everything about her yet that she's invisible at the same time. She'd change places with somebody if she could. Somehow start all over. Nothing has been the same for her since her brother, Donnie, died seven years ago and she is consumed with the same outlandish visions Donnie had. She decides to go on a road trip with her friend, Corey, to California in hopes of working for Corey's dad. Their car breaks down along the way and they wind up in a small town called Conejo Springs. This is where the world will end in four days, seventeen hours, twenty six minutes, and thirty one seconds.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
Debbiereadsbook (1202 KP) rated Memory Lane (Pine Cove #5) in Books
Mar 13, 2021
I loved that everyone plays a part here!
I was gifted my copy of this book.
This is book 5 in the Pine Cove series, and while not necessary to have read the other 4, I would personally recommedn that you do. It will give you a better feel for Pine Cove, and more importantly, for the people who live in it, and just why what happens here is NOT the norm for this town.
Jay is Robin's brother. Angel is his best friend from childhood and Jay has loved Angel since that day on the bridge, 16 years ago. Now having Angel so close, Jay is struggling to keep his feelings hidden. Then when Angel has an accident at work, and loses some memory, Jay steps up to look after Angel and puts himself in a world more hurt. Angel, on the other hand, remembers Jay. Jay is the first thing he says when he wakes up, and he remembers all the places that he and Jay went to as kids. ALL his memories revolve around Jay. Everything he feels, revolves around Jay. Is he attracted to Jay?
I enjoyed this, I really did but it doesn't pack the punch that the first three books carry.
Oh don't get me wrong, it's a wonderfully written, well told book, but it doesn't sucker punch you quite so much and I kinda missed that.
The love Jay has for Angel is palable, right from the start, and that carries right through the book, even if it thought it might cost him their friendship. Angel's feeling for Jay are a little less. . . . romantic but nonetheless intense. It just takes Angel time to filter all the noise in his head from his ex, to see what he really feels for Jay; how MUCH he feels for Jay.
I loved the fact that it's on the bridge, when Jay fell in love with Angel, that Angel lets his feelings really come out!
I could see what had happened to cause the accident coming at me, just as soon as the instigator makes themselves known causing trouble. I didn't think they quite go as far as they do though!
I loved that everyone plays a part here. Robin and Dair; Scout and Emery, Swift and Micha, and Ben and Elias: they all take part to some degree or other. Kamran too, and something happens here that makes me wonder what is going on with him!
And halle-flipping-lujah! Ava and Peyton finally FINALLY admit, out loud, in front of everyone, what they mean to each other and I still want them to have a story!
So from this book, I want two more: Kamran's story and Ava/Peyton's! Greedy? Moi?? I don't know what you mean!
A great read, though, all in all!
4 solid stars
**same worded review will appear elewhere**
This is book 5 in the Pine Cove series, and while not necessary to have read the other 4, I would personally recommedn that you do. It will give you a better feel for Pine Cove, and more importantly, for the people who live in it, and just why what happens here is NOT the norm for this town.
Jay is Robin's brother. Angel is his best friend from childhood and Jay has loved Angel since that day on the bridge, 16 years ago. Now having Angel so close, Jay is struggling to keep his feelings hidden. Then when Angel has an accident at work, and loses some memory, Jay steps up to look after Angel and puts himself in a world more hurt. Angel, on the other hand, remembers Jay. Jay is the first thing he says when he wakes up, and he remembers all the places that he and Jay went to as kids. ALL his memories revolve around Jay. Everything he feels, revolves around Jay. Is he attracted to Jay?
I enjoyed this, I really did but it doesn't pack the punch that the first three books carry.
Oh don't get me wrong, it's a wonderfully written, well told book, but it doesn't sucker punch you quite so much and I kinda missed that.
The love Jay has for Angel is palable, right from the start, and that carries right through the book, even if it thought it might cost him their friendship. Angel's feeling for Jay are a little less. . . . romantic but nonetheless intense. It just takes Angel time to filter all the noise in his head from his ex, to see what he really feels for Jay; how MUCH he feels for Jay.
I loved the fact that it's on the bridge, when Jay fell in love with Angel, that Angel lets his feelings really come out!
I could see what had happened to cause the accident coming at me, just as soon as the instigator makes themselves known causing trouble. I didn't think they quite go as far as they do though!
