"The same could be said about The Matrix movies, all three. A lot of people will be like, “Well, no, just the first one, because the other two weren’t to my fancy.” I liked all three because I like the entire story. What a unique concept that the world is completely fake, and amazing to think that machines could be running things, as I sit here and talk into a machine recorder. It’s just a really forward-thinking concept. I thought it was wonderfully done, and certainly a movie that, from an effects standpoint, changed the way people made movies. It’s one of those movies where people were wowed by the effects, but I think they took a back seat to what a wonderful story it was. It was such a fantastic story."

"This would be the opposite to a lot of the records we've been talking about - it's complicated, there's a lot of instrumentation going on. That's one of the things I really like about Tortoise, they can play all that stuff live and pull it off. I think they have nine members sometimes, maybe even more, but it's one of those records where it's a really cool electronic record but it's actually really organic because these guys are really playing. Those two things are so different and so hard to blend well, I've tried it myself and failed often, it's hard to do. The musicianship needs to be there, and the programming needs to be right - I may be wrong but I think a lot of those type of songs are created electronically and then people try to interpret them, but with Tortoise I don't know how it starts - do they start organically and then interpret them electronically? Especially with Standards, it's a perfect blend of the two. I definitely feel an affinity with post rock groups like Tortoise, maybe people like Shellac as well."

"The English Patient I saw when I was really young, and the love story just devastated me, I think. You know, I was just sobbing. I loved it. Beautiful images. Something that can evoke that much emotion out of me — I was just really moved. So those are five that just come straight to the surface. You must get all kinds of people naming these obscure-ass movies though, right?"

"The one [film] that made me want to be an actor is [Franco] Zeffirelli’s Romeo and Juliet. I went and saw it and, because there might have been some sex scenes, I had to sit in front of my mom, and any time those beautiful young people took off their clothes, I would feel her hand clamp down on my eyes [laughing]. But that’s when I went, “Yes, that!'"