"To me, this is another mood record. It's more about pieces, pieces of music. I suppose there are some songs there. There are melodies there but it's a bunch of complex pieces. I have a friend who works at a record store and he told me that this album is the most returned album they ever get. I guess people put it on and it's not what they expect from Miles Davis. It's not a bebop record. It's very orchestrated, it's jazz clusters, not rhythm. I hadn't really thought about it but I guess there are a few vibe albums on this list. I love a good album of pop songs but there is something about these ones that you can put on while you're going to sleep, when you're chilling out or after work. It's more about turning off your mind and letting the music wash over you. I like those kinds of records. "

"People who didn’t live through that period or weren’t old enough to know what was going on somehow imagine that there was this fantastic post-punk thing going on. That’s all made up in hindsight. Really, everything was pop of the most plastic kind. And a lot of it was quite terrible. Though I did like Madonna’s “Like a Virgin,” which came out in 1984. There was a real thing in the early-to-mid ’80s about modern classical music; there was a lot of that stuff around, and those were the more interesting things. If you know Tabula Rasa and know anything about the music that I’ve been involved with, you might struggle to find how I would connect with that kind of music. But it’s not really experimental music. It’s very emotional. It doesn’t have the form of a song but it’s not far from the world that Eno was exploring with his Ambient series."

"Every aspect of the movie is excellent. There isn’t one wrong move — from the script, to the acting, to the music. It’s such a beautiful human story about an individual struggle set against the corrupt unions screwing over the dock workers. So, you have this social background for the situation, and then you have the personal human journey of the brother of one of these union mobsters, who has to sort of turn on his own people. Marlon Brando pretty much rocked the cinema with this new style of acting, and you can never go back to Cary Grant. As wonderful as Cary Grant is, Marlon Brando changed the game. Karl Malden has one of the greatest movie monologues of all time as the priest in the docks, encouraging everyone to take a stand. He was like the first Norma Rae. I have the soundtrack on my iPod. I love great movie soundtracks, and I consider that one of those."

"It's about the quality of the star, those people who the camera just loves, and James Dean is really amazing. He's moody, but there's a lot going on beneath the surface. He doesn't go with the crowd which is always very attractive. When you're dealing with adolescence you've always got the kids with that strength of character. I think that's very important. I watched Rebel Without A Cause in the eighties with a group of kids and they thought it was really funny and old fashioned. When you look at it it now it is obviously a bit melodramatic, but that's partly because it's influenced so many films since. It's also a very strange film, a fated film, because the three main juvenile leads, Sal Mineo, Natalie Wood and James Dean, died prematurely. Sal Mineo was murdered in the late seventies, Natalie Wood drowned in an accident, and of course JD was too fast too young."

"The Girl Can't Help It isn't about the status of teenagers, but it had huge impact on teenage audiences. On one level it's like one of those terrible Don't Knock The Rock films - just a compendium of performances. But it's got a more sophisticated plot that alludes to mob involvement in the music business. And it's got Tom Ewell, who's a very fine comic actor, and Jayne Mansfield, who's a fascinating and fated character as well. You get Eddie Cochran and Little Richard – neither of whom played in the UK for another few years – so you can imagine what it meant to The Beatles when they went to see it. All that early rock & roll period is so un-self conscious, people didn't know what they were doing and The Girl Can't Help It showed British teenagers the American lifestyle. America is the thing that everyone aspired to at that point. Glorious Technicolor in every way."