I loved that everyone plays a part here. Robin and Dair; Scout and Emery, Swift and Micha, and Ben and Elias: they all take part to some degree or other. Kamran too, and something happens here that makes me wonder what is going on with him!
And halle-flipping-lujah! Ava and Peyton finally FINALLY admit, out loud, in front of everyone, what they mean to each other and I still want them to have a story!
So from this book, I want two more: Kamran's story and Ava/Peyton's! Greedy? Moi?? I don't know what you mean!
A great read, though, all in all!
4 solid stars
**same worded review will appear elewhere**
Kristy H (1252 KP) rated Good Luck with That in Books
Mar 11, 2019
Powerful, emotional read, but completely worth it
Emerson, Georgia, and Marley have been best friends since they were teens. They met at Camp Copperbrook, a weight-loss camp. They've stayed close ever since, so when Emerson passes away, Georgia and Marley are distraught. Emerson asks her friends to complete a list they made at camp, forcing both Georgia and Marley to confront some long-held fears. Marley still feels guilty since her twin sister, Frankie, died when they were four. And Georgia, has been scarred by the exacting conditions--especially about weight--passed on by her mother and brother. And she's hurt after the ending of her marriage. But Georgia and Marley are determined to complete the items on the list, for Emerson, even if it means getting past their comfort zone and learning to love themselves just as they are.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
Gareth von Kallenbach (980 KP) rated V for Vendetta (2005) in Movies
Aug 14, 2019
On a dark and silent night, a young woman named Evey (Natalie Portman), treads carefully through the streets of London unaware of the direction her life is about to take. As an attractive young lady, sneaking out of her home after curfew is filled with peril, especially when she is confronted by a gang of local thugs who happen to work for the government. Despite her protests, the men set up Evey only to be confronted by a masked figure.
The masked figure quickly dispatches the assailants and offers to escort Evey to safety. Despite being scared, Evey does accompany the figure to a rooftop where she is treated to a spectacular explosion set to music.
Thus begins V for Vendetta a film that mixes “The Phantom of the Opera” “Beauty and the Beast” and ?” to create a gothic love story and biting social commentary about the dangers of governmental control and censorship in a society gone awry.
In London of the near future, it is learned that a series of terrorist attacks have left thousands dead which resulted in stricter governmental controls and intrusions into privacy and lifestyles. Those who did not conform nor meet expectations often vanished never to be heard from again. Such was the case of Evey’s parents who decided to protest governmental policies and soon found themselves beaten and whisked away in the night.
Behind all of the oppression is a man named Adam Sutler (John Hurt), a monomaniacal leader who rules with an iron fist and an extreme agenda that he has manipulated to make himself and unopposed ruler of the nation.
While most of the population lives in fear of Sutler and his men, there is one who does not, a mysterious masked figure named V (Hugo Weaving), who dons a Guy Fawkes mask in tribute to the man who centuries ago attempted to destroy Parliament. When V is able to temporarily gain control of the television network for the government, he is able to broadcast his message to the people that the time has come to take back their lives and society and stop living in fear. Towards this end, V pledges to the masses that he will destroy Parliament in 1 year and that the people should gather to watch the destruction unfold.
This bold proclamation causes Sutler to stop at nothing to capture V and he tasks his Chief Inspector Finch (Stephen Rea), to locate V. Since Evey worked at the television station and was observed helping V on a security monitor, Finch decides to locate Evey and force her to reveal the locale of the mysterious vigilante.
This task proves difficult as V has taken Evey into his protection and forces her to live in his luxurious yet secluded home in order to avoid the police forces.
It is during this time that Evey learns that V is a study in contrast. On one hand he is a very sophisticated person with a taste for the arts, culture, and a desire to see people free to live their lives as they desire.
During this time V also kills top members of the political party and with the discovery of each new victim, he becomes an even bigger target of a very irate Sutler.
All of which culminates in a race against the clock for V to complete his plan and exact his revenge for past wrongdoings done to him which propels the film to its climatic finale.
While the film is an interesting and at times enjoyable film it is hampered in some ways by a marketing program where early trailers showed the film to be an action filled romp. The truth is there is about 15-20 minutes of action in the films nearly 2hr and 10 minute run time which allows the majority of the film to be spent on the interaction between V and Evey.
