"For obvious reasons, since her passing, I’ve been playing it a bit, and it’s a fucking great album. I think it was Tony Bennett who said she had the voice in which he could recognise the echoes of the truly great singers. Again, she had that spontaneity: she could do five different versions of the same song and they’d all be equally good. And that’s the sign of a real soul singer. I did meet her a few times, I used to see her around Camden, and my daughters used to know her a bit, being Camden girls, and it was sad seeing her demise. She was this healthy, vibrant girl and bit by bit you saw that change. Really tragic, and especially when you hear how great that album was. It’s funny, even in our heyday, people in Camden would leave us alone a bit. There wasn’t that tabloid hunger in those days, and there wasn’t a lot of music in the papers. Also, we weren’t in the girly market. Girls didn’t like Madness, so there was no point in writing about us! So we avoided all that. But now of course there’s the internet, and all these fucking virals or whatever they are, and everyone’s got a camera on their phone, and if Amy wanted to go and hang out at the pub, she just couldn’t. And at the very end, all she wanted to do was come back to Camden. Hopefully in time people will remember her as a brilliant singer, and forget all the other nonsense."