While this is interesting and does bring in elements of “Phantom” and “Beauty” as I mentioned earlier, it is at the sacrifice of what I think are important factors. For example we learn a bit about why V is on his vendetta but serious questions from that are not answered. We do not learn the full what, where and why, on his situation. I am trying hard to avoid spoilers here so suffice it to say there are some very important questions about what was done to him, how he survived and so on that need to be answered but are not.
The action sequences though few and far between are well staged and Weaving and Portman have a great chemistry with one another and do make interesting and compelling characters.
The main strength of the film is the message that people need to be aware of what is going on around them and not be so willing to accept everything they are told at face value. There is a real sense of counter-culture with the film as the prevalent theme of question and if needed defy authority permeates the film.
The script written by the Wachowski brothers of The Matrix trilogy fame has chosen to tone down the gimmicky of bullet time effects and instead focus on a character driven drama with a message and it is one that resounds loudly and clearly.
The masked figure quickly dispatches the assailants and offers to escort Evey to safety. Despite being scared, Evey does accompany the figure to a rooftop where she is treated to a spectacular explosion set to music.
Thus begins V for Vendetta a film that mixes “The Phantom of the Opera” “Beauty and the Beast” and ?” to create a gothic love story and biting social commentary about the dangers of governmental control and censorship in a society gone awry.
In London of the near future, it is learned that a series of terrorist attacks have left thousands dead which resulted in stricter governmental controls and intrusions into privacy and lifestyles. Those who did not conform nor meet expectations often vanished never to be heard from again. Such was the case of Evey’s parents who decided to protest governmental policies and soon found themselves beaten and whisked away in the night.
Behind all of the oppression is a man named Adam Sutler (John Hurt), a monomaniacal leader who rules with an iron fist and an extreme agenda that he has manipulated to make himself and unopposed ruler of the nation.
While most of the population lives in fear of Sutler and his men, there is one who does not, a mysterious masked figure named V (Hugo Weaving), who dons a Guy Fawkes mask in tribute to the man who centuries ago attempted to destroy Parliament. When V is able to temporarily gain control of the television network for the government, he is able to broadcast his message to the people that the time has come to take back their lives and society and stop living in fear. Towards this end, V pledges to the masses that he will destroy Parliament in 1 year and that the people should gather to watch the destruction unfold.
This bold proclamation causes Sutler to stop at nothing to capture V and he tasks his Chief Inspector Finch (Stephen Rea), to locate V. Since Evey worked at the television station and was observed helping V on a security monitor, Finch decides to locate Evey and force her to reveal the locale of the mysterious vigilante.
This task proves difficult as V has taken Evey into his protection and forces her to live in his luxurious yet secluded home in order to avoid the police forces.
It is during this time that Evey learns that V is a study in contrast. On one hand he is a very sophisticated person with a taste for the arts, culture, and a desire to see people free to live their lives as they desire.
During this time V also kills top members of the political party and with the discovery of each new victim, he becomes an even bigger target of a very irate Sutler.
All of which culminates in a race against the clock for V to complete his plan and exact his revenge for past wrongdoings done to him which propels the film to its climatic finale.
While the film is an interesting and at times enjoyable film it is hampered in some ways by a marketing program where early trailers showed the film to be an action filled romp. The truth is there is about 15-20 minutes of action in the films nearly 2hr and 10 minute run time which allows the majority of the film to be spent on the interaction between V and Evey.
While this is interesting and does bring in elements of “Phantom” and “Beauty” as I mentioned earlier, it is at the sacrifice of what I think are important factors. For example we learn a bit about why V is on his vendetta but serious questions from that are not answered. We do not learn the full what, where and why, on his situation. I am trying hard to avoid spoilers here so suffice it to say there are some very important questions about what was done to him, how he survived and so on that need to be answered but are not.
The action sequences though few and far between are well staged and Weaving and Portman have a great chemistry with one another and do make interesting and compelling characters.
The main strength of the film is the message that people need to be aware of what is going on around them and not be so willing to accept everything they are told at face value. There is a real sense of counter-culture with the film as the prevalent theme of question and if needed defy authority permeates the film.
The script written by the Wachowski brothers of The Matrix trilogy fame has chosen to tone down the gimmicky of bullet time effects and instead focus on a character driven drama with a message and it is one that resounds loudly and clearly.
Management vs. Employees: How Leaders Can Bridge the Power Gaps That Hurt Corporate Performance
Hayes Drumwright and Brian Anderson
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This book provides corporate leaders a roadmap for bridging the hierarchical gaps between management...
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